it actually holds quite a lot of meaning in the lore. in the first game, the moon that Gibby ruled from was not a natural sattelite but something he had made to rule from. The sign of the Full Moon probably became a symbol of oppression in anyone who opposed Gibby. So then there's Wayne. The sign of the waning crescent, the image of that power on its way out so we can finally have the new moon of freedom.
I love how gibby's just marching towards you, all intimidatingly, I like to imagine Wayne's party is just inching back, scared of gibby's new form, and trying to push gibby back, but gibby won't stop moving.
I mean, they aren't really scared if they decided to go against the one that tried messing with their shabby world, you can even see it with Wayne's "Gibbyyyyyyy!"
So weird to see chuck salamone on the credits of this game of all places. I went to highschool with him a loooong while back. Good to see him still doing musical stuff.
'Hearken to my words Wayne, and your friends Somnosa, Dedesmuln, and Pongorma, for I have performed an elongated soaking of the body in the fluids excreted by Hylemskylem. Now, if you would be so kind as to direct your field of vision towards myself, I have achieved the powers akin to a celestial being, a state commonly known as "Omnipotence".' - Gibby
Honestly adore the way the hylics duology plays out like an ancient myth meant to describe why the moon waxes and wanes but with a sort of cynical detatched bent to it. Absolutely amazing pair of games, obviously intelligemt without becoming utterly masturbatory about it
Song: Fancy Meat Computer Gibbys main attack: magically turning a computer into a meaty brain, which then attacks a member of your party. Coincidence? I think not
Would you lose your mind if Mason corroborated that the brain computer animation is far older than this track...and that I had never seen it? I was notified of a meat motif for the battle, but I was not notified of that move, or the corespondent animation. I just about lost my shit when I saw it, too.
This is in a weird-ass scale. I showed it to my friend who knows much more about music theory than me and even he could barely make any sense of it. And yet it somehow works! This song blows my mind. Or should I say, it blows my Fancy Meat Computer.
Don’t think to hard about it. There’s a set key (before the two modulations that happen), but it’s more about just playing with pitch alteration/accidentals.
I like how in a world of disturbing and odd looking creatures, you still made Lord Gibby look really creepy and unnatural. Just something about the way it moves and gyrates... super imposing final boss.
@@spinyjustspiny3289 Good point. All the other bosses stay in place and dance to the music, Gibby and his minions are the only ones who march towards you, and the background movement makes it look like Wayne and his crew are backing away from him. He's so intimidating that the crew had to back away as they're fighting him.
CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS
What I find really weird about Gibby is how drastically different he looks compared to how he looks in Hylics 1. Instead of being this armored guy with this big round head and a mohawk he's this giant made out of floating chunks of meat with a giant coin-like head and realistic hands and feet.
Im gonna be honest, old forms of visual media like vhs tape-style, claymation and stuff scare the living crap outta me. But something about Hylics is so charming, so mesmerising...
One of my absolute favorite differences between Hylics 1 and 2 is how legitimately intimidating Gibby is in the 2nd game. Everything from his revamped design that better shows just how massive he really is, to the way his body parts individually gyrate and twist around each other, to the strange psychic influence he has on the inhabitants of the world, and definitely this music, the way it slowly comes in with that smooth bass, to how it suddenly explodes into this mess of musical euphoria that, along with "Look ma, I fly now!", sounds infinitely more intimidating than anything else in either of the games. Sorry for the long winded comment but i just cant get over my love for this games soundtrack. While i adore how strange and atmospheric the OST for the first game is, this one has music that I legitimately want to listen to outside of the game.
I do think gibby looked much more ominous in the first game tho, the super sunken cheeks and permanently disinterested expression created a real interesting aesthetic
If I told you this was the theme to a boss fight against a zombie moon man about to blow up the world, that the battle was fought atop a tower of intertwining meat called Hylemxylem, and that you gained infinite wisdom via the use of a paper cup, you would absolutely believe me without question.
Let me tell you how amazing this final battle is. Gibby returns, revitalizing himself into a supreme being. He resembles an amalgamation of meat and appendages but he is not hindered or ruined. No. He takes the new form well, taking a stride towards our heroes. Across the battle, he creates minions. The tyrant king, once sitting upon a throne before his first demise, now marches with his newly created army. Even worse, he is a colossus of incredible power, sacrificing his soldiers for his powers. A monstrous commander laying ruin to the battlefield. The party has to keep distance as he marches, throwing whatever they can to stop his rampage. You are fighting a supreme being and his army of meat beings. You are the last thing between him and world domination. You must win.
Les Claypool, Adam Jones and everyone from King Gizzard had a baby, named it Chuck. Out of nowhere he bust out this bomb ass soundtrack. Fathers be proud
The previous Gibby theme was so cool. This game takes it to a whole another level. Love how there's this extreme contrast between any other song in the game, and this one. All the songs are just chill and even a bit goofy and then this one just SLAPS you with tension and the grand finale feel. This contrast is something not very many games try, and rightfully so, but when it works, it works so perfectly within the context and the overall aesthetic of the game.
