Gilbert Stuart (1755-1828) A collection of paintings 4K

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  • Опубликовано: 2 окт 2024
  • Gilbert Charles Stuart (1755-1828) was an American painter from Rhode Island who is widely considered one of America's foremost portraitists.
    His best known work is the unfinished portrait of George Washington that is sometimes referred to as The Athenaeum, begun in 1796. Stuart retained the portrait and used it to paint 130 copies which he sold for $100 each.
    The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various U.S. postage stamps of the 19th century and early 20th century.
    Gilbert Stuart was born on December 3, 1755 in Saunderstown, a village of North Kingstown in the Colony of Rhode Island and Providence Plantations. He was the third child of Gilbert Stewart, a Scottish immigrant employed in the snuff-making industry. Stuart's father owned the first snuff mill in America, which was located in the basement of the family homestead.
    In 1771, Stuart moved to Scotland with Alexander to finish his studies; however, Alexander died in Edinburgh one year later. Stuart tried to maintain a living and pursue his painting career, but to no avail, so he returned to Newport in 1773.
    Stuart's prospects as a portraitist were jeopardized by the onset of the American Revolution and its social disruptions. He departed for England in 1775 following the example set by John Singleton Copley. He was unsuccessful at first in pursuit of his vocation, but he then became a protégé of Benjamin West with whom he studied for the next six years. The relationship was beneficial, with Stuart exhibiting at the Royal Academy as early as 1777.
    By 1782, Stuart had met with success, largely due to acclaim for The Skater, a portrait of William Grant. It was Stuart's first full-length portrait and, according to art historian Margaret C. S. Christman, it "belied the prevailing opinion that Stuart 'made a tolerable likeness of a face, but as to the figure, he could not get below the fifth button'". Stuart said that he was "suddenly lifted into fame by a single picture".
    At one point, the prices for his pictures were exceeded only by those of renowned English artists Joshua Reynolds and Thomas Gainsborough. Despite his many commissions, however, he was habitually neglectful of finances and was in danger of being sent to debtors' prison. In 1787, he fled to Dublin, Ireland where he painted and accumulated debt with equal vigor.
    Stuart ended his 18-year stay in Britain and Ireland in 1793, leaving behind numerous unfinished paintings. He returned to the United States and settled briefly in New York City. In 1795, he moved to Germantown, Philadelphia where he opened a studio, and it was here that he gained a foothold in the art world and lasting fame with pictures of many important Americans.
    Stuart painted George Washington in a series of iconic portraits, each of them leading to a demand for copies and keeping him busy and highly paid for years. The most famous and celebrated of these likenesses is known as The Athenaeum and is portrayed on the United States one-dollar bill. Stuart and his daughters painted a total of 130 reproductions of The Athenaeum. However, he never completed the original version; after finishing Washington's face, he kept the original version to make the copies. He sold up to 70 of his reproductions for a price of $100 each, but the original portrait was left unfinished at the time of his death in 1828. The painting was jointly purchased by the National Portrait Gallery and Museum of Fine Arts, Boston in 1980, and is generally on display in the National Portrait Gallery.
    Another celebrated image of Washington is the Lansdowne portrait, a large portrait with one version hanging in the East Room of the White House. This painting was saved during the burning of Washington by British troops in the War of 1812 through the intervention of First Lady Dolley Madison and Paul Jennings, one of President James Madison's slaves. Four versions of the portrait are attributed to Stuart, and additional copies were painted by other artists for display in U.S. government buildings. In 1803, Stuart opened a studio in Washington, D. C.
    Stuart married Charlotte Coates about September 1786, who was 13 years his junior and "exceedingly pretty". They had 12 children, five of whom died by 1815 and two others died while they were young. Their daughter Jane was also a painter. She sold many of his paintings and her replicas of them from her studios in Boston and Newport, Rhode Island.
    In 1824, he suffered a stroke which left him partially paralyzed, but he still continued to paint for two years until his death in Boston on July 9, 1828 at 72. He was buried in the Old South Burial Ground of the Boston Common.
    Stuart left his family deeply in debt, and his wife and daughters were unable to purchase a grave site. He was, therefore, buried in an unmarked grave which was purchased cheaply from Benjamin Howland, a local carpenter.

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