Alexis is very introspective and smart. I don’t think people take her seriously. It is true you attract how you feel, not what you want. You visualize your wants and you keep a high vibration and you will attract your manifestations. You want to manifest your twinflame? Visualize it and be positive and happy. Be profound and smart
@@camellasong9758 It truly looks completely effortless on Ms. 'Shenk for certain, and zhe wears it with equivalent swagger. And yeah, I feel you, I was just in the same sweats for about a four-to-five-day period pretty recently, a fashion statement all its own, and yet we live to slay another day, friend 💜💪🤘😁🤘💪💜
Great episode as always Sara. Really feeling the good energy from both of you. The only thing I'll say is that book that she wants you to read is written by someone who is considered a leader in the "Mens Rights Movement". Read the Goodreads reviews made by women about this book. It will tell you all you need to know about the content. Apparently its full of misinformation and pseudoscience.
I began sobbing in a way that was like super freeing and cathartic and lovely about halfway through this, Princess 'Shenk, you're the fucking shit and so is Alexis and this podcast is fucking radical 🤍💛💜💜🤍💜
Desert Scene Changed Jesilnik scenario: in the movie they’re making, It’s JESSIE (Kim Congdon), not VAL (Sara Weinshenk) that’s been hooking up with JOEY (Anthony Jesilnik). They are arch enemies, working for different sectors of the Mob, and are head of security at rival clubs-JESSIE at Ben’s, JOEY at club mob boss owner TONY (Jack Nicholson-Alzheimer’s, I know, but I’ll make that happen, watch-sub DeNiro if there’s absolutely no way Nicholson can do it). It gets to where JESSIE has to take out JOEY. This is the final scene with him, after they finally catch him. EXT. Movie set. Open desert, somewhere in Death Valley. Trailers, etc of movie production. Anthony Jesilnik is tied to a chair. Production assistant is soaking him in water. BEN is talking to him. BEN Ok, Anthony Jesilnik. Let me just tell you, we have a stuntman for the fire, so you don’t have to worry about that. ANTHONY Do you think I thought I was going to be the one lit completely on fire? BEN No, I knew, I just- ANTHONY It’s all good, man. For a first time director, you’re-I mean, you could be worse, you could definitely be worse. BEN Thank u, Anthony Jesilnk (Sarah Weinshenk and Kim Condon walk over to them with assistant director) KIM Ben, the light. We gotta do this. A.D. She’s right. They’re putting the gel on Johnny now, so yeah BEN Ok…I just want you guys to know I’m proud of all of- ANTHONY Yeah, man, it’s all good, but we gotta shoot this now. BEN Ok, it’s time. Feels right. EXT. Movie changes to the movie being made. The scene from the movie in finished form. Wide open flat, dry, cracked land as far the eye can see. Desert hot day, wavy lines, the camera slows to JOEY (Anthony Jesilnik) tied to a chair, completely soaked. then zooms in on a line of liquid from JOEY’s chair, close up moving along the liquid line on the cracked dry ground, the camera slows and stops to where the line ends, we see two chairs there, the feet of the people sitting, the camera moves back to reveal it is JESSIE (Kim Congdon) and VAL (Sara Weinshenk) JESSIE (Lighting a blunt) Oh man. VAL To say that was a difficult task is an understatement (JESSIE hands VAL the blunt) JESSIE (they’re staring at the horizon). It’s beautiful here. VAL Yeah. JESSIE (JOEY struggling in the background). I will miss that dick. JOEY (yelling). You will, you fucking cunt! JESSIE (to Val) So charming. Ok. (they both get up, all slow motion, to music, close up on Jessie, lighting cigarette, then Val and Jessie starting to walk away towards van. Jessie takes another drag of cigarette, close up on end of cigarette burning, then Jessie turns around and flicks cigarette. Close up of cigarette twirling, then lands on line of gasoline, line of fire moving towards Joey.) JESSIE Chipotle? (VAL nods) (Joey goes up in flames) VAL (As they get in the van). Do you like their cauliflower rice? Sometimes it’s good, but if it’s been sitting around, idk KIM (starting engine, sound of fire in the background ) I think we deserve some good ole’ fashioned Uncle Ben’s (starts driving) VAL Is it weird that they have a black man as the spokesperson for white rice? JESSIE Are you saying Uncle Ben should really be called Uncle Tom? VAL Who? JESSIE From Huck Finn? Come on, Val. VAL Shut up, I know who Uncle Tom is. (silence) Joey’s dead. (silence) KIM Fuck yeah he is. (wide shot widens as van drives through desert landscape back to LA)