Oof, just imagining a fictional character, aware there's more to their world, seeking omnipotence, finding what is truly rare, and still ending up mortal! "I have BATHED in the terrestrial waters. WHERE IS MY OMNIPOTENCE!?"
i really really dig the part at around 1:56 where you just take one short, like 4-pluck riff and just ride the hell out of it... it feels like reaching the part of a battle where you can't back off, there's nothing to do but buckle down and fight harder. quality stuff, chuck.
I loved how in your face this theme was, especially for how intimidating second-gibby was in this game. Every song in the first game, even the final boss was pretty relaxed (from what I remember), and every other song is pretty relaxed too, but this is like "Dude, you really did it this time. Here he comes... But don't back away; you've done it before, you can do it again."
Right. That thing is huge, disproportionate, and made up of miscellaneous biological parts. The worst part is that it also slowly walks towards you as well, in a threatening manner
This song is genuinely going to be my most listened to song of 2020. I’ve had it on repeat for months. I may have an actual obsession with it, nothing else hits the same for me.
I just randomly found this and this is one of the coolest and most interesting game tracks ive ever heard. And after reading through the comments i 100% have to play these games
Oddly enough, years later i am reminded of this music by Splatoon 3's final boss of all things... Both music pieces demonstrate a audible battle between two sides, as it transitions gradually from the villain to the heroes. This music, being Gibby's theme, starts off entirely chaotic and ever-changing much like his body, and his desired vision of the world. But, as the battle continues, a certain new tune starts to cover up his desired chaos, with a new, more distinct and rhythmic beat of a guitar (and occasionally drums). In a way, this is like the musical embodiment of the desire for identity that Wayne, Snomsosa, Dedusmuln and Pongorma have. They temporarily overwrite most of Gibby's chaotic instruments, and change the music to give it a distinct identity, instead of letting it blend amongst the countless combinations of chaotic tracks that we certainly heard a lot of in Hylics 1. It's literally a battle, going on in both combat and music, fitting since the team also act as a coordinated musical band when together, and Gibby would rather melt it all into chaos. Chuck Salamone, you did a fantastic job of making this music have such a distinct difference to most if not all of the other Hylics 1 and 2 music. And, in a way, we also have the team to thank for it, and Mason Lindroth to thank for the world that this music has been shaped upon. Everything has come together in such a perfect combination, for such a good climax to a mystical and deep series.
This has a really strange, interesting feeling. Most of it is kind of weirdly ominous, but when things really kick into high gear at 1:55 it feels like you get hit by an absolute wall of pressure. The intense part of the song literally makes me imagine Gibby bearing down on top of you, like a huge, powerful presence almost physically crushing you with its weight.
As someone who's played countless RPG's (both traditional JRPG's and the quirky EarthBound-inspired variety,) Gibby as a boss was ridiculously easy, but that didn't stop him from being what I think is probably the most enjoyable RPG final boss I've ever faced off against.
I just realized Fancy Meat Computer could just be another way of describing a brain. Which, well, could be a good way of describing many of the fleshy things in this game, including Gibby himself, at least in his final form. It could _also_ be a reference to how Gibby is the _brain_ or mind behind the action of the Hylemxylem.
This song first caught my attention when I was watching forsen speedrun minecraft and he had this in his doomer/zoomer playlist. Loved this song so much that I bought Hylics 1 & 2, desperately waiting to get to this song and I find out its the Gibbys final boss music. This was such a fun rabbit hole to get into and I'm looking forward to what Chuck & Mason cook up in the future!
god im such a fucking sucker for pipe organs in boss themes and theyre utilized fucking EXCELLENTLY here. i think the complete 180 in musical tone really emphasizes the stakes. most of the other themes are relatively laid back, but this one is just pressure incarnate. and the organ provides a great, solid backing to the sort of 'wall of sound' that gives this fight its tension. that and having a giant hulking pseudo-god stomping towards you probably helps
I just found out about you and your art 2 days ago. Instantly picked up Hylics 2 on steam. I just got the airship. I love this game, it's music, it's art. This is probably the most soul I've ever seen put into a game. It is definitely the most unique. I love this game.
I appreciate you! I loved composing and performing/recording this piece! It’s very “Rob Zombie,” by design. Mason wanted a “slow goth punk anthem” for this final battle. It is evident that people really enjoy this one, which is so gratifying! Thanks for listening/supporting us.
I've already commented once but i seriously can't get over how good of a final boss theme this is, 1:35 really does it for me with its chord progression.
Gibby: Oh? You're approaching me? Instead of running away, you're coming right to me? Wayne: I can't beat the glands out of you without getting closer. Gibby: Oh really...then get as close as you need to.
