same here dude, I think these things are just going to explode with popularity in the next 5 years. something with this performance at 1k flat would be insane.
@ I think the p2 at 1500 to your door is the crossover point. It’s good enough* performance for most people and that’s the cost of something like a mid tier AR. Hopefully there’s some decent thermals in that price range in that 2-3 year span as well.
@@James-C24 thank you! I feel like reviews on digital nightvision are so polarizing right now so I’m doing my best to bring quality bias free reviews to the internet. I’m glad you like them!
Another great video. Thank you for keeping us up to date on these advances. Can’t wait till prices drop on this tech as faster and better stuff comes out. I have a pvs14 and a NVG30. Both excellent units for what they are, would love to bridge them together and see if that is workable.
Thank you! I appreciate it. Once these get to around 1k a pop they are going to be an amazing option. I have a pvs14 and NvG30 as well and they are probably my favorite dollar to performance options right now. I actually made a video about me bridging my NVG30 with my analog device! Check it out on my channel
Hey man, love the video, great quality, very good structure, delivery, thorough testing. One thing I didn't appreciate was including the iphone lidar stuff, you could have taped something over the emitter, it felt like it was also contributing to the light of the scene when you shot the g14 footage with it on. Keep at it, great video
Thanks man! I really appreciate the feedback. I will start taping my LiDAR sensor for future videos. I totally agree though, it definitely gives an unrealistic view when LiDAR is blasting in the background, especially to those more sensitive digital and gen2+ devices.
Great video!! I just sold your “Bushnell XX-2015” XD-4 Photonis tubes Brother/Sister that I had for about 2 years and used and actually loved but needed the money! It was an excellent tube! You did a fantastic job on making this video man, I have got to say that you are very insightful in the specifics you mention, and the way you are filming them and mentioning all the details is very appreciated !! All in all bravo and well done sir!! And that digital device does seem to be promising, the one thing I have noticed that is my personal main issue with a digital device especially something that you’re going to be moving around it night in the dark with versus a monocular or binocular night vision device with a traditional analog tube, is that for me personally …. maybe it’s just me tripping out, but when I am looking through an analog Monocular ( even a monocular, which shouldn’t seem this way so maybe I am trippin?$) Is that along with the very disorienting lag time that exists between your movements and the image you see, is the flatness of the screen… like when I am looking through my *(Badly Blemmed/ somewhat damaged, I am amazed it works at all tbh)Omni seven tube. I literally feel even though it’s just an ocular as if I have some sense of depth through it somehow…. Which is kind of crazy because I do realize it for you to have depth perception in reality, both eyes are required… However I must say that with a real analog tube ( even a cheapo Russian Gen 1 tube!) I get a sense of depth, and reality that I don’t feel or experience when I am looking through a digital device, which seems like what it is… a tiny little flat screen TV right dead infront of your eyeball with a low light camera stuck on the front of it and some sort of 940nm IR illuminator ( usually)! I wonder if anyone else who has used both in monocukar form gets at least a “sense” of depth from the tube( regardless of it being a mono) as opposed to digital? I have even driven a car with all the running lights and headlights out with a helmet mounted Mono going about 20-35 mph on a windy little mountain road here in Weatern NC in the mountains, and while that wasn’t the best idea…. Think I my about attempting the same thing while wearing a digital Mono gives me a panic attack almost lol!!! Anyways, once again, fantastic video and presentation!! And I applaud your work ethic and attention to detail and thoroughness with your reviews and the quality of the Videos you shot, and the fact you told those of us who have never seen the fact that there are flashing IR Illuminators on the front of every single smart phone there is for some reason….( NV owners/users will know exactly what I am talking about, there’s only one reason they include an “Undisclosed” battery-friendly flashing IR illuminator on the front of every single smart phone that exists, and that’s seeing your pretty face looking at the screen as you do whatever got THE WRONG kind of ATTENTION!! lol… if ya get my drift) anyways … sorry I just wanted to mention that fact since most folks don’t realize thier phone is totally able and probably taking photos and videos of thier face in the pitch dark without them knowing it. lol.. anyways. You rock my dude! keep up the great and above and beyond work my friend! I will share this video with friends! I wish you the best young man! If I was your dad I would feel extremly proud of you, not to be weird! But you seem like a really good dude and you work hard and smartly as well. And your doing a good thing and it makes me feel better about the messed up world we live in that there are younger men that still know how to work hard and feel like doing thier best at what they do is important and necessary! Well done sir,and I wish you success and a bright bright future!!!
I absolutely love comments like this! Thank you so much for your kind words and support it truly means so much. The world has definitely gotten pretty messed up in the last few years but I think there is nothing better to do than provide a good work ethic, love and care about everyone and provide important information to the masses. Those XX2015 tubes are fantastic for the price! It’s always to cool to hear about other people’s xx2015 tubes as they seem to appear from no where. I’m gearing up to sell mine in just a bit to fund the purchase of my OMNI8 PVS14. Dollar to performance though, it’s going to be hard to beat it haha. I just want some more SNR and gain. As for depth perception, I agree with you and have experienced very similar effects. With clean glass and a bit of moon, with my analog monoculars I will get a sense of depth. While this actually did occur occasionally with the ADNV device, that occurred far less often than analog devices. As for lag, the G14SE has pretty much non existent lag. Less than 10 m/s is insane, that’s 1/100 of a second and in my experience not really noticeable. I did do a bit of driving with the ADNV, performance and lag wise it felt fine, but the lens flair from the dash made it dangerous and I would never do it on a public road or on public land. Once again i truly appreciate your comment and nothing about that was weird at all. I love knowing that my attention to detail was sufficient and I helped someone out. Thank you! ES
You mentioned ADNV is making more devices with better AR coatings, should I hold off buying a g14se or g14p2 to get the upgraded versions later? Or is it not actually that big of a deal?
