That is a no more than a petty jab from someone unfamiliar with Maynard's repertoire - Maynard's ballad playing up through the '70's was a heck of a lot more than just "nailing the notes". Troll.
@@mjd4174 you've misunderstood me! I wasn't critising Maynard at all, rather the many players I've heard play his ballads unmusically - I'm well aware of Maynard's musical playing, on ballads too. Try and be a bit more charitable with your interpretation next time, will you?
In this video I don't ever remember Adam Rapa ever turning so red in the face I don't know if he's getting enough oxygen enough air or what's going on here I he's getting so red in the face
This is apparently a piece about how high and screaming the trumpet soloist can play. Maynard did the original version. Leonard Bernstein wrote a song by the same name which has a lyric, beautiful melody with words describing the enchantment of falling in love with a special girl. The song has tender, poignant moments with subtle changes of dynamics and evolving emotions. I'm not sure how this performance is related to the song. It would save time if the trumpet player would just play a double G, do a shake, gliss up to a sustained double C, take a bow and walk off of the stage. I'm not sure what musical expression I was supposed to feel during this performance... ?
Excelente professor
Great trumpeter Adam Rapa. But I still love Maynard's rendition of this song.
That version is a brute of a solo for any player.
Belíssimo Solo. Um monstro de controle!
Adam was born to play 🎺🎶✨👍
🎵🎶🎶🎶 Wonderful!!
SEHR GUT ... THE BIG ADAM ! FENOMENAL , WUNDERBAR !
👏👏👏 cara vc é uma referência pra que ama teompete
So nice to hear Maynard songs played so musically, instead of only just nailing the notes.
That is a no more than a petty jab from someone unfamiliar with Maynard's repertoire - Maynard's ballad playing up through the '70's was a heck of a lot more than just "nailing the notes". Troll.
@@mjd4174 you've misunderstood me! I wasn't critising Maynard at all, rather the many players I've heard play his ballads unmusically - I'm well aware of Maynard's musical playing, on ballads too.
Try and be a bit more charitable with your interpretation next time, will you?
2:28
I saw him playing that Monette 4-valve trumpet on a video and he didn't get that red in the face playing at horn and he tore it up man
A tres no les gustó, que suban su version
In this video I don't ever remember Adam Rapa ever turning so red in the face I don't know if he's getting enough oxygen enough air or what's going on here I he's getting so red in the face
バストランペット使ってる？
雨宮梨沙 バストランペットってトロンボーンと音域変わらない奴だぞｗｗ
これは4本ピストンのラッパや
This is apparently a piece about how high and screaming the trumpet soloist can play. Maynard did the original version.
Leonard Bernstein wrote a song by the same name which has a lyric, beautiful melody with words describing the enchantment of falling in love with a special girl. The song has tender, poignant moments with subtle changes of dynamics and evolving emotions. I'm not sure how this performance is related to the song. It would save time if the trumpet player would just play a double G, do a shake, gliss up to a sustained double C, take a bow and walk off of the stage. I'm not sure what musical expression I was supposed to feel during this performance... ?
Katastrophe.
you spelled that wrong
@@noahs5914 Desaster
@@noahs5914 i think the OP is german - that's how it's spelt in german
Cuando el labio no quiere, no quiere.
Agudos fallidos
Na verdade nesse dia ele não tinha pegado no instrumento ainda, e estava frio, e está tocando de memória.