A Song for the GFX-Pan: Panoramic Photography with the Fujifilm GFX
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- Опубликовано: 10 июл 2024
- This video is all about working with panoramic photography. While I specifically talk about the GFX system, that's because it offers a panoramic crop in camera. The pricipals apply to every camera!
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Timestamps:
0:00 - Intro
2:27 - Ground and Sky
4:37 - Off with his head!
6:00 - Strong Lines
7:00 - Room to Breathe
8:37 - Vertical Compositions
9:44 - Giving Context
11:08 - Accentuate Space
12:39 - Conclusion and Slideshow
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Just buying a GFX so was searching for 65:24 content - really enjoyed the video, good clear explanation of your compositional process. Thanks (and subscribed).
I've only ever used panos for vacation photography, but I love the ideas you've displayed here. Really inspires me to try new compositions.
I love this format and your use of it is very compelling!
This format is one of the reasons I used to justify buying the GFX 50S and then the 100S and then the 100II.
I seriously considered 617 dedicated view cameras. And 612 rigid body cameras. But the GFX does all almost as well with many more options.
Very impressed with your use of the 110. I had not thought of it being used the way you do.
And yes. 25:64 for the XT5 would make sense.
Great work!!
Another fantastic video Dylan, your images are stunning, I haven't found many RUclipsrs able to make educational photography videos as good and as useful as yours, in fact I can only think of one other. Many thanks Harley
Dylan, thank you for sharing your wonderful presentation on the 65:24 format in photography. You speak with humble command , precise knowledge & great respect for your subjects. You are a consummate teacher. As a result of your concise explanation for 65:24 ratio format, you expanded the narrative behind your beautifully composed images. Well done & most enjoyable.
I’ve purchased my GFX 50R several years ago & discovered this aspect ratio to my surprise. I fell in love with this camera for its image quality & its ability to offer this panoramic perspective. It’s my all time favorite camera to use. Looking forward to your future videos. ✌🏼& 📸
Great video! I've seen it for the third time already and decided to comment now. I do love the 65x24 format, and I find that you do it masterfully. Thank you
Glad you enjoyed it! Three times??? Thanks a lot!
I remember back in 1979, I used to work as a freelance for a newspaper when I studied. I was on a contract to photograph an alpine event in the mountains, when I suddenly discovered something on the horizon. Actually the only place to see it. Took some snapshots of that with my 70-150 telezoom. Back to the newspaper I developed the film and said to my supervisor, I think I have a big story here. The next day the headliner in the newspaper was my picture as a panoramic picture. My first panoramic picture, and it told the story.
Yes, a panoramic picture can tell a story better than other formats, if everything is right, as you showd.
Superb images - specially the ones in the video!
Great video, Thank you! Not only great examples but the included traditional format examples are perfect to show the difference.
Superb pictures and inspirational video. Thank you Dylan.
Great photos! Wide cinematic look.
great ideas 💡 Thx 🙏🏼 for sharing
I love 65:24 format.
Great idea for compositions, beautiful images. 🙏🍻
Hello, this is one of the most useful videos I have seen on this topic. Very well explained and demonstrated. 5 Stras to this video :)
Glad it was helpful! Happy shooting!
Love pano - by far the most expressive use of space in terms of aspect rations, imo. Love your work, both videos and stills. Thanks for sharing this content with us!
Really great images and wonderfully explained! I have shot hundreds of pictures with a Horizon 202 camera (film, swing lens) but I kinda love the undistorted look of a (digital) xpan. You did very well 😊
Hello Dylan, I loved the video and the aspect ratio. I use it often in my landscape work. Thank you for a great presentation and introducing a new way to look at using the ratio.
I love your FujiLove articles! I’d love more videos on your guides/ advice for family photography. I struggle to capture my crawling babies indoors
A very well made argument. Bravo! You made a thorough and compelling explanation. You also helped me better understand how to use this format. I will now try. Many thanks!
Wow 👏 👌 greta pictures. Thank you for the video
Great video and an inspiration; i just ordered my gfx. The concept of the xpan format is great!
Have a superb 2024!
stunningly impressive images in this format, thanks . I have used this format in a very limited way but you have shows me a much greater potential that lives in my future exploration in this format, thanks ! zen billings in canada.
Wonderful images.
I usually visualize images with 1:1 or 2:3 or 3:4 or 4:5 or 6:7 aspect ratios. I rarely visualize panoramic images. However, when I do, I visualize 1:2, 1:2.5, 1:3, 1:4, or 1:5 aspect ratios. The 24:65 aspect ratio of the XPan, TX-1, and GFX falls between the 1:2.5 and the 1:3 ratios.
I have never used the in-camera crop of the XPan, TX-1, or GFX, but I do use my Mamiya RB67 to obtain a 24:68 in-camera crop on 35mm film.