I'm going on vacation in Chyna around christmastime and may be able to buy direct there, and bring a device back in my carry-on. If they don't release a p3 by then I may just have to grab a p2. I have a feeling a killflash may be able to solve the glare if it can only be seen from light just outside the fov. May have to print one myself.
With the OLED screen it should be entirely possible to mimic the "depth" of analog since each individual pixel has independent brightness control from the board. running a psuedo-HDR mode would likely alleviate the issue. However, its almost certain that the chip in the G14SE isn't quite up to snuff to run that kind of software on the fly, at least not anywhere near 100fps. I also don't know how they would fit more controls for the contrast, NITS floor/ceiling ect. without impeding the great form factor of the device. battery impact would likely be negligible with the savings from dimmed/disabled pixels. with my ramblings out of the way, thanks for the video!
do you still get that bezel less feel. that's one thing that i've never heard people talk about when comparing digital to analog but was so evident when I finally tried a pvs14. the nvg30 feels like i have that eye closed but I can see a screen, kinda feels like playing a videogame, the pvs14 felt like it was just my normal vision except somewhere in my normal vision there was a floating ring that's green and way brighter. does this also have that feel where it just looks like a ring or square in your normal vision or does this still feel like you're trading your normal vision for a screen?
It’s kind of a mix of both. It’s the best “feeling” digital system I have used, but it’s still doesn’t quite feel like that magical floating green circle of vision that analogs have. You can get that mixed monocular depth perception if you know what I’m talking about , but still does not feel as fluid and instantaneous as analog. I hope that answers your question, if it doesn’t I can try to re word it to make more sense.
@ yeah i think it does! I have always heard about how difficult and how much of an adjustment nods are (when talking about analog), and I have a nvg30 and I’d agreed so far, the delay, the noise, the screen etc is an adjustment for sure. But recently I tried on a pvs14 and all of that went out the window, maybe it’s cause I’m so used to the burden of the nvg30 that the pvs14 was exactly what you said “a magical floating green circle of vision”, just through magic part of my normal vision was now bright. Everything that was hard with the nvg30 become borderline a non issue with the pvs14. Did you feel like that same experience would be had going drom the nvg30 to this adnv? and how much of a gap between this and the pvs14 would you say there is?
Here's my 2 cents, it shouldn't cost more than $800 tops. If companies like AGM/Pulsar and others can slam together rifle scopes that has 100x more features and cost $800-$1,000 there is no reason why this single function device can't cost $800 or less. Total build cost likely doesn't exceed $250.00 for that thing, way too much profit being made, too many greedy hands in the mix.
From my understanding, AGM/Pulsar units perform not nearly as well as this and they have insanely high lag. I have talked to people that have direct contact with ADNV engineers and it seems the $1300 price tag is semi justified. The cmos sensors in these are completely proprietary.
Okay the recorder box is indeed weird. The lens flare is something I also noticed with other cameras that don't have an IR filter; Light sources of all kinds tend to bloom like that. But damn the performance of that thing looks great!
I agree, the lens flare is a bit of a headache, but I was impressed with the overall performance too! I think the lens flair is a property of how flat the glass is with the walls of the lens housing if that makes sense.
Digital is getting there but not quite there yet I think vs the gen 2 the black and white would be easier to make out targets in my opinion. Couple more years and I think we will be talking gen 3 levels of quality
I like the adnv but ill wait and see for the color version. As for NVGs i honestly haven't found a reason to replace my NVG30s. The color NV is pretty dope and my pvs14 G2 is nearly identical to the NVG30.
I'm put in such a dilemma... Having to choose between Gen 2+ WP Armasight Sirius QSi 1400 FOM and the ADNV G14SE. Same price but I would never be able to actually compare the performance unless I buy them both lol. What would you choose?
I’m taking the armasight Sirius all day. Analog tech has this nearly un explainable magic too it that’s just so neat, in all honesty, the two device would probably perform very similar, but the comfort and quality of life on the analog is going to be much better imo. Also a battery that will power the g14 2 hours, will power that device for 60. Also, in my opinion, the resell value of analog tech is much higher than the digital stuff so imo go analog.
@ I really appreciate the response and your input on this. I think I made my decision cuz you are the second person to say pretty much the same things.
The G14SE does nearly all of what a gen 2 nod can do, but the cost is too close. There's something called the Pareto Principle, the 80/20 rule. 80% of a result comes from 20% of the effort to achieve that result. With DNV, is there a device that provides 80% of what ANV can do, but at a cost that is closer to 20%? The NVG30 price is a bit more than 20% of a used gen 2 nod, so possibly that? Anyway I look forward to that budget guide video. I really want that 80/20 device, that will be the everyman's nvg.
