Regarding the question posed at the 14:43 time mark - just wanted to point out an analogy to mathematics, where it is possible to have a bounded, but infinite set. In light of Mrs. Nisha's and Mr. Vishnudev's responses, I feel like the bounds of carnatic music are its foundations & roots, but within those bounds, the carnatic practitioner's quest is to dive deeper and deeper and extract what is yet to have been extracted! The possibilities are endless 😊
சுபா மேம் நீங்கள் மட்டுமே தான் இதுமாதிரி கேள்விகளை அழகாக கேட்டு எங்களுக்கு தெரிஞ்சுகொள்ள உதவியது அழகான பல நல்ல கேள்விகள் அதற்குண்டான அழகான தரமான அழுத்தமான மனதில் பதியும் படியான பதில்களை தந்த அனைத்து பாடகர்களுக்கும் எனது சிரம் தாழ்ந்த நமஸ்காரங்கள்
Excellence of both Kalpita-pre mediated and Kalpana-impromptu improvisation, rare of the rarest creativity of Art form is evident in this conversation. Value of Intelligence, growing insights of both Subhashree Tanikkachalam and Vidushees, Vidwans made this offering valuable, telling beyond the boundaries-of Talk Show. Request create a platform for Vedana-Samvadana with spirited participation of all the Stakeholders of the Art form, in continuation of binaries of beliefs, faiths for ease of comfort, escapism and truths, realities of Vedas, 'sacred scriptures' (conditioning the minds of boundaries, being free without )and Upanishads -seeking, search for Realisations (un conditioning the minds, being free, within and without).
Very lively and lovely presentation by subasree ji. My opinion is good old songs of ganaraga with light mixed ones will be ok. Recent vidwans sing quite well.. Extremely healthy interaction. God bless all the artists
Temple festival cutcheri has gone.now a day s vidhwans started to feel that they know rare ragas and kirthanas.the concert is for audiance from front tgenious to lay rasikad
Who is responsible for kutcheris going out of temples? The present artists? No. Those responsible for driving out kutcheris from temple premises and the related activities are HR& CE. after temples were taken over by HR&CE , all such activities stopped because of Political ideologies ruling the state.
My teacher always asked me to stop singing light music, especially with karoke. She used to advise me always that light music would affect carnatic learning and gamakas aspects. I don't know if it's true or not.
Art form with the identity of 'Classical' is a boundary in mind space and experiential knowledge for all the Stakeholders of the art form. Classical is a form delivering intellectual pleasure and recall pleasure of the first experience with almost the same intensity. Chitta, highest level of consciousness of experiential pleasure with potency for bliss, a rare of the rarest unified consciousness, within and without. Mind is One but, experiences created the identities of Manas, Aham, Buddhi and Chitta based on Happiness:Joy, temporal; Pleasure, lasting in time and duration, Bliss, everlasting (truly, conceptual, not experiential), Delivering Joy and pleasure, seeking bliss are the boundaries for the performing arts. Deriving Joy and pleasure and seeking bliss are the boundaries for rasikatva, connoisseurs.
Also could have discussed about people of their own channel started teaching Carnatic online , there are very bad , bad , good , great ect . Is it healthy ?
Id say you dont have to say the Raga at the start itself and let the guessers take their shot. If you're doing an alapana, after Alapana you can reveal like many do. Ranjani Gayathri Madams for example. Otherwise if no Alapana or improvization for that particular piece, after singing the piece they can say, 'This Raga I've sung now.' This way, both, guessers as well as the ones unaware who wish to know will be satisfied.
very nice programe and discussion. audience opinion whether good or bad, should be treated with respect. if a person is negative and a seasoned abuser, you can delete. But if feel 😮ts not right to say that i dont care about others’ opinion. Afterall, the art is meant for people to enjoy… if someone doesnt care why would they come and perform for people. Athmarthama veetukuLLa paadalaame.
Boundary is its very form ... if there is no boundary ,, try calling ghazal carnatic music.. will Ghazal singers accept your boundaryless philosophy... Why r we limited to being boundaryless in every aspect of life including music? What is wrong with having boundaries.. u can always cross over and go to another space...
Very nice conversation ❤. Only Subhashree madam can mediate so beautifully 😊
Healthy discussion on relevant topics! Thank you 🙏
Regarding the question posed at the 14:43 time mark - just wanted to point out an analogy to mathematics, where it is possible to have a bounded, but infinite set. In light of Mrs. Nisha's and Mr. Vishnudev's responses, I feel like the bounds of carnatic music are its foundations & roots, but within those bounds, the carnatic practitioner's quest is to dive deeper and deeper and extract what is yet to have been extracted! The possibilities are endless 😊
சுபா மேம் நீங்கள் மட்டுமே தான் இதுமாதிரி கேள்விகளை அழகாக கேட்டு எங்களுக்கு தெரிஞ்சுகொள்ள உதவியது அழகான பல நல்ல கேள்விகள் அதற்குண்டான அழகான தரமான அழுத்தமான மனதில் பதியும் படியான பதில்களை தந்த அனைத்து பாடகர்களுக்கும் எனது சிரம் தாழ்ந்த நமஸ்காரங்கள்
Excellence of both Kalpita-pre mediated and Kalpana-impromptu improvisation, rare of the rarest creativity of Art form is evident in this conversation. Value of Intelligence, growing insights of both Subhashree Tanikkachalam and Vidushees, Vidwans made this offering valuable, telling beyond the boundaries-of Talk Show. Request create a platform for Vedana-Samvadana with spirited participation of all the Stakeholders of the Art form, in continuation of binaries of beliefs, faiths for ease of comfort, escapism and truths, realities of Vedas, 'sacred scriptures' (conditioning the minds of boundaries, being free without )and Upanishads -seeking, search for Realisations (un conditioning the minds, being free, within and without).
