Fun tip, my husband is a tennis player, often time he gets the wrist sweat bans. They are great for me to use on my wrists when painting out doors to control water in my brush. Just thought I would pass it along.
I appreciate the point you made about not needing to draw from memory, and you're completely right with that being the general assumption. I always thought since I was in grade school that if you couldn't draw something from scratch from memory then you weren't a good artist. I'm a graphic designer, and only last year at 38 years old did I discover that I actually can draw and it's okay to use reference! :) I'm still learning watercolour but I have this whole new world that's opened up to me, and I'm really enjoying the process of creating art! Thanks for another great video! :)
Love this oneeeeee!!! It's hard to tell that to people!! I've got family members who really think I should paint from my mind, also peers who are not very experienced and think the same, even teachers diminishing people who use photo references, it's a relief to find someone who thinks is ok and even a necessity to use the photos and references! Thanks so so much for this vid. 🌈💕😍
Amen to that!!! I have come to the conclusion, this is what I do....this is what I love....so, they don't have to approve. I paint how and what I love.
Muñi Conejito hi, me too. I have a family member who doesn’t do anything artistic at all but seems to think that references are cheating. I’ve noticed that my favorite RUclips artists have a cell phone on the table with a reference of a giraffe or bike that they are using while teaching us how to paint. They don’t announce it....but sometimes you can see it there. My first reference was nature. Thank you for your comment!
I spend a lot of time watching The Mind of Watercolor videos and I find them all to be invaluable. I signed up for a class in watercolor, for the second time, and for the second time I decided not to continue. I could find no value in each instance. Being told, "Today we are going to paint the ocean, or the redwood trees, or whatever, without being taught the basics, or for that matter not being given much in the way of instruction. I could simply practice on my own, but without increasing my knowledge. Fortunately I found The Mind of Watercolor. Steve is a gifted teacher, and an amazing watercolor artist. Of course I will never achieve his level of skill, and I try not to be daunted by that fact, but rather to keep on practicing and with each lesson by Steve I make small incremental improvement. With all of the over-painting and mistakes I still really like what I do and I am running out of wall space to hang my paintings. L. Graves
Hi Steve, I became interested in painting with watercolours approx 9 months ago. Your videos have been tremendously helpful. The fact that an artist with your incredible talent is willing to share his God given talent with individuals like myself is such a blessing. The instruction and encouragement you give is wonderful and appreciated so very much. Your ability to capture the beauty of creation is truly awesome, and the scripture verses you display at the end of your videos serve as a consistent reminder of just how majestic our Creator really is. Thank you so much for being willing to 'give of yourself' the way you do.
good choice of the 5 main elements of a realist painting! I would add another one which is to create "color harmony" instead of sticking to the colours you think you know your objects usually have (like trees to be green, rocks to be grey etc.)
Yes, I agree. I could go on and on. I could probably come up with a list of 50 things. Factors like color though can very quite a lot and yet the scene can still look very realistic.
Great advice right there. My biggest weakness is #2. I'm sometimes very impatient and just want to go for it. Taking more time and doing preparatory sketches and so on - can be really beneficial (:
I totally relate to that as this is my weakness too. For my next project, I decided I was really going to take my time to do various thumbnails and "mature" and mull over my subject matter. Yes, it is so difficult to resist the urge to go straight in...As it happens I think I'm learning much more through this "slow" process.
So happy to have found this same book, now out of print, about a week ago as a used book on Amazon. It arrived yesterday as good as brand new! Am looking forward to learning a lot more about textures; and now after seeing this video I will be examining the illustrations for details, shadows, scale, etc. Thank you for doing this video!
Wow, thanks for sharing Ray Hendershot's work. It, along with your meaningful comments, is a real masterpiece. Danged, looks like I'm going to be hit with a quick relapse of my "Amazon book ordering" disease!!
I'm so glad you mentioned these habits... I have boxes and boxes of photos, and tons of books, not to mention the crazy amount of videos of people like you I watch multiple days a week. Sometimes, I trace my favorites from photos or masters ai admire, and look at them for hours, even days before the 1st brush stroke goes in...m
According to my ophthalmologist, I am one of the 5% of the population that can't see images in 3D. I can see real life in 3D but images and pictures all look flat. Working from a picture is difficult and sketching outdoors is difficult, what I see on paper doesn't look like real life. But I practice every day and am learning to cope and I am getting better. You inspire me with your videos and wisdom.
Wow- I always forget about this condition: it's so hard to imagine. I do admire your determination and fortitude. I know I wouldn't have what it takes- if I were in your condition. But who knows? Anyway, your story is really inspiring. Again: wow.
Hi Steve - This was so excellent. I completely agree with everything you pointed out. I’m tempted to mention a sixth thing that I think is probably native to most Artists, and that is not to forget to see the wonder and beauty in the world. I have always been thinking about this topic, even when I was a kid, and the things that separate the great Artists from the good ones. This list nails it Steve. In addition I am so thankful for the democratization of knowledge because all through the 70’s and 80’s I spent days in libraries and went to art shows hoping to catch a friendly Artist who could help unravel these mysteries. Even in art courses in college, they rationed this information. So glad you are here and sharing this stuff Steve. It’s gold, it truly is.
Steve, thank you so much for this very helpful video! I painted my first watercolor last June (no prior art experience of any kind). After 2 months I was so fortunate to find an instructor who has helped me advance & enjoy this new hobby. Your videos were the first ones that I watched on RUclips in the 2 months "on my own". I have now painted over 75 paintings & just love the medium! Thanks again!
Yes! Thank you, Steve. Not just five points but explanations of those and EXAMPLES with SPECIFIC examples. And they are five points I could realistically say to myself that I might just be capable of following. That is useful, helpful instruction. Thank you!
Some of these observations have relevance to a looser style as well - value is one that stands out. My cousin is a world-class quilter and when she assembles her quilt patterns, she does so with BW photocopies of the fabrics. In her words "..color gets the credit, but value does the work...".
