The fact that this masterpiece got nothing except cinematography nod at the oscars as Robert Eggers was not even mentioned for best director was proof that these award shows don’t honor genuine pieces of artistic expression.
The worst part is that the Lighthouse probably didn't get the nomination for what makes it great. They probably just saw it was black and white and decided that equates cinematography.
HelloOutsiders he got nominated for special effects since the effects team could only nominate one person at the time rather than multiple people, like they do now. Since Kubrick oversaw the special effect process, they thought he should be nominated and as a result, he won.
The Lighthouse had the most oppressive, stifling, paranoid atmosphere in a film I've seen since The Thing, and I would definitely rank them equally as some of the best psychological horror films ever made.
Saw it twice with friends, none of them had a grasp at what it was about and due it didn't like it. Meanwhile I was there mesmerized by every second of the film, and my 2nd time around I loved it even more.
Same. The shot I end this essay with. Where Winslow in dancing so hard he starts spouting gibberish... I've felt that feeling. Not to that extent, but I know what it is. This film allows you to see - feel what a complete descent into that world is like. It's chaos. You won't walk away "getting" it, and some people just don't get that.
The foghorn sound will forever be imprinted in my head. This movie was absolutely incredible and I cant believe they snubbed this movie and uncut gems hard. Do they hate A24 or something?
@mera I'm pretty sure they give them a chance because one was directed by a black guy and the other one by a woman. If The Lighthouse had Denzel Washington and Lakeith Standfield as actors they would have been nominated. Uncut Gems starred by a black man? Let's nominate him! Oscars are just shit. I'm not taking care about it anymore.
The idea of writing stories to an atmosphere is such a great perspective, really helped me to understand film in a new way! You forget sometimes that cinema is a visual medium-people can become so obsessed with making the most compelling story possible that their screenplays look better as novels than real films. So interesting !
I feel like the first shot of Willem and Robert standing and looking towards the camera says everything you need to know about this movie. It’s awkward and unsettling and somehow it has a confusing quality that stretches out throughout the entire movie. God what a masterpiece.
Around minute 5:45 - that’s a valid point. Although for me it was actually the coming and going of the foghorn sound that did the trick. Found myself thinking from “I haven’t heard the foghorn in a while” to “oh here it is again”, “how long has it been”. Mission accomplished Mr Eggers & Team!
Robert Eggers looks at cinematography nom: you're fond of me filming anit ye? I've seen it! You're fond of me filming!!! Eggers: Say it! Say it! Academy: and the oscar goes to Roger deakins for 1917 Eggers: DAMM YE!! LET NEPTUNE STRIKE YE DOWN OSCARS!! HHHAAARRKKKKK!!!
I have just finished watching Lighthouse, I am genuinely very mad that it was snubbed by so many awards. William Dafoe is one of the best actors ever existed and Robert Pattison is the definition of perfection.
@@rickardkaufman3988 I get that it was a challenge to make it all one shot and if you base it on the technical factors, yeah, it should win, but visually it really isn't too impressive. One shot films are movies with good editing. And the editing really wasn't that great anyways.
Check 1917 is a Masterpiece as well !!!Maybe not as Necessary and Impressive as this but is like the Very idea of lighthouse For PURE CINEMATIC EXPERIENCE!!!Check it out!
@@isaackmojica8302 Already seen it. I thought it was good, but I felt the one shot got in the way of the film being more engaging at times and the characters weren't memorable enough for me to be invested in their journey
Went to this historic lighthouse in my state and before going I watched a short 11 minute film about its history in mostly black and white footage which started creeping me out because of this movie lol. I love when art has a long lasting effect on me even if it means whenever I shower in the dark I can hear “why’d you spill ur beans Tommm” before I open the curtain to an empty bathroom
I was just listening to the lumberjack song that they dance to... then this video was uploaded -- thank you for shining more light on this gem of a film, Thomas
Ever see a film that just seems like it was always destined to be made? Like, every minute aspect down to the finest detail is just so perfectly placed and so needed, with a sum greater than all of the parts, countless plausible interpretations, and a lasting impression for years to come (I'll never get that final image out of my eyes, jesus), making it hard to believe there was a human behind it all that had to come up with it beforehand? Yeah, this is one of those movies.
