I learned loose-leaf guilding about 25-30 years ago in Australia. We were taught not to use full sheets and cut pieces to fit to prevent wastage. We're also taught to scold between each layer when it dries (which is using gilding mop with just boiled plain water) - it flattens it and helps achieve the final mirror like finish. Then burnish finally with velvet. We also used brushes to signwrite the lettering instead of cutting it out. We also hold our book, knife and tip in one hand as we guild.
Thank you Elena, the ratio is one gelatin capsule per pint (about 500 ml) of distilled water. Heat the water first, do not boil it. I heat it in a clean container in a microwave. The container is only ever used for this one purpose to ensure it is not contaminated. For the gloss painting, I simply paint it straight onto the glass and later straight over the gold. The gloss is an oil/solvent based and has excellent adhesion to non porous surfaces. I hope this helps!
Lovely mate. I have only done a very small piece of gilded glass, a cabochon as a test piece, with the image scratched out. This video has made me want to explore it again. Thanks.
Super awesome videos!! I've read that it isn't really static that the gilders tip picks up, but a trace amount of oil, so you can rub it on your forehead too, to help pick up the gold. U hope you keep putting videos up - I am mostly interested in gold leaf on calligraphy manuscripts, but I live sign painting and gilded windows! Fascinating art!! Thank you, Marina in Ohio.
@drakesis I would opt for the static method. There is a lot of control over the leaf as you lay it. There are drawbacks as each leaf of gold sits between thin sheets of paper which have been dusted with Armenian bole (red earth pigment that prevents sticking). This could theoretically hinder the gold sticking to the mordant. In my experience this is not the case. I have had problems with silver leaf (see my other video). Have a look at the Smith Tip on RUclips. It looks very effective.
Elena, I buy the gelatin capsules in a pharmacy, they are about the size of a headache tablet! I will take a picture of one against a regular tablet and pm you through RUclips.
My old teacher always told us it was a bit of oil also and if there was a situation in which you had trouble picking up the gold he had us smear the smallest bit of petroleum jelly (vaseline in Ireland) across our chin and ever so lightly brush the gilders tip across it and you could then pick up the gold much better.
Hair is not actually required! What you can do is smear a tiny amount of petroleum jelly (vaseline) onto your cheek and very lightly run the brush over it and then lift the gold. Some gilders would do this also anyway. It is very important that the amount you use is very small. It is spread on the cheek so you do not contaminate anywhere with it and inadvertently smudge the gold.
Depends on the size of the job. The gold is about 25 euro for a book of about 20 leaves. I used a book and a half for this. The size and the paint is inexpensive and it does take a little time to get used to it and not waste the gold.
Skew it off with cotton wool after you have backed up the letters. There will always be the tiniest outline of gold left that will be visible up close but there is no way to avoid this.
Cutting the sheets is the better option but requires a great deal of skill especially if you are holding the book, knife and tip in one hand!! If you are doing it again maybe video it and put it up?? Burnishing with velvet is a new one on me and one that I will try next time.
Thanks for this informative demo. About 45 years ago I learned to gild, and remember that the paint with which the gold was backed couldn't be oil-based; it was either Japan color or Lampblack, not sure. Can you tell me what you're using? Thank you .
Hi... its oil based alright... I always thought Japan colour was oil based also !! I am using standard oil based paint here that we would use on timber or metal...
The software was Gerber - the reversing of the writing was very straightforward. There is an icon on the interface for switching once you have it as you require.
Thank you Elizabeth, for your kind comments. I did not know about your group on Facebook so for anyone else who is interested I am putting a link to your Facebook page here - facebook.com/pages/Society-of-Gilders/217703788278547
Morning Eric, I hope you are still contactable through this segment - I wondered what stencil mask you used and whether you re-cleaned the glass after you removed it following the outline painting? Many thanks, Dominic.
Good morning Dominic, I cannot remember the brand but I can check it in a few days and get back here. I did clean the glass again very carefully - the size will crawl all over the centres if you dont. Cotton wool and methylated spirits and some Whiting is what I used.
