What youre doing when going down in that cry is rotating the arytenoid cartilages, hence the new "chest resonance" or timbre. If you keep the sound crying and in the back while going down, sounding whiny, its the arytenoid cartilages not rotating ( or as much ) and not anchoring, thus not giving you the chest fullvoice timbre. Ive been working on this lately for making rehab and finding mix more efficient and faster. Id love to chat about this with you man. Cheers
@@sbxamedhi Interesting take on cry physical quality or vocal mode. According to Estill, who came up with that physical quality description, it dampens the larynx and gives medial compression in the vocal folds from stretching or thinning them out, effectively increasing surface area, but without the thyroid arytenoids doing the work of thickening. Both of these add more chest formant. Over-crying will lift and stretch even more, causing more whiny sounds and yodel-like glottal releases. Most of the difference in timbre for both grit and screams comes from acoustic placement. If you want an on depth overview of vocal distortion, the list two podcast episodes we put up on RUclips, Vocal Distortion pt.1 and 2, go into both the mindset and how to, like a mini-course.
"It's not just about the top-down whimper," like a puppy whimper, activating the cry reflex so that it keeps your resonance lifted and anchored to a certain acoustic or sound color. That's also similar to lifting the voice up into an /Ng/ spot - the spot you feel buzz on the roof of the mouth with you hum a lifted /Ng/ like in the word "sung," or even an 80's Valley Girl accent.
I love how this guy consistenly demonstrates the techniques as he's explaining
me too
same.
What youre doing when going down in that cry is rotating the arytenoid cartilages, hence the new "chest resonance" or timbre. If you keep the sound crying and in the back while going down, sounding whiny, its the arytenoid cartilages not rotating ( or as much ) and not anchoring, thus not giving you the chest fullvoice timbre. Ive been working on this lately for making rehab and finding mix more efficient and faster. Id love to chat about this with you man. Cheers
@@sbxamedhi Interesting take on cry physical quality or vocal mode. According to Estill, who came up with that physical quality description, it dampens the larynx and gives medial compression in the vocal folds from stretching or thinning them out, effectively increasing surface area, but without the thyroid arytenoids doing the work of thickening. Both of these add more chest formant. Over-crying will lift and stretch even more, causing more whiny sounds and yodel-like glottal releases. Most of the difference in timbre for both grit and screams comes from acoustic placement.
If you want an on depth overview of vocal distortion, the list two podcast episodes we put up on RUclips, Vocal Distortion pt.1 and 2, go into both the mindset and how to, like a mini-course.
great
Funny, I was just watching this lesson on Udemy yesterday
ahahaha
First sentenceL It's not just about the top down one percent?? whaaa? :0
"It's not just about the top-down whimper," like a puppy whimper, activating the cry reflex so that it keeps your resonance lifted and anchored to a certain acoustic or sound color. That's also similar to lifting the voice up into an /Ng/ spot - the spot you feel buzz on the roof of the mouth with you hum a lifted /Ng/ like in the word "sung," or even an 80's Valley Girl accent.
@@RockSingingSuccess thanks for clearing that up, man. very interesting!