Wonderful video. Thank you for restoring my desire to be a better realist. I am a 70 y.o. Amateur who loves to paint a realistic scenes. Wish I could attend your work shop. Louisiana is just a bit to far for now, maybe another time. I try to view as many of your videos as possible.
Another great video! I'm lucky in that what you convey lines up with much of what my teacher says. I must work on my observations more. One thing I find helpful is having two copies of my photos - one in color and one in sepia/black&white, whether printed or on my iPad. It helps me determine value easier.
It's also handy to use the greyscale feature of your printer to get values of your subjects. You can pull it down or increase it for best effect, and edit on your computer, before you print it, so you'll see what you're going to end up with.
good video. it came at an opportune time.I am painting a detailed pic of a rusty truck. mechanical things elude me so I have to research a lot,, from googling the medallions to closeup of the door handles and hub caps. I may not be putting all that detail in, but the impression still has to be right. husband is a car aficionado, and def lets me know if something is off!
Another great video 👍! There are artists who are wonderful painters but can not teach or even understand how they achieve a painting. You are a wonderful painter who knows the why and the how and is gifted with the ability to teach it to others. How grateful we are that you share that with your you tube students!
I would have to agree with you, especially on study and observation. For one of my paintings, I took water and dumped some on the table, had the light shine on it from a certain angle and took photos of it. I needed a spilled puddle reference to put under and old water pitcher to make it look like it was just used. I painted the scene.
I agree completely. When I work on a realist painting, I spend many, many hours just getting to the really careful drawing (from my photographs), the selection of palette colors, and so on. The actual painting part is in many light layers, but the painting part for me still takes only a fraction of the total time of finishing a piece. Preparation is 95% of it. The better and more accurate your drawing is, the better your painting will be.
I have been struggling with whether to continue as a realist or try to loosen up my paintings. Your vlogs lately have been right on the spot for me. This one especially has been very very helpful. I also love seeing your surroundings and the beautiful scenery you have at your fingertips. Thank you and God bless you.
Wonderful coincidence to have just stumbled upon this Masters work. What caught my eye was the familiarity of buildings & scenes and turns out many of these Paintings were from the area where I grew up! I recognize a few of them. (Chester County, PA). In fact, I grew up down the road from Andrew Wyeths Home & one can see a lot of Wyeth influence in his Paintings. A few weeks later, I stumble across THIS Video that answered many questions & focused on important points I had looking at Hendershot's work. This particular book is extremely instructional as well a profoundly beautiful cover to cover. As we slowly lose our Landscapes and scenes like this all across this Country, I know this book will become an important item within our Family inherited Collections -these Paintings beautifully depict a Time & Place so meaningful and one that will eventually become a "once was" .
my favourite of these points mentioned are the top 2 i feel people could progress so much even without a lot of work in other areas by just looking at everything, noticing everything you cannot draw details, textures and features if you dont notice them. its difficult to explain to people what you really mean because peoples eyes have to process so much information that people get used to ignoring most of it, to really see everything you need to practice and spend a lot of time working on noticing everything. good video, you have explained these very well and you have used good examples, i expect you put a lot of thought into how to put across these ideas, great job. this is the first video of your i have seen i am going to check out the others because although i know most of these pointers, im not to great with watercolours so hopefully ill be able to learn a lot from the others.
7 лет назад+8
Just love how you explain the differences and your thoughts. I've been thinking quite allot about this the past weeks so your video was timed perfectly!
Hi Steve. Great tips here, thanks. When you referenced Ray Hendershot it reminded me of one of my favorite artists, someone who is no longer with us but one who was loved and respected by many. You may or may not be familiar with his work but I wanted to mention him because we both grew up in Chattanooga, Tennessee. His name is Hubert Shuptrine. Hendershot's work reminds me of Shuptrine's book "Summer Down East", a series of paintings inspired by his family vacation in Maine, probably back in the '60's or early '70's. Fabulous renderings. Please look him up if you have a chance. Keep up the good work!
I really appreciate the examples being monochromatic. It is easy for me to be visually confused by color when I am looking at examples; instead of seeing the light/dark values I see the colors. I have to adjust my eye/brain to look at something “flat”, to see it as only values so I can render the shapes/light onto paper. The monochrome examples made it easier to pay attention to the detail.
This is one of the best, most helpful videos on RUclips regarding 'realism' in painting! What seems obvious isn't always so and it's awesome advice for newbies and a great reminder for more experienced painters. And of course, I thoroughly enjoy the bird photography as they are my favorite little creatures on the planet. Great video, Steve!
I have been a portrait artist for years. Particularly in graphite and I can tell you from experience that the portraits where I work from a photograph are sooooo much better than those I just scribble out of my head. The light values alone are a huge issue and no matter how well you can 'imagine' your subject its never really quite right. I thank you so much for your lessons and vlogs. Our last child got married and the house is quite empty. I was filling my time with politics and social media but it was literally making me ill. So I decided to quit the news and try something new. Watercolor was my choice. I haven't painted since high school and that was a very long time ago and I am so excited to be doing it now. To quote you; "You need to be brave to watercolor." and with your help I think I can do just that. Thanks again from one of your newest Minders.
Thanks! I know what you mean about politics and the news. I check in on the news about once or twice a week now. Keeps me sane and mellow. Life goes on.
Thank you… This is very helpful to hone my observation skills. 🎨✨ Something I will start doing is to take photos of a possible subject at different times of the day.
Very helpful, I am one of those people who keep trying to get better, for myself. I know that nothing will become of my art as far as selling or famous lol but for myself I try to do better. MY problem is time to do it more often. I find art as an escape from other things. Thanks for the tips and sharing once again.
