I love how the original sounded solemn, like she had already come into terms with the fact that she will never have an identity. But in this one, she's more affected by it- maybe even furious. THIS IS AMAZING
While Emily’s haunting performance will forever be my favorite, I absolutely adore how much emotion this version has. It gives a completely new angle to Jane, and I love when actors make characters their own instead of copying the original.
I love how she sounds more like a child in this version, it fits just perfectly with the way she acts, with her puppet like movements and doll-like form. This rendition is so unique, and I absolutely adore it
4:33 the little gasp is just. oh my god. also i just realized that her spinning in the air could be her falling and like how she fell out of the cart. this is so good. ALSO WHEN THEY HAVE THE FLASHLIGHTS IT LOOKS LIKE THEY ARE LOOKING FOR HER HEAD
I never once thought about her spinning around might symbolize her fall from the coaster! That’s brilliant! Her singing up the scale and then down makes me think of a rollercoaster too since she goes up slower and then come down faster.
Her being like a rag doll here makes more sense then Since rag dolls have no agency of their own. Just moving to how fate/their owners move them. Being torn apart by the owner/fate/death
I love this rendition! I like how in the original jane was very doll-like in her movements, very rigid and stiff. This version was very different but slightly different, almost like a marionette or puppet of some kind, and this was exemplified when she was floating through the air. The original jane in the air was also pretty stiff, but here she was limp like a puppet. I loved it so much!
It may be a coincidence but I think it has to do with the style of doll they're basing themselves on. In the original Jane's head looks more like a porcelain doll that wouldn't have much range of movement whereas this version looks more like a ragdoll
@@rayann712 It also is linked in medical science. It comes from Rigor Mortis (the body becomes stiff after death, Pallor Mortis or pale skin as well as the body having a drop in body temperature after death) at least in Emily Rohm’s interpretation. With Ashley it seems although she adopts that stiffness, she also has a rag doll as though she could have either fallen out of the cart, or as the cart impacted her before decapitation, the force would have sent her flying in a ragdoll fashion.
I like seeing the differences in how this character is portrayed. In Emily Rohm's version, Jane Doe is very calm and is incredibly doll-like, and later in the song, she's rather sorrowful, openly lamenting about her fate, which is very reasonable given what's she's been through. With this version, however (I unfortunately don't know the name of this actress, although I think she's quite marvelous), Jane is very much an emotional character, coming off as more angry than anything else, which, again, would perfectly suit her given what the character has endured. She also keeps the doll-like movements (almost more like a marionette, really), which is a nice touch. All in all, both portrayals work wonderfully, and I love it. :)
The way she moves is mesmerising, so much that my professional theatre friend actually thought that flying Jane doe was an actual rag doll!! SHE SLAYED THIS
I love both Emily Rohm's and Ashlynn Maddox's renditions of this song equally, but the more I listen to both versions and compare the two I get very different vibes from the two, and even two possible scenarios for the overall plot, based on audio alone: Rohm's gracefully haunting vocals make it sounds like as if either Jane Doe/Penny Lamb has been stuck in the warehouse limbo for quite some time before the events of the musical and has mostly come to terms with her situationーthus making it look like as if The Cyclone Roller-Coaster Disaster happened twice in total and that Penny Lamb died in the first roller-coaster incident, before Karnak was even builtーOR Penny Lamb throughout her life was just really, really graceful, calm, collected, but a bit creepy, not unlike a porcelain doll, and that part of herself is literally the only thing that stays with Jane Doe. Meanwhile, Ashlynn Maddox's vocals sound more... recent. More fresh. Unlike with Rohm's, I get the feeling that Maddox's Jane Doe/Penny Lamb actually died along with the rest of the choir, and she is just not having it. Maddox's Penny Lamb that will become Jane Doe here to me comes off as more expressive. Not as graceful and creepy as Rohm's porcelain doll-esque performance, but more ragdoll/marionette-esque and somewhat vengeful.
I really like the added notes at 1:05. And of how at the seconded of the going high to low notes you have the choir screaming except for her, you can barely hear her, because they're screaming so loud you can't tell if she's there or not. Edit: during the second raising "Ooh ooh" she raises the "Ah-aahhh!" a note higher. It's just a little hard to hear.
