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Christa Ludwig: Mozart - La Clemenza di Tito, 'Deh per questo istante'

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  • Опубликовано: 11 апр 2015
  • Christa Ludwig (born 16 March 1928) is a retired German lyric mezzo-soprano, distinguished for her performances of opera, Lieder, oratorio, and other major religious works like masses and passions, and solos contained in symphonic literature. Her career spanned from the late 1940s until the early 1990s. She is widely recognised as one of the most significant and distinguished singers of the 20th century. Ludwig made her American debut at the Lyric Opera of Chicago as Dorabella in Così fan tutte in 1959. That same year, she made her debut at the Metropolitan Opera in New York as Cherubino in Le nozze di Figaro and subsequently sang 121 performances in 15 different roles with the company until 1993. At the Metropolitan Opera, where she quickly became one of the audience's favourites, her repertoire included The Dyer's Wife in the Met's first-ever performances of Die Frau ohne Schatten, the title role and later the Marschallin in Der Rosenkavalier, Klytemnestra in Elektra, Ortrud in Lohengrin, Brangäne inTristan und Isolde, Fricka in both Das Rheingold and Die Walküre, Waltraute in Götterdämmerung, Kundry in Parsifal, the title role in Fidelio, Didon in Les Troyens, Charlotte in Werther, and Amneris in Aida. She first appeared at the Royal Opera House, Covent Garden in 1969 as Amneris in Aida. As Ludwig's voice matured, she expanded her repertoire from lyric and spinto mezzo-roles to dramatic roles. Her vast repertory eventually grew to encompass Princess Eboli in Don Carlo which she sang at La Scala in Milan, in Salzburg and in Vienna, the title-role in Carmen, Ulrica (Un ballo in maschera), Monteverdi's Octavia (L'incoronazione di Poppea), Dido (Les Troyens), Kundry (Parsifal), Klytemnestra (Elektra) and contemporary roles by von Einem and Orff. She also ventured briefly into the spinto and dramatic soprano repertory with performances of Verdi's Lady Macbeth (Macbeth), Strauss's Dyer's Wife (Die Frau ohne Schatten), the Marschallin (Der Rosenkavalier) and Beethoven's Leonore (Fidelio). In addition to her opera performances, Ludwig regularly gave recitals of Lieder (together with the German pianist Sebastian Peschko and on occasion, Leonard Bernstein) and as a soloist with orchestras. Her performances of Schubert, Schumann, Brahms, Wolf, Mahler and Strauss are much admired. She also sang Bach and performed and recorded most of his major vocal works.
    Lyrics & English Translation
    Ah, for just this moment
    Remember the first affections,
    that make me die of grief
    your anger, your severity.
    Unworthy of pity, it is true.
    I should only inspire horror.
    Yet you would be less severe
    if you could see this heart.
    Desperate I go to death
    but death does not frighten me.
    The thought torments me
    I betrayed you!
    (So much a heart can suffer,
    yet does not die of grief!)
    A link to this wonderful artists personal website: www.allmusic.com/artist/christ...
    Please Enjoy!
    I send my kind and warm regards,

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