Rachmaninoff - All-Night Vigil, Op. 37 No. 8: Praise the Name of the Lord (Ab1 Ending) - Vespers
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- Опубликовано: 7 янв 2022
- The Saint Tikhon Choir, conducted by Benedict Sheehan. Live performance in December 2021.
Rachmaninoff's All-Night Vigil, Op. 37 no. 8 - Praise the Name of of the Lord (Hvalite Imya Gospodne).
Lone oktavist for this performance. Eb2 at 1:09 and Ab1 at 3:00. (masked for location)
Enjoy!
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Sheehan Vespers:
cappellaromana.org/sheehanves...
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Развлечения
Hey, Thou, this was beautiful!!! Fabulous performance. Also might I ask, including falsetto and subharmonics, what is your full range?
Sorry I didn't get back to you on this. It depends on the day. My usual maximum is A1 to F4, sometimes I can get to Ab1 and G1 depending on my voice. Sometimes I can get to F#4 and G4 as well.
Reliably, I feel like Bb1 and F4 with a bit of lee-way here and there.
Been working on chest-fry/mix/etc. and I have been able to extend the range a bit more but only for warmup and vocalization purposes at the moment.
Thanks!
@@bass2yang that’s quite alright, thou! That’s a mighty fine range you have there sir.
Just realized you also said falsetto and subs. I can vocalize up to a Bb5. Don't really use it for anything. Maybe up to F5? Haha. Thanks!
Lowest sub recorded would be Bb0. I get A0 and Ab0 from time to time but that one is really tricky.
Chest fry/mix would be around B0 but this one is very quiet by comparison.
I gotta learn his techniques
I have a quick question. I've been hearing about something called like M0 and M1. I saw it on a London Parris video. People were calling London Parris a baritone and not a bass. I'm not really sure how that's possible. Could you maybe enlighten me? I've heard him get down to a resonant G1 about 1 foot away from the mic
This is always interesting. Some suggest a register change due to how he approaches the bottom. I will say that just because someone uses it, does not automatically mean that is the only thing they can do.
Also, the mechanism is more seamless than people think so there is always overlap. I am certain that if he were to sing soft and connected like some other basses, it would feel full and warm; they would then call that "bass".
Not discounting their thoughts, just considering the ideas of register, range, and fach. Character is everything and if he is a baritone, then I am definitely a high tenor.
Thanks!
Polite question from a baritone here Mr. Yang--is the E♭2 on the third beat of measure 18 (@1:10) in your chest voice or do you use subharmonics for that immense resonance?
Thanks! This is chest. My usual transition for subs in a choir is around Db2 and C2 so the timbre is more seamless from note to note.