Yeah like even the year this movie was released feels like the right time you know like I always get the feeling good movies like this where always destined to be made idk it’s weird.
after watching this movie i left the cinema and immediately had a panic attack. it was just so viscerally horrifying and really captured what the subconscious can feel like in the midst of depression, or grief, or anything of that sort. a masterpiece but i would most definitely never watch it again
Curious if your sentiment about b&w movies includes: Ivan's Childhood, Persona, or Seconds? After I had discovered those movies I forgot I ever thought of b&w movies as different from contemporary color movies. Guess I'll throw Eraserhead and Dr. Strangelove in that mix as well.
Surprised you didn’t mention the soundtrack it had a lot of thoughtful stuff that added to the feel. Also the sound design has a specific “heartbeat” that it evokes throughout (the beginning with the waves/boat)
This movie, with its precision and era-specific dialogue, should feel very pretentious. It doesn’t, and is in fact kind of lighthearted? This movie is original, disturbing, funny, beautiful, disgusting, and most importantly: excellent.
One that leads you on to think it would deal with something new of weight in a fresh and specific way, but then increasingly gets bogged down in the same old, same old stylistic routines, or does get convoluted in the plot with nothing worthwhile telling to finally lead up to.
You know, everything about this film grabbed me in an instant. A great film is a great film, I grew up watching some tv shows and cartoons in black&white, the aesthetics of the frame and cinematography alone told me the story. The Lighthouse is one the greatest films to witness. Good job on this video
One of those movies where, by the time it got to the shot of the two of them standing looking at the camera, I knew I was going to love the movie, not matter what ended up happening.
Really up set that this masterpiece wasn't nominated for more things, especially Willem DaFoe and Robert Pattinson not being nominated for best actor. They both brought absolute powerhouse performances to this film.
It has been said but it needs to be said again and again so that the consensus overwhelms Robert Eggers and he goes mad and understands that he NEEDS to make 'At the Mountains of Madness' or any adaptation of Lovecraft in an attempt to save his soul.
Thank you. This gave me few ideas and kicked some creative notes how to work on my future film projects and how to rework one of my completed short films. The emphasis on atmosphere in the movie is what drew me to this film, so thank you for your analysis. I really enjoyed the part where you mention and I agree with you that it is important to create a kind of world where audience feels and believes that such place exited long before and will exist long after the film was shot.
I just saw this today, never got to see it in theatres. Really wish I had now. This movie is great at tension, atmosphere. I never knew where it was going, I was actually confused, like I tried to wrap my brain around what was happening. Rarely do I experience those things in movies, but this movie did it. This is, by far, my favourite movie of 2019.
I think Big Little Lies does an amazing job in creating a memorable atmosphere. The mood and tone are always playing in my head. I get a feeling of tranquility when I feel the atmosphere of it.
Willem Dafoe is absolutely outstanding in this. I love how he got involved simply by saying in an interview that he'd like to work with Eggers. Eggers saw it then reached out.
Eggers still has a long career ahead of him. He'll win an Oscar eventually, and when that day comes, he'll simultaneously be considered one of the all time greatest, and things will all fall into place. he's just too talented to go completely unnoticed
Great video. The foghorn definitely will stay with me. Really haunting film. And strangely humorous. Sad that the Oscars didn't give more nods. This film is a rare gem.
This movie requires multiple viewings to get the most out of it. When I first saw it in the theater I left a bit disappointed because the trailers gave me such high hopes, but I keep going back to it because of its ambiguity and mystery. It is a beautifully shot movie and Defoe does an amazing job, but I still feel like it didn't live up to its full potential. There is such a thing as too much ambiguity--like the light at the end. I've heard many interpretations and come up with my own, but none of them seem satisfying.
Exactly what I thought, its a real successor in building such an atmosphere and world as its main focus. Doctor Sleep's script was written by King himself so of course its only focus is story not a purely atmospheric experience. And as this video mentions, that what The Lighthouse and also The Shining have, consistent atmosphere where the story can be interpreted a number of ways. Doctor Sleep fails at that.