The excellent images in your video have inspired me to use it more.
Glad to hear this video got you thinking about another way to make photos. Enjoy!
Amazing Images
Great work!
I have an XPan with the 45 and 90mm, as well as a GFX 50S, and I love using this format with my GFX! I need to pick up the 30mm though, which is the equivalent of the 45mm on XPan. I will probably sell my XPan, as much as I love it, since I so rarely use it.
Fascinating Dylan. Thanks very much.
Thanks for watching, Chris!
Wow, this video has opened my eyes to 65:24 format but also loved the vertical compositions. Thank you so much, I like your videos but this one is special.
Soo good! Thanks a lot for this amazing lesson and expo of those gorgeous images, especially, the umbrella and the hands and the feet. I truly enjoyed it! The striking thing about this ratio is that it does not feel like that one tries to show as much as possible. It feels like 28mm view with 45-50mm image size like the human eye. Still, well concentrated without distracting, but not cramped with vastness. I really like it. I also use 21:10 for landscape panoramas. I will experiment with this thanks to you! Cheers!
I wasn’t aware of this aspect ratio; can’t wait to try it out
Love your photographs, Dylan! As always, you have presented an excellent argument for adding the 65x24 aspect ratio to the X Series cameras. Not all of us can afford the GFX Series and since it's a software issue, NOT a hardware issue, I agree that Fujifilm would do all X-Series photographers a service including the 65x24 ratio for its cameras.
Amazing video Dylan, i just got the GFX100S and have been using it for 3 months, but only in the studio. I was not even aware of this aspect ratio being available till i came across your channel. Your work is amazing love the tattoo series, definitely getting a soft copy.
Take that badboy outside! You'll have a great time photographing the world with the GFX. This ratio just makes it even more fun.
@@DylanGoldbyPhotographer thanks dylan, have a trip planned for india this year. definitely taking the GFX.
Very strong work, Dylan. I have been experimenting with what I've been calling the 6x17 crop, based on the Fuji GX 617 film camera, for about the past year. It seems to be analogous to, if not the same as, the 65x24 crop available in my GFX 50S II. I've added the ratio to the crop tool in Capture One and use it often. However, I haven't been using it in camera to compose. I will now after watching your video. I also found it extremely helpful to hear you put into very clear language how it can make images more visually compelling. I knew it worked well on some images, but I was struggling to understand why, Now I know. Thank you.
Love the final image in your slideshow!
The density of people and the different lives they lead makes India such a great place for capturing moments like these.
Absolutely superb! This was a real masterclass in composing for that format. Not easy to find such specific insights (as far as I can see). I've been tasked by my mentor to produce a portfolio of 10 images shot in this format, and the video was a real help as I've been struggling a bit. Heading to England's Peak District later this week for some landscape shooting, and will definitely try out some of the ideas. It was interesting to see how well the format works with a range of different focal lengths if you get the composition right.
By the way, thank you for including camera settings in your examples, especially actual focal length used when shooting with a zoom. I find visualising angle of view quite difficult, and looking at a series of images with the focal length stated helps me to "make the connection". Found your channel from a link in one of your Fujilove Magazine articles. Subscribed.
(Edit to add; great idea about the triptych of vertical panos.)
Very interesting, thanks!
Glad you liked it!
I absolutely adore this aspect ratio, And your work. Wish I had the ability to utilize it on my Dura Silver. It would be the TX-1 of the 21st century. Thank you so much!
I already saw so many video of you about the GFX ,, you are so nice ,, I was trying to find some video where you talk more about the GFX ( no the new ones like 100ii) video capability ,, best regard and thank you
Very nice! I’ve published two coffee table books that are nothing but pans. They were shot in the 6x17 format and then later with the Xpan, all with color transparency film. I’ve always enjoyed the creative challenge of utilizing whatever the viewfinder is showing, square, rectangle or panoramic. Thanks for sharing!
Oh, 6x17! What a format. Were you working with a view camera or a 617? Would love to see some of your work!
I love my pano on my 100s and 50r!!!!
Another beautifully crafted lesson Dylan, thank you. I like and have used the 16x9 ratio on my 50R, but really do enjoy the visual presentation of the 65x24 ratio. I feel inspired to go back and revisit some of my Raw images to see how they will transform in this ratio. The only problem I can foresee is that in my camera club comps, images must fit within the 1920x1080 pixel dimensions to be projected onto screen for judging, and this can reduce the impact of the vertical component of the image when the width is reduced to 1920 pixels. Getting a matte cut for the comps, max outer dimensions allowed at 20”, might conceivably have the same problem. For personal printing it would be exciting to try. As an aside, I tried pano stitching a series of vertical images taken on the GFX50R recently and my old 2015 MacBook Pro had heart failure. Best regards, Seoul in winter looks way more beautiful than I recall.
