Aleksandra ha rischiato grosso cantando Traviata cosi' giovane. La sua voce a quell'epoca era Mozartiana, mi domando per quale raione abbia cantato Verdi rischiando le proprie corde vocali. Per fortuna la voce non ne ha sofferto. La tenuta da peripatetica é straziante, il tenore é peggio della tenuta.
Her pitches are off - that's true - I'd like to hear her voice more tipsy here and there - like Renee Fleming's version - Aleksandra also needs to sound more joyful and with beautiful, emotional crescendo's, decrescendo's and dimenuendo's - she's a woman with little hope for the future and here is a young, rich, handsome man offering to love her - so where is her emotion? She looks the part and has an appropriate swagger that I haven't seen in any other diva. She's interesting to watch but she's not a world class opera singer - like so many in this past decade - they get by on their looks rather than on artistic musical skill.
@@nancyspada2240 Thank you - as Bobby Daren said, "Show them what you want them to hear." Seems to work every time - especially when hair and make-up, massive jewels and gorgeous gown are all on display - and of course large breasts and small waist are vital to survival - big hair, big eyes, big lips, colossal smile, huge confidence and the essential greetings and salutations to God throughout the aria. A few years ago, for example, I did a search on youtube for the Carmen aria with the most views - I was expecting Callas but I felt an updated search was important: I found over 5 million views on one Carmen aria - shocking - so I watched and listened - I didn't get it - she wasn't great at all - I watched and listened again - still stupid - I watched again - OH! I see - colossal breasts and nearly exposing her nipples - and there you have it: A decades long multi-million dollar career is possible for a girl with college-level skills - which is exactly what we've been seeing over the past decade.
don`t blame the singer,it those just gutter minded directors and producers,who think tha Violetta is just a whore,because that`s all they know.It truly the case of a rose(Ms.Kurzak voice) thrown in to a pile of horseshit,just spoils everythging.But there you have contemporary esthetics-pathetic.....
Singing is ok, in my opinion (I don´t know much of it) but the staging is - help please - was this action meant to take place in a cheap "massage-salon"?!!! Also, ripping the video out of its context it seems as if a zombie or vampire is attacking her.
Niech mi ktoś wytłumaczy "E strano! E strano" jest w operze Traviata chyba grubo po "Sempre Libera". Rozumiem, że kolejność arii pomieszana specjalnie? Pani Kurzak - choć się nie znam na muzyce poważnej - pięknie śpiewa.
Trzeba przyznać, że Pani Kurzak ma technikę fenomenalną. Jednak interpretacja "nie błyszczy indywidualnością artystki" - jeśli można to tak nazwać. Widać, że wykonawczyni wzoruje się na kreacjach "dawnych mistrzyń" - Callas i Sutherland. I okropna konwencja scenerii i strojów ze współczesności... Zdecydowanie brakuje tradycyjnej gracji i elegancji strojów z epoki.
cudowny sopran, który kładzie mnie na łopatki .Jestem pełna podziwu dla tej
wspaniałej artystki
kładzie wszystkich na łopatki!!!!!
Jesteś po prostu fantastyczna!!! Complimenti, stupefacente... Brava brava! :)
Fantastic!❤ This lady knew/knows how to sing!
wspaniały cudowny sopran ,mam ciarki a to o wszystkim świadczy i mogła bym słuchać,słuchać bez końca.
Doskonała , cudowna .Po prostu brakuje słów .Dziękuję pani Aleksandro.
Wunderbar, das Addio habe ich noch nie so gut und berührend gehört, Staatsoper München
Brak mi słów. Pani Aleksandro jest Pani wybitna, doskonała!!!
grande personalità e voce
She's beautiful and amazing....
But off pitch!
Wielki talent i pracowitość.
co za gra sceniczna ! nowoczesna !
Une Grande Soprano une belle personnalité merci Alexandra de votre sublime Virtuosité pour votre Vie d Opéra une mamie
Amazing!!!!, I love her voice!!
OLGA OLYA u must do a study of your main
Really amazing!!!!, I love her voice!!
fenomenalna, wspaniała Polka
Świetne!!!
BRAVA!
si belle voix magnifique
BRAVA
Aleksandra, the best forever
Aleksandra ha rischiato grosso cantando Traviata cosi' giovane. La sua voce a quell'epoca era Mozartiana, mi domando per quale raione abbia cantato Verdi rischiando le proprie corde vocali. Per fortuna la voce non ne ha sofferto. La tenuta da peripatetica é straziante, il tenore é peggio della tenuta.
more! more!
Oczywiście ogromne ukłony dla obłędnego talentu, kunsztu oraz artyzmu Pani Kurzak!!!!
I agree 100% about the production. I can't see what it's supposed to do for opera.
well,don`t be so surprised ,this is a Polish standard to classic into a gutter...
Hasn't she lost her top and coloratura by now? She was supposed to sing Lucia and now changed her whole schelude to Gilda, Marie and Adina.
Beautiful voice! She could have sung "softer" at moments but generally sounds amazing! Brava!
I to bylo 12 lat temu , pikny glos swietna prezencja a teraz
La Boeme w Metropolitan Opera trzeba byc dumnym z tym Polskim sopranem.