screenplay excerpt EXT Panama City, oceanside, a view of the water about 500 feet from shore. This is how BEN arrives to this time: he materializes 50 feet above the water, and the camera follows him falling into the water. Underwater shot of BEN falling in, then floating underwater, still, then start moving and makes his way to the surface. Weak, he struggles to keep himself afloat. A hand reaches and pulls him above the water and towards the shore. He hears BRO yelling at him. BRO I got you, bro! (still pulling him in). It's all good (They get to where they can stand in the water). You're good. BEN What? BRO You're good. Man--third dude I've had to pull in. Lifeguard in high school. You good, bro? BEN (looks up and around). What is happening? BRO Spring break, bro! Come on, let's do some shots. What's your name? BEN looks around, camera back to reveal apex of Panama City Beach spring break as Dua Lipa's Don't Start Now or G-East’s No-Limit starts. The music takes us through the beach crowd, as BEN staggers, looking around, and always up at his first dome-less sky. They make their way to BRO's circle of friends. Music sequence of BEN doing shots with the group, getting high on the beach, dancing, reaching arms up to the sky. BEN It's outside! BRO 2 Uh, yeah, what did you think? BRO You think you're in a simulation or something? BEN Is this a simulation, seriously? BRO Nah. BRO 2 This guy's alright. What you take? BEN Nothing. Wait, where am I? BRO Panama City! BEN I left my phone in the house. There's no way--hey man, do you have an iPhone? BRO3 I do. (Hands it to him) BEN Find My Phone...iCloud...wow. It has my iCloud. BRO Grab Find My Phone. I use that all the time. BEN How is that possible? (Looks at phone). LA. The house is in LA. BRO You got a pad there? Bro, you gotta have us over there. BEN Ok, man---I'll be right back. (walks away). How the fuck am I going to get to LA?
Screenplay excerpt re-post-final scene-option 2 INT To Coldplay’s Yellow. Movie set. After BEN manifested with the help of Elon Musk, Leonardo DiCaprio, and the others, he stumbles out of office set and sees SARAH SARAH What happened? BEN My head (holds it)…..feels awesome. I just manifested…. SARAH What? BEN The environment. SARAH That? Holy shit, well good though, not though. Are u ok? BEN I feel different. Empty. SARAH But in a good way. BEN Yeah. Good empty. SARAH Well good. (they walk out of the movie production warehouse into parking lot with setting sun.) SARAH You did that? (At the lyric, “look at the stars) BEN I don’t know. Can’t say I definitely didn’t imagine a good sunset after this happened…I may have manifested the timing…. This is just a plutonic sunset, seriously, btw. SARAH Im down with a good plutonic sunset. I can hang with a good plutonic sunset, who would ever look down on, or be judgy regarding a good plutonic- (They kiss, their first) -sunset. So if I have a kid, my line could now go on like 10k years and they could frolic outside still. BEN They can. In perpetuity, is that the word? SARAH (camera pulls away as they walk towards sunset) Here’s the thing with outside though. The kids are playing, not in the house where I can keep on an eye on who will probably be a pack of rascals, if they’re my kids, it’s time for dinner, where the fuck are they, right? BEN Good point End credits
Things are certainly not sexually suppressed in places like Argentina. Not always great for family stability when folks are slinging that thing as a mode of socialization but it’s definitely sexy
At this point, I can’t care what people think of that last scene. Those with their asses in the seats will want that ending, them getting together, even though it makes me kinda half nauseous, tbh, I don’t know why. I do, actually. Because yes, sw is a muse for this thing, and guess what? I used that to make some awesome shit that’s gonna make people fat stacks, however unconventional the method was. And that’s that. Jesus fucking Christ, these people-I guess I’m not done-I get it, and that was a first toke of Hollywood at that roof bar that night, and basically it blows, sorry, I guess I’m a dick in that way, I’m the douchebag that started this whole movie thing There is the ego in this, but at the universal level, it’s about finding people to help, that’s it, for realz, and I will have done that, all these Deathsquad’ers will get an A-list bump-up, so my job’s done- I only talk like this when people seriously for real don’t know wassup. Sometimes people don’t. It happens. Sometimes knowing wassup won’t get u fat stacks. In this case it will, but often it doesn’t. So I guess, I guess, I could maybe see the hesitation in getting involved in said project. In conclusion: I don’t know why I chose these people to help-yes, the sw muse, there’s that-but if I wanted to straight-up star fuck, I’d be in Meryl Streep’s bed right now, chomping on some well-aged Oscar muff-ok, more nausea wassup-that’s what’s called completely expressing yourself, enough of that Love y’all’s u know it, good luck on Fallon the week before it opens-you’ll be fine.
