Get Better Colors With This Color Grading Hack
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- Опубликовано: 31 май 2024
- In this tutorial I touch on my favorite color grading hack for cinematic results, the HSV Saturation method. This is the process of intensifying colors without introducing noise or digital artifacts and it works for various types of footage, such as narrative films, artistic shoots, and commercials.
00:00 Introduction
00:23 The Cinematic Hack for Saturation
00:29 The Shots We're Working With
00:45 Color Grading a Short Film Clip
1:28 Color Grading Arri Alexa Footage
2:16 Color Grading a Commercial Look
3:12 Final Results + Thoughts
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#davinciresolve #colorgrading #davinciresolve #cinematic #filmmaking 
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Did you guys know this saturation method?? I've never used the regular slider again since learning how to do this, it's specially great for skin tones, never fails to amaze me!! 🔥
i don't think you have to disable the channels to work with just saturation in HSV. the Green dials represent saturation in the HSV color space, so all you would need to do is grab the green slider in gain/gamma/lift what have you, nothing huge but could save you those few seconds.
@@zight123 You are indeed right my friend! There are a few different ways to do it, and with Davinci Resolve 19 now there are even more ways lol thanks for the tip!!
If you don't want to have to disable channels 1 and 3, you can just use the green channel on the curves, instead of gain. Gives better control, too.
Yessss!! That is totally correct, thank you for the tip!! 🙌🏽🔥
This is absolutely amazing video, directly to the point and short🏆💪🏾
Let’s goooo!! Haha I wanted to make sure it was short and sweet, so I’m happy you found it valuable! Let me know if there’s anything else I can do to help 🙌🏽
wow great work!!!
hey thanks so much for watching!!! 🙌🏽🔥
Muy muy interesante el método. Muchas gracias por compartirlo!
Me alegro mucho de que te haya gustado y te haya resultado útil, avísame si tienes alguna pregunta, ¡me encantaría ayudarte! 🙏🏽
AWESOME VIDEO
Thanks so much, Uriel! I appreciate your support, let me know if you’ve got any questions! 🙏🏽🔥
Not everyone thinks about this but it’s so important!! 😩🙏🏼 thank you!!
so glad it helped you!! can’t wait to see your shots level up! 🤩🔥
thanks man ;)
Thank youuu for watching!!! I’m so happy it helped 🙌🏽🔥
keep up the good work! .... waiting for a perfect node tree tutorial and how to deal with every footage
Thanks so much for watching!!! What kind of camera do you shoot with? The node trees will really vary depending on the footage you're working with, but I can make a video on how I usually decide which direction I will go in when I start color grading! 🔥
@@ChristopherChaconYT i usually shoot with s log sony a7s3 ... but yea sure it will help alot !
thanks in advance
Thanks for your video ! What is Den+sub or LABmixL or LABmixH or LABsat ?
If you put the halation at the beginning, won't it change the color of the white balance ?
Hi, Thanks so much for watching! I haven't found that halation changes the WB as much, but it does affect your skin tones, making them warmer. The placement of the Halation in my node tree is a little different for sure, normally you'd want to apply it after your primary color corrections, but I've found it's much more dramatic that way. I've just been doing it this way for so long, and it's subtle, and the kind of look I like going for, I'd recommend you experiment with both and find your style that way! As for the LABmix adjustments, they stand for Luminance, Hue and Saturation in the LAB color space. Which is distinct from other color spaces like RGB or CMYK. Great for achieving different looks like, the popular "Teal and Orange" look. I'll make a video about it some time! 🙏🔥
yo, there's a sat vs sat curve. just drag the right side up and you get the same effect with 5 less clicks
great tip! I’ve never found this to produce the same results tho, similar but not what I’m going for in most of my grades, thanks for watching and chiming in! 🙌🏽🔥
This is amazing brother thanks for sharing! Where did you learn this?
hey thanks so much for tuning in and showing love!! I picked up the technique somewhere along the way, I couldn’t pin point where if I tried but the same way through a youtube video years ago lol I use it in all my work and it’s saved me countless times so I’m just happy to spread the knowledge 🙌🏽🔥
Cullen Kelly on youtube
@@alexandredevinatperso2108 Cullen Kelly is an absolute legend, learned quite a lot of things from him so this is highly possible, thanks Alexandre! 🔥
@@ChristopherChaconYT Nevertheless is amazing brother, indeed thank you for sharing knowledge! I love RUclips haha!
Bro is cooking 🧑🍳
You already know what it is!!! 🔥
very nice! I'm stuck on the timeless struggle to export how it looks on screen - I know it has something to do with colour management but everytime I try that the colours are supper washed out - any tips?
Hey Samuel! Thanks for watching! Do you happen to be working on a Mac Computer by any chance? It sounds like you may be experiencing a gamma shift issue!
@@ChristopherChaconYT Indeed I am - I have tried many different work arounds but it seems that colour management is the only way to go - however yeah I haven't been able to set up my davinci project properly in this regard
@@samuelguce that's cause mac displays are on a different P3 color space than your standard Rec709 screen so it targets color slightly differently, also quicktime gamma shift isn't a "shift", it's just the way it is programmed
First go to the general preferences and toggle on "use mac display settings" and "automatically tag Rec709 clips as Rec709-A"
to get the most consistent result across all displays out there, you have to set your timeline color space to Rec709(scene) or Rec709 gamma 2.4, then your output color space to Rec709-A and do the same in your exports at the advanced settings
Why Gamma 2.4? because broadcast media? I mostly edit for social media and I've settled for Gamma 2.2 .. is it okay or should shift to 2.4?
Hi Carllin, thanks for watching! The choice between Gamma 2.2 and 2.4 really depends on your viewing environment. Gamma 2.2 works well in bright settings like offices, while Gamma 2.4 is better for darker environments such as home theaters. If you edit mainly for social media on various devices, Gamma 2.2 is practical. For darker settings or cinematic output, consider switching to Gamma 2.4 to enhance viewing quality. We adjust gamma during rendering to maintain consistency across all conditions, sometimes involving trim passes for each delivery platform! Hope that helps!! 🙏🏽🔥
@@ChristopherChaconYT Thank you so much for your quick reply! and I guess it finally makes sense! Thank you so much!
can we work together i have a lot video
Hey thanks so much for tuning in and dropping a comment!! Really appreciate the love! 🙏🏽🔥