Wow! That's first time I see such a blend. Really outstanding. I saw you many years in NY at Bar 55 with Chris Potter and you guys blew me away. It's great to see that you have elevated your art to yet another level!
His posture and technique is so reminiscent of Papa Jo. It is just me? I just love how this dude's sound is so cutting edge and modern while still keeping a firm foot in the old school tradition.
Incredible work…you can hear the vocabulary of from his TinTal and Jhaptal solo work (along with his tabla repertoire) all put into an improv expression. Not sure what the original comment about groove was but if you practice against a Lehara with metric modulation on tabla, it’s one of ultimate tests how good your time is. The resolve back to “1” can feel like forever and many western drummers can’t survive it…Dan has mastered it and put it into a unique perspective on the traps. BTW, that Vic Firth bio is painfully out of date by about 10 years.
***** If crystal clear grooves are what you're looking for, I respect that this wouldn't fall into your realm of taste. That said, there isn’t a rulebook that says groove has to be clearly felt in music at all times. “Groove” is a color one can use to express their idea, but doesn’t need to be made obvious or fit into a box at all times. It can be underlying, manipulated, and more strongly interjected when it serves the purpose of the music. Not to mention this guys timing and precision is unparalleled, and he can certainly groove with the best of them when he sees fit.
***** understood, much of the language used here is based in Indian classical beat cycles as someone mentioned before. so the groove here is different from the western music most of us are used to.. If it's not your thing that's cool too but try checking out some of dans tabla work, which might provide more perspective on this style.. ps the drummers you mention below are some of my favorites too! (albeit a completely different musical style from this)
Brian Connolly _"There isn’t a rulebook that says groove has to be clearly felt in music at all times."_ --Brian Connolly Very interesting comment, sacrilegious as it sounds. I've pondered the groove imperative myself, simply because it can sometimes seem confining in a solo context. BUT... I expect many of us will agree that solos lacking some kind of rhythmic theme become soulless and boring in a hurry. Clearly a solo should have some unifying motif threading its parts together, so _how far_ and _for how long_ can the drummer stray from this thematic core without sacrificing the intrigue he's cultivated? As you may have seen already, Antonio Sanchez goes into depth on solo motif development on a number of videos; I recommend his Drumeo appearance. Sanchez' solos are highly conversational, with a lot of "call and response" and "question and answer", yet his playing never feels constrained by the groove imperative. In jazz soloing, while the drummer naturally must respect his musical context, the rhythmic setting affords him tremendous liberation; often there's no hard groove anchoring a jazz drum solo. Such "conversational" motif-based formats should be transferable into other genres.
This is what I love about drums, there is no specific way you must play them. If you wished you could play the resonate head or even play with your hands. Although this is played in the standard fashion, the actual playing is anything but standard. This almost sounds like an etude for drums
Perhaps this sound is his "signature" sound, and his choice to excel in, and obviously Dan has! Take what you can learn and use, and enjoy the rest because Drumming is endless, and as far as I'm concerned, timeless too... Blessings!
its just my opinion and didnt want to affront somebody :) but i mean, look at drummers like steve jordan or keith carlock, dont you think their playing is more musical and groovy?
Mario Fabrizio at first, i didnt say that his playing is bad or something like that, of course he is an absolute master, otherwise vic firth would not have mentioned him here. and second i dont know why i should need any protection bro just relax , this is a discussion about music and i just made a comment about my first impression after the video... :)
ehhh, not really my taste. ***Edit*** My 19 year old self 8 Years ago was mature enough to appreciate this playing... but me now(2023), Loves this solo
![Dave Grohl - Play [Drums in Master Version]](http://i.ytimg.com/vi/H4JH7WbqcAA/mqdefault.jpg)
Dan is one of the most ferociously talented and dedicated musicians in the world. Amazing drumming in every way.
Very impressive
jazz tradition and konnakol melded beautifully, inimitable
Incredible. Almost like a martial artist on a drum set!
GoranGrooves thx.. i study karate/boxing :) good observation
Wow! That's first time I see such a blend. Really outstanding. I saw you many years in NY at Bar 55 with Chris Potter and you guys blew me away. It's great to see that you have elevated your art to yet another level!
His posture and technique is so reminiscent of Papa Jo. It is just me? I just love how this dude's sound is so cutting edge and modern while still keeping a firm foot in the old school tradition.
Incredible work…you can hear the vocabulary of from his TinTal and Jhaptal solo work (along with his tabla repertoire) all put into an improv expression. Not sure what the original comment about groove was but if you practice against a Lehara with metric modulation on tabla, it’s one of ultimate tests how good your time is. The resolve back to “1” can feel like forever and many western drummers can’t survive it…Dan has mastered it and put it into a unique perspective on the traps.
BTW, that Vic Firth bio is painfully out of date by about 10 years.
glad Dan's getting this kind of coverage. been enjoying his playing for a while!
I love this guys' style, its so fresh. Definitely unique, a creative way to look at drum solos
***** If crystal clear grooves are what you're looking for, I respect that this wouldn't fall into your realm of taste. That said, there isn’t a rulebook that says groove has to be clearly felt in music at all times. “Groove” is a color one can use to express their idea, but doesn’t need to be made obvious or fit into a box at all times. It can be underlying, manipulated, and more strongly interjected when it serves the purpose of the music. Not to mention this guys timing and precision is unparalleled, and he can certainly groove with the best of them when he sees fit.
Spot on.
i truly respect this! but it doesn't give me any musical feeling that im looking for :) just my opinion..
