I love the fact that there’s some people replying to this legit just saying they don’t want Kikuos music to get recognition and fame because of a tiktok thing which they could literally ignore 💀
@@gold.piratebooty I actually do! Which is odd cause I almost never do things I think about doing cause I’m lazy. ruclips.net/p/PLcEdc84qoLXjIzeGtOhD1Hg-A6Fco4ft9&si=yS99QA58XcKVeU2c
It starts out like you're a princess dancing ballet- in a sea of slumber and woe while the musicians/choir lets out the most terrifying symphony to pair it with.
As the lights begin to shine, this song begins to roar in all its sorrow. The crowd is beholden to the music, and they are enraptured. The recitals that led up to this point were magnificent to the very end, and this is no different. In fact... even those performing can see their progress from their start. The music is as graceful as its performers, though the emotions put in make it even greater. In the end, a round of applause from the entire audience can be heard, as the performers drown in their glory.
hanatans/Yurica's vocals sound more insane and desperate or mostly an happy evil emotion, Miku's here sound more calm but still evil sounding i absolutely love the difference
So here are the romaji lyrics: Yume odoru otogi no kuni de Hakaba no yoru ga hajimaru wa Lalalalala lalalalala Tanoshii urami no warutsu Susu ni mamireta Ningyō no me ga Kuroku kagayaki Utage o tsugeru Kanashii yo kurushii yo Bokura wa sawagu KImi ga kuru made Tōi tōi Yoru no hate de Urami tsuzukeyō Aishita hito yo Fukai fukai Jigoku no soko e Michibiite ageru Kowareta kuchi de warainagara Hiru wa akarui yume Yoru wa kurai negai o Dochira mo tanoshii Karakara kishimu Hai to susu no hakaba ni Kyō mo atsumaru Ikita monotachi Negaimashō kanaemashō Yōkoso kikasete Tsuyoi inori o Kono yo no Saihate kara Noroi tsuzukeyō Aishita hito yo Kurai kurai Yoru no soko de Moeta karada to Kowareta kokoro maichirasete Tōi tōi Otogi no kuni de Yukai na nakama ga Yume o kanaeru Hiru mo yoru mo ā Tōi tōi Yoru no hate de Urami tsuzukeyō Aishita hito yo Kyō mo kikasete Yukai na oto o Urami no warutsu wa Kizu ni mamireta Anata no koe Lalalalala lalalalala
6/8 is a compound time signature which combined characteristics of both 2/4 and 3/4; it has a main strong beat and a semi-strong beat like 2/4, but under the strong beat I just talked about there are another two beats, just like 3/4 (strong-weak-weak). In short, each bar has 2 groups of 3 beats (Strong - weak - weak - Semi strong - weak - weak). Pls don't mislead others.
Oh yay I'm not the only one having issues finding the instrumental. It seems its all but disappeared from the internet while so many people seem to have access to it. smh
Yume odoru otogi no kuni de Hakaba no yoru ga hajimaru wa LaLaLaLaLa LaLaLaLaLa Tanoshii urami no warutsu Susu ni mamireta ningyou no me ga Kuraku kagayaki utage wo tsugeru Kanashii yo Kurushii yo Bokura wa sawagu Kimi ga kuru made Tooi Tooi yoru no hate de Urami tsudzukeyou Aishita hito yo Fukai Fukai jigoku no soko e Michibiite ageru Kowareta kuchi de warai nagara Hiru wa akarui yume Yoru wa kurai negai wo Dochira mo tanoshii Kara Kara kishimu Hai to susu no hakaba ni Kyou mo atsumaru Ikita monotachi Negaimashou Kanaemashou Youkoso kikasete Tsuyoi inori wo Kono yo no saihate kara Noroi tsudzukeyou Aishita hito yo Kurai Kurai yoru no soko de Moeta karada to Kowareta kokoro Maichirasete Tooi Tooi otogi no kuni de Yukai na nakama ga yume wo kanaeru Hiru mo yoru mo Aa Tooi Tooi yoru no hate de Urami tsudzukeyou Aishita hito yo Kyou mo kikasete yukai na oto wo Urami no warutsu wa Kizu ni mamireta anata no koe LaLa