Bravo z wielkiego sukcesu p. Kurzak.
hai ragione
Great voice, supreme musical feeling but: the voice is still too "young" lacks a bit of thickness. I hope to listen to her 5 yrs from now
Listened to her two days ago in a more classical setting of La Traviata. She was absolutely amazing.
si no fuera por la musica diria que estoy mirando un teatro de revista
proszę o całość:)
I agree.
Geniusz! Nie można non stop w nieskończoność maglować staroci. Treliński bravo!!!
What the HELL is this production about? Poor Verdi.
boors like opera too??
Agreed! No joy in her "Gioia." She seems to be too concerned with the motions of staging rather than being in the moment of the character.
Great voice but she is often slighty under pitch.
Her pitches are off - that's true - I'd like to hear her voice more tipsy here and there - like Renee Fleming's version - Aleksandra also needs to sound more joyful and with beautiful, emotional crescendo's, decrescendo's and dimenuendo's - she's a woman with little hope for the future and here is a young, rich, handsome man offering to love her - so where is her emotion? She looks the part and has an appropriate swagger that I haven't seen in any other diva. She's interesting to watch but she's not a world class opera singer - like so many in this past decade - they get by on their looks rather than on artistic musical skill.
@@WhirledPublishing Well said.
@@nancyspada2240 Thank you - as Bobby Daren said, "Show them what you want them to hear." Seems to work every time - especially when hair and make-up, massive jewels and gorgeous gown are all on display - and of course large breasts and small waist are vital to survival - big hair, big eyes, big lips, colossal smile, huge confidence and the essential greetings and salutations to God throughout the aria.
A few years ago, for example, I did a search on youtube for the Carmen aria with the most views - I was expecting Callas but I felt an updated search was important: I found over 5 million views on one Carmen aria - shocking - so I watched and listened - I didn't get it - she wasn't great at all - I watched and listened again - still stupid - I watched again - OH! I see - colossal breasts and nearly exposing her nipples - and there you have it:
A decades long multi-million dollar career is possible for a girl with college-level skills - which is exactly what we've been seeing over the past decade.
@@nancyspada2240 Over 17 million views of her Carmen now: ruclips.net/video/KJ_HHRJf0xg/видео.html
I hate these kinds of productions! Actually not doing a favour to the modern life of opera...
Check out Jolanta Zmurko, Aleksandra's mom, in the same role. I think mama is better!
Brava! But who is the Alfredo - tenor?
Czy masz dostępną cały tę operę??
Quelle production vulgaire ! et quelle petite , toute petie voix !!! Violetta n'est pas un soprano léger ! même dans cet air ...
Elle se prépare pour Thais
Ale ona jest tzn.Traviatta przebojowa! No i to moze byc tez zasluga rezysera....
Awful dress...she looks like Lady Gaga...lol.
It´a pity, because she sings good enough
don`t blame the singer,it those just gutter minded directors and producers,who think tha Violetta is just a whore,because that`s all they know.It truly the case of a rose(Ms.Kurzak voice) thrown in to a pile of horseshit,just spoils everythging.But there you have contemporary esthetics-pathetic.....
tenor sebastien gueze 😍
bravo, inaczej, zazdroszcze odwagi
So much vulger! Violetta by Duma was very different from others She was very spesial
Singing is ok, in my opinion (I don´t know much of it) but the staging is - help please - was this action meant to take place in a cheap "massage-salon"?!!! Also, ripping the video out of its context it seems as if a zombie or vampire is attacking her.
mariann1982 n
They needed an excuse for her to be half naked on stage
So,if you don`t know about it them keep your nasty mouth shut,stupid cow.
Che volgarità.... questo personaggio non richiede queste volgarità di oggi...🤮🤮🤮🤮
Violette est une courtisane, doux euphémisme pour ne pas dire prostituée de luxe...
This is very cheep attitude ..
Piękny glośi piękną jego właścicielka.
Awfull direction!
¿Quién es el tenor?
Who is the tenor?
Jay Robinson sebastien gueze . France tenor
Niech mi ktoś wytłumaczy "E strano! E strano" jest w operze Traviata chyba grubo po "Sempre Libera". Rozumiem, że kolejność arii pomieszana specjalnie? Pani Kurzak - choć się nie znam na muzyce poważnej - pięknie śpiewa.
Sempre libera jest dalszym ciągiem arii E strano.! Publiczność nie powinna przerywać tej arii brawami!
horrible top C from the off stage tenor!
Kurzak man nepatinka ir kaip dainininkė ir kaip moteris!
The singing is ok, but the scene is awful
χαχαχα
Trzeba przyznać, że Pani Kurzak ma technikę fenomenalną. Jednak interpretacja "nie błyszczy indywidualnością artystki" - jeśli można to tak nazwać. Widać, że wykonawczyni wzoruje się na kreacjach "dawnych mistrzyń" - Callas i Sutherland. I okropna konwencja scenerii i strojów ze współczesności... Zdecydowanie brakuje tradycyjnej gracji i elegancji strojów z epoki.
What a horrible, ridiculous production and awful costume. Amazing range, but the voice sounds very shrill at the top now. It used to be beautiful.
Głos piękny. Ale jej negliż zaprzecza idei opery i czasów, kiedy ja napisano. Żenada.
heartless singing.
Netrebko jest lepsza..