This midi has evil breathing out of every single note. It drips from the score, thicker than molten lead, and coalesces into black sludge, flooding the twisted metal compound where stars go to die. Ribbiks was absolutely on point picking this tune for God Machine. Like DAMN does it hit the spot.
oh most definitely. it's also a funny coincidence since this is based on one of the Aubrey Hodges tracks from PSX Doom. which was an outstanding soundtrack that is soaking with atmosphere & dread.
it certainly does. I guess Aubrey needed something to start off the game with and then allow the songs to get creepier and darker in tone as the game went on. for Ribbiks it fits for his wad near the end since the last stage of Sunlust is infamous and intimidating.
This midi has evil breathing out of every single note. It drips from the score, thicker than molten lead, and coalesces into black sludge, flooding the twisted metal compound where stars go to die.
Ribbiks was absolutely on point picking this tune for God Machine. Like DAMN does it hit the spot.
oh most definitely. it's also a funny coincidence since this is based on one of the Aubrey Hodges tracks from PSX Doom. which was an outstanding soundtrack that is soaking with atmosphere & dread.
@@EpicJasonX9000 weird that Aubrey picked this track for first map and Ribbiks put it last. It fits both somehow
it certainly does. I guess Aubrey needed something to start off the game with and then allow the songs to get creepier and darker in tone as the game went on. for Ribbiks it fits for his wad near the end since the last stage of Sunlust is infamous and intimidating.