ok coming back here after like 2 years of me discovering this game just to say wow. *wow.* when i say this game stuck with me i Meant that. inspired me, shaped me, all of the good verbs. it’s that media i just keep coming back to, and this rippin’ soundtrack is suuuch a big part of that. wish i had the energy to go into detail about why i love this soundtrack so much, but alas. i’m Sleepy. youve probably seen me before chuck, hi, sorry again for inviting you to a groupchat that one time, but most of all thaaaank you for quite possibly changing my life
this exemplary musical track accompanied by the preternatural gesticulations of the imposing space-tyrant certainly succeeds in galvanizing my fancy meat computer, sterling toil to mason lindroth and his cohort chuck salamone for beholding us such an ethereal experience
This is definitely one of those songs I find myself coming back to every now and then. It’s an incredibly unique final boss, for an incredibly unique game. The wobbly guitar sound gives it a goofy or almost playful feeling, while also keeping you on edge by not staying on a set note. 0:00 - 0:08 makes me feel like I’m submerged under water with the music just barely reaching me. 0:10 - 0:30 is an explosion of musical euphoria. You are no longer submerged under that water; you feel like you’re in the middle of a concert. 0:30 - 0:50 A minor melody starts to play that I would associate with Gibby. The drums become more prominent and their beat becomes menacing. 0:50 - 1:11 The bass line becomes more sinister while also having this “cool” or “confident” vibe, as Gibby feels his victory is assured with his newfound “omnipotence”. 1:11 - 1:15 A brief moment of respite where the pressure lets up a bit. The notes from the very beginning of the song repeat for one line, letting you know the music is about to get more intense, as well as the fight. 1:15 - 1:36 Sounds more confident and I believe it is in Major key, it gives me the vibe that Wayne’s party is getting the upper hand against Gibby. 1:36 - 1:56 Wayne and his friends’ strength is starting to become too much for Gibby to handle 1:56 Triumph
I can't believe I only recently got around to playing this game, and the soundtrack completely blows me away in such a way I'm not sure any other video game soundtrack quite has. The game's a visual treat and the music's an auditory treat. There's never an urge to skip to the "best part" because the entire thing is the best part; each track from beginning to end is a journey that pulls you in and holds your attention, but not in an overwhelming way. I love the motif usage, and I'm just so floored by how fascinating it all sounds- the textures, the composition, the vibes. And this track is perfect for facing off against such a climactic and intimidating character. Definitely in my all-time favorite soundtracks for things.
I always thought Gibby's appearance in this fight was a pun on his name, which was originally picked as a pun on moon phase like Wayne, and making a different pun of giblets, a term in games for chunks of meat or robot parts or what have you that burst out of killed enemies. Something we see with each enemy we defeat in this game itself, Gibby included
wouldn't a fancy meat computer be a person? Also I swear in my life I had a dream like a year ago where I wrote this in the comments of a video with the same picture wtf
Specifically a person's brain, as the other parts of a person's body would all fulfill the roles of different machines. It's interesting to note that the human brain, to this day, is still regarded as being possibly the most sophisticated computer there is. This is also illustrated in Gibby's move Teardown, where a computer is stripped of its shell to reveal a brain, which then forms a hand to attack you.
Thank you for making this pleasing sensation of sound available for acquisition by monetary matter. This is easily one of the most supreme last boss auditories I have ever had my ears be attuned to!
Mason, I loved this game. It's the exact kind of bizarre and engaging that I enjoy. I'd love to see a third, if what Odozier said at the end is a hint of things to come.
@@chuck_salamone It's definitely the bass that's AiC, maybe not so much the higher guitar and horror movie sting tones. But now that you say it like that, the rest of it sounds like other 90s rock tropes trying to coexist and it creates an interesting discord. Thank you for the god-tier music!
This song alone has made Hylics 2's OST one of my favorite game soundtracks of all time. The other songs are great too, but nothing beats an amazing final boss theme.
ah yes my favouritist final boss ost ever. feels like all the leitmotifs and instruments are coalescing and fusing together to create this nerve-racking, loud, and muscle pumping track. the drums definitely add to the energy. and then it just escalates and gets even MORE intense; i'm pretty sure this is the loudest song in the entire game. beatuifful, showsotpijg
"Just got my reconstitution taken away can't have shit in Hylemxylem"
I feel dumb for just realizing wayne is a waning crescent and gibby is a gibbous moon
it actually holds quite a lot of meaning in the lore. in the first game, the moon that Gibby ruled from was not a natural sattelite but something he had made to rule from. The sign of the Full Moon probably became a symbol of oppression in anyone who opposed Gibby. So then there's Wayne. The sign of the waning crescent, the image of that power on its way out so we can finally have the new moon of freedom.
@@Exarian me myself Interneting it as a Hamlet-like plot structure, Wayne as the prince-outcast, and Gibby like an usurper king, quite talented imo
i thought gibby was called like that because of the word gibberish
@@goongalass930 you should stop eating gasoline flavored popsicles. but honestly i didnt know that either
Yoooo, i feel dumb too rn pwq
"i've bathed in the terrestrial juice. witness my omnipotence"
Aaron Van Meter And he still lost.
GIBBYYYYYY!
@@joshshrum2764 the same could be said of all gods in rpgs.
Memento Mori Because you have to win in the end.
100th like. This is perfect.
“fancy meat computer” is basically a brain.
fun fact. The Chinese word for computer "電腦" literally means "Electric Brain" when translated directly.
Made me think of Burroughs' phrase "the soft machine"
That's the "joke".
@@chuck_salamone Is that what Gibby is right now.
Chuck Salamone Where do I go to find a link to the discord server?
Mel Gibson: PONGORMA, YOU UNDERSTAND ME RIGHT?
Pongo: *_"Alas, I've become habituated to this shabby planet"_*
Same
P-boy: Fuck grandeur, all my homies relish the mundane.