Agreed. These are very very close to being an amazing option. But right now, just a really cool novelty that can perform quite well. I think as these get cheaper that’s when the digital NV revolution is going to occur. Agreed on the NVG30 part aswell, that is a fantastic per dollar performance device. I’m glad you made it to the point in the video where I talk about the whole budget guide idea. I’m really excited to make that video!
Where is the used market? What platforms or sites? Would like to sell off my digital nv and thermal to put towards analogue bino but I'm not sure where to go. Have zero social media presence for reference.
havent finished the video yet and am asking because i dont want to forget about this question, is it possible to use the 120hz mode described on the datasheet or no?
On the device I used, only 50 and 100fps options were selectable. Either a 120 fps version is coming soon or a software update can enable it. I’m not to sure tbh.
And remember! If you can't afford night vision, just know that trying to see other men in the dark is just gay. So if you are a normal male (not me included, I already bought some) the good old flash light will do! 😉
All they need to do is utilize a full-frame low megapixel image sensor (large individual pixels for high light collecting ability) like Sony's 12.1 MP sensor used in the A7S III or FX3 cameras for years. Blows any analog out of the water. Go look at the performance of those cameras in low light
I never understand why on earth, these companies keep reinventing the wheel like their NASA - with NASA level engineers. compared to full frames this shit seems like 2008 flipphone images.
Well, from what I can see, changing to that sensor adds about $1700 to the cost of the A7 III, which probably has something to do with it, as well as the image processor on those cameras is quite powerful and still introduces a large amount of lag. Coincidentally, it sucks down power, getting about 90 minutes of recording time out of a 7.2v ~2300 mAh battery, and weighs almost 25 ounces without a lense. Obviously you can probably cut that down to 15 or so by removing most of the camera stuff, but that's still 3 ounces heavier than a PVS-14 and that really matters when it's hanging on your face. The only high framerate footage I've seen from these cameras is done in environments with enough light to autogate gen III tubes, and you get maximum sensitivity at 10 FPS which obviously you aren't moving and shooting at. The amount of light the sensor has to work with is proportional to the aperture of the lens, and these cameras are also usually equipped with huge apertures unsuitable for a helmet mounted night vision device. All in all, if you wanted to use the same sensor you'd probably end up with a huge, heavy device with exceedingly low framerate and response time that doesn't perform nearly as well as the camera version due to needing a smaller objective lens to be reasonable. There's a reason that movie cameras and gopros tend to be very different devices.
FF sensors can't touch analog. I have a Canon R6 which is a match for the Sony A7s II / III, and a mid spec thin filmed gen 3 monocular. Those FF bodies are amazing with a bright moon, and I primarily use the R6 for 4k24 filming under moonlight with f/1.4 lenses. But they don't show nearly as much as gen 3 under clear sky starlight. They are also dead in the water in thick forest starlight conditions and indoors by window starlight, situations where my gen 3 is still going strong. Filming at 60 fps loses a stop of light, and for tactical use people really want 90-100 fps. Things would improve a little bit with a f/0.95 lens and a full spectrum conversion to see near IR, but that would only allow them to operate with less moonlight. They still wouldn't be tactically useful in darker conditions, or able to see at all in the worst conditions. I also have an Aurora and an Aurora Pro (night vision is an addiction) and these FF bodies are about at the level of the Aurora, one stop better if converted for full spectrum. When they have enough light they produce beautiful 4k video, but they just can't gain up when the light disappears. Beyond that there's no way to get the size down to an acceptable level with a FF sensor. You could lose the camera controls and mount the battery on the back of your helmet like the Opsin, but there's no shrinking the lens. Trying to helmet mount a FF f/1.4 lens with a 40° fov would destroy your neck, even worse with a faster lens. There's definitely something to the tech in the SiOnyx and ADNV devices. If the tech were equal a FF sensor would be 3-4 stops brighter than those smaller sensors, but it's only at roughly the level of the original Aurora but with higher resolution. I'm actually surprised at the G14SE because I thought SiOnyx had pushed sensor tech just about to the limit. Looks like there's more on the table, though I wonder if there's enough left without switching to SPAD to match high spec unfilmed gen 3.
@@danieltaylor1522sionyx has sensors that are 2-3 iterations better but they've been told to delay their release indefinitely out of fear of them being reverse engineered
These are the type of threads in my comments that I love to see. I am not an experts in cameras at all, but I assume the reasons they don't use those sensors is input lag and FPS. both of those are crucial in effective NV use. A7S full spectrum cameras are amazing and I would love to get one for the channel, but once again they are expensive and buying a beater PVS14 would be cheaper to some extent.
