I completely adore the Man of Steel soundtrack. It set the precedent for many future DCEU films' scores in a way only Hans Zimmer's work can. Of course I love John Williams' Superman theme, but I will say I was disappointed to not hear Zimmer's Superman theme for more than ten seconds in Justice League when it came into theaters, whereas now I could not be happier about Junkie XL carrying on the torch for Zimmer in Zack Snyder's Justice League. Long live the Zimmer and Williams Superman themes!
@@HankBaxter Well to make an information for you, Junkie and Zimmer worked together in Batman v Superman, Junkie heard Zimmer's original superman theme, so Junkie won't make a different theme for superman, but he changed the Batman music in the snyder cut it set a new path for Batman and it turned out great.
Years have passed, phases has changed. I was in last year of university when the movie came out. This track resonates differently at every stage of life. Hans is the best musician of our age. In my opinion we mr zimmer is the best musician of all time
24:42 This excerpt in the sketchbook became "If you love these people" in the actual Man of Steel OST. Except "if you love these people" is noticeably faster than the bit in this sketchbook. You can clearly tell this early version of "if you love these people" from the sketchbook inspired "This is my world" from man of steel as that is also a slower version of "if you love these people" and is the same speed as the sketchbook version.
@@nothingpersonal- thats difficult cause im not musician, but if you listen to the original both, those are shorter, in this one it feels better in lot of ways
One year late, but here we go. It is essentially like a literal/metaphorical sketchbook. It has the ideas and drive behind a piece of art, which will turn into the final product. But the final product could go through changes and tweaks, ending in something similar but different at the same time.
MOS is essentially the story of the rulers of a doomed alien civilisation that send their only son to earth to save him from their worlds imminent destruction. once he has grown up amongst humans, (hiding his amazing abilities from the world out of fear of persecution) he seeks to find the answers of who he is and where he came from, eventually learning that his place is to be the protector of the people of earth, the superman. When an enemy from his world returns and comes to earth to enact his evil plan, superman will be put to the ultimate test. what could have been an amazing movie but is unfortunately spoilt by bad decisions in dialogue, too many unnecessary flashbacks and the director missing critical beats that achieve those truly memorable and unforgettably epic moments that a story like this is meant to be building to.
If I for one ever have to hear a score in a Superman film that re-uses all this crapola that Zimmer and X.L. conjured for *Man of Steel* and both versions of *Batman v Superman: Dawn of Justice* again, then you all have my permission to murder me; in fact, I welcome it -- after all: trying to watch a Superman film or show without any of the true and authentic Superman themes by both John Williams and John Ottman is almost like trying to watch a *Star Trek* film or episode without any of its own themes and styles, or a 007/James Bond film without "The James Bond Theme" (it's both tradition and logic, so I'm just gonna let you "hate" me if you're gonna).
Like SynthEnthusiast said, actively seeking out this masterpiece just to give your shitty take on it is very feminine behavior. You are the embodiment of all Zack Snyder haters
![Hans Zimmer: Man of Steel Main Theme [Extended by Gilles Nuytens]](/img/1.gif)
I completely adore the Man of Steel soundtrack. It set the precedent for many future DCEU films' scores in a way only Hans Zimmer's work can. Of course I love John Williams' Superman theme, but I will say I was disappointed to not hear Zimmer's Superman theme for more than ten seconds in Justice League when it came into theaters, whereas now I could not be happier about Junkie XL carrying on the torch for Zimmer in Zack Snyder's Justice League. Long live the Zimmer and Williams Superman themes!
Oh, I'm glad to hear Junkie has carried Zimmer over. Was worried it'd be all different again.
@@HankBaxter Well to make an information for you, Junkie and Zimmer worked together in Batman v Superman, Junkie heard Zimmer's original superman theme, so Junkie won't make a different theme for superman, but he changed the Batman music in the snyder cut it set a new path for Batman and it turned out great.
Years have passed, phases has changed. I was in last year of university when the movie came out. This track resonates differently at every stage of life. Hans is the best musician of our age. In my opinion we mr zimmer is the best musician of all time
✨💓
Next to John Williams, I would agree.
Best movie soundtrack ever and best Superman ever
24:42 This excerpt in the sketchbook became "If you love these people" in the actual Man of Steel OST. Except "if you love these people" is noticeably faster than the bit in this sketchbook. You can clearly tell this early version of "if you love these people" from the sketchbook inspired "This is my world" from man of steel as that is also a slower version of "if you love these people" and is the same speed as the sketchbook version.