Nice gilding job. I get using a computer. We all have. I think computers are okay as long as the end result does not look computer cut. Nothing like old school. Sadly, there is just not enough people doing it anymore. Damn computers!! lol.
Great video. You mention using yellow gloss to hide any imperfections in the gild. Is this paint any particular type or just sign writer paint such as 1 stop?
He used gelatine capsules, available from gilding suppliers, one capsule per pint of distilled water. Water almost boiled, capsule added, dissolved, sprayed.
That helps a lot! We've tought that it's acrylic paint! One more question - is it necessary to etch the surface or it just easier way? Problem is that we can't find etching creme anywhere around!
Lets hope not. Many years ago neon was all but dead. Then, towards the late 80's it started coming back. My hope is that the demand for this true craft will come back someday. There is still some call for it. But nothing like it was when I started hand lettering in the mid 80's.
I have used Alkyd Gloss - pretty standard stuff I know and not ideal in a real life situation but as you say it is difficult to get decent signwriters enamel!!
It is signmask that has been cut on a computer - lazy I know but handy! You apply the signmask with application tape and a squeegy and remove the application tape to leave the signmask in place.
Greetings from Mexico. Language barrier. I can understand what you are explaining but cant figure wich in-spanish materials can be used for this technique. Amazing work.
Dear Eric, I found the video very informative and it cleared certain doubts that I had regarding gold gilding but I want to know these are gold leafs that are being used in the above video. Is there any other gold gilding techniques like the statue outside the Buckingham Palace. .I mean for external use...is it the same technique or something different. ..kindly reply.
+inderjit mann Hi there, yes the technique is very different for exterior gilding - it is called transfer gilding and uses a mordant (as above but usually something like Japan Gold Size) and the gold leaf is rubbed across the almost dry surface to transfer the leaf.
Hi Eric, great video! which glue did you use on spray ? i have a glue but she's to white , i try to find a transparent glue like in your spray Regards ;)
@pigmental23 Thanks for your comment. I love doing loose leaf and transfer gold. If you do a job make sure you video it and put it up! I use this as a teaching aide for apprentice painters and decorators.
Great video! If you are not doing a painted outline around your letters then can you leave the mask on until you have finished gilding? Will some of the gold peel off the glass at the edge of the letters when you remove the mask if you do it this way?
+Eric Bates I have never gilded glass before so I'm just trying to guess how one would create a crisp edge between glass and leaf with no painted outline? Or maybe this just isn't really done?
+piratefishrick I have never seen gilding on glass with no outline - that does not mean anything though as there maybe some way of doing it, maybe a clear varnish outline to give you a mark to work to?? Or sign mask as you suggest may be the way to go. Have a look at the work that this company does, there may be something there of use -- www.schitterend.eu/
Really like what you did, but lost you at - putting down the gold leaf. Was that a glue that held it on the glass, and your gold leaf goes on top? thanks
The gold is adhering to the mordant which I am spraying onto the surface and it is then running down the surface - @2.50 I talk about it... the gelatin capsule dissolved in water is basically sticking the gold.
thank you for your amazing videos!!! i wanted to ask what's the best ratio for destilled water/gelatin mixture, and what is the binding media of "gloss" colors you use for protection of the gilded surface? thanks a lot!!! young croatian gilders/restorers :)
No that would not be a good idea, the mask has to be lifted fairly quickly while the black paint outline is still wet. If this is not done the signmask will bond with the paint and when you try to lift it you will get it peeling the edges of the paint leaving a poor line.
Hello sir, i just learn glass gilding by myself and i try to understand the process step by step. i got some question for the gelatin, does it works like glue on glass? or its have other function? can i subtitute gelatin with other? thanks
Wildansyah Syahid Hi there, thanks for your question. The gelatin capsule mixed with water is the mordant (glue) that holds the leaf to the glass. There is no other substitute (as far as I know!) for gelatin when doing reverse gold gilding. There are other mordant's for transfer leaf such as Japan gold size and old oil gold size.