Still pretty impressive performance! Still short of current production gen 2 tubes. I feel like it's definitely a product that exists to push the tech. Though the technical limitations are pretty clear.
agreed. I feel like this is usable and a great choice for people that are outside the US with not as easy access to cheap NV as us. for the US market, this is 1 or 2 iterations away from being amazing, if they got the price down to 1k flat, this would be a game changer.
im not sure if that will ever happen. the lag on this device is pretty much none and it still feels kind of screen-ee. now dont get me wrong, this is the absolute best feeling digital NV I have ever used, but the magic floating circle analog effect is not quite there.
what about motion sickness due to weird FPS. I know people complain about that a lot with other digital NVGs. That is one of the biggest drawbacks for digital NV imo
I didnt have a problem with it. the 100 fps sub 10 MS delay is incredible and very responsive. now it didnt feel quite as fluid as analog, but it was very very comfortable to run and move using/
its a cool step for digital but you can get used analogs for the same price. its nice for sure but idk. guess its just harder for me because i have no real use aside from fun for nvg
agreed. If you really want a new device, this is a great option, but personally, ill take an omni 8 all day. They are super small and cool though so thats a plus at least.
looks cool i really appreciate its rugged build quality and look but isnt the point of digital nightvision compared to analog is to be on a budget? cause of the build quality and camera quality the price makes sense but honestly thats why god gave us analog id take my 1700 and go get an analog but this is cool too
Yes I agree, the point is to make it cheaper. Knowing how digital tech is made vs analog IITs, digital tech should get cheaper in the next few years while i really dont see the prices of new analog dropping for a while. if i had 1700 i would buy a OMNI7 PVS14, but its just cool that this tech is here and not at opsin prices
Kind of agreed to a certain extent, I’m not sure if you made it to the price discussion part of the video, but I heavily talk about this vs the price point of used Omni 6-8
For raw performance sure, but there are other benefits to digital; 1. More resilient, 2. Easier to record from, 3. Able to be updated with firmware down the line
@@cxsey8587 There are other aspects to performance. Swapping a battery every hour or two means carrying more batteries, which really start to offset your weight advantage in the very negative. You can carry three CR123s and expect to run your analog tube eight hours a night for two weeks or so, but for the same time period a digital device will probably need upwards of fifty batteries. That's over two pounds of batteries to lug around before you power any other devices you need, like optics, LAMs, thermals, and radios. I don't see the need to update firmware on an analog device ever, though if your priority is to record from your NV device rather than see through it I'd definitely agree. Overall, I think digital devices will be very impressive in a decade or so, and the ability to see color will be very nice. Right now, and at that price point? Pretty iffy unless you really just want a nighttime gopro to play with.
I believe you have a active IR illuminator device. Those are not even comparable in performance to the modern stuff I was showing in the videos. Is your device a wide box?
While I would take a pvs7 over this, I don’t think this is a bad choice for people outside the US. Also, with the progression of this tech, I wouldn’t be surprised if ADNV was a major contender in the next 5 years
I’m obsessed with these, I cannot wait to see where the sensors are at in 2-3 yrs. The p2 is pretty crazy.
same here dude, I think these things are just going to explode with popularity in the next 5 years. something with this performance at 1k flat would be insane.
@ I think the p2 at 1500 to your door is the crossover point. It’s good enough* performance for most people and that’s the cost of something like a mid tier AR. Hopefully there’s some decent thermals in that price range in that 2-3 year span as well.
Love your videos!! Nice to see people releasing quality content covering the advances in digital night vision!!!
@@James-C24 thank you! I feel like reviews on digital nightvision are so polarizing right now so I’m doing my best to bring quality bias free reviews to the internet. I’m glad you like them!
You can get an omni for $1400 on the socials, occasionally. Great review btw, I am really excited about the future of digital NV.
I personally haven't seen anything past omni 5 that low, but i believe it. omni market is where its at.
Omni what?
@@extrudedshootsI landed a PVS-7 with a crye nightcap and norotos mount for $1500
Its Gen 3 Omni 7
Another great video. Thank you for keeping us up to date on these advances. Can’t wait till prices drop on this tech as faster and better stuff comes out.
I have a pvs14 and a NVG30. Both excellent units for what they are, would love to bridge them together and see if that is workable.
Thank you! I appreciate it. Once these get to around 1k a pop they are going to be an amazing option.
I have a pvs14 and NvG30 as well and they are probably my favorite dollar to performance options right now. I actually made a video about me bridging my NVG30 with my analog device! Check it out on my channel
You're welcome for that preformance save
Thanks dude lol. I think I spelled it wrong somewhere in the video but at least the thumbnail is good
I appreciate you for taking the time and effort
wake up babe extruded just dropped new vid
And a actually good video this time
Good video...would have liked to see the NVG30 in more of the scenes...thank you!
Hey man, love the video, great quality, very good structure, delivery, thorough testing. One thing I didn't appreciate was including the iphone lidar stuff, you could have taped something over the emitter, it felt like it was also contributing to the light of the scene when you shot the g14 footage with it on. Keep at it, great video
Thanks man! I really appreciate the feedback. I will start taping my LiDAR sensor for future videos. I totally agree though, it definitely gives an unrealistic view when LiDAR is blasting in the background, especially to those more sensitive digital and gen2+ devices.
Subbed. Great Commentary and review. I learned alot.
this was a nice video, man! loved how organized it was.
Thanks I really appreciate it! Comments like this make the work worth it.