My clients usually want 2x3 or 4x5 images, so I rarely shoot panoramic anymore. But I think I'll give it a go again for some personal landscapes. Especially like your compositions with the 110. Kudos for handholding (I assume) that thing at 1/90 and getting a sharp image 👍
Handheld, indeed. As long as you're stable, you'll get sharp images most of the time at 1/90, I've found. Definitely get yourself back into the panorama world. It's a great option for capturing some unique images.
Couldn’t agree more. This is why I moved from XH2 to GFX50Sii. Still have XH2S. This aspect ratio tells a better story. Moved from US to Japan and I believe this is perfect aspect for photography here. This video convinced me to subscribe. You do excellent episodes.
I stand corrected! We found someone willing to move systems for this ratio! Haha! Seriously, though, it's a lot of fun to work in and I hope you're enjoying making images in it. Thanks for the sub.
I think more camera manufacturers should allow to preview different ratios in camera, as it completely helps to compose differently. Thanks for the video!
Beautiful images however I think the ability to tell the story is the hardest part of photography.
Clearly you are a master storyteller. Thank you for the 65:24 inspiration.
Thank you for the vote of confidence! It's true that this is the most important element... It's a constant struggle, and believe me, I'm still struggling every time I go out. 🤣
All makes perfect sense to me, I hate constraints. Crack on Dylan, superb shots.
As always great video. Thanks Dylan. If you can make a video and show us how can we do the same ratio and editing with x series cameras and CaptureOne
Love that Varanasi Boatman image, Dylan. Powerful! A great example of "Less is More". 👍
Cheers, Paul! I really wanted something different from that place. I couldn't bring myself to be another guy who pays a "sadhu" and throws feed to the birds so they flock around him. ;)
@@DylanGoldbyPhotographer You were absolutely wise in choosing not to do so. A sadhu is not a sadhu when he accepts money for being photgraphed. And we've all seen so many clichéd photos of birds flocking around sadhus.
Yes! Sure, you can always crop later, but when your eye encounters that panoramic framed image in the viewfinder, something different does happen.
One of the GFX features that got me into that system was the 65:24 "digital X-Pan". Film was becoming a less viable option for me, so a GFX50S II allowed me to sell my X-Pan last year with no real regrets. And it certainly would be welcome if Fujifilm would take a look at including 65:24 in some of their APS-C cameras.
The Flickr group "Fujifilm GFX 65:24 Panoramics +" allows photographers share their approaches.
Thanks for another nice video! I really like this aspect ratio too, and the way it's non-destructively implemented on the Raw-files of the GFX's, but have never used it vertically before which I will certainly explore more. I have even added it as a standard aspect ratio in Lightroom, so I can equally us it with my Sony-cameras who don't have it natively either.
Cheers, Edwin. Actually, one of my biggest gripes with Fujifilm cameras is that these ratios are NOT non-destructively implemented. You simply HAVE to shoot a jpeg+RAW mode in order to access them. That's one of those things I really wish Fujifilm would fix. But for now, it's a small price to pay in order to have this ratio previewed in camera.
@@DylanGoldbyPhotographer It would be nice to have the option of a permanent RAW crop. I hate "chasing" the panoramic crop in post processing.
Funny enough, the main reason I just left Nikon and moved to the new Lumix S5ii is simply because it had this ratio as an option. The better autofocus didn't hurt either 😉. Great video and excellent images!
I would like to have it in the X-system, to experiment. Beautiful images.
Doing woodland scenes though most of the time I like to compose the image that a 16:9 or 2:3 ratio delivers enough and suitable breathing room.
In more landscape settings I do believe the more panoramic ratio can pronounce the vastness of the scene better.
Belle approche des avantages de la photo panoramique en ration 65:24. Effectivement, pouvoir simuler ce ratio à la prise de vue directement dans le viseur aide beaucoup à la composition. Seul soucis, il faut impérativement choisir raw+jpg sur le boitier pour pouvoir visualiser le cadrage 65:24 en direct dans le viseur.
Il aurait été interessant pour ceux qui ne shoote qu'en raw de pouvoir faire apparaitre le cadrage sans produire de jpg...
Have you noticed the Mitakon 65/1.4 being very yellow? I didn't before, but I was shooting some comparison photos on my X1D with fixed WB with some adapted Nikon F mount lenses and Mitakon 65/1.4 a couple of days ago. When I copied them to my computer, I noticed the thumbnails of Mitakon photos are very yellow comparing to all my F mount lenses.
I really wish they’d give wider aspect ratios for X-Pro 3 and the like. If the intent is to crop post anyway, wouldn’t matter even if the resolution drops quite a bit.
Right? It seems like it would be such an easy thing to implement. Who cares about the "lower resolution"? Most people are only going to look at it on a phone anyway...