IKR?? I think they made it more realistic to make it sound like Jane was actually screaming in pain from the crash (apparently the notes were supposed to represent Jane’s screams in the accident so :)
It sounds so amazing with the choir too, the added higher note with the choir not only makes it sound like a high pitched scream but like a lower note scream as well
ooh i REALLY love this take on jane-- she seems angrier here and it's fantastic, you can really hear her frustration and despair in her (absolutely gorgeous) voice. and the puppet/ragdoll like way she moves??? ICONIC. i adore this performance to bits
I really like this one a lot! In the original she seemed to have come to terms with it, though it was sad and confusing for her, in this one she seems mad and furious over it, she will never know her actual name and it hurts. It’s almost like I can feel her pain, some of the high notes while she’s flying are almost played off like screams of anguish. In the OG Jane Doe was very stiff, the actor even saying it was to mimic a doll, in this one she’s limp, like gods mockery of a marionette. This one definitely hits the feels harder.
HOW DID THEY DO THE FLYING??? It makes them seem doll-like and possessed kinda like?? This is hands down my favourite rendition of The Ballad Of Jane Doe from not only the fantastic singing but because of the lightning, atmosphere and everything about it Infinite/10 Will play a billion times over for the rest of my life
a normal fly system would have a harness around her waist and wires connecting her to the battens at the top of the stage. however, this fly system wouldn’t allow the spinning or her to act like a rag doll and is pretty stationary. this system has a mechanical arm that connects to her waist with a harness under her dress. this arm is connected to the floor and can spin and move with much more ease than a traditional fly system. since she isn’t balancing up there and is secured into the arm, she can be as doll-like and move as much as she wants without the risk of flipping over and overturning her balance. they use a similar system in wicked on broadway to make elphaba fly in defying gravity. i’ve never had the privilege to work with this type of system, but i would love to some day. hope this helped!!
@@patrickTHEceliac wait, really?? i could’ve sworn she attached at the waist!! welp, thanks for letting me know, i edited my comment so i don’t spread misinformation
@@patrickTHEceliac this one is actually closer to Bj on Broadway on the harness method the connection pole hooks to her harness in the back of her dress. Then she can do her bit. The pole can be either brought in and hid, more similar to the og production, or it can be raised from understate and hid in the dark as a option, a little more difficult but it is more mystical because it really can’t be hidden and happens in plain sight. I would personally if I had to do it use some black light to hide the mech and use that to do some trippy visuals but it would help hide the rig while making a vibrant image on stage
@@timnco2752 Sorry to say but that trick isn’t the one used in this rendition as that one wouldn’t allow as much free movement and would result in the body not being able to be as doll-like Also I don’t think it would be as easy to hide the machine thing in the back because of the blue lights
This is the first time I’m seeing this, and I think her voice is splendid, and that they did a great job with what was obviously a small budget!! Vocals on point.
@@chsethompson I think you may be a bit confused, “professional theatre company in New Jersey” is…an oxymoron. Nonsensical gibberish, etc. and everybody, calm your tits, I am obviously joking.
I adore the addition of the rest at 0:56. Like any Rollercoaster, people waiting to go on are watching it go. I imagine this choice was them including on-looker screams of horror before focusing on her screaming. And again later on. How she goes even higher. It sounds so chaotic and is clearly everyone's reactio
Ashlynn Maddox has to be my favorite Jane Doe. I adore the voice, the hair, the singing. She makes Jane feel more alive (irony) and less like just a spirit. I love Emily Rohm’s performance but I always thought that it was slightly too perfect, too sad and not angry enough
i love this production in every way, but i really miss the carnival rides on the umbrellas. they were symbolic for karnak not knowing anything about her, so putting the only thing they both know: she died in a carnival. it adds a layer of depth that i like
Yeah I really missed those as well as the shadow wings, my dream Jane Doe performance is how this actor (don’t know her name :() moves and sings and the choreography of the original
WOW. By far this is my favourite version of this ballad. The characterisation of the character feels so genuine in her voice, more human and filled with loss and sadness, whilst still keeping to that doll like persona, Absolutely incredible!!!
