DPA d:vote 4099V Violin/Viola Microphone Demo | Electric Violin Shop
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- Опубликовано: 7 фев 2025
- Available at goo.gl/dMNvX3
The DPA d:vote 4099V is a miniature supercardioid condenser microphone, with the capsule inside of a windscreen. It attaches to the side of violin or viola with a flexible gooseneck, allowing convenient placement. Because of the focused pattern of the 4099, the mic doesn't pick up breathing or movement noise (great for us emotional players!). Requires phantom power.
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Your cover sleeve (jacket0 looks to be mounted upside down. Slide it into place from above with the logo up... it looks better too.
Sounds like it is the truest sound.
It is definitely the most transparent. However, it's the most expensive, it's the hardest to go wireless with (it needs phantom power), and it's the most prone to bleed and feedback on a loud stage. Everything is a trade-off.
@@ElectricViolinShop , I have this mic and a new speaker Bose S1 Pro, but it didn’t work, so I found out I need phantom power. Could you please give me an advance with phantom box so I could gig outside? Thank you.
Really disappointed at the amount of room noise I'm hearing from this, in what looks like a well-treated room. Was considering this mic, as I'm having a lot of difficulty getting a good warm sound out of a violin recording, but this has turned me off completely. Any thoughts on what's going on with this mic?
What make:model on a close mic solo violin have you ever heard that is equivalent or better than omnis or boundary mics off in the distance of an acoustically ideal space?
Hi! Did you compare this mic with at atm350u? What do you think about it?
We have not. We don't carry the ATM, so there's not really an easy way to do that.
Does this amplify feedback issues when used in conjunction with an overdrive and wah pedal? Would be good to see how it handles a pedalboard. Sounds great though. I could see getting one.
crawfordviolin It is less feedback prone than a directional mic, but isn't really designed with high gain stuff in mind. It is really meant for mic-like tonal realism and players looking for that tend not to want to then wash it out with distortion. Best bet for distortion is always a solid body violin.
Let's say I were to play this in a really loud gig, blaring electric guitars and whatnot. Would that be an issue, or is it noiseless?
It's a mic, so sound isolation is definitely going to be a problem. If you're worried about that, a pickup would probably be a better solution.
The deepest string is much louder than the others. Is it a way to fix it wit this mic? Is it about positioning, or one need an equalizer to balance out this uneven volume?
Positioning will be a big part of it. If you want to get rid of some of that bottom end, you could run the HPF on the sound board up to 200 Hz. That'll help a lot.
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