Great vid. These points always need to be stated and hammered home: many of us are either insufficiently aware- or take stuff for granted. Especially when it comes to reducing tone and value with distance: so often a view's depth is let down by insufficient value/saturation/ reduction. Wartrecolour is so magical at rendering gradations and creating vast depth for the eye to lap up. Like you do, for instance.
Thank you for the no holds barred style in your teaching. These are exactly the kind of pointers that beginners, like me, need to hear to help us work through early problems. You are a great RUclips mentor!
Truly enjoyable video, from your lovely scenes (birds, trees, clouds) to the great advice. Putting the book on my wishlist immediately. Thanks so much.
This is exactly what I do when preparing a realistic painting. I'm half way through a painting right now and took even more pictures of the subject today. Can't paint from my head at all!
I learn so much from your videos! I did an abstract of a mountain highway. My husband said the trees looked more like broccoli. Naturally, I was not painting from life... hence 'abstract' label. But I learned that even with an abstract, you have to have scale and perspective. Thanks for posting!
Just found your channel. Thanks for some sensible tips and great advice. I tend to be a tight painter, but my eye is so drawn to passages of gorgeous translucent loose wash. I struggle to know where to cut back with detail and to just enjoy the colour.
I loved this segment, as I have all your posts. Accurate artistic paintings depend on a clear understanding of all the elements you shared. Knowing linear perspective and the ability to conceptualize light in painting took many years for artists to realize and perfect during the Renaissance. I pray I allow my thick skull to learn a few of the techniques necessary to paint realistically! I read a quote that was said to be found in Leonardo Da Vinci's room: "May it please the Lord, Light of all things, To show me the Way, So that I may Paint light Worthily!" It's a good prayer. Thanks for your post!
With all the fantastic artists out there, I can't believe you picked one of my all-time favorites. He has several books, the one on texture is very good. You mentioned lighthouses; if you haven't seen his, take a look. The richness in color is incredible.
Steve, I'm commenting on your live interview of 9/12/17 with MD Campbell. I'm commenting here, because I couldn't find a comment place below that video. Anyhoo, I love being introduced to a new artist and to learn his journey! Also, I had never seen any of Marty's videos and I love that book he showed during the discussion. I'm such a newby to this mode of communication, and I'm so thankful you guys love to share! Wonderful information!
Great description of all the things you need to pay attention when studying a subject. I practiced this with a fall leaf. Amazing how many details are in a fall leaf. As usual thanks a million times Steve. You are so easy to fallow and understand for those of us with whom English isn't a native languish.
Oh! Wow! Thank you for the clip with the hummingbird! ....still enjoying and listening to your clips and trying some things....I appreciate all your input.
Hendershot’s use of various white is genius. I have only 1 strong point & that’s observation. I have to thank an educationalist circa 1900 who taught me & others to truly observe things, then draw EXACTLY what you see. I’ve been practicing that for decades. Where I’m clueless is perspective, shadow, shading, and much more. I’m thrilled to hear that references are ok because when I draw/paint from my mind I revert to 5 years old in skill. I LOVE that the human eye will fill in suggested items like those roof shingles you used for example. I lean toward realism all the way. I can do loose cartoonish stuff but it happens so quickly that its unfulfilling for me. Thank you times a million.
Another really great detail in the stone house painting.. the stones on the steps are slightly larger than the stones on the wall... because they are slightly closer.
You are such a fantastic teacher. That is a very difficult skill, and one that you have mastered in addition to your incredible watercolor. Thank you for sharing your knowledge and being so very kind and generous with your time
I enjoyed this so much. I had just been thinking that I need to go back and draw more. When I came upon your video. Really some old lessons I had forgotten, but will now go back and remember and draw more. Thank you so much.
Thanks for the helpful discussion. For those of us who do plain air lose watercolor, I would like to suggest Loose Watercolor, A Step by Step Painting Guide by Jerry McClish.
Thanks again for this good advice. I think I've believed that a good artist can simply paint from his imagination and not need to use a reference photo. While an experienced artist may do this, I'm relieved to learn that using a photo is perfectly legitimate for even the best artists.
Yes. Experienced artists painting from their head is a common myth but almost never true. There are a few that can, but usually only after years of painting the same thing from reference over and over and over. Imagination comes in with taking the reference, altering it, combining it and coming up with something completely new and fresh.
I retired from teaching over two years ago and am focusing on becoming comfortable with watercolor and my ability to use it. I always enjoy your videos; you are a natural teacher. I look forward to the verses at the end of each video.
Stev this was another great video. Your point that really good realist art is created from strong observation and many reference photos, and as I always due. When I pick the photo that I will paint from, I measure the difference in size of buildings and trees. Size and proportion can not be overstated.
Beautiful topic! I think I make quite frequently the mistake of thinking to much details will make the drawing more realistic and it ends being to sharp and almost illustration style. And then you look through all those beautiful pieces and you realize that the greatest really follow the "less is more" and just by sugesting things with some values, they achieve the most beautiful works. And I couldn't agree more, you really need A LOT of references to master that ability.
Thanks Steve, we all need these important detours into the minds of artists of realism. I added some notes for me in my journal to use when thinking about what to include or exclude etc.
Thanks, Steve. I prefer watching you paint but lately I've been hanging on every word. Great information! (I enjoy your viewers' comments as well...helpful and entertaining! BTW make a batch of pickling brine and pour it on the poison ivy. That stuff kills everything without harsh chemicals)
@@kimesch9698 Agree w/ the vinegar. My husband took a diluted mixture of vinegar (don’t know the ratio) & sprayed the weeds around our house & yard. In no time the weeds were gone for entire season w/ only one application! Caution though…he sprayed the weeds in our flower bed as well & the offshoot of sprayer bottle got on some plants/flowers we didn’t want gone……oops! Just be mindful.
Again thank you so much for doing your vlog. You are the outstanding vlogger, and you are very helpful and I am always looking forward for new posts. Wish you would do a vlog about shadows, what colors to use for example flowers. I like to do peonies because they have so many details but I struggle with the shadows and to define each petals because the light from the sun and the shadows from each petal gives so many different shadow colors. Sorry my english is limited.