@@Exarian damn right
seeing this comment without context is giving me a stroke
mood
I love how gibby's just marching towards you, all intimidatingly, I like to imagine Wayne's party is just inching back, scared of gibby's new form, and trying to push gibby back, but gibby won't stop moving.
I saw someone else comment that they like to imagine Wayne and co moon walking backwards in every fight but this also a good interpretation
It’s kinda confirmed
The ground is always moving away, and when the gibs hit the ground, they recede into the distance
I mean, they aren't really scared if they decided to go against the one that tried messing with their shabby world, you can even see it with Wayne's "Gibbyyyyyyy!"
It's just too bad that the fight itself is pretty easy.
he's just marching. MENACINGLY
So weird to see chuck salamone on the credits of this game of all places. I went to highschool with him a loooong while back. Good to see him still doing musical stuff.
Hey there, old friend. Who might you be?
@@chuck_salamone This is Anthony Hernandez.
OMGGGGGGGGG
Yooo
This is wholesome
This song comes from the same series where you can chuck a frozen burrito at a piece of sentient broccoli
'Hearken to my words Wayne, and your friends Somnosa, Dedesmuln, and Pongorma, for I have performed an elongated soaking of the body in the fluids excreted by Hylemskylem. Now, if you would be so kind as to direct your field of vision towards myself, I have achieved the powers akin to a celestial being, a state commonly known as "Omnipotence".' - Gibby
i love how this doesn't even sound wrong
"yo wayne my homie check this shit i went super saiyan"
‘Hylemskylem’ I love that
Honestly adore the way the hylics duology plays out like an ancient myth meant to describe why the moon waxes and wanes but with a sort of cynical detatched bent to it. Absolutely amazing pair of games, obviously intelligemt without becoming utterly masturbatory about it
You mean waxes and WAYNES
I feel so stupid for not realising this until now.
@Тити Мити Hylics smort, but not shove in your face that it smart.
Pretty sure GIbby is a reference to a gibbous moon as well. Hylics has all sorts of overt references.
@@DM-yl3td
How about the New Moon or even the Blue Moon for Gibby in Hylics 2?
man gibby looks way different now than he did on icarly 😰
You should check his YT channel Sadworld. You will be surprised
His true form has been unleashed
What's Gibby thinking about?
play rain world
I loved that show. Still do.
Gibby's TEARDOWN literally shows what the name of this song means.
🖥👇
@@TheNexDude 🟨🟦🟩🟥
Still, one of the funniest attacks I’ve ever seen, lmao.
🧠💻👇🔥
@@dfquartzidn6151dynamite still has to be my favorite attack
Song: Fancy Meat Computer
Gibbys main attack: magically turning a computer into a meaty
brain, which then attacks a member of your party.
Coincidence? I think not
Would you lose your mind if Mason corroborated that the brain computer animation is far older than this track...and that I had never seen it? I was notified of a meat motif for the battle, but I was not notified of that move, or the corespondent animation. I just about lost my shit when I saw it, too.
@@chuck_salamone That is the greatest fucking thing I have ever heard
ah yes, the meat motif
Whatever would we do without good motif like meat?
@@chuck_salamone You two have some kind of subconscious vibe resonance going on or something.
Nice of Gibby to invite us over for the reconstitution, eh Somsnosa?
I hope we've got lotsa burritos
A true Lord.
Wayne, look! It's from Gibby.
Dear pesky hylics, Odozeir and I have taken over the hylemxylem.
If you need help operating the airship, check out the enclosed tome of airship.
I like that he's not even standing when you confront him, he's in the flesh bathtub as a face
he's just chillin B-)
imagine youre just chilling in a hot tub and a bunch of people come in to beat the shit out of you
If it's a meat bathtub, and gibby is a floating mass of meat, then is gibby made of bathtub, or is the bathtub made of gibby?
Pretezel28 He screams for he does not know
@@kansaswithaK yes
This song sounds like what crying while angry feels like...
I love it.
That’s actually a really awesome interpretation! I love that.
@@chuck_salamone you're an awesome interpretation............................ ....
drenn YOU AH!
yeah.
I fucking love that. Feels very fitting for every character involved in the situation.
This is in a weird-ass scale. I showed it to my friend who knows much more about music theory than me and even he could barely make any sense of it. And yet it somehow works! This song blows my mind. Or should I say, it blows my Fancy Meat Computer.
Don’t think to hard about it. There’s a set key (before the two modulations that happen), but it’s more about just playing with pitch alteration/accidentals.
@@chuck_salamone ah, ok. Great work by the way, i love this song
play rain world
@@chuck_salamone play rain world
@@TsukiStuffs play rain world
I like how in a world of disturbing and odd looking creatures, you still made Lord Gibby look really creepy and unnatural. Just something about the way it moves and gyrates... super imposing final boss.
Even if the world is full of terrifying things, the one thing that can elevate something above all others is have it be marching directly towards you.
Everytime i see that animation i can only think of the Beatboxing Thanos ***MENACEINGLY*** walking forwards
What really makes the scene for me is that he's walking towards you. Gibby has become so imposing that simply advancing pushes you back.
When his minions dies and their FLESH kept in the floor slowly fading on the horizon, that really sold the atmosphere. This game is amazing.