The sheer breath support of this actress I- Not only the high note up in the air, but spinning? As well as going even higher up WHILE upsidedown?! I'm scared. But in an impressed way!
I LOVE THIS JANE SO MUCH the hair makes her look like a barbie someone played hairdresser with, the different lenses make it look like instead of irises she's just got two different-sized pupils, which can signal a concussion after say, head trauma... her movements throughout the entire show are a lot more doll-like, but the flying really hammers it in here. Her voice is also a lot younger-sounding than Emily Rohm's, really leaning into how young she was when she died. Emily Rohm's detatched interpretation is so fun especially when she's leaning into it to feel more spooky but Ashlynn Maddox is a storm of feelings, she's angry and feels wronged and she has every right to, it isn't fair, and she just hits different for me. She might be my favorite
i literally experienced full body chills for the entire song oh my god. easily my favourite performance, it’s so so eerily beautiful. also special shout-out to the lighting! it really makes the set feel like a place of nothingness, and the flying choreo is so smooth and floaty AHHHHH i absolutely adore this
I do and always will prefer the original. When she was flopping like a rag doll it was amazing, but if she’s a doll why are there facial expressions? Another thing that Emily Rohm did was the hands! The way she kept her hands the same nearly the entire time. This girl is very talented, but there are the little things that people notice.
As someone who sat in the front row it took me a SOLID ASS SEC to figure out how they made her fly bc I was like "wait I didn't see them attach her to a fly system and- WAIT HOE TF DID SHE MOVE LIKE THAT THAT ISNT A TRADITIONAL FLY SYSTEM WTF?!! bc I literally could not see the arm and I WAS OFF IN HOUSE RIGHT SO I COULD SEE BEHIND HER
the original is beyond beautiful but i ADORE this version! the screams and the emotion and the looking for her head with the flash lights -- the flying was so intense and her puppet/doll acting was insane at some points!!!!! i wanna meet these people just so I can shower them with congratulations and praise!!!!! thank you for sharing this, its so unique and special and really really stunning and awesome and alL THE GOOD THINGS
i like to believe that when the kids come in with flashlights they’re playing random people finding the warehouse and they find the furious ghost of jane
I love how this is the same song but it feels like a COMPLETELY different song. I love the prominent circus music throughout and I love how it's got a kid of swing/jazz type osound to it somehow. Well done to the cast as well, this was amazing! Also, that trill at the end of the first verse is something I always want to happen but never does in the original, so thank you so much for that.
While Emily's performance is more ghostly and haunting, I love this version of The Ballad of Jane Doe way more. It has more of a teenager vibe than Emily's and it's an overall incredible performance Edit: I take back what I said. I prefer Emily's over this one although this one is still absolutely incredible
i love how rag doll her movements are while the original actor did more porcelain doll movements i love this version it’s more angry about not remembering
I love everything she changed or added, it just adds originality to her portrayal of Jane Doe and it makes it really feel like it’s her original role because of the new things she did to the song and I absolutely love it
It’s sad because this performance is so beautiful, but the way this theatre’s crew (not cast!) treated the original actor of Ricky because of his disability is so gross
Actively had to find her name to find this version, I love it so much, it has so much emotion and you can tell she was invested in the character Sucks the full upload with her got removed a few days ago but this alone is still a worthy watch
This entire production is incredible but I adore the band in the back, the addition of the drums and organ give the ballad a new power that isn’t quite there in the other performances. The vocalists were obviously incredible too
Развлечения
![Gunna - back in the a [Official Video]](http://i.ytimg.com/vi/oBrbejOHjLw/mqdefault.jpg)
I love how the original sounded solemn, like she had already come into terms with the fact that she will never have an identity. But in this one, she's more affected by it- maybe even furious. THIS IS AMAZING
While Emily’s haunting performance will forever be my favorite, I absolutely adore how much emotion this version has. It gives a completely new angle to Jane, and I love when actors make characters their own instead of copying the original.