I have seen those jackets on the show happy endings and he gives his jacket to a clam salesmen in trade. He makes a comment he is oppressed and 1/15 native American. I think he should have touched the beads on the jacket and said which bead to you have a problem with.
Dear Alexis, anyone, especially a woman, who claims to be as in tune with nature, their inner child, self awareness, self growth, and all that ethereal stuff, who isn't vegan, is being monumentally inconsistent. Pleas rethink your values. Read Professor Gary L. Francione.
Alexis is very introspective and smart. I don’t think people take her seriously. It is true you attract how you feel, not what you want. You visualize your wants and you keep a high vibration and you will attract your manifestations. You want to manifest your twinflame? Visualize it and be positive and happy. Be profound and smart
I love momma. But wow Alexis just has such a dreamy voice.
I really enjoyed this episode! Thanks Shenk! ❤️✨
I want someone to look at me the way Sara looks at Alexis.
I’m forever here for this kind of woo woo 😆
Sara, this is an excellent episode 👍👏💕
Love ya Shenk, black that hair up again 🖤
Loved every second of this 😂
Added a Whitney Cummings part to the show ad below
really good pod!
Also the fits just keep getting FITter and FITTer, girl, the duotone is soooo litt👀👀👀🤘💜🤘💜👏💜💜
some people have a way with style and color. I fret over the most basic of outfit choices, haha. She looks put together all of the time.
@@camellasong9758 It truly looks completely effortless on Ms. 'Shenk for certain, and zhe wears it with equivalent swagger. And yeah, I feel you, I was just in the same sweats for about a four-to-five-day period pretty recently, a fashion statement all its own, and yet we live to slay another day, friend 💜💪🤘😁🤘💪💜
Even a frozen spinach souffle is really quite lovely . ( I forget who produced ' em )😁🤑😘!!!
Great episode as always Sara. Really feeling the good energy from both of you. The only thing I'll say is that book that she wants you to read is written by someone who is considered a leader in the "Mens Rights Movement". Read the Goodreads reviews made by women about this book. It will tell you all you need to know about the content. Apparently its full of misinformation and pseudoscience.
Keep on movin up shenk ur doin it
Shenki is so cute
Reminds me of kibutz girls in Israel
So chill and cool
Just lovely ❤
I began sobbing in a way that was like super freeing and cathartic and lovely about halfway through this, Princess 'Shenk, you're the fucking shit and so is Alexis and this podcast is fucking radical 🤍💛💜💜🤍💜
Desert Scene
Changed Jesilnik scenario: in the movie they’re making, It’s JESSIE (Kim Congdon), not VAL (Sara Weinshenk) that’s been hooking up with JOEY (Anthony Jesilnik). They are arch enemies, working for different sectors of the Mob, and are head of security at rival clubs-JESSIE at Ben’s, JOEY at club mob boss owner TONY (Jack Nicholson-Alzheimer’s, I know, but I’ll make that happen, watch-sub DeNiro if there’s absolutely no way Nicholson can do it). It gets to where JESSIE has to take out JOEY. This is the final scene with him, after they finally catch him.
EXT. Movie set. Open desert, somewhere in Death Valley. Trailers, etc of movie production. Anthony Jesilnik is tied to a chair. Production assistant is soaking him in water. BEN is talking to him.
BEN
Ok, Anthony Jesilnik. Let me just tell you, we have a stuntman for the fire, so you don’t have to worry about that.
ANTHONY
Do you think I thought I was going to be the one lit completely on fire?
BEN
No, I knew, I just-
ANTHONY
It’s all good, man. For a first time director, you’re-I mean, you could be worse, you could definitely be worse.
BEN
Thank u, Anthony Jesilnk (Sarah Weinshenk and Kim Condon walk over to them with assistant director)
KIM
Ben, the light. We gotta do this.
