As I wrote in the details, there were some good transcriptions of this solo and I decided not to make a not-so-meaningful duplicate. In my opinion, followings are some of the best transcriptions of this rendition and I'll leave it to you to decide which one's better: - darmaguri: ruclips.net/video/raRYs6tUqR8/видео.html - macarge119: ruclips.net/video/7C5ypIQToYw/видео.html
Yes, we can dissect Keith's improvisation from a technical level, such as his innovation of the bebop language (he hardly plays the bebop of his predecessors), his extensive melodic pattern motif development, his displacements, and his other jazz vocabulary(not sharp but with a modern feel growing out of tradition). BTW, the most important thing is that he totally understands the importance of touch and phrasing.
naaaah maybe next time... fyi however I do believe the intro is definitely worth copying as well, Keith's arpeggios have dynamic control and tempo control that are smoother than butter
As I wrote in the details, there were some good transcriptions of this solo and I decided not to make a not-so-meaningful duplicate. In my opinion, followings are some of the best transcriptions of this rendition and I'll leave it to you to decide which one's better:
- darmaguri: ruclips.net/video/raRYs6tUqR8/видео.html
- macarge119: ruclips.net/video/7C5ypIQToYw/видео.html
Yes, we can dissect Keith's improvisation from a technical level, such as his innovation of the bebop language (he hardly plays the bebop of his predecessors), his extensive melodic pattern motif development, his displacements, and his other jazz vocabulary(not sharp but with a modern feel growing out of tradition). BTW, the most important thing is that he totally understands the importance of touch and phrasing.
Cannot agree more!
미친 솔로... 이걸 즉흥으로 연주했다는게 진짜..
잘들었습니다!!
진짜 하면서도 이걸 즉흥으로 했다는게... 하며 내내 감탄만 나오더라구요ㅠㅠ 좋게 봐주셔서 감사합니다ㅎㅎ
스누피님 몇 년전 블로그에서 뵙고 유튜브에선 오랜만이네요. 연주 잘 들었습니다.
안녕하세요 반갑습니다^^!! 좋게 봐주셔서 감사합니다 😄
intro?
naaaah maybe next time... fyi however I do believe the intro is definitely worth copying as well, Keith's arpeggios have dynamic control and tempo control that are smoother than butter
fake because it's not complete without the moan.
JK - impressive job!!
Hahaha Keith's music is only complete with the right pitch and dynamics of moan :)