Do you take requests? I have been trying to figure out how to get the engine turn effect with gold leaf and haven't been able to figure it out completely on my own. I had been using quick dry size but just recently ordered some that dries in 18 hours to see if that makes the difference. But of course it hasn't came in the mail yet. Thanks for any help!
+robert selsor Hi Robert, yes the leaf generally goes over the outline and is then removed. However, if you get really good at cutting your pieces of gold (as my mentor was) then you can overlap the outline by a small amount and if the outline is thick enough the gold may not go out past it. If you have gone through the full process of cleaning the glass fully then there should be no wrinkles as the gold will stretch itself taut on the mordant. If you see wrinkles then the most likely cause is the glass being dirty or the mordant being dirty. To check the glass is clean you should see the mordant streaming down the glass like a waterfall with nothing stopping it along the way. To ensure the mordant mix is clean, use a microwave and a jar that is only for your mordant. If it has been used in anything else clean it in the same manner you would clean the glass. Remember to throw out any mordant after your session - do not attempt to re-use it. Hope that helps!
Quick question. I’m okay with how you did the gold outline on the letters but what about the embossed look in the centers? Seen this before and itching to have a go. What gold is used and what processes. Would have loved to see you doing the panel. Take care
Hi Dan, if there is an embossed effect in the centres it was accidental!! In fact, those centres should have been removed but I was too lazy at the time!! I can only attribute that look to the quality of the camera I used which was not the best even in 2010 when I filmed it! If you are looking for more information on that type of technique I would highly recommend the book 'Gold Leaf Techniques' by Kent H. Smith which was updated from the original by Raymond LeBlanc. You will get it online for sure as I recently got a copy (having lost my original!)
Hi Eric, where do you buy your mordant and what make is it? Also curious where you buy your loose leaf, particularly if you need large quantities, and where you source your gilding tools. Thanks!
Hi Simon, the mordant is distilled water and a gelatine capsule - standard stuff usually bought from a pharmacy. we normally get our gold and tools from a shop called MRCB Paints which is in Cornmarket Street, Dublin city centre.
Ah ok, so completely different to a size you might use on a 3D letter say? Does that type of mordant stand up well to the elements? Internal external etc? I know MRCB well, I remember seeing a cabinet of tools there recently now that you mention it. Thanks for the reply!
Simon, the mordant used in this video on gold leaf gilding would not need to be used externally as the gold is put on the inside of the glass. When used properly on a loose leaf gilding job it is perfect - this is provided the complete job is finished appropriately and the gold is backed up etc. It is a completely different mordant used for transfer gold on an external surface - many choices here such as standard solvent based yellow gloss (not great) or japan gold size (better).
Thanks again Eric. Would it be possibly at all to give you a call to discuss a few questions I have on this techniques. I'm researching an upcoming project and could spent a day on here asking you silly questions! If you could please email me on schnobbles@gmail.com
Tiny, tiny, tiniest amount of grease on the guilding tip if you're really having trouble generating static to pick it up. Cut your gold into strips. Don't grab the whole sheet. Like the guy in this video does it-> Water Gilding C&J Frame # A047 Part 1
Andrew Ortiz I do not but it is something I may attempt in the future. I used a Gerber system of software and plotter to draw and cut those letters from standard signmask.
Thanks Eric ...but can you guide me where that particular technique is best done and can it be done on any surface. ...I appreciate your reply.thank you
I learned loose-leaf guilding about 25-30 years ago in Australia. We were taught not to use full sheets and cut pieces to fit to prevent wastage. We're also taught to scold between each layer when it dries (which is using gilding mop with just boiled plain water) - it flattens it and helps achieve the final mirror like finish. Then burnish finally with velvet. We also used brushes to signwrite the lettering instead of cutting it out. We also hold our book, knife and tip in one hand as we guild.