Same!!!
fun fact: ashlynn maddox isn’t attached to anything when she flies, she is actually flying on stage
But... how??? Can you please explain me how?
@@ilikedrybread1790 r/woooosh
@@ilikedrybread1790 woosh
she's just so good!!!
i cant believe she learned to fly just for this rol omg 😍😍😍 shes so profesional
I love how she sounds more like a child in this version, it fits just perfectly with the way she acts, with her puppet like movements and doll-like form. This rendition is so unique, and I absolutely adore it
THE HIGH NOTES AROUND 1:57 WITH THE HEAVY INSTRUMENTAL MAKES IT SOUND LIKE THEY'RE SCREAMING.. I LOVE THIS VERSION SO MUCH
I NEED THE FULL SHOW
@@kelskinnie please that would be amazing!
This is a version that someone else uploaded not me, but it's still the same show ^^
drive.google.com/file/d/1Do8Cd4TR9-E_6XzGDAiZZY9s1W40FcMo/view
@@kelskinnie thank you so much
THAT PART WAS SO MMMMM
4:33 the little gasp is just. oh my god. also i just realized that her spinning in the air could be her falling and like how she fell out of the cart. this is so good. ALSO WHEN THEY HAVE THE FLASHLIGHTS IT LOOKS LIKE THEY ARE LOOKING FOR HER HEAD
also in my eyes she looks like a doll falling out of the ride can be both tbh!
yeah some say the high notes and loud drawn out vocals represent her screaming
I never once thought about her spinning around might symbolize her fall from the coaster! That’s brilliant! Her singing up the scale and then down makes me think of a rollercoaster too since she goes up slower and then come down faster.
Her being like a rag doll here makes more sense then
Since rag dolls have no agency of their own. Just moving to how fate/their owners move them.
Being torn apart by the owner/fate/death
that little gasp made it sound SO good like she was actually crying and omg it just made me so AAAAAAAHHHH THAT WAS SO GOOD.
2:35 the way they are walking around with the lanterns makes me think they are looking for her head
That’s so morbid, I love it
I love this rendition! I like how in the original jane was very doll-like in her movements, very rigid and stiff. This version was very different but slightly different, almost like a marionette or puppet of some kind, and this was exemplified when she was floating through the air. The original jane in the air was also pretty stiff, but here she was limp like a puppet. I loved it so much!
It may be a coincidence but I think it has to do with the style of doll they're basing themselves on. In the original Jane's head looks more like a porcelain doll that wouldn't have much range of movement whereas this version looks more like a ragdoll
@@rayann712 oh for sure! It definitely seems like an artistic choice.
@@rayann712 It also is linked in medical science. It comes from Rigor Mortis (the body becomes stiff after death, Pallor Mortis or pale skin as well as the body having a drop in body temperature after death) at least in Emily Rohm’s interpretation. With Ashley it seems although she adopts that stiffness, she also has a rag doll as though she could have either fallen out of the cart, or as the cart impacted her before decapitation, the force would have sent her flying in a ragdoll fashion.
I like seeing the differences in how this character is portrayed. In Emily Rohm's version, Jane Doe is very calm and is incredibly doll-like, and later in the song, she's rather sorrowful, openly lamenting about her fate, which is very reasonable given what's she's been through. With this version, however (I unfortunately don't know the name of this actress, although I think she's quite marvelous), Jane is very much an emotional character, coming off as more angry than anything else, which, again, would perfectly suit her given what the character has endured. She also keeps the doll-like movements (almost more like a marionette, really), which is a nice touch.