***** understood, much of the language used here is based in Indian classical beat cycles as someone mentioned before. so the groove here is different from the western music most of us are used to.. If it's not your thing that's cool too but try checking out some of dans tabla work, which might provide more perspective on this style.. ps the drummers you mention below are some of my favorites too! (albeit a completely different musical style from this)
Brian Connolly thanks for the advice!! :)
Brian Connolly _"There isn’t a rulebook that says groove has to be clearly felt in music at all times."_ --Brian Connolly
Very interesting comment, sacrilegious as it sounds. I've pondered the groove imperative myself, simply because it can sometimes seem confining in a solo context. BUT... I expect many of us will agree that solos lacking some kind of rhythmic theme become soulless and boring in a hurry. Clearly a solo should have some unifying motif threading its parts together, so _how far_ and _for how long_ can the drummer stray from this thematic core without sacrificing the intrigue he's cultivated?
As you may have seen already, Antonio Sanchez goes into depth on solo motif development on a number of videos; I recommend his Drumeo appearance. Sanchez' solos are highly conversational, with a lot of "call and response" and "question and answer", yet his playing never feels constrained by the groove imperative. In jazz soloing, while the drummer naturally must respect his musical context, the rhythmic setting affords him tremendous liberation; often there's no hard groove anchoring a jazz drum solo.
Such "conversational" motif-based formats should be transferable into other genres.
Brilliant as always definitely my favorite musician
This is what I love about drums, there is no specific way you must play them. If you wished you could play the resonate head or even play with your hands. Although this is played in the standard fashion, the actual playing is anything but standard. This almost sounds like an etude for drums
unique voice! definitely has a signature sound :) i'm impressed!
this guys has a super cool an unique style. i dig it completely.
Terrific technique with style and class.
There is no one like Dan Weiss, probably will never be again.
Incredible musician...just completely unique and tasteful.
Woah. What a trip. Fascinating style!!
Just incredible..... thanks for another great video
Perhaps this sound is his "signature" sound, and his choice to excel in, and obviously Dan has! Take what you can learn and use, and enjoy the rest because Drumming is endless, and as far as I'm concerned, timeless too... Blessings!
FANTASTIC ! Amazing sound
Maximum Creativity and Unique feel. I love it.
Hes unlocked things that are beyond human comprehension
I agree
He's awesome ✌ luv his approach
this is a master performing his martial arts movements
Great Drumming +Dan Weiss! I love your Fourteen, abraços from Brazil, hope te see you again!
Awesome!!!!
Wow, that guy knows how to use tonal color! Fantastic touch!
Mr. Weiss is a very special musician.
Like a windy rain.
Damn that was so sweet.
El papá de los helados. PeriodO
Is it just me or was he playing "Think Of One" at the end there?
Rhythms like Rainstorms.
A true Artist, unique mix with his studies of drumming from India. Please anyone know what cymbals he's using?
His work in starebaby is amazing!
He really goes for those lateral strokes. I like it
underrated badass
yesssss!
Love your style, man! Definitely nothing I've ever seen before. :D Keep it up! :)
The drum ninja!
amazing 〜
magical
I started off trying to do some work with drums in the background, and then this guy showed up. Procrastination here I come.
This is crazy cool, if anyone else tried to do what he's doing it would sound so bad.
goddamn!!!
man, kinda martial art :] sounds great
nice!!!!!!
4 on the floor!!!
wow!
Amazing. Reminiscent of Antonio Sanchez.
My goodness
great and that drum sound so good! Sakae trilogy, snare too?
This guy is the teacher of the drummer in Moon hooch
tictac4949 Yes i met the drummer from moon hooch and he told me the same.
hell yea he told me to look him up haha
same, where did you meet him
couple weeks ago at jammin java
I can't archive this snare sound on my jazz kit.. I am so jealous!
dude reminds me of papa jo jones style and movements
sentientkeyboard and some tony Williams. Dan is outta this planet smart what a great player
Pau Gasol is a Drummer now?
Haha
holy shit
this shit SO lit
Such fast hands.
Whoa!
The position at 3:41. or almost any other moment
il me fait penser au batteur de jazz année50s!!!!!!!!!!!!
independence for sure
That sticking though
Your kick....and floor tom quadruplets are very fast! :)
Fish beat!
So......Vic makes all the drummers wear a, "Vic Firth" T-shirt? LOL No ego there!
special play but very nice
does anyone know what clutch he uses?
Remo quick clutch
+semipro1236 wow really? why would you even write that.
its just my opinion and didnt want to affront somebody :) but i mean, look at drummers like steve jordan or keith carlock, dont you think their playing is more musical and groovy?
Mario Fabrizio at first, i didnt say that his playing is bad or something like that, of course he is an absolute master, otherwise vic firth would not have mentioned him here. and second i dont know why i should need any protection bro just relax , this is a discussion about music and i just made a comment about my first impression after the video... :)
+Mario Fabrizio dog, why you straight cashin dog
Just Tryna cash cash it up as much as poss nam sayin we going to granny town on this one
The Keanu Reeves of the drums 😁
Who are the fu.....ing 18 who disliked this?
Marwen Mannai exactly
White Jo Jones
Picture like he is back from paraolympic game...
Oh! Some MUSIC..... that's a nice change from the usual BS drumming spots on the internet.
"Jojo Greb" or "Benny Meyer" ?
ehhh, not really my taste.
***Edit*** My 19 year old self 8 Years ago was mature enough to appreciate this playing... but me now(2023), Loves this solo
bummer
@@thoughtsforthebuilders Yeah, I wasnt mature enough in my playing to appreciate this 8 years ago. I now think this solo is really amazing
@@jocquidixonmusicproduction988 I replied to your comment hoping you’d say that (: cheers, m8
if he s master im not impressed whit this vid ! sorry
you’re just confused, this is over your head