Thank you so much for taking the time to do this, I'm a fairly young aspiring sign painter, (19) this video has helped me tremendously.
I want one! Sell me one
Ive been referring to your videos for a few years now, they are great. Thank you so much for posting these, they are really appreciated by alot of us!
Thank you for your nice comment!
Thank you Elena, the ratio is one gelatin capsule per pint (about 500 ml) of distilled water. Heat the water first, do not boil it. I heat it in a clean container in a microwave. The container is only ever used for this one purpose to ensure it is not contaminated. For the gloss painting, I simply paint it straight onto the glass and later straight over the gold. The gloss is an oil/solvent based and has excellent adhesion to non porous surfaces. I hope this helps!
We love Gold Leaf, like the technique used in this video. Thank you!
Thank you, I like your work also!
Thank you...:-) Let us know if you will need Gold Leaf Products for your Gilding projects. We manufacture here in FL. www.cornucAupia.com
Great job and well done!! It is very artistic and not enough of this work is being done! Keep posting your videos!
Lovely mate.
I have only done a very small piece of gilded glass, a cabochon as a test piece, with the image scratched out. This video has made me want to explore it again.
Thanks.
Super awesome videos!! I've read that it isn't really static that the gilders tip picks up, but a trace amount of oil, so you can rub it on your forehead too, to help pick up the gold. U hope you keep putting videos up - I am mostly interested in gold leaf on calligraphy manuscripts, but I live sign painting and gilded windows! Fascinating art!! Thank you, Marina in Ohio.
@drakesis I would opt for the static method. There is a lot of control over the leaf as you lay it. There are drawbacks as each leaf of gold sits between thin sheets of paper which have been dusted with Armenian bole (red earth pigment that prevents sticking). This could theoretically hinder the gold sticking to the mordant. In my experience this is not the case. I have had problems with silver leaf (see my other video). Have a look at the Smith Tip on RUclips. It looks very effective.
Elena, I buy the gelatin capsules in a pharmacy, they are about the size of a headache tablet! I will take a picture of one against a regular tablet and pm you through RUclips.
I agree - the old ways of doing this type of work will be forgotten!!
Thanks Eric keep up the good work
Thank you for making this video. It was really helpful and educational.
Your welcome! I enjoyed making it!
My old teacher always told us it was a bit of oil also and if there was a situation in which you had trouble picking up the gold he had us smear the smallest bit of petroleum jelly (vaseline in Ireland) across our chin and ever so lightly brush the gilders tip across it and you could then pick up the gold much better.
Hair is not actually required! What you can do is smear a tiny amount of petroleum jelly (vaseline) onto your cheek and very lightly run the brush over it and then lift the gold. Some gilders would do this also anyway. It is very important that the amount you use is very small. It is spread on the cheek so you do not contaminate anywhere with it and inadvertently smudge the gold.
Depends on the size of the job. The gold is about 25 euro for a book of about 20 leaves. I used a book and a half for this. The size and the paint is inexpensive and it does take a little time to get used to it and not waste the gold.
Skew it off with cotton wool after you have backed up the letters. There will always be the tiniest outline of gold left that will be visible up close but there is no way to avoid this.
Cutting the sheets is the better option but requires a great deal of skill especially if you are holding the book, knife and tip in one hand!! If you are doing it again maybe video it and put it up?? Burnishing with velvet is a new one on me and one that I will try next time.
Eric , THANKS " Elite Arts " Excellent Work Gold Leaf Gilding
Thanks for this informative demo. About 45 years ago I learned to gild, and remember that the paint with which the gold was backed couldn't be oil-based; it was either Japan color or Lampblack, not sure. Can you tell me what you're using? Thank you .
Hi... its oil based alright... I always thought Japan colour was oil based also !! I am using standard oil based paint here that we would use on timber or metal...
The software was Gerber - the reversing of the writing was very straightforward. There is an icon on the interface for switching once you have it as you require.