I have difficulty not being a full on realist and one of my traits, since extremely young, is gathering things, whether rock, feather, or photos of sky, trees during seasonal and lighting changes... I love how everything shifts and plays off of each other, including colors bouncing. I will say, wow, look at all the red colors hidden in that winter scene and all other people respond with, 'What? That's just dead grass at the edge of a swamp'. I have learned not to say a word about the colors I see. I notice the digital camera oft doesn't relate the nuance, since we no longer use a type of film to capture warm or cool subjects, like kodak gold vs fugi film. Use of software is expected and I prefer old school visual, so basically I am a plein air type of painter.
Thank you for validating my personal process of getting ready to paint, which entails lots of reference material & study to the subject matter as well as having several images that I can draw from (not just drawing from my memory). I always add my own layout & composition with added details that complete the whole picture with correct proportions & perspectives. But it's nice to know there are others that use images to draw from & that I don't have to feel guilty for not drawing things from scratch or justifying the time I take to research my subject matter for each piece. That's just my process! & glad to know I'm not alone in that journey.
Steve thanks soooo much for this video ! Ive seen it before but it’s probably been 2 yrs so i needed to refresh my brain! I love how you used Ray’s book to show examples of each point. For some reason... my painting tends more toward trying to be realistic instead of “loose” so this info very helpful!
Phenomenal video Steve! I always learn so much when you share your insight! I am a beginner and am aware of a few of my struggles, but to have you talk through them really helps! I so appreciate your teachings and inspiration! Enjoy Spring!
You remind me of what to keep in mind, and help me to realize that I been working against myself in some of my approaches to landscape drawing, which I hope be painting in watercolor soon after I am finish with all studies, practice of different part of landscapes.
Hi Steve. I actually have this book per your recommendation from another video u did. I totally agree w/ u about Ray Hendershot being a master @ realism. I also appreciate ur point of view on the top 5 things the top realist painters do. In my own watercolor journey, I’m learning & trying to absorb every bit of info I can so that my artwork is something I can be proud of. I understand it takes TONS of practice. But ppl in my family think practice is a waste of time. They think because I do other things “well” this should follow suit. My son has even laughed @ my work & though I know it’s his young teenage unthoughfulness (not an actual word…..but should be), I allowed it to hinder my progress. Thank u so much for sharing ur incredible God-given talent w/ us. I could never thank u enough. U inspire me to continue my journey no matter what “the critics” (lol) say!! Lastly, I appreciate that u put a Bible verse @ the end of each video!
I was looking for something I can study and get me inspired during vacation in July, and I actually went ahead and bought this book. Just now! So thanks, it looks promising
Great video Steve! 😁 Yay the hummingbirds have arrived...still waiting on them here. Close observation is the biggest key to realism. I love how you broke all of the aspects down. TFS 😃
Yeah I guess at your elevation they might come a bit later. When I was in Phoenix back in January, I saw several at the Botanical Gardens. I guess its warm enough down there to winter.
The Mind of Watercolor yeah I think so. Some of them will head up in the next couple of weeks to cool off. It is already hot down there & went over a 100 a few weeks ago....yuck! 😝
Yeah but its a dry heat... bahahahahaha! (I saw that on T-shirts down there) Regardless, GASP! No thanks. Yeah my uncle who lives down there complains about it all the time.
The Mind of Watercolor lmbo! yeah a dry heat until monsoons come in (july-september) and then it is hot jungle heat. 😥 😓 Even up here it can get really uncomfortable & we have no ac here. 😲
He is one of my favorite WC Artists but there is so little information about him available. Thank you so much for this video. I own this book and go through it again & again. I just draw for now, lol, and buy books and supplies for that great moment when I pick up a brush and create the first of many master disasters. I'll get where I'm going though, if I want it bad enough & I think I do. Again, many thanks!
Deeply appreciate every tip you offer. I'm happy I'm applying some of these things because it encourages me more for being on the right track:) I have so much to learn so keep up with the tips and beautiful work. Love learning all I can from you:)
Fun tip, my husband is a tennis player, often time he gets the wrist sweat bans. They are great for me to use on my wrists when painting out doors to control water in my brush. Just thought I would pass it along.
I appreciate the point you made about not needing to draw from memory, and you're completely right with that being the general assumption. I always thought since I was in grade school that if you couldn't draw something from scratch from memory then you weren't a good artist. I'm a graphic designer, and only last year at 38 years old did I discover that I actually can draw and it's okay to use reference! :) I'm still learning watercolour but I have this whole new world that's opened up to me, and I'm really enjoying the process of creating art! Thanks for another great video! :)
Love this oneeeeee!!! It's hard to tell that to people!! I've got family members who really think I should paint from my mind, also peers who are not very experienced and think the same, even teachers diminishing people who use photo references, it's a relief to find someone who thinks is ok and even a necessity to use the photos and references! Thanks so so much for this vid. 🌈💕😍
Agree!
Amen to that!!! I have come to the conclusion, this is what I do....this is what I love....so, they don't have to approve. I paint how and what I love.
Muñi Conejito hi, me too. I have a family member who doesn’t do anything artistic at all but seems to think that references are cheating. I’ve noticed that my favorite RUclips artists have a cell phone on the table with a reference of a giraffe or bike that they are using while teaching us how to paint. They don’t announce it....but sometimes you can see it there. My first reference was nature. Thank you for your comment!
