How do you control the output of the D.I.?? This class D amp should be able to be used with output volume at zero for a quiet recording environment. In other words how do you use this amp without its cabinet connected, to use only its D.I. and the cab simulator if the output level needs to be at zero?? greetings great review.
Have you ever tested the German Eich bass Amps? I would like to see how they compare to the ones you already had in house. I own some of those amps and cabs and find them amazing.. in studio and on stage.
Hey Gregor, wo kriegt man den denn her? 5-Band EQ, extensive Cab Sim, eingebauter kompressor… jup, meine Anforderungen für live Gigs sind erfüllt 😜 Edit: ach ja, und eingebauter Drive. Nice!
@@lowfrequencywizard Bei Beyers Bass oder Musikproduktiv. Preislich bewegt er sich zwischen 800 bis 850 €. Auf der Site von Ashdown findet mal die Händler auch. Aber nicht jeder Händler hat den Verstärker auch tatsächlich da.
Made in China... The Trace Elliot excellent brand and amps (with UV light on the head and GP-11 preamp) are far far far away. I regret the brand, I never feel comfortable with the Ashdown amps sound signature.
@@lowfrequencywizard I did not want to troll anybody. But I think bass amps on stage are just a tradition theses days. It's totally fine to be a tradionalist, we also have a ongoing interest in analog synths for example. It's just that in a modern setup going ampless with in ears becomes more and more the standard, depending on the kind of music/gig it already is the standard.
@@f.herumusu8341 all good man, my comment was intended to agree with you and encourage people to use what they feel is right, and not what’s the current hot sh*t. IEM systems definitely have many advantages over the classic amp setup
@@f.herumusu8341 all good man, my comment was intended to agree with you and encourage the idea to use what feels right to you, and not what’s trendy. I like the classic amp setup more (probably for the reasons you mentioned), but have also experienced many advantages with IEM systems
Seems to be one of the best new amplifiers on the market. How loud is the fan? Is the fan temperature controlled?
Both the sound and the features are EXTREMELY convincing
Edit: sorry for being useless and not answering your question btw lol
😂Gregor lass das Zensieren sein ist ja lächerlich
How do you control the output of the D.I.??
This class D amp should be able to be used with output volume at zero for a quiet recording environment.
In other words how do you use this amp without its cabinet connected, to use only its D.I. and the cab simulator if the output level needs to be at zero??
greetings great review.
Good job as always. Byeee Grrgooor
Have you ever tested the German Eich bass Amps?
I would like to see how they compare to the ones you already had in house.
I own some of those amps and cabs and find them amazing.. in studio and on stage.
Cool, gibt es den Kopfhörer beim Kauf des Basses dazu?
Leider nein 😉
I love mine!
Massive 💪
Hey Gregor, wo kriegt man den denn her? 5-Band EQ, extensive Cab Sim, eingebauter kompressor… jup, meine Anforderungen für live Gigs sind erfüllt 😜
Edit: ach ja, und eingebauter Drive. Nice!
@@lowfrequencywizard Bei Beyers Bass oder Musikproduktiv. Preislich bewegt er sich zwischen 800 bis 850 €. Auf der Site von Ashdown findet mal die Händler auch. Aber nicht jeder Händler hat den Verstärker auch tatsächlich da.
I clicked the heading, who doesn't want to shake things up!
Could someone let me know what basses Mr Frank played?
In this vid, he’s playing a Yamaha BB Nathan East, AV custom P-bass (Ales Vychodil), Sandberg California.
@ Thanks!
A question: Which model is this Yamaha???
This is a Nathan East Signature. A prototype of the first version
@@basstheworldofficialis the NE1 available for sale?
So many bells and whistles but no variable HPF..
Made in China... The Trace Elliot excellent brand and amps (with UV light on the head and GP-11 preamp) are far far far away. I regret the brand, I never feel comfortable with the Ashdown amps sound signature.
The old Trace amps were much better (until Gibson bought them)!
I did not use an amp on stage for more than a decade. Why should I?!
Just thinking the same thing. I’m trying to transition from amps to in ears!
If you see no point in it, then you’re completely right to use something else
@@lowfrequencywizard I did not want to troll anybody. But I think bass amps on stage are just a tradition theses days. It's totally fine to be a tradionalist, we also have a ongoing interest in analog synths for example. It's just that in a modern setup going ampless with in ears becomes more and more the standard, depending on the kind of music/gig it already is the standard.
@@f.herumusu8341 all good man, my comment was intended to agree with you and encourage people to use what they feel is right, and not what’s the current hot sh*t. IEM systems definitely have many advantages over the classic amp setup
@@f.herumusu8341 all good man, my comment was intended to agree with you and encourage the idea to use what feels right to you, and not what’s trendy. I like the classic amp setup more (probably for the reasons you mentioned), but have also experienced many advantages with IEM systems