@@spinyjustspiny3289 Good point. All the other bosses stay in place and dance to the music, Gibby and his minions are the only ones who march towards you, and the background movement makes it look like Wayne and his crew are backing away from him. He's so intimidating that the crew had to back away as they're fighting him.
[ Lord Gibby reflexively *SUMMONS MINIONS* ]
gets blasted to oblivion with bombogenesis
@@martinmartinmartinmartinmarti bomboclaat
Lair actions
CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS CHARGE UP *bottomless juice used 3x* BOMBO GENESIS
My like button finger is getting a workout today
thats a bruh moment
What I find really weird about Gibby is how drastically different he looks compared to how he looks in Hylics 1. Instead of being this armored guy with this big round head and a mohawk he's this giant made out of floating chunks of meat with a giant coin-like head and realistic hands and feet.
I mean he did explode into pieces on the moon, which also exploded. It’s kind of hard to keep your original form after that.
he looks more like an orange in the first one tbh
I imagine hylics 1 and 2 are an earthbound to mother 1 deal, where the sequel is more a soft reboot
Man, I have mad respect for anything that's claymation. The sheer dedication and persistence required is awe-inspiring
Im gonna be honest, old forms of visual media like vhs tape-style, claymation and stuff scare the living crap outta me. But something about Hylics is so charming, so mesmerising...
@@wilson9263 ... You're scared of VHS tapes?
hylics 2 was mostly made in blender
@@wilson9263 You pissed yourself watching Jack Stauber?
@@themanonthepan really? When did mason say that
One of my absolute favorite differences between Hylics 1 and 2 is how legitimately intimidating Gibby is in the 2nd game. Everything from his revamped design that better shows just how massive he really is, to the way his body parts individually gyrate and twist around each other, to the strange psychic influence he has on the inhabitants of the world, and definitely this music, the way it slowly comes in with that smooth bass, to how it suddenly explodes into this mess of musical euphoria that, along with "Look ma, I fly now!", sounds infinitely more intimidating than anything else in either of the games. Sorry for the long winded comment but i just cant get over my love for this games soundtrack. While i adore how strange and atmospheric the OST for the first game is, this one has music that I legitimately want to listen to outside of the game.
Thank you...again!
I do think gibby looked much more ominous in the first game tho, the super sunken cheeks and permanently disinterested expression created a real interesting aesthetic
@@chistosquisto9079 I dont know, i thought the sunken cheeks, small body, and bulbous head made Gibby look kinda goofy and weak in the first game.
If I told you this was the theme to a boss fight against a zombie moon man about to blow up the world, that the battle was fought atop a tower of intertwining meat called Hylemxylem, and that you gained infinite wisdom via the use of a paper cup, you would absolutely believe me without question.
Hylics is the type of game you could take a bite out of, and it would probably taste pretty good.
If hylics was a food it would look gross and sound like it tastes like garbage but is a delicacy
@@seewagg9102 wdym the game looks amazing
It'd probably taste like modeling clay if I were to guess
Hylics: Fancy Meat Computer
Microsoft: Now releasing our new "Windows Sirloin Steak"
sure its a meat computer but is it fancy
Let me tell you how amazing this final battle is.
Gibby returns, revitalizing himself into a supreme being. He resembles an amalgamation of meat and appendages but he is not hindered or ruined. No. He takes the new form well, taking a stride towards our heroes. Across the battle, he creates minions. The tyrant king, once sitting upon a throne before his first demise, now marches with his newly created army. Even worse, he is a colossus of incredible power, sacrificing his soldiers for his powers. A monstrous commander laying ruin to the battlefield.
The party has to keep distance as he marches, throwing whatever they can to stop his rampage. You are fighting a supreme being and his army of meat beings. You are the last thing between him and world domination. You must win.
Les Claypool, Adam Jones and everyone from King Gizzard had a baby, named it Chuck. Out of nowhere he bust out this bomb ass soundtrack. Fathers be proud
I'm not crying, YOU'RE CRYING.
The previous Gibby theme was so cool.
This game takes it to a whole another level. Love how there's this extreme contrast between any other song in the game, and this one. All the songs are just chill and even a bit goofy and then this one just SLAPS you with tension and the grand finale feel. This contrast is something not very many games try, and rightfully so, but when it works, it works so perfectly within the context and the overall aesthetic of the game.
whats with that boss fight being so friggin epic?? no regard to the fact that you bust in on him taking a bath - rubber duck and everything. love it.
@@badradish2116 A bath in the terrestrial juice, no less!
"witness my omnipotence!" *stands up*
really digging the music btw - nice work
play rain world
@@badradish2116 play rain world
Oof, just imagining a fictional character, aware there's more to their world, seeking omnipotence, finding what is truly rare, and still ending up mortal!
"I have BATHED in the terrestrial waters. WHERE IS MY OMNIPOTENCE!?"
that opening bassline with the flanger effect... pure drip... 🤌
The continuous build up of this music absolutely HYPES ME UP. Perfect final boss theme!
It was a goal of mine to have it be very "proggy." Mason wanted it to sound dirty, too, so this is a culmination of those two ideas.