Great video!! I just sold your “Bushnell XX-2015” XD-4 Photonis tubes Brother/Sister that I had for about 2 years and used and actually loved but needed the money! It was an excellent tube! You did a fantastic job on making this video man, I have got to say that you are very insightful in the specifics you mention, and the way you are filming them and mentioning all the details is very appreciated !! All in all bravo and well done sir!! And that digital device does seem to be promising, the one thing I have noticed that is my personal main issue with a digital device especially something that you’re going to be moving around it night in the dark with versus a monocular or binocular night vision device with a traditional analog tube, is that for me personally …. maybe it’s just me tripping out, but when I am looking through an analog Monocular ( even a monocular, which shouldn’t seem this way so maybe I am trippin?$) Is that along with the very disorienting lag time that exists between your movements and the image you see, is the flatness of the screen… like when I am looking through my *(Badly Blemmed/ somewhat damaged, I am amazed it works at all tbh)Omni seven tube. I literally feel even though it’s just an ocular as if I have some sense of depth through it somehow…. Which is kind of crazy because I do realize it for you to have depth perception in reality, both eyes are required… However I must say that with a real analog tube ( even a cheapo Russian Gen 1 tube!) I get a sense of depth, and reality that I don’t feel or experience when I am looking through a digital device, which seems like what it is… a tiny little flat screen TV right dead infront of your eyeball with a low light camera stuck on the front of it and some sort of 940nm IR illuminator ( usually)! I wonder if anyone else who has used both in monocukar form gets at least a “sense” of depth from the tube( regardless of it being a mono) as opposed to digital? I have even driven a car with all the running lights and headlights out with a helmet mounted Mono going about 20-35 mph on a windy little mountain road here in Weatern NC in the mountains, and while that wasn’t the best idea…. Think I my about attempting the same thing while wearing a digital Mono gives me a panic attack almost lol!!!
Anyways, once again, fantastic video and presentation!! And I applaud your work ethic and attention to detail and thoroughness with your reviews and the quality of the Videos you shot, and the fact you told those of us who have never seen the fact that there are flashing IR Illuminators on the front of every single smart phone there is for some reason….( NV owners/users will know exactly what I am talking about, there’s only one reason they include an “Undisclosed” battery-friendly flashing IR illuminator on the front of every single smart phone that exists, and that’s seeing your pretty face looking at the screen as you do whatever got THE WRONG kind of ATTENTION!! lol… if ya get my drift) anyways … sorry I just wanted to mention that fact since most folks don’t realize thier phone is totally able and probably taking photos and videos of thier face in the pitch dark without them knowing it. lol.. anyways. You rock my dude! keep up the great and above and beyond work my friend! I will share this video with friends! I wish you the best young man!
If I was your dad I would feel extremly proud of you, not to be weird! But you seem like a really good dude and you work hard and smartly as well. And your doing a good thing and it makes me feel better about the messed up world we live in that there are younger men that still know how to work hard and feel like doing thier best at what they do is important and necessary! Well done sir,and I wish you success and a bright bright future!!!
Huh?
I absolutely love comments like this! Thank you so much for your kind words and support it truly means so much. The world has definitely gotten pretty messed up in the last few years but I think there is nothing better to do than provide a good work ethic, love and care about everyone and provide important information to the masses.
Those XX2015 tubes are fantastic for the price! It’s always to cool to hear about other people’s xx2015 tubes as they seem to appear from no where. I’m gearing up to sell mine in just a bit to fund the purchase of my OMNI8 PVS14. Dollar to performance though, it’s going to be hard to beat it haha. I just want some more SNR and gain.
As for depth perception, I agree with you and have experienced very similar effects. With clean glass and a bit of moon, with my analog monoculars I will get a sense of depth. While this actually did occur occasionally with the ADNV device, that occurred far less often than analog devices. As for lag, the G14SE has pretty much non existent lag. Less than 10 m/s is insane, that’s 1/100 of a second and in my experience not really noticeable. I did do a bit of driving with the ADNV, performance and lag wise it felt fine, but the lens flair from the dash made it dangerous and I would never do it on a public road or on public land.
Once again i truly appreciate your comment and nothing about that was weird at all. I love knowing that my attention to detail was sufficient and I helped someone out.
Thank you!
ES
You mentioned ADNV is making more devices with better AR coatings, should I hold off buying a g14se or g14p2 to get the upgraded versions later? Or is it not actually that big of a deal?
If you are not in a major rush to grab a device, I personally would. I wish I had a better time frame of when the new stuff is coming out.
I'm going on vacation in Chyna around christmastime and may be able to buy direct there, and bring a device back in my carry-on. If they don't release a p3 by then I may just have to grab a p2. I have a feeling a killflash may be able to solve the glare if it can only be seen from light just outside the fov. May have to print one myself.
@@J童customs might be fun
@@krisrhebergenHope not. It's just a camera after all😂
Nice review and comparison, thank you!
Glad you liked it! Thank you!
With the OLED screen it should be entirely possible to mimic the "depth" of analog since each individual pixel has independent brightness control from the board. running a psuedo-HDR mode would likely alleviate the issue. However, its almost certain that the chip in the G14SE isn't quite up to snuff to run that kind of software on the fly, at least not anywhere near 100fps. I also don't know how they would fit more controls for the contrast, NITS floor/ceiling ect. without impeding the great form factor of the device. battery impact would likely be negligible with the savings from dimmed/disabled pixels.
with my ramblings out of the way, thanks for the video!
do you still get that bezel less feel. that's one thing that i've never heard people talk about when comparing digital to analog but was so evident when I finally tried a pvs14. the nvg30 feels like i have that eye closed but I can see a screen, kinda feels like playing a videogame, the pvs14 felt like it was just my normal vision except somewhere in my normal vision there was a floating ring that's green and way brighter. does this also have that feel where it just looks like a ring or square in your normal vision or does this still feel like you're trading your normal vision for a screen?