As usual Subhashree's stamp. Healthy and excellent interaction 🎉🎉❤❤
Excellent presentation of the talk show! A rare program?
Dr,Soumya 's conclusive remarks were very appropriate and meaningful!!🎉🎉
Excellent discussion and enjoyed listening thoroughly 👌💐🌺
Hats off subhashri mam.you always rock. Vazhga pallandu
Very interesting and innovative initiative. Keep it up 👍
Excellent talk show. Congratulations shuba. And finally Ms. Sowmya's reply also very nice. We enjoyed the show.
EXCELLENT DISCUSSION. TOTALLY INTERESTING, LOVED IT 👌🙏👍, S.T WHAT A FANTASTIC IDEA👏🏾👌👏🏾💕👏🏾
It is nice to tell the name of Raaga as many of the people may not be aware
Dr. Saumya summed it up so beautifully 👏🏼👏🏼🙏🏼
Very lively and lovely presentation by subasree ji. My opinion is good old songs of ganaraga with light mixed ones will be ok.
Recent vidwans sing quite well.. Extremely healthy interaction. God bless all the artists
We will keep all your suggestions in mind. Thank you for your feedback.
வணக்கம் very nice வாழ்த்துக்கள் ❤❤😊😊🎉🎉
Heart touching show. The essence of kar natic music can be showcas
The essence of karnatic music can be showcased in the upcoming QFR with the narration of Subasree ji. This is my humble suggestion.
Temple festival cutcheri has gone.now a day s vidhwans started to feel that they know rare ragas and kirthanas.the concert is for audiance from front tgenious to lay rasikad
Who is responsible for kutcheris going out of temples? The present artists? No. Those responsible for driving out kutcheris from temple premises and the related activities are HR& CE. after temples were taken over by HR&CE , all such activities stopped because of Political ideologies ruling the state.
Super program .Just enjoyed👏👏👏
Thanks for listening
Very nice program 🎉🎉
VERY ENJOYABLE SESSION. VERY HILARIOUS.
Excellent talk show.very interesting
Any improvisation is welcome. Please do not compromise lyrics bhava and bhakthi.
My teacher always asked me to stop singing light music, especially with karoke. She used to advise me always that light music would affect carnatic learning and gamakas aspects. I don't know if it's true or not.
Art form with the identity of 'Classical' is a boundary in mind space and experiential knowledge for all the Stakeholders of the art form. Classical is a form delivering intellectual pleasure and recall pleasure of the first experience with almost the same intensity. Chitta, highest level of consciousness of experiential pleasure with potency for bliss, a rare of the rarest unified consciousness, within and without. Mind is One but, experiences created the identities of Manas, Aham, Buddhi and Chitta based on Happiness:Joy, temporal; Pleasure, lasting in time and duration, Bliss, everlasting (truly, conceptual, not experiential), Delivering Joy and pleasure, seeking bliss are the boundaries for the performing arts. Deriving Joy and pleasure and seeking bliss are the boundaries for rasikatva, connoisseurs.
Interesting and humorous. Shuba ji, where do you get such creative ideas from and how do you continue to drive those ideas every day! Admirable ❤
Jesudas irukkare. Katcheri , film songs ellaame top dhaan
Also could have discussed about people of their own channel started teaching Carnatic online , there are very bad , bad , good , great ect . Is it healthy ?
Looking forward to hear 👍
Excellent show,
Thank you for watching.
Not heard Marubalka in Sriranjani or Evarinata in Kamboji in recent times.
Id say you dont have to say the Raga at the start itself and let the guessers take their shot. If you're doing an alapana, after Alapana you can reveal like many do. Ranjani Gayathri Madams for example. Otherwise if no Alapana or improvization for that particular piece, after singing the piece they can say, 'This Raga I've sung now.' This way, both, guessers as well as the ones unaware who wish to know will be satisfied.
Till today the sabha concert has not crossed the rly line mambalam station
Why you are worried about mambalam station always?
Some Rasikas would prefer to find the raga by themselves.Artists can announce the raga after they finish the song .
Super🎉🎉
very nice programe and discussion.
audience opinion whether good or bad, should be treated with respect. if a person is negative and a seasoned abuser, you can delete. But if feel 😮ts not right to say that i dont care about others’ opinion. Afterall, the art is meant for people to enjoy… if someone doesnt care why would they come and perform for people. Athmarthama veetukuLLa paadalaame.
Hana Eagan pithy Eagan mixed Tamil songs Elam padanum. Katcheri full aga illamal brisk aga erukannum madam. Nan regulars neril poithan kepen
Excellent mam
Enjoy
Unnikrishnan in both genre
Super Suba sheer
It's so disappointing that in many cases the names of the raagams is omitted. We newer listeners,
especially frm the diaspora, need this education.
During temple festival melam procession people like tohear thavil avarthanam than raga alapana
My father and others wire white for 36 years .
Boundary is its very form ... if there is no boundary ,, try calling ghazal carnatic music.. will Ghazal singers accept your boundaryless philosophy... Why r we limited to being boundaryless in every aspect of life including music? What is wrong with having boundaries.. u can always cross over and go to another space...
Carnatic music should focus on tradition only
Transport cost and time is the main reason for not attending concert
Wore. Shri GNB
It's better that the singer himself/herself tell the raga before singing .
Could have asked who is their favourite singer of( any genre ) from yt and also comedian of singing like very poor singing
First question i agree but 2nd question you've said will be offensive and youtube can take down this video in the name of offense so not possible
@ true sorry from my side too
Very informative and interesting conversation .
My father and others wire white for 36 years .