@@clanofclams2720 what a retarded argument. My opinion clearly means I have seen the Lighthouse, and know that Eggers is not Kubrick. The cinematography style is not similar. The writing isn't similar. The directing in general is not similar. The only similar shit is the brooding atmosphere and characters going crazy. But that isn't the same style. Many other director's have done the same thing. And the remake will literally never happen, because it makes no logical sense to. We don't need a talented director trying to emulate another talented director.
I was certain Willem Dafoe or Robbat Battinbat would get Oscar nominations. I thought so many more behind this modern classic of pure cinema would get nominated for their standout achievements. Nobody else is making films like this anymore. All of Eggers films feel like Bergman got a Hollywood budget.
If there is anyone that can challenge Deakins for this year's Best Cinematography it's Blaschke - though Eggers would deserve part of that award. Really wich more Oscar voters were as knowledgeable as you.
I'll say it again, here... the movie is mundane if not obtuse in plot. The speech is used to hide its simplicity in story arc, and why Mr. Defoe keeps reiterating the dialog is "elevated speech" in every publicity jaunt, in order to reinforce the desired perspective, rather than the reality. The speech is not "elevated" but it's rather common, and indicative to the people speaking in the time they spoke it. Vernacular and metaphor does not equate to "elevated". The "atmosphere" is completely illusory. The writer knew by filming technique and verbal prestidigitation it would make average people feel smarter about themselves. The movie appeals to one's (inflated) ego, not intellect.
please don't laugh too hard at me but I was rewatching this for like the 8th time yesterday and it kinda made me think "this is shot as though Wes Anderson was having a bad LSD trip"
Great video Thomas but I have one question ... As this hasn't had a home release yet, where are you getting your footage from? Do the studios offer you a version of the film on download much like a critic would receive?
I get the novelty gimmick of pretending to be all one shot in 1917 is flashy and appealing to brain drained Oscar voters, but I still think this is one of the biggest snubs of the decade. This film is a cinematographer’s dream. It is a cinematographer’s movie. It had the best photography of any movie last year, or last decade. What a travesty.
The fact that this masterpiece got nothing except cinematography nod at the oscars as Robert Eggers was not even mentioned for best director was proof that these award shows don’t honor genuine pieces of artistic expression.
Nicholas Bodo exactly. How in gods name did Ford vs Ferrari get nominated for Best Picture but The Lighthouse didn’t?
Because they think atmosphere and sound design mean loud, bombastic and in your face.
Willem Dafoe was also robbed
Robert Pattinson too! They are the best duel performances this decade since Joaquin Phoenix and Philip Seymour Hoffman in The Master.
The worst part is that the Lighthouse probably didn't get the nomination for what makes it great. They probably just saw it was black and white and decided that equates cinematography.
This movie embodied pure, arthouse cinema. A form of this medium that is all about the experience.
The movie to me is a love-letter to the artform itself, a beautifully crafted one.
This movie is driving me mad. So perfect.
Every single scene after "why'd ye spill yer beans" is both trippy and disturbing
The final shot was beautiful yet horrifying
My girlfriend hates it when I growl out that line. The Lighthouse is, if nothing else, a film that leaves an impact.
Kubrick never won a best director oscar. Eggers shouldn't lose sleep over the academy's failure to recognize the best filmmakers
It's a shame, the only Oscar he won was for work he didn't do and shouldn't have qualified for in the first place...
I never knew that.. He certainly had somewhat of a mainstream culture around him during his career though.
HelloOutsiders he got nominated for special effects since the effects team could only nominate one person at the time rather than multiple people, like they do now. Since Kubrick oversaw the special effect process, they thought he should be nominated and as a result, he won.
Neither has Nolan or Tarantino!
@@masterwindu1234 Tarantino i agree, nolan not really
“YER FOND OF ME LOBSTER, AINT YE?”
Haaaarrrrkkkk!!!!!
Bad luck to kill a seabird
LET NEPTUNE STRIKE YE DEAD, WINSLOW!