All in all, both portrayals work wonderfully, and I love it. :)
i thinke the actress in this video is called Ashlynn Madoxx / Maddox, im not 100% sure tho
Yh it Ashlynn Maddox
The way she moves is mesmerising, so much that my professional theatre friend actually thought that flying Jane doe was an actual rag doll!! SHE SLAYED THIS
I love both Emily Rohm's and Ashlynn Maddox's renditions of this song equally, but the more I listen to both versions and compare the two I get very different vibes from the two, and even two possible scenarios for the overall plot, based on audio alone:
Rohm's gracefully haunting vocals make it sounds like as if either Jane Doe/Penny Lamb has been stuck in the warehouse limbo for quite some time before the events of the musical and has mostly come to terms with her situationーthus making it look like as if The Cyclone Roller-Coaster Disaster happened twice in total and that Penny Lamb died in the first roller-coaster incident, before Karnak was even builtーOR Penny Lamb throughout her life was just really, really graceful, calm, collected, but a bit creepy, not unlike a porcelain doll, and that part of herself is literally the only thing that stays with Jane Doe.
Meanwhile, Ashlynn Maddox's vocals sound more... recent. More fresh. Unlike with Rohm's, I get the feeling that Maddox's Jane Doe/Penny Lamb actually died along with the rest of the choir, and she is just not having it. Maddox's Penny Lamb that will become Jane Doe here to me comes off as more expressive. Not as graceful and creepy as Rohm's porcelain doll-esque performance, but more ragdoll/marionette-esque and somewhat vengeful.
I really like the added notes at 1:05. And of how at the seconded of the going high to low notes you have the choir screaming except for her, you can barely hear her, because they're screaming so loud you can't tell if she's there or not.
Edit: during the second raising "Ooh ooh" she raises the "Ah-aahhh!" a note higher. It's just a little hard to hear.
It’s because the camera recording this probably had an audio limit. Not anything symbolic lol
1:57 YOO THE SCREAM IS CRAAAZZZYY-
IKR?? I think they made it more realistic to make it sound like Jane was actually screaming in pain from the crash (apparently the notes were supposed to represent Jane’s screams in the accident so :)
1:58 is amazing! the way it sounds like her screaming during the crash is just spectacular
YES!
It sounds so amazing with the choir too, the added higher note with the choir not only makes it sound like a high pitched scream but like a lower note scream as well
if you know who plays jane... they are a gift to the theater
Her name is Ashlyn Maddox.
Emily Rohm, but in this production it's Ashland Maddox
ooh i REALLY love this take on jane-- she seems angrier here and it's fantastic, you can really hear her frustration and despair in her (absolutely gorgeous) voice. and the puppet/ragdoll like way she moves??? ICONIC. i adore this performance to bits
I really like this one a lot! In the original she seemed to have come to terms with it, though it was sad and confusing for her, in this one she seems mad and furious over it, she will never know her actual name and it hurts. It’s almost like I can feel her pain, some of the high notes while she’s flying are almost played off like screams of anguish. In the OG Jane Doe was very stiff, the actor even saying it was to mimic a doll, in this one she’s limp, like gods mockery of a marionette. This one definitely hits the feels harder.
Actually they’re both meant to be dolls. Og jane was a porcelain doll, and this one is a ragdoll.
I love how as she’s spinning around, her limbs go limp. Like a ball jointed doll being shaken around by a child.
HOW DID THEY DO THE FLYING??? It makes them seem doll-like and possessed kinda like?? This is hands down my favourite rendition of The Ballad Of Jane Doe from not only the fantastic singing but because of the lightning, atmosphere and everything about it
Infinite/10 Will play a billion times over for the rest of my life
a normal fly system would have a harness around her waist and wires connecting her to the battens at the top of the stage. however, this fly system wouldn’t allow the spinning or her to act like a rag doll and is pretty stationary. this system has a mechanical arm that connects to her waist with a harness under her dress. this arm is connected to the floor and can spin and move with much more ease than a traditional fly system. since she isn’t balancing up there and is secured into the arm, she can be as doll-like and move as much as she wants without the risk of flipping over and overturning her balance. they use a similar system in wicked on broadway to make elphaba fly in defying gravity. i’ve never had the privilege to work with this type of system, but i would love to some day. hope this helped!!