I spend a lot of time watching The Mind of Watercolor videos and I find them all to be invaluable. I signed up for a class in watercolor, for the second time, and for the second time I decided not to continue. I could find no value in each instance. Being told, "Today we are going to paint the ocean, or the redwood trees, or whatever, without being taught the basics, or for that matter not being given much in the way of instruction. I could simply practice on my own, but without increasing my knowledge. Fortunately I found The Mind of Watercolor. Steve is a gifted teacher, and an amazing watercolor artist. Of course I will never achieve his level of skill, and I try not to be daunted by that fact, but rather to keep on practicing and with each lesson by Steve I make small incremental improvement. With all of the over-painting and mistakes I still really like what I do and I am running out of wall space to hang my paintings. L. Graves
Hi Steve, I became interested in painting with watercolours approx 9 months ago. Your videos have been tremendously helpful. The fact that an artist with your incredible talent is willing to share his God given talent with individuals like myself is such a blessing. The instruction and encouragement you give is wonderful and appreciated so very much. Your ability to capture the beauty of creation is truly awesome, and the scripture verses you display at the end of your videos serve as a consistent reminder of just how majestic our Creator really is. Thank you so much for being willing to 'give of yourself' the way you do.
Thanks so much for the kind note Rosemary!
good choice of the 5 main elements of a realist painting! I would add another one which is to create "color harmony" instead of sticking to the colours you think you know your objects usually have (like trees to be green, rocks to be grey etc.)
Yes, I agree. I could go on and on. I could probably come up with a list of 50 things. Factors like color though can very quite a lot and yet the scene can still look very realistic.
I absolutely adore that you said not to worry about painting from reference. I thought I was just not good yet because I needed references.
Great advice right there. My biggest weakness is #2.
I'm sometimes very impatient and just want to go for it. Taking more time and doing preparatory sketches and so on - can be really beneficial (:
I need to SLOW down and enjoy. Yep, I am impatient.
I totally relate to that as this is my weakness too. For my next project, I decided I was really going to take my time to do various thumbnails and "mature" and mull over my subject matter. Yes, it is so difficult to resist the urge to go straight in...As it happens I think I'm learning much more through this "slow" process.
So happy to have found this same book, now out of print, about a week ago as a used book on Amazon. It arrived yesterday as good as brand new! Am looking forward to learning a lot more about textures; and now after seeing this video I will be examining the illustrations for details, shadows, scale, etc. Thank you for doing this video!
Wow, thanks for sharing Ray Hendershot's work. It, along with your meaningful comments, is a real masterpiece. Danged, looks like I'm going to be hit with a quick relapse of my "Amazon book ordering" disease!!
I have the same disease my friend! 😭
I'm so glad you mentioned these habits... I have boxes and boxes of photos, and tons of books, not to mention the crazy amount of videos of people like you I watch multiple days a week. Sometimes, I trace my favorites from photos or masters ai admire, and look at them for hours, even days before the 1st brush stroke goes in...m
According to my ophthalmologist, I am one of the 5% of the population that can't see images in 3D. I can see real life in 3D but images and pictures all look flat. Working from a picture is difficult and sketching outdoors is difficult, what I see on paper doesn't look like real life. But I practice every day and am learning to cope and I am getting better. You inspire me with your videos and wisdom.
Wow- I always forget about this condition: it's so hard to imagine. I do admire your determination and fortitude. I know I wouldn't have what it takes- if I were in your condition. But who knows? Anyway, your story is really inspiring. Again: wow.
every time I watch a video just like a breath of fresh air
'Breathe ... breathe in the air, don't be afraid to care' - P Floyd (1973) .
Hi Steve - This was so excellent. I completely agree with everything you pointed out. I’m tempted to mention a sixth thing that I think is probably native to most Artists, and that is not to forget to see the wonder and beauty in the world. I have always been thinking about this topic, even when I was a kid, and the things that separate the great Artists from the good ones. This list nails it Steve. In addition I am so thankful for the democratization of knowledge because all through the 70’s and 80’s I spent days in libraries and went to art shows hoping to catch a friendly Artist who could help unravel these mysteries. Even in art courses in college, they rationed this information. So glad you are here and sharing this stuff Steve. It’s gold, it truly is.
Thanks Marty. I appreciate that. So true too, wonder and beauty provide essential motivation to express and share that to others.
Steve, thank you so much for this very helpful video! I painted my first watercolor last June (no prior art experience of any kind). After 2 months I was so fortunate to find an instructor who has helped me advance & enjoy this new hobby. Your videos were the first ones that I watched on RUclips in the 2 months "on my own". I have now painted over 75 paintings & just love the medium! Thanks again!
Awesome!
Yes! Thank you, Steve. Not just five points but explanations of those and EXAMPLES with SPECIFIC examples. And they are five points I could realistically say to myself that I might just be capable of following. That is useful, helpful instruction. Thank you!
Some of these observations have relevance to a looser style as well - value is one that stands out. My cousin is a world-class quilter and when she assembles her quilt patterns, she does so with BW photocopies of the fabrics. In her words "..color gets the credit, but value does the work...".
Wonderful video. Thank you for restoring my desire to be a better realist. I am a 70 y.o. Amateur who loves to paint a realistic scenes. Wish I could attend your work shop. Louisiana is just a bit to far for now, maybe another time. I try to view as many of your videos as possible.
I will always say that you or the BEST AT DEMOSTRATE HOW TO PAINT.An thanks for your time at showing you work.I love your work ❤
Another great video! I'm lucky in that what you convey lines up with much of what my teacher says. I must work on my observations more. One thing I find helpful is having two copies of my photos - one in color and one in sepia/black&white, whether printed or on my iPad. It helps me determine value easier.
Very good tip!
It's also handy to use the greyscale feature of your printer to get values of your subjects.
You can pull it down or increase it for best effect, and edit on your computer, before you print it, so you'll see what you're going to end up with.
I do the same. I don't have it but iPad can get an app called value finder that reduces your photo to 3 to 5 values. many people find that helpful
good video. it came at an opportune time.I am painting a detailed pic of a rusty truck. mechanical things elude me so I have to research a lot,, from googling the medallions to closeup of the door handles and hub caps. I may not be putting all that detail in, but the impression still has to be right. husband is a car aficionado, and def lets me know if something is off!