You smell like jism
"I've seen it. Yer fond of me lobster"
The Lighthouse had the most oppressive, stifling, paranoid atmosphere in a film I've seen since The Thing, and I would definitely rank them equally as some of the best psychological horror films ever made.
Saw it twice with friends, none of them had a grasp at what it was about and due it didn't like it. Meanwhile I was there mesmerized by every second of the film, and my 2nd time around I loved it even more.
Same. The shot I end this essay with. Where Winslow in dancing so hard he starts spouting gibberish... I've felt that feeling. Not to that extent, but I know what it is. This film allows you to see - feel what a complete descent into that world is like. It's chaos. You won't walk away "getting" it, and some people just don't get that.
Same, but unfortunately I was one of those who didn't like it
your friends are shit, mate
The foghorn sound will forever be imprinted in my head. This movie was absolutely incredible and I cant believe they snubbed this movie and uncut gems hard. Do they hate A24 or something?
I think you are right. They even dissed Uncut Gems as well.
And don’t forget the Farewell (also from A24)
@@joaopedrolins7723 Yup exactly!!
@mera Agreed!
@mera I'm pretty sure they give them a chance because one was directed by a black guy and the other one by a woman. If The Lighthouse had Denzel Washington and Lakeith Standfield as actors they would have been nominated. Uncut Gems starred by a black man? Let's nominate him! Oscars are just shit. I'm not taking care about it anymore.
The idea of writing stories to an atmosphere is such a great perspective, really helped me to understand film in a new way! You forget sometimes that cinema is a visual medium-people can become so obsessed with making the most compelling story possible that their screenplays look better as novels than real films. So interesting !
I feel like the first shot of Willem and Robert standing and looking towards the camera says everything you need to know about this movie. It’s awkward and unsettling and somehow it has a confusing quality that stretches out throughout the entire movie.
God what a masterpiece.
when was this video posted?
five weeks ago?
two days?
help me to recollect
It was uploaded day after tomorrow
An hour ago human.
Im still hearing the fog horn after watching this video..
Toby B bro... it’s driving me crazy.
HAAAAAAAARRRRRRRRKKKKKK!!!
I love the dark and bizarre imagery. The sense of dread given by the black and white is incredible. Such a creative film.
Its fine. Oscar doesnt deserve THE LIGHTHOUSE
Manas Bansal who’s Oscar?
@@ianbeach23 Oscar the shark Slayer
@@ianbeach23 the one-eyed corpse in the lobster bin
Around minute 5:45 - that’s a valid point. Although for me it was actually the coming and going of the foghorn sound that did the trick. Found myself thinking from “I haven’t heard the foghorn in a while” to “oh here it is again”, “how long has it been”. Mission accomplished Mr Eggers & Team!
Robert Eggers looks at cinematography nom: you're fond of me filming anit ye? I've seen it! You're fond of me filming!!!
Eggers: Say it! Say it!
Academy: and the oscar goes to Roger deakins for 1917
Eggers: DAMM YE!! LET NEPTUNE STRIKE YE DOWN OSCARS!! HHHAAARRKKKKK!!!
I have just finished watching Lighthouse, I am genuinely very mad that it was snubbed by so many awards. William Dafoe is one of the best actors ever existed and Robert Pattison is the definition of perfection.
Defoe is on another level in this.
@@ThomasFlight Only Nominated for Best Cinematography. We all know that Roger Deakins will win for 1917.
@@rickardkaufman3988 I loved 1917 but besides a few shots, it doesn't really deserve a cinematography award.
@@rickardkaufman3988 I get that it was a challenge to make it all one shot and if you base it on the technical factors, yeah, it should win, but visually it really isn't too impressive. One shot films are movies with good editing. And the editing really wasn't that great anyways.
@@pacorka9943 We'll see at the Oscars.
The best compliment I can give this movie is that it's near perfect, and I haven't seen a film this masterful and precise in several years
Check 1917 is a Masterpiece as well !!!Maybe not as Necessary and Impressive as this but is like the Very idea of lighthouse For PURE CINEMATIC EXPERIENCE!!!Check it out!
