KILL ME WITH LOVE (Matamé Con Amor) Full Film | dir.DAKOTA MILLER - CNT FILMS STUDIO (2023)
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- Опубликовано: 6 июн 2024
- Daniela and Kristina Ramirez are newly in love, but one night Daniela is abducted from a bus station in New Haven. Find out who survives in DAKOTA MILLER’S latest romantic horror thriller KILL ME WITH LOVE.
Language: Spanish
Runtime : 28:02
Director : Dakota Miller
Color
Wondershare Filmora
Shot in iPhone 14 Pro Max
©️ CNT FILMS STUDIO
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00:00 - 03:12 TRAILERS
03:12 - 07:02 SOMEONE WATCHING...
07:02 - 08:33 MAN ON THE STAIRS
08:33 - 10:23 DO YOU HAVE A CHARGER/DANIELLA IN TROUBLE
10:23 - 12:51 72 HOURS LATER
12:51 - 15:00 UNHELPFUL NEIGHBOOR
15:00 - 16:38 WHERE IS DANIELLA?
16:38 - 18:35 CALL THE POLICE
18:35 - 20:05 MEMORIES/ONE LAST CALL
20:05 - 22:07 KRISTINA MEETS THE KILLER
22:07 - 23:22 CHASING KRISTINA
23:22 - 24:14 ANDRES NO!
24:14 - 28:02 I'LL BE BACK FOR YOU - Кино
FINALLY Spanish THANK YOU I LIKE IT
👏🏽 bravo 🙌🏽
Has a cool Argento/DePalma vibe. Good job.
This was amazing! Hope you make a sequel!
🔥🔥🔥🔥
Congrats❤❤❤❤
🙌🏽
😅 La Gabi corriendo me hizo el día
Dakota, you suggested I watch this in your reply to my comment on your Halloween 3 Film, so here I am, I liked the film, well lite for a night time shoot, loved the creative use of including the red "Exit" Sign in shots as the killer chased the first girl, "suggestive of a blood death" which we got., and the English sub titles were appreciated, as "hola" is the only word in Spanish I know!, bit confused by the strange ending, but yes I enjoyed it.
Nice music on the end credits too, and nice job of Directing, and shot on an I-phone, nice picture quality, but did I spot a black gloved finger at the top right of shot as the girl runs out of the garage?, sort of looked like it.
not that it matters back in the 1970's even the UK BBC and lots of USA TV had boom mics, camera cables, lighting tripods, on show in Series often, lol. I would tell Directors when I worked on TV/Film Productions,for the big studios, they were in shot, and they took no notice, and yes they were on screen for all to see when aired.
Best ones I worked on, was a 1989 Ford Sierra parked way off in the background shot of a BBC Series set in 1920's London, and a modern lorry circa 1982 in a period scene set in 1896 for a TV Mini Series shot by a big UK Film Studio, Lol, so you did a lot better than them..
❤ Andres que malo ☹️