Another great video 👍! There are artists who are wonderful painters but can not teach or even understand how they achieve a painting. You are a wonderful painter who knows the why and the how and is gifted with the ability to teach it to others. How grateful we are that you share that with your you tube students!
Thank you!
I would have to agree with you, especially on study and observation. For one of my paintings, I took water and dumped some on the table, had the light shine on it from a certain angle and took photos of it. I needed a spilled puddle reference to put under and old water pitcher to make it look like it was just used. I painted the scene.
I agree completely. When I work on a realist painting, I spend many, many hours just getting to the really careful drawing (from my photographs), the selection of palette colors, and so on. The actual painting part is in many light layers, but the painting part for me still takes only a fraction of the total time of finishing a piece. Preparation is 95% of it. The better and more accurate your drawing is, the better your painting will be.
Lori Jones --Do you work exclusively from photos?
True. The actual watercolor time is the shortest. Waiting for the paper to dry between layers takes a lot of time too.
I have been struggling with whether to continue as a realist or try to loosen up my paintings. Your vlogs lately have been right on the spot for me. This one especially has been very very helpful. I also love seeing your surroundings and the beautiful scenery you have at your fingertips. Thank you and God bless you.
This is another inspiring tutorial. I am learning soooo much from all your titorials. They really are like a great Sunday Icecream witht cherries.
Wonderful coincidence to have just stumbled upon this Masters work. What caught my eye was the familiarity of buildings & scenes and turns out many of these Paintings were from the area where I grew up! I recognize a few of them. (Chester County, PA). In fact, I grew up down the road from Andrew Wyeths Home & one can see a lot of Wyeth influence in his Paintings. A few weeks later, I stumble across THIS Video that answered many questions & focused on important points I had looking at Hendershot's work. This particular book is extremely instructional as well a profoundly beautiful cover to cover. As we slowly lose our Landscapes and scenes like this all across this Country, I know this book will become an important item within our Family inherited Collections -these Paintings beautifully depict a Time & Place so meaningful and one that will eventually become a "once was" .
my favourite of these points mentioned are the top 2 i feel people could progress so much even without a lot of work in other areas by just looking at everything, noticing everything you cannot draw details, textures and features if you dont notice them. its difficult to explain to people what you really mean because peoples eyes have to process so much information that people get used to ignoring most of it, to really see everything you need to practice and spend a lot of time working on noticing everything.
good video, you have explained these very well and you have used good examples, i expect you put a lot of thought into how to put across these ideas, great job. this is the first video of your i have seen i am going to check out the others because although i know most of these pointers, im not to great with watercolours so hopefully ill be able to learn a lot from the others.
Just love how you explain the differences and your thoughts. I've been thinking quite allot about this the past weeks so your video was timed perfectly!
Great tips Steve. You are far and away my favourite instructor. Barbara from Canada.
Hi Steve. Great tips here, thanks. When you referenced Ray Hendershot it reminded me of one of my favorite artists, someone who is no longer with us but one who was loved and respected by many. You may or may not be familiar with his work but I wanted to mention him because we both grew up in Chattanooga, Tennessee. His name is Hubert Shuptrine. Hendershot's work reminds me of Shuptrine's book "Summer Down East", a series of paintings inspired by his family vacation in Maine, probably back in the '60's or early '70's. Fabulous renderings. Please look him up if you have a chance. Keep up the good work!
SO VERY HELPFUL - ENJOYED THIS LESSON
Great, Great, Great, GREAT, video! Thank you, Thank you, Thank you!
Well I can tell you love this guy Ray, but to everyone, it's not the same. Good Ideas and suggestions. Every painter is different.
I really appreciate the examples being monochromatic. It is easy for me to be visually confused by color when I am looking at examples; instead of seeing the light/dark values I see the colors. I have to adjust my eye/brain to look at something “flat”, to see it as only values so I can render the shapes/light onto paper. The monochrome examples made it easier to pay attention to the detail.
This is one of the best, most helpful videos on RUclips regarding 'realism' in painting! What seems obvious isn't always so and it's awesome advice for newbies and a great reminder for more experienced painters. And of course, I thoroughly enjoy the bird photography as they are my favorite little creatures on the planet. Great video, Steve!
I have been a portrait artist for years. Particularly in graphite and I can tell you from experience that the portraits where I work from a photograph are sooooo much better than those I just scribble out of my head. The light values alone are a huge issue and no matter how well you can 'imagine' your subject its never really quite right. I thank you so much for your lessons and vlogs. Our last child got married and the house is quite empty. I was filling my time with politics and social media but it was literally making me ill. So I decided to quit the news and try something new. Watercolor was my choice. I haven't painted since high school and that was a very long time ago and I am so excited to be doing it now. To quote you; "You need to be brave to watercolor." and with your help I think I can do just that. Thanks again from one of your newest Minders.
Thanks! I know what you mean about politics and the news. I check in on the news about once or twice a week now. Keeps me sane and mellow. Life goes on.
Thank you… This is very helpful to hone my observation skills. 🎨✨
Something I will start doing is to take photos of a possible subject at different times of the day.
First time commentor here. Just purchased the Ray Hendershot book with your affiliate link. Love your channel, finally posting a comment :P
Very helpful, I am one of those people who keep trying to get better, for myself. I know that nothing will become of my art as far as selling or famous lol but for myself I try to do better. MY problem is time to do it more often. I find art as an escape from other things. Thanks for the tips and sharing once again.
Good plan. And improvement increases your enjoyment of art.
Great vid. These points always need to be stated and hammered home: many of us are either insufficiently aware- or take stuff for granted. Especially when it comes to reducing tone and value with distance: so often a view's depth is let down by insufficient value/saturation/ reduction. Wartrecolour is so magical at rendering gradations and creating vast depth for the eye to lap up. Like you do, for instance.
Thank you for the no holds barred style in your teaching. These are exactly the kind of pointers that beginners, like me, need to hear to help us work through early problems. You are a great RUclips mentor!