@@isaackmojica8302 Already seen it. I thought it was good, but I felt the one shot got in the way of the film being more engaging at times and the characters weren't memorable enough for me to be invested in their journey
I love what you did with the foghorn supercut
that was amazing
Went to this historic lighthouse in my state and before going I watched a short 11 minute film about its history in mostly black and white footage which started creeping me out because of this movie lol. I love when art has a long lasting effect on me even if it means whenever I shower in the dark I can hear “why’d you spill ur beans Tommm” before I open the curtain to an empty bathroom
I was just listening to the lumberjack song that they dance to... then this video was uploaded -- thank you for shining more light on this gem of a film, Thomas
t'is the song, ya'll ruclips.net/video/rbAhU913SSk/видео.html
This just shows how much thought and brilliance went into making this movie
“If you go to this movie with four friends....”
Imma stop you right there
Ever see a film that just seems like it was always destined to be made? Like, every minute aspect down to the finest detail is just so perfectly placed and so needed, with a sum greater than all of the parts, countless plausible interpretations, and a lasting impression for years to come (I'll never get that final image out of my eyes, jesus), making it hard to believe there was a human behind it all that had to come up with it beforehand? Yeah, this is one of those movies.
Even tho ive seen this movie 32 times now and finally figured out the truth to the story, it still blows me away everytime
Yeah like even the year this movie was released feels like the right time you know like I always get the feeling good movies like this where always destined to be made idk it’s weird.
after watching this movie i left the cinema and immediately had a panic attack. it was just so viscerally horrifying and really captured what the subconscious can feel like in the midst of depression, or grief, or anything of that sort. a masterpiece but i would most definitely never watch it again
Normally I don't enjoy watching black and white movies, but The Lighthouse and Roma are probably my favorite movies of the decade.
Don't let it put you off. Some of the greatest movies ever made were filmed before the advent of color.
@@lawrence-yx1ew liked your comment, but some of the best b&w movies where artistic choices...
Stalker
Rumblefish
...
Ida (2013) is another great contemporary black and white film.
Thomas Flight Also Cold War as well done by the same director.
Curious if your sentiment about b&w movies includes: Ivan's Childhood, Persona, or Seconds? After I had discovered those movies I forgot I ever thought of b&w movies as different from contemporary color movies. Guess I'll throw Eraserhead and Dr. Strangelove in that mix as well.
Surprised you didn’t mention the soundtrack it had a lot of thoughtful stuff that added to the feel. Also the sound design has a specific “heartbeat” that it evokes throughout (the beginning with the waves/boat)
This movie, with its precision and era-specific dialogue, should feel very pretentious. It doesn’t, and is in fact kind of lighthearted? This movie is original, disturbing, funny, beautiful, disgusting, and most importantly: excellent.
What's a pretentious film?
One that leads you on to think it would deal with something new of weight in a fresh and specific way, but then increasingly gets bogged down in the same old, same old stylistic routines, or does get convoluted in the plot with nothing worthwhile telling to finally lead up to.
That's what gets me about it, it manages to feel both light-hearted and gruesome at the same time.
I watched it twice, first alone at home, then with friends in the cinema. Surprisingly it was even more engaging and gripping on the second viewing.
You know, everything about this film grabbed me in an instant. A great film is a great film, I grew up watching some tv shows and cartoons in black&white, the aesthetics of the frame and cinematography alone told me the story. The Lighthouse is one the greatest films to witness. Good job on this video
One of those movies where, by the time it got to the shot of the two of them standing looking at the camera, I knew I was going to love the movie, not matter what ended up happening.
“A book read by a thousand different people is a thousand different books.”
Andrei Tarkovsky
I've heard so much great stuff about this movie. And it's really shot up near the top of my watchlist after this video.
Really up set that this masterpiece wasn't nominated for more things, especially Willem DaFoe and Robert Pattinson not being nominated for best actor. They both brought absolute powerhouse performances to this film.
It has been said but it needs to be said again and again so that the consensus overwhelms Robert Eggers and he goes mad and understands that he NEEDS to make 'At the Mountains of Madness' or any adaptation of Lovecraft in an attempt to save his soul.