It’s kind of a mix of both. It’s the best “feeling” digital system I have used, but it’s still doesn’t quite feel like that magical floating green circle of vision that analogs have.
You can get that mixed monocular depth perception if you know what I’m talking about , but still does not feel as fluid and instantaneous as analog. I hope that answers your question, if it doesn’t I can try to re word it to make more sense.
@ yeah i think it does! I have always heard about how difficult and how much of an adjustment nods are (when talking about analog), and I have a nvg30 and I’d agreed so far, the delay, the noise, the screen etc is an adjustment for sure. But recently I tried on a pvs14 and all of that went out the window, maybe it’s cause I’m so used to the burden of the nvg30 that the pvs14 was exactly what you said “a magical floating green circle of vision”, just through magic part of my normal vision was now bright. Everything that was hard with the nvg30 become borderline a non issue with the pvs14.
Did you feel like that same experience would be had going drom the nvg30 to this adnv? and how much of a gap between this and the pvs14 would you say there is?
Floating circle of vision is my new way to describe analog nv 😂
Extruded uploaded hell yeah we ballin
Extruded lol
Here's my 2 cents, it shouldn't cost more than $800 tops. If companies like AGM/Pulsar and others can slam together rifle scopes that has 100x more features and cost $800-$1,000 there is no reason why this single function device can't cost $800 or less. Total build cost likely doesn't exceed $250.00 for that thing, way too much profit being made, too many greedy hands in the mix.
From my understanding, AGM/Pulsar units perform not nearly as well as this and they have insanely high lag. I have talked to people that have direct contact with ADNV engineers and it seems the $1300 price tag is semi justified. The cmos sensors in these are completely proprietary.
I am not saying that 1300 is a good price, I’m just saying the price makes sense all things considered
Okay the recorder box is indeed weird. The lens flare is something I also noticed with other cameras that don't have an IR filter; Light sources of all kinds tend to bloom like that.
But damn the performance of that thing looks great!
I agree, the lens flare is a bit of a headache, but I was impressed with the overall performance too! I think the lens flair is a property of how flat the glass is with the walls of the lens housing if that makes sense.
Outro goes hard af
I’m glad you saw it. Those are fun to edit together but no one talks about them so I appreciate the comment
Hey that unit looks pretty good!
It really is incredible, I’m amazed by what they are doing with digital right now
What is the grid pattern of flashing lights that show up in some of the video?
Digital is getting there but not quite there yet I think vs the gen 2 the black and white would be easier to make out targets in my opinion. Couple more years and I think we will be talking gen 3 levels of quality
I have had a lot of difficulty finding gen 2+ tubes for any less than $1500. I feel like I'm looking in all of the wrong places.
reddit (r/gafs r/nightvision) discord, facebook, tacswap. I would start at reddit and ask around.
How well does this work bridged with a PVS-14?
I like the adnv but ill wait and see for the color version. As for NVGs i honestly haven't found a reason to replace my NVG30s. The color NV is pretty dope and my pvs14 G2 is nearly identical to the NVG30.
Color NV is pretty rad. I love my NVG30. I hope ADNV makes a color version. I would be all over that!
I'm put in such a dilemma... Having to choose between Gen 2+ WP Armasight Sirius QSi 1400 FOM and the ADNV G14SE. Same price but I would never be able to actually compare the performance unless I buy them both lol. What would you choose?
I’m taking the armasight Sirius all day. Analog tech has this nearly un explainable magic too it that’s just so neat, in all honesty, the two device would probably perform very similar, but the comfort and quality of life on the analog is going to be much better imo. Also a battery that will power the g14 2 hours, will power that device for 60. Also, in my opinion, the resell value of analog tech is much higher than the digital stuff so imo go analog.
@ I really appreciate the response and your input on this. I think I made my decision cuz you are the second person to say pretty much the same things.
This sensor in a thermal fusion optic would be good. The digital light amplification should play nice with the digital thermal.
ADNV makes thermal fusion systems using the better version of this sensor. they seem incredible. I would love to play with one.
The G14SE does nearly all of what a gen 2 nod can do, but the cost is too close. There's something called the Pareto Principle, the 80/20 rule. 80% of a result comes from 20% of the effort to achieve that result. With DNV, is there a device that provides 80% of what ANV can do, but at a cost that is closer to 20%? The NVG30 price is a bit more than 20% of a used gen 2 nod, so possibly that?
Anyway I look forward to that budget guide video. I really want that 80/20 device, that will be the everyman's nvg.
Agreed. These are very very close to being an amazing option. But right now, just a really cool novelty that can perform quite well. I think as these get cheaper that’s when the digital NV revolution is going to occur.
Agreed on the NVG30 part aswell, that is a fantastic per dollar performance device.
I’m glad you made it to the point in the video where I talk about the whole budget guide idea. I’m really excited to make that video!
