excellent video,... I notice that in music with daw, they are generally mattresses, with some juxtaposed melodies,,but if you try a 4-voice fugue,,it is a problem in a daw, because you need to visually have the intervals controlled very precise of the composition, in short I think that doing something like Stravinsky is only functional in a score editor, a daw is more effective and for cinema.
A little late to this whole discussion thing. Also, I rarely like to comment on other people's videos due to mainly a negative environment, but I'll make an exception here. So for me, I mainly compose in a DAW, and I have been for about 6 years, but I do use notation software because I have had to work with performers and in most cases (especially when dealing with classical musicians) they'll expect a piece of sheet music, and nothing else. I first started out writing in only a piano roll, and had very limited access to any timbral adjustments (I was using a tablet to write music btw) so from my own experience, timbre was (in most cases), the last thing in my "hierarchy" when composing. And to refer to one earlier comment, I could very well write a four voice fugue (which is something that I'm working on achieving) in a DAW environment. Also, I can tell you from experience that it is VERY easy to write a Stravinksy-esque or free atonality for that matter in a DAW (a little too easy if I'm honest). So, TL;DR, it DEPENDS on the person's skill level and experience in using something.
@@_v_m_ Well, the simplest explanation is practice, the more nuanced version would to (a) figure out how to read a piano roll, and (b) figure out how to work with a daw. For me, I've gotten to the point where I feel comfortable enough working in a daw that the limitations don't bother me so much. I find that working in MuseScore directly just doesn't feel right for me. But that's just me. So yeah, that's a bit of a long answer I gave, but I hope that helps.
@@_v_m_ Also, different DAWs have different ways of doing something, so it helps to just pick one and stick with it in most cases, though as a beginner it's good to mess around with multiple DAWs, since you're able to test each DAW and figure which one works for you.
Some DAWs have notation. I have one. Not that I use the notation but it's possible to create and print score. So it isn't really one or the other.
excellent video,... I notice that in music with daw, they are generally mattresses, with some juxtaposed melodies,,but if you try a 4-voice fugue,,it is a problem in a daw, because you need to visually have the intervals controlled very precise of the composition, in short I think that doing something like Stravinsky is only functional in a score editor, a daw is more effective and for cinema.
I would agree! Any music I do in a score editor I feel is more complex, while when composing in a DAW it’s more simple and cinematic.
@@Joe-blogcomposer true!
tank you@@Joe-blogcomposer
A little late to this whole discussion thing.
Also, I rarely like to comment on other people's videos due to mainly a negative environment, but I'll make an exception here.
So for me, I mainly compose in a DAW, and I have been for about 6 years, but I do use notation software because I have had to work with performers and in most cases (especially when dealing with classical musicians) they'll expect a piece of sheet music, and nothing else.
I first started out writing in only a piano roll, and had very limited access to any timbral adjustments (I was using a tablet to write music btw) so from my own experience, timbre was (in most cases), the last thing in my "hierarchy" when composing.
And to refer to one earlier comment, I could very well write a four voice fugue (which is something that I'm working on achieving) in a DAW environment. Also, I can tell you from experience that it is VERY easy to write a Stravinksy-esque or free atonality for that matter in a DAW (a little too easy if I'm honest).
So, TL;DR, it DEPENDS on the person's skill level and experience in using something.
@@_v_m_ Well, the simplest explanation is practice, the more nuanced version would to (a) figure out how to read a piano roll, and (b) figure out how to work with a daw.
For me, I've gotten to the point where I feel comfortable enough working in a daw that the limitations don't bother me so much. I find that working in MuseScore directly just doesn't feel right for me. But that's just me.
So yeah, that's a bit of a long answer I gave, but I hope that helps.
@@_v_m_ Also, different DAWs have different ways of doing something, so it helps to just pick one and stick with it in most cases, though as a beginner it's good to mess around with multiple DAWs, since you're able to test each DAW and figure which one works for you.
Is therenotation software where you can route each instrument to different midi channels in a daw. Like via iac driver?
I know you can do it in kontakt, I think you can do it in Dorico, that’s the best hybrid one