Vadym Kholodenko on Sound Production, According to Vera Gornostaeva
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- Опубликовано: 15 сен 2024
- According to legendary Moscow Conservatory professor Vera Gornostaeva, there is no single way of playing that can achieve a beautiful sound, nor is the category of "beautiful sound" helpful. Rather, there are specific sounds pianists must create in order to realize their expressive intention.
Join one of Gornostaeva's last great disciples, 2013 Cliburn winner Vadym Kholodenko, as he shares the insights on sound production he learned from his illustrious teacher, featuring demonstrates from works by Chopin, Liszt, and Tchaikovsky.
To view Kholodenko's full 40-minute lesson on Gornostaeva's teaching principles, visit app.tonebase.c...
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A free master class from one of the world's greatest pianists...thank you.
How poor you are. Nothing is free
What a great musician
I love this pencil thing. So correct. It's basically what my Beethoven and Tchaikovsky lineage piano teacher from Gnessin school (Kissin's old school) used to say - she wasn't too bothered at all about hand or arm position (like so many 'so-called teachers' are). The main thing she taught me was to be as cultured as possible. To be amazed by the beauty of various compositions (especially Schubert Chopin and Bach and Handel, as far as I recall). She didn't seem to be the biggest Beethoven fan..
I still remember watching you practice at your house. You are great Vadym, best wishes and success always.
Thank you!
Vera Gornostaeva was one of the greatest masters of piano ❤ RIP
I saw Vadym last week at Kings Place in London...astonishing Liszt ...well done maeastro .
GRANDIOSO CONCERTISTA, GLORIA DEL SIGLO XXI. THANK YOU VERY MUCH. (Jorge Kreutzmann)
Oh my. Marvelous.
Вадим понемногу перемещается в статус маэстро - молодец !
does someone know what is the song he is playing while demonstrationg ZE PENCIL TRICK ? :) thanks !!
The pencil trick was an excerpt from Chopin's Piano Concerto No. 1, first movement
@@markydwang thank you so much
and the mazurka is the op 41 number 1 or number 4, c sharp minor tho... different editions give different numbers to it.
I'm an amateur, so please forgive my ignorance, but I don't understand how varying the depression of the sustaining pedal helps in the pianissimo passage. I assume that it helps to sustain a legato sound, without accumulating harmonic reverberations? Why wasn't anything mentioned about the una corda pedal? Also, I didn't really hear a true piano or pianissimo. It sounded like mezzo-forte, to me.
I think the depression changes the sensitivity of the Keys before the resistance point?
This system to me is the most natural one, but the Chinese school and the Chinese internet on hand position is crazy, where your professionalism as a musician/pianist is just based on that shape of the hand lol
Didn't teach anything. Mazurka op.41 #1 starts without any dynamic sign. It can be mezzo Forte than with gradually crescendo bring to forte in measure 17. Vadim. learn the score and don't hide behind Vera.
There little piano measures in this Mazurka-more Forte and Fortissimo. Wrong peace to teach how to play quality piano. You play so mannered.
I agree Esfir and he actually played the Tchaikovsky almost the same way twice.... certainly not in a strict 3/4 the second time.... Happy New Year to you.