A.D.
She’s right. They’re putting the gel on Johnny now, so yeah
BEN
Ok…I just want you guys to know I’m proud of all of-
ANTHONY
Yeah, man, it’s all good, but we gotta shoot this now.
BEN
Ok, it’s time. Feels right.
EXT. Movie changes to the movie being made. The scene from the movie in finished form. Wide open flat, dry, cracked land as far the eye can see. Desert hot day, wavy lines, the camera slows to JOEY (Anthony Jesilnik) tied to a chair, completely soaked. then zooms in on a line of liquid from JOEY’s chair, close up moving along the liquid line on the cracked dry ground, the camera slows and stops to where the line ends, we see two chairs there, the feet of the people sitting, the camera moves back to reveal it is JESSIE (Kim Congdon) and VAL (Sara Weinshenk)
JESSIE
(Lighting a blunt) Oh man.
VAL
To say that was a difficult task is an understatement (JESSIE hands VAL the blunt)
JESSIE
(they’re staring at the horizon). It’s beautiful here.
VAL
Yeah.
JESSIE
(JOEY struggling in the background). I will miss that dick.
JOEY
(yelling). You will, you fucking cunt!
JESSIE
(to Val) So charming. Ok.
(they both get up, all slow motion, to music, close up on Jessie, lighting cigarette, then Val and Jessie starting to walk away towards van. Jessie takes another drag of cigarette, close up on end of cigarette burning, then Jessie turns around and flicks cigarette. Close up of cigarette twirling, then lands on line of gasoline, line of fire moving towards Joey.)
JESSIE
Chipotle? (VAL nods)
(Joey goes up in flames)
VAL
(As they get in the van). Do you like their cauliflower rice? Sometimes it’s good, but if it’s been sitting around, idk
KIM
(starting engine, sound of fire in the background ) I think we deserve some good ole’ fashioned Uncle Ben’s (starts driving)
VAL
Is it weird that they have a black man as the spokesperson for white rice?
JESSIE
Are you saying Uncle Ben should really be called Uncle Tom?
VAL
Who?
JESSIE
From Huck Finn? Come on, Val.
VAL
Shut up, I know who Uncle Tom is.
(silence)
Joey’s dead.
(silence)
KIM
Fuck yeah he is.
(wide shot widens as van drives through desert landscape back to LA)
Shenk🤙 gang
Vision quest
This is a sort of yin-yang fringe on clothing episode. And Shenk is even wearing a yin-yang.
❤️
Yeah you’re one of the best, in top 10 of best women in world.
🌹😘
Sokka souffle?
HAAAHAHAAAAA S👀👀EE YOU JEANSSSS💜⚡💜
screenplay excerpt
EXT Panama City, oceanside, a view of the water about 500 feet from shore. This is how BEN arrives to this time: he materializes 50 feet above the water, and the camera follows him falling into the water. Underwater shot of BEN falling in, then floating underwater, still, then start moving and makes his way to the surface. Weak, he struggles to keep himself afloat. A hand reaches and pulls him above the water and towards the shore. He hears BRO yelling at him.
BRO
I got you, bro! (still pulling him in). It's all good (They get to where they can stand in the water). You're good.
BEN
What?
BRO
You're good. Man--third dude I've had to pull in. Lifeguard in high school. You good, bro?
BEN
(looks up and around). What is happening?
BRO
Spring break, bro! Come on, let's do some shots. What's your name?
BEN looks around, camera back to reveal apex of Panama City Beach spring break as Dua Lipa's Don't Start Now or G-East’s No-Limit starts. The music takes us through the beach crowd, as BEN staggers, looking around, and always up at his first dome-less sky. They make their way to BRO's circle of friends. Music sequence of BEN doing shots with the group, getting high on the beach, dancing, reaching arms up to the sky.
BEN
It's outside!
BRO 2
Uh, yeah, what did you think?
BRO
You think you're in a simulation or something?
BEN
Is this a simulation, seriously?
BRO
Nah.
BRO 2
This guy's alright. What you take?
BEN
Nothing. Wait, where am I?
BRO
Panama City!
BEN
I left my phone in the house. There's no way--hey man, do you have an iPhone?
BRO3
I do. (Hands it to him)
BEN
Find My Phone...iCloud...wow. It has my iCloud.
BRO
Grab Find My Phone. I use that all the time.