Thanks dude
Thanks dude!
If you look on the used market you can get a Gen 3 Green Phos PVS-14 for around $1500-$2000.
I talk about this in the options section. But yes this is true
Where is the used market? What platforms or sites? Would like to sell off my digital nv and thermal to put towards analogue bino but I'm not sure where to go. Have zero social media presence for reference.
@dantauche7917 unfortunately most of the used market is going to be through social media. Facebook groups for example.
@ gotcha, thanks for the super quick reply! Any groups you could recommend for me to look into?
@@dantauche7917Night Vision Devices out of Pennsylvania is a good place to check.
Would adding a polarization filter in front of the lens help with the lens flare?
possibly? im no expert.
I ordered mine recently. Are there any battery packs or cable adapters available for this device right now?
I dont think so, you could use the USB to 9 pin connector and run that to a cell phone power bank
havent finished the video yet and am asking because i dont want to forget about this question, is it possible to use the 120hz mode described on the datasheet or no?
On the device I used, only 50 and 100fps options were selectable. Either a 120 fps version is coming soon or a software update can enable it. I’m not to sure tbh.
@ thanks, i appreciate the response, i hadnt been able to finish video until now. youre videos have been very helpful
Honestly the best use case I can see for this type of device is for taking a trip outside of the US and not having to worry about ITAR
valid point, I do enjoy traveling with NV. its also so tiny this would be really easy to just throw in a bag
How do they justify the price? I just found a link for these at $3000.
I think you found the P2 version of these. Those perform at a gen3 level apparently. These are 1.3k to 1.7k
@ you are correct. I got them mixed up
@@extrudedshootsPerformance compared to Opsins?
$1800 for a (likely made in China) low light generic GoPro is literal insanity.
Rifleshooter
Youre an idiot .. go away
Would be awesome if it had thermal fusion, just outline or highlights would be perfect
They have an outline fusion version, but it is quite expensive. If I get the chance to review it I will.
And remember! If you can't afford night vision, just know that trying to see other men in the dark is just gay. So if you are a normal male (not me included, I already bought some) the good old flash light will do! 😉
Lmfaoooooo that made me feel so much better about my poor self, thank you
Nice to see the tech advance but i don't think we'll really see it get much past a low light recording device like the OpSin
eh with the performance I have seen with the G14P2, I have a feeling ADNV products are going to be a solid contender within the next 5 years
All they need to do is utilize a full-frame low megapixel image sensor (large individual pixels for high light collecting ability) like Sony's 12.1 MP sensor used in the A7S III or FX3 cameras for years. Blows any analog out of the water. Go look at the performance of those cameras in low light
I never understand why on earth, these companies keep reinventing the wheel like their NASA - with NASA level engineers. compared to full frames this shit seems like 2008 flipphone images.
Well, from what I can see, changing to that sensor adds about $1700 to the cost of the A7 III, which probably has something to do with it, as well as the image processor on those cameras is quite powerful and still introduces a large amount of lag. Coincidentally, it sucks down power, getting about 90 minutes of recording time out of a 7.2v ~2300 mAh battery, and weighs almost 25 ounces without a lense. Obviously you can probably cut that down to 15 or so by removing most of the camera stuff, but that's still 3 ounces heavier than a PVS-14 and that really matters when it's hanging on your face. The only high framerate footage I've seen from these cameras is done in environments with enough light to autogate gen III tubes, and you get maximum sensitivity at 10 FPS which obviously you aren't moving and shooting at. The amount of light the sensor has to work with is proportional to the aperture of the lens, and these cameras are also usually equipped with huge apertures unsuitable for a helmet mounted night vision device.
All in all, if you wanted to use the same sensor you'd probably end up with a huge, heavy device with exceedingly low framerate and response time that doesn't perform nearly as well as the camera version due to needing a smaller objective lens to be reasonable. There's a reason that movie cameras and gopros tend to be very different devices.
FF sensors can't touch analog. I have a Canon R6 which is a match for the Sony A7s II / III, and a mid spec thin filmed gen 3 monocular. Those FF bodies are amazing with a bright moon, and I primarily use the R6 for 4k24 filming under moonlight with f/1.4 lenses. But they don't show nearly as much as gen 3 under clear sky starlight. They are also dead in the water in thick forest starlight conditions and indoors by window starlight, situations where my gen 3 is still going strong. Filming at 60 fps loses a stop of light, and for tactical use people really want 90-100 fps. Things would improve a little bit with a f/0.95 lens and a full spectrum conversion to see near IR, but that would only allow them to operate with less moonlight. They still wouldn't be tactically useful in darker conditions, or able to see at all in the worst conditions. I also have an Aurora and an Aurora Pro (night vision is an addiction) and these FF bodies are about at the level of the Aurora, one stop better if converted for full spectrum. When they have enough light they produce beautiful 4k video, but they just can't gain up when the light disappears.
Beyond that there's no way to get the size down to an acceptable level with a FF sensor. You could lose the camera controls and mount the battery on the back of your helmet like the Opsin, but there's no shrinking the lens. Trying to helmet mount a FF f/1.4 lens with a 40° fov would destroy your neck, even worse with a faster lens.