Best final boss music ever. Honestly wtf this shit is POWERFUL
Sorry I'm late. Thank you for the kind words!
@@chuck_salamone Big fan of your work! I listen to the soundtrack all the time, very inspirational. Thanks for replying 😁
i really really dig the part at around 1:56 where you just take one short, like 4-pluck riff and just ride the hell out of it... it feels like reaching the part of a battle where you can't back off, there's nothing to do but buckle down and fight harder. quality stuff, chuck.
Thank you for that.
yeah.
This song slaps and completely satisfies my fancy meat computer.
I loved how in your face this theme was, especially for how intimidating second-gibby was in this game. Every song in the first game, even the final boss was pretty relaxed (from what I remember), and every other song is pretty relaxed too, but this is like "Dude, you really did it this time. Here he comes... But don't back away; you've done it before, you can do it again."
Gibby is scary AF
Right. That thing is huge, disproportionate, and made up of miscellaneous biological parts. The worst part is that it also slowly walks towards you as well, in a threatening manner
Tf you doin here!
This song is genuinely going to be my most listened to song of 2020. I’ve had it on repeat for months. I may have an actual obsession with it, nothing else hits the same for me.
Hell yeah! So glad to read that.
I just randomly found this and this is one of the coolest and most interesting game tracks ive ever heard. And after reading through the comments i 100% have to play these games
Fancy Meat Computer would make a bitchin band name.
Take it.
Buy it.
Procure it
Drench It.
Drizzle it.
Thank you Vinny for introducing me to this incredible game
same here
Nitro Rad brought me here
Oddly enough, years later i am reminded of this music by Splatoon 3's final boss of all things...
Both music pieces demonstrate a audible battle between two sides, as it transitions gradually from the villain to the heroes.
This music, being Gibby's theme, starts off entirely chaotic and ever-changing much like his body, and his desired vision of the world. But, as the battle continues, a certain new tune starts to cover up his desired chaos, with a new, more distinct and rhythmic beat of a guitar (and occasionally drums).
In a way, this is like the musical embodiment of the desire for identity that Wayne, Snomsosa, Dedusmuln and Pongorma have. They temporarily overwrite most of Gibby's chaotic instruments, and change the music to give it a distinct identity, instead of letting it blend amongst the countless combinations of chaotic tracks that we certainly heard a lot of in Hylics 1.
It's literally a battle, going on in both combat and music, fitting since the team also act as a coordinated musical band when together, and Gibby would rather melt it all into chaos.
Chuck Salamone, you did a fantastic job of making this music have such a distinct difference to most if not all of the other Hylics 1 and 2 music. And, in a way, we also have the team to thank for it, and Mason Lindroth to thank for the world that this music has been shaped upon.
Everything has come together in such a perfect combination, for such a good climax to a mystical and deep series.
I have zero desire to play the game but this song has me in a chokehold
Yo, play it!
With love,
Composer
@@chuck_salamoneIt's a spectacular game! I love everything about it, and its soundtrack is one of the best things I've ever heard!
Oh my, this pleases my fancy meat computer's overly elaborate hearing apparatuses. This would make for a good psychedelic experience
Gonna tell my kids this was the Seinfeld bass
The fight where multi-juice was the MVP
if i ever make a game i can only hope the final boss music is as rad as this. utterly fantastic work
Dude if chuck made a vinyl of this game’s soundtrack I would buy the entire stock
"i'll taKe yOur enTirE stOcK"
This has a really strange, interesting feeling. Most of it is kind of weirdly ominous, but when things really kick into high gear at 1:55 it feels like you get hit by an absolute wall of pressure. The intense part of the song literally makes me imagine Gibby bearing down on top of you, like a huge, powerful presence almost physically crushing you with its weight.
By design.
@@chuck_salamone Late reply, but it's quite the honour to have the artist himself confirm my observations! Thanks for making this awesome song!
I don't know why weeks later I only just really processed how freaking awesome this song is, but it's incredible.
brilokuloj I instantly fell in love it after hearing it for the first time.
As someone who's played countless RPG's (both traditional JRPG's and the quirky EarthBound-inspired variety,) Gibby as a boss was ridiculously easy, but that didn't stop him from being what I think is probably the most enjoyable RPG final boss I've ever faced off against.
this feels like the crown jewel of the whole OST, a diamond atop a mountain of gold
Haha, cheers. It’s a fitting end for sure. Can’t wait to release more Hylics related musical content.
this song literally got me into hylics it randomly played on spotify i learnt it was a game and had an amazing experience
The physics rubber duck in Gibby's lair is hilarious to me
One of the few boss themes I've heard that actually gives me goosebumps. Love it.
Yo, I'm glad you enjoy it!
I can seriously appreciate just how intimidating this tune alone is. I get goosebumps every so often when I listen.
Make me want to act like a villain
Villain it up, homie.
Theme song of a man who has no idea he's about to get bodied by 4 full-power Bombo-Genesis attacks
I just realized Fancy Meat Computer could just be another way of describing a brain.
Which, well, could be a good way of describing many of the fleshy things in this game, including Gibby himself, at least in his final form. It could _also_ be a reference to how Gibby is the _brain_ or mind behind the action of the Hylemxylem.
