Well it's all day long I've been standing by my telephone Well it's all day long I've been standing by my telephone Well I decided I'd call my baby, and some other man answered the phone I said please, please tell me what's going on wrong Well please baby, tell me what's going on wrong "Well you mistreated me daddy, I've got a new man living in your home" ---SOLO------- Well I said bye baby looks like this is the end Well bye baby, I said looks like this is the end Well I had to quit you baby, because you got too mean to me
Джордж "Harmonica" Смит (1924 - 1983), один из самых ярких представителей уэст-коаст блюза. Играл с Мадди Уотерсом, аккомпанировал "Большой Маме" Торнтон. Одним из первых начал использовать усилитель при игре на губной гармонике. Записанные им Telethone Blues и Blues In The Dark, давно уже стали классикой послевоенного блюза...
@Tommy Harkenrider, @Frank Tutwiler It is the name that appears on the Ace LP, but the style is very different from that of Bob Woodfork. This is a typical great Texan-Californian R&B guitarists of the 1940s/1950s à la T-Bone Walker.
@@titti6872 I also hear just as much (if not more) 50’s Memphis Joe Willie Wilkins, Pat Hare, Floyd Murphy, Willie Johnson in this as a I do West Coast. The 2nd guitar in particular is something you don’t hear the West Coast guys really do in the 50’s.
@@franktutwiler Yes Kansas City, south-western sound anyway. However the city can be accidental, maybe it was not a local band, maybe a Modern Records band/musician on tour? Smith was living in KC at the time and had a steady job at the Orchid Room, maybe it was the house band? Don't know, although the sound seems familiar it's hard to tell, sometimes it reminds me of Pete 'Guitar' Lewis, but not entirely. I believe one thing is certain: he is the same guitarist also in Blues in the Dark, Blues Stay Away and Oopin' Doopin' Doopin'.
@@titti6872 The Modern stuff cut in LA was with the Maxwell Davis band. Those guys were really busy locally and probably didn’t tour much. Modern basically had its own studio band and it was for the most part Davis’ band as well as guys like Lloyd Glenn, Jake Porter, etc. But yes, the Kansas City sessions all sound like the same guitar players. As to if he put together a local band or brought one with him, who knows, but I really doubt it’s a West Coast guy on guitar and it’s certainly not Pete “Guitar” Lewis.
why cant any guitar players play like this...one of the greatest blues songs ever.
🎩
This is a special record. All of the playing is so well judged. Terrific guitar and Smith's phrasing is brilliant (in Third Position).
Can't get enough of this era of blues with the double-bass.
Bom bom bom bom bom-bom-bom...
;-)
🥰
Well it's all day long I've been standing by my telephone
Well it's all day long I've been standing by my telephone
Well I decided I'd call my baby, and some other man answered the phone
I said please, please tell me what's going on wrong
Well please baby, tell me what's going on wrong
"Well you mistreated me daddy, I've got a new man living in your home"
---SOLO-------
Well I said bye baby looks like this is the end
Well bye baby, I said looks like this is the end
Well I had to quit you baby, because you got too mean to me
Джордж "Harmonica" Смит (1924 - 1983), один из самых ярких представителей уэст-коаст блюза. Играл с Мадди Уотерсом, аккомпанировал "Большой Маме" Торнтон. Одним из первых начал использовать усилитель при игре на губной гармонике. Записанные им Telethone Blues и Blues In The Dark, давно уже стали классикой послевоенного блюза...
!!!!!!
I love this man on Harmonica!
That's the blues.
Good blues..
Very, VERY nice! Love this. Thanks, Moppet
This is great...
Yup. He got the blues.
Great solo...he taught William Clarke welll
and rod piazza...
ONE OF THE BEST 4 EVER steve venegas
Great!
Singin like Ray Charles, and playing that harp like George Smith.
a blues as it has to be:))
Cool!
🔥🔥
Nice!!! VERY nice! Moppet
if you have never listened to the "bacon fat" version of this...its worth it just because of the tone he gets...i think i like it better...
That's "Poor" Bob Woodfork on guitar.
@Tommy Harkenrider, @Frank Tutwiler It is the name that appears on the Ace LP, but the style is very different from that of Bob Woodfork. This is a typical great Texan-Californian R&B guitarists of the 1940s/1950s à la T-Bone Walker.
@@titti6872 Any guess who it is then? Everything I’ve seen points to Woodfork and those particular cuts were recorded in Kansas City, not Los Angeles.
@@titti6872 I also hear just as much (if not more) 50’s Memphis Joe Willie Wilkins, Pat Hare, Floyd Murphy, Willie Johnson in this as a I do West Coast. The 2nd guitar in particular is something you don’t hear the West Coast guys really do in the 50’s.
@@franktutwiler Yes Kansas City, south-western sound anyway. However the city can be accidental, maybe it was not a local band, maybe a Modern Records band/musician on tour? Smith was living in KC at the time and had a steady job at the Orchid Room, maybe it was the house band?
Don't know, although the sound seems familiar it's hard to tell, sometimes it reminds me of Pete 'Guitar' Lewis, but not entirely.
I believe one thing is certain: he is the same guitarist also in Blues in the Dark, Blues Stay Away and Oopin' Doopin' Doopin'.
@@titti6872 The Modern stuff cut in LA was with the Maxwell Davis band. Those guys were really busy locally and probably didn’t tour much. Modern basically had its own studio band and it was for the most part Davis’ band as well as guys like Lloyd Glenn, Jake Porter, etc. But yes, the Kansas City sessions all sound like the same guitar players. As to if he put together a local band or brought one with him, who knows, but I really doubt it’s a West Coast guy on guitar and it’s certainly not Pete “Guitar” Lewis.
Knew I could count on Frank to know who played guitar on this record
🥰🎸
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
want to learn 3rd position...ok, here
first 3rd position tune i learnt..
!!!
Anyone for the tab for this one ?
What key harmonica?
Harp in A in 3rd Position.
Thanks