The shot in which Dafoe's character is shooting beams of light off his eyes and overpowering Pattinson is my favorite.
I was laughing throughout the whole movie especially some of the scenes were extremely funny but when it ends, it scared the hell out of me.
It's a great combination of humor and horror!
Thank you. This gave me few ideas and kicked some creative notes how to work on my future film projects and how to rework one of my completed short films. The emphasis on atmosphere in the movie is what drew me to this film, so thank you for your analysis. I really enjoyed the part where you mention and I agree with you that it is important to create a kind of world where audience feels and believes that such place exited long before and will exist long after the film was shot.
Excellent video yet again! Keep up the quality work, mate!
this has to be my best movie ever, the atmosphere in this movie definitely haunts and sucks you in
This immediately became one of my all favourite films. Is anyone actually able to recommend anything similar to this that they’ve enjoyed watching?
Glad you can enjoy it as much as me, and the closest ive find personally is The Shining
Pretty girl by clairo
@@boymiyagi polaroid of u dancing in my room
I just saw this today, never got to see it in theatres. Really wish I had now. This movie is great at tension, atmosphere. I never knew where it was going, I was actually confused, like I tried to wrap my brain around what was happening. Rarely do I experience those things in movies, but this movie did it. This is, by far, my favourite movie of 2019.
Amazing film. This movie is a masterpiece in cinema! Great video. New sub
Thomas talking about a movie with two thomas.
This film wouldn't even exist without David Lynch. The sounds are all Alan Splet. Great movie.
Truly! From moment one, Splet's influence on Volpe is so fucking clear. Especially when Ephraim gets to the light.
I think Big Little Lies does an amazing job in creating a memorable atmosphere. The mood and tone are always playing in my head. I get a feeling of tranquility when I feel the atmosphere of it.
thanks for such a deep and beautiful analysis, it's an excellent movie
Probably only did it because both the characters are named Thomas smh
Spoiler
"both"
But one isn't the real Thom.
Why’d ya spill yer beans?
Willem Dafoe is absolutely outstanding in this. I love how he got involved simply by saying in an interview that he'd like to work with Eggers. Eggers saw it then reached out.
Strange and abrupt ending to this vid, I was waiting for more or a part two, but otherwise, top-notch per usual, thank you.
Eggers still has a long career ahead of him. He'll win an Oscar eventually, and when that day comes, he'll simultaneously be considered one of the all time greatest, and things will all fall into place. he's just too talented to go completely unnoticed
Great analysis. Great movie.
I literally just finished watching the film. Great timing man!
Great video. The foghorn definitely will stay with me. Really haunting film. And strangely humorous. Sad that the Oscars didn't give more nods. This film is a rare gem.
The fog horn is soothing and eerie.
Damn even this video is super well put together
More FOGHORN. Thanks again, Thomas. Most excellent. #TheLighthouseMovie 🎬
Dude the freaking foghorn is what makes me afraid of watching it again.
This movie requires multiple viewings to get the most out of it. When I first saw it in the theater I left a bit disappointed because the trailers gave me such high hopes, but I keep going back to it because of its ambiguity and mystery. It is a beautifully shot movie and Defoe does an amazing job, but I still feel like it didn't live up to its full potential. There is such a thing as too much ambiguity--like the light at the end. I've heard many interpretations and come up with my own, but none of them seem satisfying.
I feel like you’re a math typa guy
one of the only films of recent years that i really enjoyed
i love your foghorn-madness edit!
"Why'd y'spill yer beans,Tommy Flight?...why'd y'spill yer beans...
I wish you uploaded 10 times every day.
Im saving this for after I watch the movie 😊
Iceland or the Faeroes would have been a perfect setting for a movie like this. It's the very embodiment of the light and textures of The Lighthouse.
Very well done 👍
I’m disappointed the sound design portion didn’t mention the farts.
Ty man, bravo, bravo
One of my top 4 favorite films!
Sorry, Mike Flanagan, this was the real successor to Kubrick’s The Shining.
No it wasn't
@Jumbo Jango that's stupid. That'll never happen. Eggers isn't Kubrick.
