Hey Swift man. Been thinking about this the last couple of months. I prefer playing with others , but have been forced into going solo often due to lack of players or interest in my small little town. Haven't checked this out, but I know it's gonna help. Thank you , Danny
😮, I've been playing like this since I started playing guitar and even before I ever heard of Hendrix. But I just called what I did "free playing" which was essentially that. I guess I never felt that sort of limited restriction with the guitar. What might of helped was OCD or the just the overpowered want to "just do it"
Hey friends, as always you can enjoy today's lesson with tabs, Guitar Pro, and Soundslice at: www.patreon.com/posts/106935647. Have an awesome day of progress! -Rob
Great lesson Rob, more of the same please. Just one thing how about some lead fills in 'D' I know this is all moveable but 'D' is a little awkward. Thanks
These lessons miss the most important part. The rhythm. And the count. If each riff takes off on the and of 2, you should say that. And play with a metronome slow. Many will stab away at a lick but they're miles away from playing it in time. A voice metronome like the Korg will sound out the count at slow bpm so when the muscle memory learns the rhythm, the licks come in nicely vs a trainwreck and giving up. Advanced players may get the 2&4. Many however play for years and cannot put it together as you demonstrate.
It doesn’t matter if he does do that. Most people won’t even know what to do with that info and if he did say add a metronome most wouldn’t even use a metronome. If you’re just pointing out what he is doing wrong even though he slows it down and has you play with him and then explains thh he e measures you should start your own page
@@jonathancallahan3585 Sorry- but no. Counting is basic, not rocket science and basic in music. Furthermore, people would use a metronome even simply on their phone. Knowing that a note is on the and of a downbeat, helps. I don’t need to start my own page, but thank you for the suggestion.
Hello Rob, is it necessary to switch from one pentatonic to another with each chord change? And would it be possible to use the minor pentatonic as well?
Great question. In many cases you can simply use the scale belonging to the I chord, E major pentatonic. Transposing the scale from chord to chord has its advantages though; this approach allows you to create melodies that are tailored to each chord, and you don’t have to jump across the fretboard when switching to lead. I hope that response is helpful.
@@swiftlessons Dzięki, Rob. Super pomocne (very helpful indeed) Thanks for replying, too! If you ever decided to make a course that explains such nuances and the harmony behind it all, I'd buy it in an instant. P.S. I've also asked a question regarding the DAGDAD tuning. Would be great if you could have a look there. Take care! Trzymaj się! :)
What strings are you using on your zager? I have the same guitar and the palor.... also are you using a amplifier on these lesson? The box is great in these guitars. Thanks for all you Rob! Dina
![[Limbus Company - Teaser] Season5 - Oblivion](http://i.ytimg.com/vi/8anKuEeZLeI/mqdefault.jpg)
Thanks Swifty , another beauty. I thought it looked easy but it’s kinda tricky , I’ll get there.
Hey Swift man. Been thinking about this the last couple of months. I prefer playing with others , but have been forced into going solo often due to lack of players or interest in my small little town. Haven't checked this out, but I know it's gonna help. Thank you , Danny
Sweet and Swift lesson! Thanks Rob
My pleasure, thanks for stopping in! -Rob
This is actually what I was looking for ! Thanks !
Rob
Fantastic playing / ideas
Let's break that down. Love it thank you for this. I forsee a great weekend of ME and my guitar time. 🎉 God bless. Garett
amazing combine...pretty sounds
Great as always, Rob!!!
killer lesson just picked up a ton of awesome stuff out here in wa state
this is so cool. thanks Swifty, you're inspirational, mate. 👍😁
😮, I've been playing like this since I started playing guitar and even before I ever heard of Hendrix. But I just called what I did "free playing" which was essentially that. I guess I never felt that sort of limited restriction with the guitar. What might of helped was OCD or the just the overpowered want to "just do it"
Hey friends, as always you can enjoy today's lesson with tabs, Guitar Pro, and Soundslice at: www.patreon.com/posts/106935647. Have an awesome day of progress! -Rob
Great lesson Rob, more of the same please. Just one thing how about some lead fills in 'D' I know this is all moveable but 'D' is a little awkward. Thanks
NICE!
These lessons miss the most important part. The rhythm. And the count. If each riff takes off on the and of 2, you should say that. And play with a metronome slow. Many will stab away at a lick but they're miles away from playing it in time. A voice metronome like the Korg will sound out the count at slow bpm so when the muscle memory learns the rhythm, the licks come in nicely vs a trainwreck and giving up. Advanced players may get the 2&4. Many however play for years and cannot put it together as you demonstrate.
It doesn’t matter if he does do that. Most people won’t even know what to do with that info and if he did say add a metronome most wouldn’t even use a metronome. If you’re just pointing out what he is doing wrong even though he slows it down and has you play with him and then explains thh he e measures you should start your own page
@@jonathancallahan3585 Sorry- but no. Counting is basic, not rocket science and basic in music. Furthermore, people would use a metronome even simply on their phone. Knowing that a note is on the and of a downbeat, helps. I don’t need to start my own page, but thank you for the suggestion.
Nice,,,,👏👏
Thanks Ronnie!
Hello Rob, is it necessary to switch from one pentatonic to another with each chord change? And would it be possible to use the minor pentatonic as well?
Great question. In many cases you can simply use the scale belonging to the I chord, E major pentatonic. Transposing the scale from chord to chord has its advantages though; this approach allows you to create melodies that are tailored to each chord, and you don’t have to jump across the fretboard when switching to lead. I hope that response is helpful.
@@swiftlessons Dzięki, Rob. Super pomocne (very helpful indeed) Thanks for replying, too! If you ever decided to make a course that explains such nuances and the harmony behind it all, I'd buy it in an instant. P.S. I've also asked a question regarding the DAGDAD tuning. Would be great if you could have a look there. Take care! Trzymaj się! :)
What strings are you using on your zager? I have the same guitar and the palor.... also are you using a amplifier on these lesson? The box is great in these guitars. Thanks for all you Rob!
Dina
Tiktop 😯👏👍🥰😍
NICE!
Jeesh, dude could barr chord 2 guitar necks with them fingers.
Great video. Would have been nice if you put the pentatonic scale graphics up along with the chord graphics for each.
Thank you, Exactly what I have been working on. Great way to break it down as always.
Love the way you teach dude
Cool lesson! Thank you Rob❤
Awesome lesson as always. Thank you so much ! 👍👍❤️❤️🎸🎸
Very nice 🙂, thanks 😊
Glad you're digging this, many more are on the way. Enjoy your practice! -Rob
Thanks for the lesson, i like it.have a great night and up coming weekend😀.
Awesome timing, I've been working on licks between chords in the last few weeks! Thanks 👍 🎸 🇨🇦
Hey. Love your Canadian flag.
I live in Vancouver and would love to meet up with anyone who can play this and jam together.
Do you live in Vancouver?
Nice stuff!
I love it !♥️