@@patrickTHEceliac wait, really?? i could’ve sworn she attached at the waist!! welp, thanks for letting me know, i edited my comment so i don’t spread misinformation
Skip at 3min04 of this video, you'll see how it's done ;) ruclips.net/video/218WsP4koUQ/видео.html
@@patrickTHEceliac this one is actually closer to Bj on Broadway on the harness method the connection pole hooks to her harness in the back of her dress. Then she can do her bit. The pole can be either brought in and hid, more similar to the og production, or it can be raised from understate and hid in the dark as a option, a little more difficult but it is more mystical because it really can’t be hidden and happens in plain sight. I would personally if I had to do it use some black light to hide the mech and use that to do some trippy visuals but it would help hide the rig while making a vibrant image on stage
@@timnco2752 Sorry to say but that trick isn’t the one used in this rendition as that one wouldn’t allow as much free movement and would result in the body not being able to be as doll-like
Also I don’t think it would be as easy to hide the machine thing in the back because of the blue lights
This is my favorite jane doe rendition,its creepy yet so beautiful,also has a real teenagers lament vibe
more like noel's lament
@@K1RBA no
This is the first time I’m seeing this, and I think her voice is splendid, and that they did a great job with what was obviously a small budget!! Vocals on point.
@@Miss_Camel I don’t think they had a small budget haha they’re a professional theatre company in new jersey
@@chsethompson I think you may be a bit confused, “professional theatre company in New Jersey” is…an oxymoron. Nonsensical gibberish, etc.
and everybody, calm your tits, I am obviously joking.
I adore the addition of the rest at 0:56. Like any Rollercoaster, people waiting to go on are watching it go. I imagine this choice was them including on-looker screams of horror before focusing on her screaming. And again later on. How she goes even higher. It sounds so chaotic and is clearly everyone's reactio
Ashlynn Maddox has to be my favorite Jane Doe. I adore the voice, the hair, the singing. She makes Jane feel more alive (irony) and less like just a spirit. I love Emily Rohm’s performance but I always thought that it was slightly too perfect, too sad and not angry enough
i love this production in every way, but i really miss the carnival rides on the umbrellas. they were symbolic for karnak not knowing anything about her, so putting the only thing they both know: she died in a carnival. it adds a layer of depth that i like
Yeah I really missed those as well as the shadow wings, my dream Jane Doe performance is how this actor (don’t know her name :() moves and sings and the choreography of the original
@TheVintageVamp WHY MUST YOU HURT ME THIS WAY
Emily rohm?
Her name is Ashlynn Maddox! She’s currently reprising the role in Washington DC!
The way she goes into the shadows when she says "forgotten" 🥺😭
I love how the use the flashlights to make it look like police searching for her head.
I love how in here, it is really visible that the flying is her as a doll being held with no control !
The light turns red and bloody when she sings "now when all is said and done".
Dang that's dark
WOW. By far this is my favourite version of this ballad. The characterisation of the character feels so genuine in her voice, more human and filled with loss and sadness, whilst still keeping to that doll like persona, Absolutely incredible!!!
I like how she recoiled at the sight of the pallbearers. Them searching for her head was a good add too.
OH MY GOD THE ENSEMBLE WITH THE FLASHLIGHTS ARE THE PEOPLE LOOKING FOR HER HEAD
SHE GOES SO HARD AT THE "AND IM ASKIGN WHY LORD" PART OH MY GODDD
SAME WITH THE CHOIR SINGING "AND SHE'S ASKING WHY LORD!"
The sheer breath support of this actress I- Not only the high note up in the air, but spinning? As well as going even higher up WHILE upsidedown?! I'm scared. But in an impressed way!
THE FLYING IN THIS ONE IS SO AGGRESSIVE AND THERES SO MUCH EMOTION OMG OMG ITS SO GOOD
I CANT CHOOSE BETWEEN HER OR EMILY AHHHH
okay the way she ragdolls in the air?? horrifying. captivating. I adore this
I LOVE THIS JANE SO MUCH the hair makes her look like a barbie someone played hairdresser with, the different lenses make it look like instead of irises she's just got two different-sized pupils, which can signal a concussion after say, head trauma... her movements throughout the entire show are a lot more doll-like, but the flying really hammers it in here. Her voice is also a lot younger-sounding than Emily Rohm's, really leaning into how young she was when she died. Emily Rohm's detatched interpretation is so fun especially when she's leaning into it to feel more spooky but Ashlynn Maddox is a storm of feelings, she's angry and feels wronged and she has every right to, it isn't fair, and she just hits different for me. She might be my favorite
THAT'S SOME CRAZY PERFORMANCE????!?!!!! The way her limbs flail around are exactly like how a doll's would is crazy
i literally experienced full body chills for the entire song oh my god. easily my favourite performance, it’s so so eerily beautiful. also special shout-out to the lighting! it really makes the set feel like a place of nothingness, and the flying choreo is so smooth and floaty AHHHHH i absolutely adore this
I love this version equally as much as the original balled of jane doe by Emily Rohm. I can't decide which I like best!