Exactly what I thought, its a real successor in building such an atmosphere and world as its main focus.
Doctor Sleep's script was written by King himself so of course its only focus is story not a purely atmospheric experience.
And as this video mentions, that what The Lighthouse and also The Shining have, consistent atmosphere where the story can be interpreted a number of ways. Doctor Sleep fails at that.
@@MrBeastknows spoken like someone who hasn't seen the Lighthouse
@@clanofclams2720 what a retarded argument. My opinion clearly means I have seen the Lighthouse, and know that Eggers is not Kubrick. The cinematography style is not similar. The writing isn't similar. The directing in general is not similar.
The only similar shit is the brooding atmosphere and characters going crazy. But that isn't the same style. Many other director's have done the same thing. And the remake will literally never happen, because it makes no logical sense to. We don't need a talented director trying to emulate another talented director.
chúc kênh thầy càng phát triển hơn nha
I really loved opening
I was certain Willem Dafoe or Robbat Battinbat would get Oscar nominations. I thought so many more behind this modern classic of pure cinema would get nominated for their standout achievements. Nobody else is making films like this anymore. All of Eggers films feel like Bergman got a Hollywood budget.
If there is anyone that can challenge Deakins for this year's Best Cinematography it's Blaschke - though Eggers would deserve part of that award. Really wich more Oscar voters were as knowledgeable as you.
Amazing.
I want to watch this film another fifty times, and so I will.
Thomas talks about Thomas and Thomas
Thomas Wake
Thomas Howard
Thomas Flight
There is too much Thomas in this video
Excellent!
The fact that movies like this are robbed of Oscars and something like Dune won six Oscars is proof that Oscars don't mean anything.
Liked before I watched. Hell yeah
never watched a vid about this before I actually watched the movie. I felt every emotion I could feel. great movie
Does anyone think that the story and character development are still good even though this films focus is on atmosphere?
Nah this is the greatest film ive seen in a while
I saw this with my dad. He hated it, but I really liked how it looked.
I'll say it again, here... the movie is mundane if not obtuse in plot. The speech is used to hide its simplicity in story arc, and why Mr. Defoe keeps reiterating the dialog is "elevated speech" in every publicity jaunt, in order to reinforce the desired perspective, rather than the reality. The speech is not "elevated" but it's rather common, and indicative to the people speaking in the time they spoke it. Vernacular and metaphor does not equate to "elevated". The "atmosphere" is completely illusory. The writer knew by filming technique and verbal prestidigitation it would make average people feel smarter about themselves. The movie appeals to one's (inflated) ego, not intellect.
My mate decided to put this on while we were on acid. Worst decision ever.
Bro fuck no ☠️
Reminded me of Val Lewton’s films.
This movie is actually a movie
please don't laugh too hard at me but I was rewatching this for like the 8th time yesterday and it kinda made me think "this is shot as though Wes Anderson was having a bad LSD trip"
adore this movie btw im not hating
The environment is another character
Great video Thomas but I have one question ... As this hasn't had a home release yet, where are you getting your footage from?
Do the studios offer you a version of the film on download much like a critic would receive?
The Blu-Ray isn't out yet but the Digital Download is available on iTunes and Amazon.
I actually was able to purchase a bluray hard copy this past Saturday, so I think they've atleast had a limited home release
Snazzy film , looks so like it’s era.
I get the novelty gimmick of pretending to be all one shot in 1917 is flashy and appealing to brain drained Oscar voters, but I still think this is one of the biggest snubs of the decade. This film is a cinematographer’s dream. It is a cinematographer’s movie. It had the best photography of any movie last year, or last decade. What a travesty.
This movie fucking haunts me. Yet I love it.
I think it would have been more authentic to use an orthochromatic instead of the Steve Jobs filter in the NordVPN commercial.
The best vpn sponsorship
I posted the lighthouse building process in my account!!
This movie is fucking beautiful... best 2019 movie. Sorry Bong Joon Ho
I didnt understand a thing of what he said, but I agree with every word.
* fleabag voice * this is a love story
Ironic that your name is Thomas...
Freaked me out when I was watching it ngl