There's definitely something to the tech in the SiOnyx and ADNV devices. If the tech were equal a FF sensor would be 3-4 stops brighter than those smaller sensors, but it's only at roughly the level of the original Aurora but with higher resolution. I'm actually surprised at the G14SE because I thought SiOnyx had pushed sensor tech just about to the limit. Looks like there's more on the table, though I wonder if there's enough left without switching to SPAD to match high spec unfilmed gen 3.
@@danieltaylor1522sionyx has sensors that are 2-3 iterations better but they've been told to delay their release indefinitely out of fear of them being reverse engineered
These are the type of threads in my comments that I love to see.
I am not an experts in cameras at all, but I assume the reasons they don't use those sensors is input lag and FPS. both of those are crucial in effective NV use. A7S full spectrum cameras are amazing and I would love to get one for the channel, but once again they are expensive and buying a beater PVS14 would be cheaper to some extent.
Still pretty impressive performance! Still short of current production gen 2 tubes. I feel like it's definitely a product that exists to push the tech. Though the technical limitations are pretty clear.
agreed. I feel like this is usable and a great choice for people that are outside the US with not as easy access to cheap NV as us. for the US market, this is 1 or 2 iterations away from being amazing, if they got the price down to 1k flat, this would be a game changer.
Imagine the camera sensor being used in a way that has zero lag and feels less like a screen. If we can figure that out we can make something perfect.
im not sure if that will ever happen. the lag on this device is pretty much none and it still feels kind of screen-ee. now dont get me wrong, this is the absolute best feeling digital NV I have ever used, but the magic floating circle analog effect is not quite there.
@extrudedshoots yepp. It's saddening. It's possible though. Big companies with the know how just aren't in the NVG bidness
what about motion sickness due to weird FPS. I know people complain about that a lot with other digital NVGs. That is one of the biggest drawbacks for digital NV imo
I didnt have a problem with it. the 100 fps sub 10 MS delay is incredible and very responsive. now it didnt feel quite as fluid as analog, but it was very very comfortable to run and move using/
@extrudedshoots interesting, I might have to keep an eye for V3 purely for recording and backup
Wonder why nobody has stuck a gen1 tube in front of a digital nods sensor. Seems like an obvious solution
It would be pretty cool to see that, im sure there are reasons but idk, it would definitely be interesting.
its a cool step for digital but you can get used analogs for the same price. its nice for sure but idk. guess its just harder for me because i have no real use aside from fun for nvg
agreed. If you really want a new device, this is a great option, but personally, ill take an omni 8 all day. They are super small and cool though so thats a plus at least.
looks cool i really appreciate its rugged build quality and look but isnt the point of digital nightvision compared to analog is to be on a budget? cause of the build quality and camera quality the price makes sense but honestly thats why god gave us analog id take my 1700 and go get an analog but this is cool too
Yes I agree, the point is to make it cheaper. Knowing how digital tech is made vs analog IITs, digital tech should get cheaper in the next few years while i really dont see the prices of new analog dropping for a while. if i had 1700 i would buy a OMNI7 PVS14, but its just cool that this tech is here and not at opsin prices
Idk you still get that grainy static on the digital that you don't have on the analog
Not worth the money at all. You can get omni v tubes for the same money nowadays.
Kind of agreed to a certain extent, I’m not sure if you made it to the price discussion part of the video, but I heavily talk about this vs the price point of used Omni 6-8
Each year that passes digital becomes better and cheaper.
For raw performance sure, but there are other benefits to digital; 1. More resilient, 2. Easier to record from, 3. Able to be updated with firmware down the line
@@cxsey8587 There are other aspects to performance. Swapping a battery every hour or two means carrying more batteries, which really start to offset your weight advantage in the very negative. You can carry three CR123s and expect to run your analog tube eight hours a night for two weeks or so, but for the same time period a digital device will probably need upwards of fifty batteries. That's over two pounds of batteries to lug around before you power any other devices you need, like optics, LAMs, thermals, and radios.
I don't see the need to update firmware on an analog device ever, though if your priority is to record from your NV device rather than see through it I'd definitely agree. Overall, I think digital devices will be very impressive in a decade or so, and the ability to see color will be very nice. Right now, and at that price point? Pretty iffy unless you really just want a nighttime gopro to play with.
100% spot on.
Digital “Nightvision” is a gimmick, a cope toy marketed to the same type of people who think steel targets are legitimate body armor.
For that price I have to think twice , because I have a night vision for $150 much better the one you showing right now on the video😅
No you don't.
I believe you have a active IR illuminator device. Those are not even comparable in performance to the modern stuff I was showing in the videos. Is your device a wide box?
in europe ur lucky if you can get gen3 pvs14 for 3000, all my homies would buy adnv14 instead
Yes this is a great point, I think this is a great option for non US people
compare to two 50"s
NVG50s?
Yep. ;-)
We told you about the "preformance" lol😂
I know 😭 I’m such a bad speller
Gonna save yall 38 minutes, the answer is no
No it hasn’t
When you can get a gen 3 PVS7 for the same price things like this will remain useless and dumb
While I would take a pvs7 over this, I don’t think this is a bad choice for people outside the US. Also, with the progression of this tech, I wouldn’t be surprised if ADNV was a major contender in the next 5 years