I do and always will prefer the original. When she was flopping like a rag doll it was amazing, but if she’s a doll why are there facial expressions? Another thing that Emily Rohm did was the hands! The way she kept her hands the same nearly the entire time. This girl is very talented, but there are the little things that people notice.
As someone who sat in the front row it took me a SOLID ASS SEC to figure out how they made her fly bc I was like "wait I didn't see them attach her to a fly system and- WAIT HOE TF DID SHE MOVE LIKE THAT THAT ISNT A TRADITIONAL FLY SYSTEM WTF?!! bc I literally could not see the arm and I WAS OFF IN HOUSE RIGHT SO I COULD SEE BEHIND HER
the original is beyond beautiful but i ADORE this version! the screams and the emotion and the looking for her head with the flash lights -- the flying was so intense and her puppet/doll acting was insane at some points!!!!! i wanna meet these people just so I can shower them with congratulations and praise!!!!! thank you for sharing this, its so unique and special and really really stunning and awesome and alL THE GOOD THINGS
i like to believe that when the kids come in with flashlights they’re playing random people finding the warehouse and they find the furious ghost of jane
I really love how she hangs in the air like a rag doll.
HOW CAN SHE SING SO GOOD AND LITERALLY SPIN IN THE AIR I'M DYING HOW I COULD NEVER
I love how this is the same song but it feels like a COMPLETELY different song. I love the prominent circus music throughout and I love how it's got a kid of swing/jazz type osound to it somehow. Well done to the cast as well, this was amazing! Also, that trill at the end of the first verse is something I always want to happen but never does in the original, so thank you so much for that.
THE MOVEMENTS OH MY GOD??? the chills I get with her vocals too 😭 This is amazing my goodness
Holy crap this is incredible! The amount of talent this song takes to sing, let alone while flying is mind blowing!
i absolutely love this version of the ballad. the actors voice control has me in tears, its so beautiful.
While Emily's performance is more ghostly and haunting, I love this version of The Ballad of Jane Doe way more. It has more of a teenager vibe than Emily's and it's an overall incredible performance
Edit: I take back what I said. I prefer Emily's over this one although this one is still absolutely incredible
i love how rag doll her movements are while the original actor did more porcelain doll movements i love this version it’s more angry about not remembering
This is Ashlyn Maddox, for anyone wondering!!
you're a real one Lauren Dodds! haha
@@shlynny4004 hey! you're her! great job here, your movement and vocal work is very impressive and just good storytelling, well done!!
honestly this one gives a more teenage vibe than the slime tutorial
The actor managed to push through more emotion and I think that’s great, plus the spinning and managing to keep the singing is amazing!
I would do anything to sing the ballad of jane Doe with me floating all around
SAME DUDE IT LOOKS TERRIFYING AND IT’S DONE BY A PROFESSIONAL BUT IT LOOKS SO FUN
@@_Circe FOR REAL
SAMEEEEEEEEE
my contralto self is CRYING just thinking about singing these notes
Ate, devoured, munched even.