Well done!!👍🏻
That is very cool. Thank you so much for sharing your knowledge!
Good work! Congratulations!
Thank you so much for the excellent video! I have posted it on the Society of Gilders Facebook page as our video-of-the-week. Best, Elizabeth.
Thank you Elizabeth, for your kind comments. I did not know about your group on Facebook so for anyone else who is interested I am putting a link to your Facebook page here - facebook.com/pages/Society-of-Gilders/217703788278547
Morning Eric,
I hope you are still contactable through this segment - I wondered what stencil mask you used and whether you re-cleaned the glass after you removed it following the outline painting?
Many thanks,
Dominic.
Good morning Dominic, I cannot remember the brand but I can check it in a few days and get back here. I did clean the glass again very carefully - the size will crawl all over the centres if you dont. Cotton wool and methylated spirits and some Whiting is what I used.
@@EricBates666 fantastic, many thanks Eric.
Nice gilding job. I get using a computer. We all have. I think computers are okay as long as the end result does not look computer cut. Nothing like old school. Sadly, there is just not enough people doing it anymore. Damn computers!! lol.
Great video. You mention using yellow gloss to hide any imperfections in the gild. Is this paint any particular type or just sign writer paint such as 1 stop?
I used standard oil based gloss for that - never used 1 stop!!
Thank you.
In Dublin there are some shops/sign makers where you can get vinyls made up and apply them yourself.
Thank you Hellacruz, I used signmask for convenience and simply brushed it in.
Thank you for the demo as I am learning this craft myself but personally I would have cleaned off the gold on the insides of the G O and D
He used gelatine capsules, available from gilding suppliers, one capsule per pint of distilled water. Water almost boiled, capsule added, dissolved, sprayed.
That helps a lot! We've tought that it's acrylic paint! One more question - is it necessary to etch the surface or it just easier way? Problem is that we can't find etching creme anywhere around!
Lets hope not. Many years ago neon was all but dead. Then, towards the late 80's it started coming back. My hope is that the demand for this true craft will come back someday. There is still some call for it. But nothing like it was when I started hand lettering in the mid 80's.
I have used Alkyd Gloss - pretty standard stuff I know and not ideal in a real life situation but as you say it is difficult to get decent signwriters enamel!!
Do you have a list of the materials used, also where to obtain them. thank you.
It is signmask that has been cut on a computer - lazy I know but handy! You apply the signmask with application tape and a squeegy and remove the application tape to leave the signmask in place.
Greetings from Mexico. Language barrier. I can understand what you are explaining but cant figure wich in-spanish materials can be used for this technique. Amazing work.
that sign looks grand!
what is the mask that you use? is it applied with a brush or is it in tape form?
cheers!
How do you go about removing the gold around the letters (the gold that you do not want)?
Great video - where did you get the supplies?
Awesome vid! Question, when you say gelatin capsule do you mean an empty gelatin capsule? Never heard of this before. Thank you.
Mystic Marcy Arts Hi, yes it's an empty gelatin capsule...
Thanks so much!
How did you do the black outline? Great video by the way!
Dear Eric, I found the video very informative and it cleared certain doubts that I had regarding gold gilding but I want to know these are gold leafs that are being used in the above video. Is there any other gold gilding techniques like the statue outside the Buckingham Palace. .I mean for external use...is it the same technique or something different. ..kindly reply.
+inderjit mann Hi there, yes the technique is very different for exterior gilding - it is called transfer gilding and uses a mordant (as above but usually something like Japan Gold Size) and the gold leaf is rubbed across the almost dry surface to transfer the leaf.
Hi Eric,
great video!
which glue did you use on spray ?
i have a glue but she's to white , i try to find a transparent glue like in your spray
Regards
;)
I use standard domestic paints for this - in this country I use Dulux, Crown, Fleetwood or Colortrend!
Marc, I get the gelatine capsules in a pharmacy.