BEN
How is that possible? (Looks at phone). LA. The house is in LA.
BRO
You got a pad there? Bro, you gotta have us over there.
BEN
Ok, man---I'll be right back. (walks away). How the fuck am I going to get to LA?
Sick, man, your comments are something truly special, friend💜💜🤘🤘💜💜
Not to mention your writing ability, this shit reads so clean and enticingly
P.S. Extra love on the Dua reference~💜⚡💜
Screenplay excerpt re-post-final scene-option 2
INT To Coldplay’s Yellow. Movie set. After BEN manifested with the help of Elon Musk, Leonardo DiCaprio, and the others, he stumbles out of office set and sees SARAH
SARAH
What happened?
BEN
My head (holds it)…..feels awesome. I just manifested….
SARAH
What?
BEN
The environment.
SARAH
That? Holy shit, well good though, not though. Are u ok?
BEN
I feel different. Empty.
SARAH
But in a good way.
BEN
Yeah. Good empty.
SARAH
Well good. (they walk out of the movie production warehouse into parking lot with setting sun.)
SARAH
You did that? (At the lyric, “look at the stars)
BEN
I don’t know. Can’t say I definitely didn’t imagine a good sunset after this happened…I may have manifested the timing…. This is just a plutonic sunset, seriously, btw.
SARAH
Im down with a good plutonic sunset. I can hang with a good plutonic sunset, who would ever look down on, or be judgy regarding a good
plutonic-
(They kiss, their first)
-sunset.
So if I have a kid, my line could now go on like 10k years and they could frolic outside still.
BEN
They can. In perpetuity, is that the word?
SARAH
(camera pulls away as they walk towards sunset) Here’s the thing with outside though. The kids are playing, not in the house where I can keep on an eye on who will probably be a pack of rascals, if they’re my kids, it’s time for dinner, where the fuck are they, right?
BEN
Good point
End credits
Things are certainly not sexually suppressed in places like Argentina. Not always great for family stability when folks are slinging that thing as a mode of socialization but it’s definitely sexy
...Catholicism ???...
@@SWHBOYCE Are you under the impression that Argentina is dominated by Catholicism? If so you are mistaken. La bruja es fuerte aca
At this point, I can’t care what people think of that last scene. Those with their asses in the seats will want that ending, them getting together, even though it makes me kinda half nauseous, tbh, I don’t know why. I do, actually. Because yes, sw is a muse for this thing, and guess what? I used that to make some awesome shit that’s gonna make people fat stacks, however unconventional the method was. And that’s that.
Jesus fucking Christ, these people-I guess I’m not done-I get it, and that was a first toke of Hollywood at that roof bar that night, and basically it blows, sorry, I guess I’m a dick in that way, I’m the douchebag that started this whole movie thing
There is the ego in this, but at the universal level, it’s about finding people to help, that’s it, for realz, and I will have done that, all these Deathsquad’ers will get an A-list bump-up, so my job’s done-
I only talk like this when people seriously for real don’t know wassup. Sometimes people don’t. It happens. Sometimes knowing wassup won’t get u fat stacks. In this case it will, but often it doesn’t. So I guess, I guess, I could maybe see the hesitation in getting involved in said project.
In conclusion: I don’t know why I chose these people to help-yes, the sw muse, there’s that-but if I wanted to straight-up star fuck, I’d be in Meryl Streep’s bed right now, chomping on some well-aged Oscar muff-ok, more nausea
wassup-that’s what’s called completely expressing yourself, enough of that
Love y’all’s u know it, good luck on Fallon the week before it opens-you’ll be fine.
Flan
I have seen those jackets on the show happy endings and he gives his jacket to a clam salesmen in trade. He makes a comment he is oppressed and 1/15 native American. I think he should have touched the beads on the jacket and said which bead to you have a problem with.
sea 3 -4
Lord this pod caster needs to lower her voice a little and stop yelling over her guests it’s super annoying
No
@@hahaiwonyes
Dear Alexis, anyone, especially a woman, who claims to be as in tune with nature, their inner child, self awareness, self growth, and all that ethereal stuff, who isn't vegan, is being monumentally inconsistent. Pleas rethink your values. Read Professor Gary L. Francione.
Thats dumb. Theres levels dude.
Love my momma
Why aint jewish women cut Sara? When will Weinshenk get Circumsised?