I often use the 16:9 crop, but they don’t work well on screen - much better to print them. Loved your images, especially the vertical triptych. Thanks for the consistently well-crafted uploads
Thanks, Brian! Have you ever given a really wide ratio like this a try?
@@DylanGoldbyPhotographer I haven't, but I'll be adding it as a crop preset to see how it works on some of my existing 16:9 photos, and heading out to try it (snow has arrived in England . . . )
was promised a song.... LIES!!!! Lies, i say! =-) I love the pano format and agree that fuji should add that crop to their other lines. It seems like such a simple upgrade to the firmware that would provide a fairly decent quality of life improvement.
You really, and I mean REALLY, wouldn't want to hear me sing. Be thankful for that clockbait title.
Agreed on the firmware. I'll just keep making noise and hope they take notice. ;)
I second your request to Fuji for a 65:24 crop in X series cameras, specially now that some have enough pixels for large panoramic prints to be possible.
Fingers crossed!
Love this ...I'm new ish to GFX and it's like your pics are movie sceners ...wide screen TV look. I will try this definitely. Many people would have considered dead spacs....but your images embraces this!
Quick question Dylan; I notice you've displayed your images on a black background in this video. Is that something you would extend to print display? I just wonder if a print in a normal white mat would run the risk of the viewer's eye being taken too readily up or down out of the frame. The black might do a better job of holding the attention in what is quite a narrow frame?
I’ve just bought a 50sii just for that
64x25 for XT5 🙏🏻
Dylan, do you usually shoot in the 65:24 format in camera or shoot in the default 4:3 ratio with the 65:24 in mind and then crop later?
Always in camera. That makes it much easier to visualise and you start to see the world in that ratio and look for compositions that suit it.
Nice video. You don't have the GFX50R anymore!?
I've had the GFX 100S since launch and parted ways with my 50R then. No need for two GFX bodies. ;)
@@DylanGoldbyPhotographer I understand; thank you. Yesterday I had the opportunity to test the GFX100s with the GF80mm and the GF20-35mm, just for an hour. I kept the images for analysis. Everything felt fine however, I think I still prefer the physical buttons on my GFX50R but, it might be a matter of habit. A GFX100R would be great ,-D
The GF20-35mm looked excellent. The GF80mm being excellent has the problem of chromatic aberrations that appear very easily, which irritates me a lot. I prefer my 110mm ,-)
Cheers.
what lens was used along side with the camera. ?
All images have the lens data alongside them in the video.
Great video! Why on my gfx100s the ratio of 3x4 is locked? Thank you
Could it perhaps be because you don't shoot Raw + Jpeg, but only 1 of the 2? If that's the case, please try changing it to shooting 'Raw + Jpeg'.
The change of aspect ratio is applied to the Jpeg's, and as overlay to the Raw-files whenever you load the Raw-files into your photo editing software. Thus, the change of aspect ratio is non-destructive to the Raw-files, the full Raw-file of the entire sensor remains available and you can change the aspect ratio of the Raw-file to anything in your editing software without a loss of resolution. And the change of aspect ratio is also applied to the viewfinder.
It's not locked. You just need to shoot JPEG + RAW. Very annoying, but that's how Fujifilm does it.
@@DylanGoldbyPhotographer it’s set on F+RAW!
@@DylanGoldbyPhotographer it's now on S+RAW and i chacked all others but still Image Size is on yellow colour and locked on L3:2! please advise.
@@Edwin-- it's now on S+RAW and i chacked all others but still Image Size is on yellow colour and locked on L3:2! am i missing anything else?
I don't know why GFX don't support wide VIDEO - why is need anamorphic lens ??? - he know X-PAN jpeg (yes RAW is not ... but for composition is OK) - but why not VIDEO ? - this must bee killer feature - for GFX100S - or X-T5/H2*
I really wish they introduced these crop modes in the APS-C range. Absolutely no reason why they couldn't. Annoying.
Nothing a little duct-tape can't solve 😜 I agree, it would be nice if they would roll it out further. I think in the past, maybe the vertical resolution was a concern with the 26 megapixel sensors as the change in aspect ratio would reduce the image size to 14 megapixel images (6240 x 2304 pixels), but with the new 40 megapixel sensor in XT-5 there is plenty to work with. I personally think 14 megapixel would also be enough, but that doesn't look good on spec sheet these days.
@@Edwin-- Yeh point taken. Still the current 1:1 and 16:9 crop modes will be having a significant impact in mega pixels so I don't think that's why they don't include an xpan crop as an update. They just haven't because.. they haven't... and they should because its not like folk will upgrade to a GFX JUST for a crop mode... would they... would they?! 😅
I've been using my 100s primarily for portraits. This 65:24 is intriguing to me, especially for cityscapes and festivals. Thanks for the tip
It's a beautiful format, to be sure! Enjoy your new found way of seeing!