This song first caught my attention when I was watching forsen speedrun minecraft and he had this in his doomer/zoomer playlist. Loved this song so much that I bought Hylics 1 & 2, desperately waiting to get to this song and I find out its the Gibbys final boss music. This was such a fun rabbit hole to get into and I'm looking forward to what Chuck & Mason cook up in the future!
forsenPossessed GuitarTime
This is on my list as some of the best final boss tracks I've ever listened to in gaming history. God i love video game music.
I’m so glad you love this one! It’s going to have an even more chaotic and heavy successor. Just wait.
@@chuck_salamone LLLLLLLLLLLLLLLLETTTSFSFFUCKINGGGOOOOOOOOOOOOOOOOOOOOOOO WOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
@@chuck_salamoneHYLICS 3??????
@@Sil2iconDreams that's right!
god im such a fucking sucker for pipe organs in boss themes and theyre utilized fucking EXCELLENTLY here. i think the complete 180 in musical tone really emphasizes the stakes. most of the other themes are relatively laid back, but this one is just pressure incarnate. and the organ provides a great, solid backing to the sort of 'wall of sound' that gives this fight its tension. that and having a giant hulking pseudo-god stomping towards you probably helps
I just found out about you and your art 2 days ago. Instantly picked up Hylics 2 on steam. I just got the airship. I love this game, it's music, it's art. This is probably the most soul I've ever seen put into a game. It is definitely the most unique. I love this game.
Did ya beat it
He really do be walkin tho. Walking towards the end of your life.
I SWEAR the crowd is spelling something out.
I think it's just gloves
I think it might be a bunch of gestures that the characters make when they preform.... well, Gestures, but I’m not 100% sure.
The funk is killing me. Chuck, you genius!
I appreciate you! I loved composing and performing/recording this piece! It’s very “Rob Zombie,” by design. Mason wanted a “slow goth punk anthem” for this final battle. It is evident that people really enjoy this one, which is so gratifying! Thanks for listening/supporting us.
@@chuck_salamoneIT'S INFLUENCED BY ROB ZOMBIE? HELL YEAH!
@@waterPsychiatrist heh heh, that’s right! Thunderkiss ‘65, to be specific.
This song radiates such a chaotic energy... *AND I LOVE IT.*
I'm still coming back a year later and listening to this soundtrack, so good I put it in my jogging playlist.
I've already commented once but i seriously can't get over how good of a final boss theme this is, 1:35 really does it for me with its chord progression.
I’m glad you enjoy that section!
Gibby: Oh? You're approaching me? Instead of running away, you're coming right to me?
Wayne: I can't beat the glands out of you without getting closer.
Gibby: Oh really...then get as close as you need to.
Gibby: starts walking towards Wayne.
Wayne: ...wut
Stand Master: Ｇｉｂｂｙ
Stand: 「Ｆａｎｃｙ Ｍｅａｔ」
I mean the battle did take place in a bathtub so at least some personal space norms were broken...
Shall we compare the speed of our gloves?
@@aarnojamsa3395
ToBeResumedInAFewCarbonCycles/\/\/\/(☞ ͡° ͜ʖ ͡°)☞
Gibbbbyyyyyyy!!
G Ï B B Y
ĞÏBBÝ
GRIFFITHHHHHHHHHH
@@Usuariopromedio656 !!!!!!
forsenInsane GuitarTime
forsenInsane AAAAAAAAA
ok coming back here after like 2 years of me discovering this game just to say wow. *wow.* when i say this game stuck with me i Meant that. inspired me, shaped me, all of the good verbs. it’s that media i just keep coming back to, and this rippin’ soundtrack is suuuch a big part of that. wish i had the energy to go into detail about why i love this soundtrack so much, but alas. i’m Sleepy. youve probably seen me before chuck, hi, sorry again for inviting you to a groupchat that one time, but most of all thaaaank you for quite possibly changing my life
No worries, homie! So glad you enjoy Hylics and continue to enjoy it!
Never played the game, but was recommended by my algorithm.
I wish would be available for purchase.
In Steam you can buy both games
But the soundtrack isn't. It is a good work music.
@@padung6018 I heard they're releasing it on Spotify soon
Just finished Hylics 2 and goddamn. Wonderful game Mason, and wonderful music Chuck. Randomly generated text/10
Thanks for playing! So glad you enjoyed it.
this exemplary musical track accompanied by the preternatural gesticulations of the imposing space-tyrant certainly succeeds in galvanizing my fancy meat computer, sterling toil to mason lindroth and his cohort chuck salamone for beholding us such an ethereal experience
Thank you for playing/listening!
This has some climactic "end of the world" vibes to it, and damn is it funky. Love this whole soundtrack so far.
This is definitely one of those songs I find myself coming back to every now and then. It’s an incredibly unique final boss, for an incredibly unique game.
The wobbly guitar sound gives it a goofy or almost playful feeling, while also keeping you on edge by not staying on a set note.
0:00 - 0:08 makes me feel like I’m submerged under water with the music just barely reaching me.
0:10 - 0:30 is an explosion of musical euphoria. You are no longer submerged under that water; you feel like you’re in the middle of a concert.
0:30 - 0:50 A minor melody starts to play that I would associate with Gibby. The drums become more prominent and their beat becomes menacing.
