Cinematography Breakdown - Nobody is Watching
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- Опубликовано: 19 июн 2024
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Your sense of humor is unmatched.
Your channel is a gem , thanks for such a great content
Oh my god. New one! Please do one for Ripley. Every frame in this tv show is a freaking painting.
Wandering DP is a great teacher -- real tricks and tips from experience wrapped inside of humor.
I'd love to see you cover a few Tony Scott scenes.
It's also super annoying when director's have NO opinion....but yes, I hear you. It's so much of a mental game as well as a technical one. Thanks for this ep, really enjoyed it.
Love it 🙏
‘Preciate you, good sir
Why not just light for the room? Keep it natural and then the lighting will always be the same everywhere no matter the angle.
Because the room has people in it
Because not everyone is gonna fall magically into where the lighting is good in a lit room when there’s four characters that are moving around with the blocking. He’s just saying that shooting it in this way makes it inefficient to light because you have to repo a lot of lighting or add in more units to make it all work. Which is more margin for you fucking it up!
Then just let the lighting be bad in some spots… it’s better that you have some bad lighting in order to keep it realistic. Realism here would make it make sense in your mind when watching. It’s a lot easier and better imo than lighting for people and it not making sense like he talked about
This is why I hate television.
Wide
Closer
OTS 1
OTS 2
Move on to the next scene.
It's just information without any actual film language.
For good shots you need time and money - and TV productions have neither :D You have a limited time so you just need to go with what works and is simple enough to do daily.
@@Kaltio this 👆
Please enlighten us ser. Are you suggesting a oner?
@@mtscott44let 98% play out in a wide with maybe a few inserts sprinkled in