Thanks!
great to see hummingbirds. waiting to see hummingbirds up here in New Jersey 😁😎
Truly enjoyable video, from your lovely scenes (birds, trees, clouds) to the great advice. Putting the book on my wishlist immediately. Thanks so much.
Steve, I've been watching your channel for about a year now, and I do like your techniques for painting, it has really changed my style.
I love realism ! I draw a lot of landscapes and farm tractors in graphite pencil !
This is exactly what I do when preparing a realistic painting. I'm half way through a painting right now and took even more pictures of the subject today.
Can't paint from my head at all!
I learn so much from your videos! I did an abstract of a mountain highway. My husband said the trees looked more like broccoli. Naturally, I was not painting from life... hence 'abstract' label. But I learned that even with an abstract, you have to have scale and perspective. Thanks for posting!
Just found your channel. Thanks for some sensible tips and great advice. I tend to be a tight painter, but my eye is so drawn to passages of gorgeous translucent loose wash. I struggle to know where to cut back with detail and to just enjoy the colour.
great tips all, esp liked the attention to contrast.
I loved this segment, as I have all your posts. Accurate artistic paintings depend on a clear understanding of all the elements you shared. Knowing linear perspective and the ability to conceptualize light in painting took many years for artists to realize and perfect during the Renaissance. I pray I allow my thick skull to learn a few of the techniques necessary to paint realistically! I read a quote that was said to be found in Leonardo Da Vinci's room:
"May it please the Lord,
Light of all things,
To show me the
Way,
So that I may
Paint light
Worthily!"
It's a good prayer.
Thanks for your post!
With all the fantastic artists out there, I can't believe you picked one of my all-time favorites. He has several books, the one on texture is very good. You mentioned lighthouses; if you haven't seen his, take a look. The richness in color is incredible.
That book is now on my wish list.
Steve, I'm commenting on your live interview of 9/12/17 with MD Campbell. I'm commenting here, because I couldn't find a comment place below that video. Anyhoo, I love being introduced to a new artist and to learn his journey! Also, I had never seen any of Marty's videos and I love that book he showed during the discussion. I'm such a newby to this mode of communication, and I'm so thankful you guys love to share! Wonderful information!
Thanks Ann. Glad you enjoyed it!
Great description of all the things you need to pay attention when studying a subject. I practiced this with a fall leaf. Amazing how many details are in a fall leaf. As usual thanks a million times Steve. You are so easy to fallow and understand for those of us with whom English isn't a native languish.
thank you Mr Mitchell! This video was great!
I could see many things where I can improve, thanks for the video :)
Oh! Wow! Thank you for the clip with the hummingbird! ....still enjoying and listening to your clips and trying some things....I appreciate all your input.
Thanks for the great reinforcements
You made some very good points, and I thought the examples from the book were helpful. Thanks!
Hendershot’s use of various white is genius. I have only 1 strong point & that’s observation. I have to thank an educationalist circa 1900 who taught me & others to truly observe things, then draw EXACTLY what you see. I’ve been practicing that for decades. Where I’m clueless is perspective, shadow, shading, and much more. I’m thrilled to hear that references are ok because when I draw/paint from my mind I revert to 5 years old in skill. I LOVE that the human eye will fill in suggested items like those roof shingles you used for example. I lean toward realism all the way. I can do loose cartoonish stuff but it happens so quickly that its unfulfilling for me. Thank you times a million.
Another really great detail in the stone house painting.. the stones on the steps are slightly larger than the stones on the wall... because they are slightly closer.
You are such a fantastic teacher. That is a very difficult skill, and one that you have mastered in addition to your incredible watercolor. Thank you for sharing your knowledge and being so very kind and generous with your time
I enjoyed this so much. I had just been thinking that I need to go back and draw more. When I came upon your video. Really some old lessons I had forgotten, but will now go back and remember and draw more. Thank you so much.
Thanks for the helpful discussion. For those of us who do plain air lose watercolor, I would like to suggest Loose Watercolor, A Step by Step Painting Guide by Jerry McClish.
Thanks again for this good advice. I think I've believed that a good artist can simply paint from his imagination and not need to use a reference photo. While an experienced artist may do this, I'm relieved to learn that using a photo is perfectly legitimate for even the best artists.
Yes. Experienced artists painting from their head is a common myth but almost never true. There are a few that can, but usually only after years of painting the same thing from reference over and over and over. Imagination comes in with taking the reference, altering it, combining it and coming up with something completely new and fresh.
I retired from teaching over two years ago and am focusing on becoming comfortable with watercolor and my ability to use it. I always enjoy your videos; you are a natural teacher. I look forward to the verses at the end of each video.
Stev this was another great video. Your point that really good realist art is created from strong observation and many reference photos, and as I always due. When I pick the photo that I will paint from, I measure the difference in size of buildings and trees. Size and proportion can not be overstated.
They used to call the art references an Artists Morg. We are lucky to have the internet for picking good references from nowadays. :)
Beautiful topic! I think I make quite frequently the mistake of thinking to much details will make the drawing more realistic and it ends being to sharp and almost illustration style. And then you look through all those beautiful pieces and you realize that the greatest really follow the "less is more" and just by sugesting things with some values, they achieve the most beautiful works. And I couldn't agree more, you really need A LOT of references to master that ability.
Your explanations are so good.
Thanks Steve, we all need these important detours into the minds of artists of realism. I added some notes for me in my journal to use when thinking about what to include or exclude etc.
Thanks, Steve. I prefer watching you paint but lately I've been hanging on every word. Great information! (I enjoy your viewers' comments as well...helpful and entertaining! BTW make a batch of pickling brine and pour it on the poison ivy. That stuff kills everything without harsh chemicals)
KathyN It’s the vinegar. Try just plain white vinegar..
