Hey James - I’ve been loving your videos and thanks for all the content - as a amateur production guy trying to get into the pro tour biz- I love your in-site and views. Keep it up and thanks again- I wish I had shows I could do - that were on par- but I’m getting there !!
This is great and also a lesson in the importance of the sound mixer to know, or at least be familiar with, the artists songs. You are able to get the nuances (not sure that's the right word here!) in the performance. Well done!
It wasn’t too bad. It caused a little bit of trouble but the festival did a great job of dealing with it. Some bands got moved around but was all ok in the end 👌
@@RattlinBonesClub I must say the Slam Dunk crew done am amazing job this year and went above and beyond this year and addressing any issues that occurred from last year or poped up this year
It was very strange to listen without Matt. 1045 Amsterdam was the soundtrack to my youth! Little Dlive is much cuter than the Sq5 ! Love the small footprint !
I originally was taking a s5000 for this show. I swapped to the smaller c1500 a week before to make it simpler for the festival setup. It worked out really well 🙌
If I had to guess. Probably a ran through a tube pre amp, then FET compressor, like 1176, 30-50 ms attack, keep the punchy transient,100ms+ release time,boosted 200hz range for the body, parallel with a reverb send.
I love your content! Maybe you could do a video about your FXs you use at a shows? How many are you using? Only internal effects or are you using external fx from waves or smthg?
Great job, love those videos 😍 I have question: what's your experience in mixing with a dB limitation as it is often the case at festivals? Do you have any tricks for maintaining a fat and punchy sound while staying below the dB limit? Thanks :)
Try to keep your peaks smooth, I usually try and use a few compressors at different stages of the mix, all doing a little bit. Comp over the LR doing a couple of db of reduction to keep it even. Push the big sections and choruses but then pull down bits like the verses to give you a few db movement on your average
well to be fair this is a sound engineer board. most Djs are not engineers. this sound board is far more complicated than a Pioneer dj controller and take practice and knowledge to run a show of this magnitude 😅
I work for a band called while she sleeps. They have an album called “so what?” And I was in Russia with them on the tour for that album release so I had the album name tattoo’d there
@@RattlinBonesClub it's cool, but I'm a metal guitarist and a big fan of FAFF )) now I'm learning how to mix and master my tracks.. Are you handling sound streams at a concert smartly
constructive critism and not ment to be bad but i don't like these vocal on top of everything mixes which everybody does nowadays and what happened to the low mids in guitars?
I work for a band called while she sleeps. They have an album called “so what?” And I was in Russia with them on the tour for that album release so I had the album name tattoo’d there
I love the fact you're showing what you're doing through an actual song, not just in a theoretical sense - great stuff!
Thanks 🙏🙏
Thanks for the video & the explanation. With the right skill compact desk are so powerfull!
Hey James - I’ve been loving your videos and thanks for all the content - as a amateur production guy trying to get into the pro tour biz- I love your in-site and views. Keep it up and thanks again- I wish I had shows I could do - that were on par- but I’m getting there !!
Thanks!
Super musical approach into a live mix!. This is great content and entertenining to watch. Thanks for sharing. 🤟. Salud from Chile
🙏🙏🙏
This is great and also a lesson in the importance of the sound mixer to know, or at least be familiar with, the artists songs. You are able to get the nuances (not sure that's the right word here!) in the performance. Well done!
🙏🙏🙏
Best band of the day, sound was sick too. Well done mate
Thank you! 🙏
No way! Didn't know you were there doing FOH at SD, Lucas smashed it
Hell yeah! He was awesome 🙌
sounds great dude ✌🏼I'm a big fan of the 1500 surfaces. you can do a whole lotta show on a really small desk
🙏🙏🙏
Suena increible amigo!
🙏🙏🙏
Was at Slam Dunk South looks like we got lucky with the weather
It wasn’t too bad. It caused a little bit of trouble but the festival did a great job of dealing with it. Some bands got moved around but was all ok in the end 👌
@@RattlinBonesClub I must say the Slam Dunk crew done am amazing job this year and went above and beyond this year and addressing any issues that occurred from last year or poped up this year
It was very strange to listen without Matt. 1045 Amsterdam was the soundtrack to my youth! Little Dlive is much cuter than the Sq5 ! Love the small footprint !
I originally was taking a s5000 for this show. I swapped to the smaller c1500 a week before to make it simpler for the festival setup. It worked out really well 🙌
@@RattlinBonesClub I reckon you made the smart choice !
Haha hell yeah rad, dude! Sorry my rack is all up in your shot! FOH spaces were not kind to us on these 🥵 mixes crushed bro
Oh hey dude! Your mixes were sick all weekend! Hopefully cross paths again soon sir 🫡🔥
Dude I recommend trying DCA Spills on this console if you haven't! Been a game changer to my flow of mixing
Literally just started doing it. This file on this video I’m using it and makes using the small console so much easier
Awesome!! Sorry for my English, could you teach the snare processing? Sound awesome!!
If I get chance when I’m on a console next time I will! I was really happy with my snare chain on this run! 🥁🔥
If I had to guess. Probably a ran through a tube pre amp, then FET compressor, like 1176, 30-50 ms attack, keep the punchy transient,100ms+ release time,boosted 200hz range for the body, parallel with a reverb send.
I love your content! Maybe you could do a video about your FXs you use at a shows? How many are you using? Only internal effects or are you using external fx from waves or smthg?
Just internal fx’s at the moment, maybe I can show this in a video soon!
Great job, love those videos 😍
I have question: what's your experience in mixing with a dB limitation as it is often the case at festivals? Do you have any tricks for maintaining a fat and punchy sound while staying below the dB limit? Thanks :)
Try to keep your peaks smooth, I usually try and use a few compressors at different stages of the mix, all doing a little bit. Comp over the LR doing a couple of db of reduction to keep it even.
Push the big sections and choruses but then pull down bits like the verses to give you a few db movement on your average
@@RattlinBonesClub Thank you so much 😘
Nice little shout out to Clair Global too!
Haha that’s the headline bands rig next to mine. I use Solotech for all my audio hire needs, but I’m sure Clair are great!
@@RattlinBonesClub Solotech is very cool too, as you know. You should get one of their cases in the next video!
Everyone's a DJ until you put one of these in front of them
well to be fair this is a sound engineer board. most Djs are not engineers. this sound board is far more complicated than a Pioneer dj controller and take practice and knowledge to run a show of this magnitude 😅
You can probably blindfold this guy.
и что ? на левой руке ))
I work for a band called while she sleeps. They have an album called “so what?” And I was in Russia with them on the tour for that album release so I had the album name tattoo’d there
@@RattlinBonesClub it's cool, but I'm a metal guitarist and a big fan of FAFF )) now I'm learning how to mix and master my tracks.. Are you handling sound streams at a concert smartly
constructive critism and not ment to be bad but i don't like these vocal on top of everything mixes which everybody does nowadays and what happened to the low mids in guitars?
и что?
I work for a band called while she sleeps. They have an album called “so what?” And I was in Russia with them on the tour for that album release so I had the album name tattoo’d there