@pigmental23 Thanks for your comment. I love doing loose leaf and transfer gold. If you do a job make sure you video it and put it up! I use this as a teaching aide for apprentice painters and decorators.
Great video! If you are not doing a painted outline around your letters then can you leave the mask on until you have finished gilding? Will some of the gold peel off the glass at the edge of the letters when you remove the mask if you do it this way?
+piratefishrick I have never done that - I would suspect that the mask would pull some of the leaf ... maybe if you ran a scalpel around it first???
+Eric Bates I have never gilded glass before so I'm just trying to guess how one would create a crisp edge between glass and leaf with no painted outline? Or maybe this just isn't really done?
+piratefishrick I have never seen gilding on glass with no outline - that does not mean anything though as there maybe some way of doing it, maybe a clear varnish outline to give you a mark to work to?? Or sign mask as you suggest may be the way to go. Have a look at the work that this company does, there may be something there of use -- www.schitterend.eu/
+Eric Bates Thanks! I am thinking it probably makes the most sense to just paint an outline in gold paint for a similar look
Let's know how you get on, do a video and share!!
Thanks for you comments. I love doing this type of work. If you do any more yourself make sure you video it and upload it!
Really like what you did, but lost you at - putting down the gold leaf. Was that a glue that held it on the glass, and your gold leaf goes on top? thanks
The gold is adhering to the mordant which I am spraying onto the surface and it is then running down the surface - @2.50 I talk about it... the gelatin capsule dissolved in water is basically sticking the gold.
i was told that its not becasue of static its because it needs a bit of oil
thank you for your amazing videos!!! i wanted to ask what's the best ratio for destilled water/gelatin mixture, and what is the binding media of "gloss" colors you use for protection of the gilded surface?
thanks a lot!!!
young croatian gilders/restorers :)
Which way is better, using static to apply the gold leaf or simply laying the leaf on and removing the backing?
No that would not be a good idea, the mask has to be lifted fairly quickly while the black paint outline is still wet. If this is not done the signmask will bond with the paint and when you try to lift it you will get it peeling the edges of the paint leaving a poor line.
Hi Eddie,
Why didn't you remove the center of the letters?
Thanks for the lessons!
Fran
Can I ask where you get the gelatine capsules please? Great video.
Usually in a pharmacy...
You can also get them.from Wrights of Lymm or A S Handover...
Hello sir, i just learn glass gilding by myself and i try to understand the process step by step. i got some question for the gelatin, does it works like glue on glass? or its have other function? can i subtitute gelatin with other? thanks
Wildansyah Syahid Hi there, thanks for your question. The gelatin capsule mixed with water is the mordant (glue) that holds the leaf to the glass. There is no other substitute (as far as I know!) for gelatin when doing reverse gold gilding. There are other mordant's for transfer leaf such as Japan gold size and old oil gold size.
i will try it, even its hard to find it in my town. and still waiting for the package. thank you and good luck :)
Do you take requests? I have been trying to figure out how to get the engine turn effect with gold leaf and haven't been able to figure it out completely on my own. I had been using quick dry size but just recently ordered some that dries in 18 hours to see if that makes the difference. But of course it hasn't came in the mail yet. Thanks for any help!
One wee question: what kind of yellow/black gloss did you use? It's so difficult to find decent signwriters enamel... :(
Do you apply the leaf over the outlines and then remove it as needed,and how to you get rid of the wrinkles? Thanks a lot love your videos.
+robert selsor Hi Robert, yes the leaf generally goes over the outline and is then removed. However, if you get really good at cutting your pieces of gold (as my mentor was) then you can overlap the outline by a small amount and if the outline is thick enough the gold may not go out past it. If you have gone through the full process of cleaning the glass fully then there should be no wrinkles as the gold will stretch itself taut on the mordant. If you see wrinkles then the most likely cause is the glass being dirty or the mordant being dirty. To check the glass is clean you should see the mordant streaming down the glass like a waterfall with nothing stopping it along the way. To ensure the mordant mix is clean, use a microwave and a jar that is only for your mordant. If it has been used in anything else clean it in the same manner you would clean the glass. Remember to throw out any mordant after your session - do not attempt to re-use it. Hope that helps!