@@kimesch9698 Agree w/ the vinegar. My husband took a diluted mixture of vinegar (don’t know the ratio) & sprayed the weeds around our house & yard. In no time the weeds were gone for entire season w/ only one application! Caution though…he sprayed the weeds in our flower bed as well & the offshoot of sprayer bottle got on some plants/flowers we didn’t want gone……oops! Just be mindful.
Again thank you so much for doing your vlog. You are the outstanding vlogger, and you are very helpful and I am always looking forward for new posts. Wish you would do a vlog about shadows, what colors to use for example flowers. I like to do peonies because they have so many details but I struggle with the shadows and to define each petals because the light from the sun and the shadows from each petal gives so many different shadow colors. Sorry my english is limited.
Thanks, Steve. I will watch this one over and over and I am writing down the five tips. Always, I learn from you.
Great tips and good reminder. Thank you.
I have difficulty not being a full on realist and one of my traits, since extremely young, is gathering things, whether rock, feather, or photos of sky, trees during seasonal and lighting changes... I love how everything shifts and plays off of each other, including colors bouncing. I will say, wow, look at all the red colors hidden in that winter scene and all other people respond with, 'What? That's just dead grass at the edge of a swamp'. I have learned not to say a word about the colors I see. I notice the digital camera oft doesn't relate the nuance, since we no longer use a type of film to capture warm or cool subjects, like kodak gold vs fugi film. Use of software is expected and I prefer old school visual, so basically I am a plein air type of painter.
Thank you for validating my personal process of getting ready to paint, which entails lots of reference material & study to the subject matter as well as having several images that I can draw from (not just drawing from my memory). I always add my own layout & composition with added details that complete the whole picture with correct proportions & perspectives.
But it's nice to know there are others that use images to draw from & that I don't have to feel guilty for not drawing things from scratch or justifying the time I take to research my subject matter for each piece. That's just my process! & glad to know I'm not alone in that journey.
Steve thanks soooo much for this video ! Ive seen it before but it’s probably been 2 yrs so i needed to refresh my brain! I love how you used Ray’s book to show examples of each point. For some reason... my painting tends more toward trying to be realistic instead of “loose” so this info very helpful!
Thank you! Very helpful information. I love the book as well. His art is just so soft and atmospheric.
Phenomenal video Steve! I always learn so much when you share your insight! I am a beginner and am aware of a few of my struggles, but to have you talk through them really helps! I so appreciate your teachings and inspiration! Enjoy Spring!
Great video Steve! Thanks.
Thanks again. Saw the other video too. Found Hendershot's and Jean Haines books in my library!
You remind me of what to keep in mind, and help me to realize that I been working against myself in some of my approaches to landscape drawing, which I hope be painting in watercolor soon after I am finish with all studies, practice of different part of landscapes.
Thanks for this. Very helpful video. Love your style.
Hi Steve. I actually have this book per your recommendation from another video u did. I totally agree w/ u about Ray Hendershot being a master @ realism. I also appreciate ur point of view on the top 5 things the top realist painters do. In my own watercolor journey, I’m learning & trying to absorb every bit of info I can so that my artwork is something I can be proud of. I understand it takes TONS of practice. But ppl in my family think practice is a waste of time. They think because I do other things “well” this should follow suit. My son has even laughed @ my work & though I know it’s his young teenage unthoughfulness (not an actual word…..but should be), I allowed it to hinder my progress. Thank u so much for sharing ur incredible God-given talent w/ us. I could never thank u enough. U inspire me to continue my journey no matter what “the critics” (lol) say!! Lastly, I appreciate that u put a Bible verse @ the end of each video!
Thank you for the advice!
Great info, and lots of nice scenes to paint.
Thanks Steve...great video as always
I was looking for something I can study and get me inspired during vacation in July, and I actually went ahead and bought this book. Just now! So thanks, it looks promising
This is a very informative video!!! Quite helpful!!! Many thanks!!!
Thanks I feel better now,love to watch you paint too!
I didn't see all of your videos but this seem to be one of the best so far. Cheers and thank you from Argentina.
You bring up great points in this informative video.
Great analysis, you have provided items of consideration which artists could (should?) work on for years to come. Thanks.
I'm so glad I found your channel, your videos are amazing. Thank you for putting all of this content out there for us!
Great video Steve! 😁 Yay the hummingbirds have arrived...still waiting on them here. Close observation is the biggest key to realism. I love how you broke all of the aspects down. TFS 😃
Yeah I guess at your elevation they might come a bit later. When I was in Phoenix back in January, I saw several at the Botanical Gardens. I guess its warm enough down there to winter.
The Mind of Watercolor yeah I think so. Some of them will head up in the next couple of weeks to cool off. It is already hot down there & went over a 100 a few weeks ago....yuck! 😝
Yeah but its a dry heat... bahahahahaha! (I saw that on T-shirts down there) Regardless, GASP! No thanks. Yeah my uncle who lives down there complains about it all the time.
The Mind of Watercolor lmbo! yeah a dry heat until monsoons come in (july-september) and then it is hot jungle heat. 😥 😓 Even up here it can get really uncomfortable & we have no ac here. 😲
Great info as always. Love the shot of the single yellow-green leaf on the branch at the beginning of the video. Would love to paint! Beautiful.
This was so timely Steve, as I've been considering buying Hendershot's book for a while, but just wasn't sure -- now I am, so thanks!
He is one of my favorite WC Artists but there is so little information about him available. Thank you so much for this video. I own this book and go through it again & again. I just draw for now, lol, and buy books and supplies for that great moment when I pick up a brush and create the first of many master disasters. I'll get where I'm going though, if I want it bad enough & I think I do. Again, many thanks!
Deeply appreciate every tip you offer. I'm happy I'm applying some of these things because it encourages me more for being on the right track:) I have so much to learn so keep up with the tips and beautiful work. Love learning all I can from you:)
Every time I think I've seen the best upload of yours, you do it again! LOVE!!!