I love how this Jane doe is different from the original, but she’s different in a good way. Their both my favorites of the shows 💗
the breath control is INSAAAANEEE
I love everything she changed or added, it just adds originality to her portrayal of Jane Doe and it makes it really feel like it’s her original role because of the new things she did to the song and I absolutely love it
idk if it’s on purpose but i love how teethy her “when silence falls” is at 3:39
0:29 idk if that guys was loving the vocals or if he had some rlly good food, but SAME
this production is DEFINITELY the reason for the “jane was a kid on the sidelines of the cyclone” theory
This is my first song of the new year! Starting strong with an absolutely incredible and beautiful piece of art
I am so gagged at this this is the best vocal performance of this song I’ve ever heard
THE SCREAM?! OMG
I love her doll-like movements!
I LOVE HOW ONE OF THE TURNS ISNT A FULL SPIN AND ITS JUST HER HANGING IN A WAY!!
this is my favorite jane doe preformance !! I really love how they did the in-the-air part with her going limp at some parts like a doll!!
is nobody gonna talk about those notes in 4:20 🫢
It’s sad because this performance is so beautiful, but the way this theatre’s crew (not cast!) treated the original actor of Ricky because of his disability is so gross
the way she moves is so satisfying
had the fortune of seeing this production live! trust me, it was even more enchanting to see it onstage!
Wow… this gave me just as many chills as the original, this is AMAZING
who tf was that guy who creamed his pants in the first 30 seconds 😭
🤣🤣🤣
I JUST NOTICED THAT NOW BECAUSE OF THIS THIS IS SO FUNNY
i would DIE for the full show if anyone has it
Search ride the cyclone slime tutorial if you want to see the original
@@wolfadoodlestink4986 i've seen the original production! just not mccarter
@@twistedtimbers ooo
@@wolfadoodlestink4986 THATS WHAT THAT SEARCH RESULT IS ?! 😹😹😹
drive.google.com/file/d/1wFjJh0
XduxCBx3MyKCJKUNEj9MCEckkb/view
?usp=share_link this is the drive link
Definitely my favorite version of the Ballad of Jane Doe.
This girl’s range was incredibly good! Amazing job
It’s so hard to believe that this and my life is awesome is in the same musical
those vocals are so strong omg i love
OH MY GOD THE EXTRA HIGH NOTE HER JANE JUST MAKES ME AJDDLJSHJKDJAS
Actively had to find her name to find this version, I love it so much, it has so much emotion and you can tell she was invested in the character
Sucks the full upload with her got removed a few days ago but this alone is still a worthy watch
What’s her name? Is it Ashlyn Maddox?
@@whiteclover6686 It is! :)
I think someone mentioned this already, but I like how Jane looks like her bones are breaking midair or something
My toxic trait is thinking I could do this-
I’m not even a soprano 😭😭
genuinely almost started crying. like there are tears currently in my eyes
00:57 that ornamentation and articulation of notes is fire. LOVE it!!!
THOSE ARE SOME STROOONG VOCAL CORDS!!!
She looks like a marionette more than a doll, and I absolutely love that
there are actually so many productions where she has the choreo of a marionette too its so cool! (roxys downtown, station theatre, ect)
THE WAY THEY MOVE AROUND LIKE A RAGDOLL OMFG ITS SO COOLLLLLL
wonderful acting and singing, but that wig is a war crime
REAAAAAL
This song made my cat fluff up his tail LMAO
This is a phenomenal performance. The constant camera adjustments and clicking associated are extremely distracting, though.
THIS IS BEAUTIFUL OH MY LORD
the way she sings is so clean omg. and the way she sings so well while literally spinning sround and shit??? insane. so much talent here
I love this rendition of Jane Doe, she feels more doll like and the movements when she's in the air feel more like a possessed doll!
LITERALLY I LOVE THIS
ik not all shows are gonna be the same but her hair is making me giggle
she sings so clean and beautiful it always gives me the chills
2:01 SOUNDS LIKE RHEYRE SCREAMING ON THE CUCLONE HOLY SHIT ITS SO GOOD
This entire production is incredible but I adore the band in the back, the addition of the drums and organ give the ballad a new power that isn’t quite there in the other performances. The vocalists were obviously incredible too
woooah I LOVE THIS, THIS IS JUST AMAZING THE HIGH NOTES OML-
damn that is pure talent here! !
why didn’t the audience go crazy after r this????
I LOVE THIS VERSION SM AAAAA