Bernstein in his Last Years | A Glimpse of his Genius (4/4)
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- Опубликовано: 15 окт 2024
- Tchaikovsky's Sixth Symphony was recorded three times by Leonard Bernstein: in 1953, 1964, and 1987. The stark differences between them, particularly in the final movement, are not without reason. Morris Lang, a former New York Philharmonic timpanist and percussionist who took part in the recording, explained why.
About BERNSTEIN INSIGHT: A Glimpse of Genius
Leonard Bernstein, one of the most well-known, gifted, and influential musicians in classical music history, captures the hearts of musicians and audiences worldwide as conductor, composer, collaborator, and mentor. This series delves into Leonard Bernstein's multifaceted genius as told by fellow musicians who are profoundly inspired by him and have had the honour of crossing paths with him - both professionally and personally.
About Jon Tolansky:
Formerly a musician at the Royal Opera House, Covent Garden, Jon Tolansky specialises in making documentary features on composers and performers for international radio organisations and recording companies. Prominent among these institutions are the BBC, WQXR New York, the Chicago-based WFMT Radio Network, the Canadian Broadcasting Corporation, Radio International, EMI Classics, the Decca Music Group, and VAI Records. As an independent producer he has pioneered the first sets of CD series featuring documentary profiles, in which he has personally recorded artists such as Dietrich Fischer-Dieskau, Mirella Freni, Angela Gheorghiu, Carlo Maria Giulini, Marilyn Horne, Yevgeni Kissin, Luciano Pavarotti, Ruggero Raimondi, Mstislav Rostropovich, Giuseppe di Stefano, Dame Joan Sutherland and Jon Vickers discussing their lives, careers and musical repertoire.
Find out more video-podcasts presented by Jon Tolansky and Deutsche Grammophon:
Dietrich Fischer-Dieskau discusses opera roles dg.lnk.to/fisc...
Mesmerised by Carlos Kleiber dg.lnk.to/carl....
Claudio Abbado: A Memoir dg.lnk.to/abba...
Pierre Boulez: A Short Portrait dg.lnk.to/boul...
Commemorating Lorin Maazel: dgt.link/maazel...
Production Team
Audio Production & Narration: Jon Tolansky
Video Production: Jue Xi Hong
Transcription: Jue Xi Hong, Jon Tolansky
English Subtitle: Jue Xi Hong
German Subtitle: Julian Kreuzkam
Japanese Subtitle: Haruka Izawa
Chinese Subtitle: Jue Xi Hong
Special thanks to:
Music Preserved, NY Phil Shelby White & Leon Levy Digital Archives
London Symphony Orchestra
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Grazie per Bernstein👏👏🎶
Marvelous!!!
Thank you for your Insight. It's not politically correctly sexual but it's pleasantly and authentically musically correct, just the way Bernstein and most of the rest of us would want it.
@baxtercol "It's not politically correctly sexual.." What on earth do you mean please explain this weirdly written statement please!
I'm sorry. I didn't explain it very well but I was thinking of and referring to the difference between this content and the predominant content of the movie Maestro. The movie's emphasis is on Bernstein's sexual orientation while his music seems to take a back seat whereas this content doesn't deal with the politically correct theme of sexual orientation but with the specifics of Bernstein's music. Specifically, this content here deals with concrete differences in musical recordings. I was commenting that I am of the opinion that this is preferable even though it may not be politically correct.
@@baxtercol What a load of absolute nonsense, comparing the pathetique with Maestro the film,this is indeed the most ridiculous waffle it does not even make one word of sense in English let alone anysense at all.
@@sarahjones-jf4pr I agree. Let's just keep listening to and learning from Bernstein and leave second-rate politically correct Cinema to others.