5:44
my favorite
{this is played at the end of Dawn of Justice (beginning of end credits)}
The credits in BvS were amazing
@@lexio9913 indeed they were!
Yeah, you got that right
I'll miss Henry Cavill's Superman like hell.
There hasn’t been a new superman. By the looks of it they totally removed superman and going with super girl
But I understand your feelings
If James Gunn is smart he’ll keep Henry Cavil
@@KingZilla5748 he’s the one who fired Henry cavil the 2nd time
Dont worry they will got someone better..
3:51 my god best part
12:30 and 24:40 masterpiece
Zack please come back!
"Faith Alfred, faith!"
@@barrydaniels1627 “Barrryyyyyy!!!!“
Lol
@@KingG3244 I know he won't come back, man
This is all Hans. Zack and superman aren't 🤞
10:00 I know you're here for this
15:07 CHILLS CHILLS ALL OVER ME
Underrated OST.
Leer Superman Earth One con este soudntrack fue una de los mejores lecturas que he tenido
Yo leí kingdom come con este soundtrack y uffff, una experiencia magnífica a más no poder
GOAT
Once you listen to the sketch versions of Flight and Launch, you don't listen to the original versions again.
Agreed
please explain what's the difference between these two?
@@nothingpersonal- thats difficult cause im not musician, but if you listen to the original both, those are shorter, in this one it feels better in lot of ways
The best part starts at the minute 23:17... It's pure divine...
23:14 the world engine gets destroyed
1:50
Does anyone know the specific name of this song? Or is it exclusive to this sketchbook?
It is exclusive to the sketchbook
But it's a combination of flight and krypton's theme
Goodbye my son also uses it
When I would run six miles and this song would come on in my line up I would run faster
@9:13 ....... oh heavenly father!!
4:27 whats the name single song?
26:26
5:00
#RestoreTheSnyderverse
11:30 what name?
2:51-3:50.
Can you list all the names of the tracks with timestamps?
❤
Superman isn't dead, because Tony Stark wished everyone back.
What is the song that starts at 19 15
19:15
Terraforming
Subarashi
What means by sketchbook
?????
idk maybe was like a mix idea they have and finally tried to do it, the final result is just wonderful, powerful and kids magic.
One year late, but here we go.
It is essentially like a literal/metaphorical sketchbook. It has the ideas and drive behind a piece of art, which will turn into the final product. But the final product could go through changes and tweaks, ending in something similar but different at the same time.
MOS is essentially the story of the rulers of a doomed alien civilisation that send their only son to earth to save him from their worlds imminent destruction. once he has grown up amongst humans, (hiding his amazing abilities from the world out of fear of persecution) he seeks to find the answers of who he is and where he came from, eventually learning that his place is to be the protector of the people of earth, the superman. When an enemy from his world returns and comes to earth to enact his evil plan, superman will be put to the ultimate test.
what could have been an amazing movie but is unfortunately spoilt by bad decisions in dialogue, too many unnecessary flashbacks and the director missing critical beats that achieve those truly memorable and unforgettably epic moments that a story like this is meant to be building to.
This is the story of Yahashua the Messiah!! /Jesus the Christ!! Kalel is Hebrew!!!
0:01
If I for one ever have to hear a score in a Superman film that re-uses all this crapola that Zimmer and X.L. conjured for *Man of Steel* and both versions of *Batman v Superman: Dawn of Justice* again, then you all have my permission to murder me; in fact, I welcome it -- after all: trying to watch a Superman film or show without any of the true and authentic Superman themes by both John Williams and John Ottman is almost like trying to watch a *Star Trek* film or episode without any of its own themes and styles, or a 007/James Bond film without "The James Bond Theme" (it's both tradition and logic, so I'm just gonna let you "hate" me if you're gonna).
Reusing this type of sound>>>> old Superman music
@@nbaost2171 Then go on and shoot me in the head.
I'm sorry. Even tho I was introduced to William's Superman theme first, Zimmer's take is what defined Superman for me.
Who searches for music (of all things) just to comment negatively? Strange attention seeking behaviour
Like SynthEnthusiast said, actively seeking out this masterpiece just to give your shitty take on it is very feminine behavior. You are the embodiment of all Zack Snyder haters
19:20
some of my most powerful meditations up in the mountains have come from this part of the sketchbook/score. glad someone highlighted it.
jesus. this is bone-chilling epic.