0:50 - 1:11 The bass line becomes more sinister while also having this “cool” or “confident” vibe, as Gibby feels his victory is assured with his newfound “omnipotence”.
1:11 - 1:15 A brief moment of respite where the pressure lets up a bit. The notes from the very beginning of the song repeat for one line, letting you know the music is about to get more intense, as well as the fight.
1:15 - 1:36 Sounds more confident and I believe it is in Major key, it gives me the vibe that Wayne’s party is getting the upper hand against Gibby.
1:36 - 1:56 Wayne and his friends’ strength is starting to become too much for Gibby to handle
1:56 Triumph
I appreciate this analysis so much! You totally got it, too! Thank you so much for listening.
@@chuck_salamone Ofc man! Your music is fantastic, and i had a lot of fun analyzing it! ^^
God this is SO heavy
I love it
This game came from the "fancy meat computer" that is Mason Lindroths brain
I can't believe I only recently got around to playing this game, and the soundtrack completely blows me away in such a way I'm not sure any other video game soundtrack quite has. The game's a visual treat and the music's an auditory treat. There's never an urge to skip to the "best part" because the entire thing is the best part; each track from beginning to end is a journey that pulls you in and holds your attention, but not in an overwhelming way. I love the motif usage, and I'm just so floored by how fascinating it all sounds- the textures, the composition, the vibes. And this track is perfect for facing off against such a climactic and intimidating character. Definitely in my all-time favorite soundtracks for things.
THANK YOU for the kind words!
I always thought Gibby's appearance in this fight was a pun on his name, which was originally picked as a pun on moon phase like Wayne, and making a different pun of giblets, a term in games for chunks of meat or robot parts or what have you that burst out of killed enemies. Something we see with each enemy we defeat in this game itself, Gibby included
Mildly Entertain the Breadth of Void, That one's Gland may be exalted.
(This song and this comment have been cursed by Gibby.)
Void from Berserk
Pulsating from beneath the Lumen , vibrations Vividly increase .
Damn him and damn his hylemxylem. His truncated wormhole will forever puncture the precipice
Misfortunate. But not ungood.
Who's triangulating the chemicals?
Windows? ❌
Mac?❌
Linux? ❌
*FANCY MEAT?* ✔
I think this is possibly the most intense song I have ever heard
wouldn't a fancy meat computer be a person? Also I swear in my life I had a dream like a year ago where I wrote this in the comments of a video with the same picture wtf
Deja vu! I've just been in this place before
@@Toasterloaf you guys are finally back. we missed you.
Specifically a person's brain, as the other parts of a person's body would all fulfill the roles of different machines. It's interesting to note that the human brain, to this day, is still regarded as being possibly the most sophisticated computer there is.
This is also illustrated in Gibby's move Teardown, where a computer is stripped of its shell to reveal a brain, which then forms a hand to attack you.
Thank you for making this pleasing sensation of sound available for acquisition by monetary matter. This is easily one of the most supreme last boss auditories I have ever had my ears be attuned to!
Mason, I loved this game. It's the exact kind of bizarre and engaging that I enjoy. I'd love to see a third, if what Odozier said at the end is a hint of things to come.
Didn't expect this to have over 100k views and I'm very happy to see it does.
I love the 70s rock vibes from this. In fact, I get that from a lot of the rest of the soundtrack. The psychedellic art style of the game also helps.
:can you hear a nightmare ?
:yes, yes you can
It’s so disgusting I love it
This is the most final boss theme yet not final boss theme song I've ever heard and I love it.
This was uploaded on my birthday
Best present ever
This sounds like an Alice in Chains song almost.
Thank you for that. I tried to channel as much “90’s EVERYTHING” into this track as best as I could.
Chuck Salamone You did an AMAZING job on this track!
@@chuck_salamone It's definitely the bass that's AiC, maybe not so much the higher guitar and horror movie sting tones. But now that you say it like that, the rest of it sounds like other 90s rock tropes trying to coexist and it creates an interesting discord. Thank you for the god-tier music!
Starting to hear a bit of Queens of the Stoneage in there too, like that one song from the end of Rated R.
I used to be afraid of Claymation, what you've done with it has actually taken away that fear.
This song alone has made Hylics 2's OST one of my favorite game soundtracks of all time. The other songs are great too, but nothing beats an amazing final boss theme.
Damn... This is a solid JAM
i know nothing about this game but i am OBSESSED with this
Play the game and find out!
ah yes my favouritist final boss ost ever. feels like all the leitmotifs and instruments are coalescing and fusing together to create this nerve-racking, loud, and muscle pumping track. the drums definitely add to the energy. and then it just escalates and gets even MORE intense; i'm pretty sure this is the loudest song in the entire game. beatuifful, showsotpijg
Hahaha, it very much is the absolute loudest one in the game. By design! Looking forward to releasing more Hylics related music soon.
@@chuck_salamone oh hey, the man himself! can't wait to see what you're creating and crafting behind the scenes :)
@@summerthyme3008 It's gonna hit you all like a freight train. For real.
@@chuck_salamone **vibrates in excitement**
this is just so good. Love playing it in the car
Haha, hell yeah, me too!