Why is not the gold leaf burnished, also why do you leave the gold leaf on the centers of the letters,instead of removing it?
Im sorry you said that is how it looks when it is finished, just wondering if that O in GOLD is supposed to be filled in the center?? please explain
Quick question. I’m okay with how you did the gold outline on the letters but what about the embossed look in the centers? Seen this before and itching to have a go. What gold is used and what processes. Would have loved to see you doing the panel. Take care
Hi Dan, if there is an embossed effect in the centres it was accidental!! In fact, those centres should have been removed but I was too lazy at the time!! I can only attribute that look to the quality of the camera I used which was not the best even in 2010 when I filmed it! If you are looking for more information on that type of technique I would highly recommend the book 'Gold Leaf Techniques' by Kent H. Smith which was updated from the original by Raymond LeBlanc. You will get it online for sure as I recently got a copy (having lost my original!)
And one more question - can you tell us how much gelatin you use but in grams (what's the percentage) Thank you!!
Very nice video
Hi Eric, where do you buy your mordant and what make is it? Also curious where you buy your loose leaf, particularly if you need large quantities, and where you source your gilding tools. Thanks!
Hi Simon, the mordant is distilled water and a gelatine capsule - standard stuff usually bought from a pharmacy. we normally get our gold and tools from a shop called MRCB Paints which is in Cornmarket Street, Dublin city centre.
Ah ok, so completely different to a size you might use on a 3D letter say? Does that type of mordant stand up well to the elements? Internal external etc? I know MRCB well, I remember seeing a cabinet of tools there recently now that you mention it. Thanks for the reply!
Simon, the mordant used in this video on gold leaf gilding would not need to be used externally as the gold is put on the inside of the glass. When used properly on a loose leaf gilding job it is perfect - this is provided the complete job is finished appropriately and the gold is backed up etc. It is a completely different mordant used for transfer gold on an external surface - many choices here such as standard solvent based yellow gloss (not great) or japan gold size (better).
Thanks again Eric. Would it be possibly at all to give you a call to discuss a few questions I have on this techniques. I'm researching an upcoming project and could spent a day on here asking you silly questions! If you could please email me on schnobbles@gmail.com
Tiny, tiny, tiniest amount of grease on the guilding tip if you're really having trouble generating static to pick it up. Cut your gold into strips. Don't grab the whole sheet. Like the guy in this video does it-> Water Gilding C&J Frame # A047 Part 1
Can you leave the mask on and guild the inside of the letter through the mask area and then paint over the back then remove the mask? \
Thanks Chris!
Muskerry9... good question and I think it was down to ... laziness!! I should have removed it alright!!
Hello Eric, how many milliliters have a pint?
sorry i find the andswers on the post!
but where did you ind the gelatines capsule?
what happens if u dont have hair? how to do it?
Please show me, how to stick gold on glass, please
do you have a tutorial about how you created those letters on the glass??
Andrew Ortiz I do not but it is something I may attempt in the future. I used a Gerber system of software and plotter to draw and cut those letters from standard signmask.
thank you :) x
Thank you!
Thanks Eric ...but can you guide me where that particular technique is best done and can it be done on any surface. ...I appreciate your reply.thank you
+inderjit mann the best surfaces are hard surfaces such as timber, it can be done on plaster features on elaborate cornices and such also.
wich size is your gelatine capsule ?
Hey, what did you use as the stencil?
Signmask.
what do you mean by a sign mask?
Grazie
568 ml in a pint....
you need additional tool: hair
Who can make me a sign mask please.
what do you do if you dont have hair to make static ? hahahahaha
Hah! very expensive habit eating the gold leaf!! It is indeed a Dublin accent!
Cerca Elio Pulli ci sono video interessanti lo trovi anche nel sito pianetaalghero .it