yume odoru otogi no kuni de hakaba no yoru ga hajimaru wa rarararara rarararara tanoshii urami no warutsu susu ni mamireta ningyō no me ga kuroku kagayaki utage o tsugeru kanashii yo kurushii yo bokura wa sawagu kimi ga kuru made tōi tōi yoru no hate de urami tsuzukeyō aishita hito yo fukai fukai jigoku no soko e michibiite ageru kowareta kuchi de warainagara hiru wa akarui yume yoru wa kurai negai o dochira mo tanoshii karakara kishimu hai to susu no hakaba ni kyō mo atsumaru ikita monotachi negaimashō kanaemashō yōkoso kikasete tsuyoi inori o kono yo no saihate kara noroi tsuzukeyō aishita hito yo kurai kurai yoru no soko de moeta karada to kowareta kokoro maichirasete tōi tōi otogi no kuni de yukai na nakama ga yume o kanaeru hiru mo yoru mo ā tōi tōi yoru no hate de urami tsuzukeyō aishita hito yo kyō mo kikasete yukai na oto o urami no warutsu wa kizu ni mamireta anata no koe rararara rararararara
I LOVE THIS SONGGGGG!!! THIS IS AMAZING!! IT'S WONDERFUL!!! EVERY SONG I'VE HEARD FRLM YOUR CHANNEL HAS A GOOD TUNE IT'S BEAUTIFUL!! MY FAVORITE IS AISHITE AISHITE AISHITE!!
This is the only kikuohana song that I like the miku version better tbh (which is weird because im obsessed with hanatans singing) idk tho this song is just perfect with miku ig
I imagine me in a black suit, holding onto the corpse of my dead partner, looking lovingly into their lifeless eyes and dancing a waltz. Despite being alive, i feel dead. Like a hollow body. I continue my dance in hopes of finding enlightenment that will never come. I move long, black hairs out of my face, just to realize I've been crying this whole time. I give the corpse a kiss on the head and lay them down gently, as i sit beside them, i wonder "Why do I cry if I don't feel?". I walk away from the body, into the hall where i disappear into the shadows.
This is jauntily and beautiful all at the same time, I was actually trying to find this song a couple weeks back but i didnt know the title but I'm soo sooo glad i found it tho
@@lemondrop8203 Seems to be. If I were to hazard a guess as to what it pertains to, I would say the singer is a deceased child (of coarse) and feels real angry about dying. Given the context of the dolls waiting alone, I would say the recipient of the song is a parent who neglected the singer, causing their death, and the singer wants nothing more than to make this parent suffer and die.
If I were to further guess, I want to say that this is a sequel song to Aishite, given that the rhythm and some of the melodic signatures are similar to that song, and the subject matter regards a child being starved for attention, this song is about that child being resentful postmortem
so, this might be a bit farfetched or weird, but i also have a different theory about this song! tw // discussion of trauma [fictional], discussion of death [fictional], brief mention of abuse and bullying, and other general dark topics you'd expect from this kind of song it could be from the perspective of a child's toy or imaginary friend, and how it tried to shelter it's child from pain and continue to hold onto the innocence they once had. the line "I shall keep holding on to this malice for you," refers to the idea of it sort of taking the child's dark thoughts, pain, and fears, and "holding onto" them in order to protect them from the dark world that it resides in. also, the fact that the "fairyland" or "land of dreams" [which likely refers to the child's imagination] is described as dark, twisted, hellish, etc could imply things about the child's situation or state of mind, leading me to believe that they may not fully understand what their situation actually is [it could be a lot of things really, abuse, divorce, bullying, poverty, just generally something negative and traumatic] and therefore the way it's shown in their mind is fantastical, and so their imaginary friend is almost seeing the tragedy through the eyes of a child. the fairyland is often described as a graveyard as well ["The night at the graveyard is about to start..." "Here at this graveyard filled with ash and soot-those who once lived."] generally speaking, this refers to the child's innocence, dreams, and younger self being "dead", but could also possibly imply someone they knew may have passed away, and so that sort of image and environment of graveyards and funerals is how they picture it. the imaginary friend is aware that it is running a fool's errand, it knows that in the end all it can do is "show you [them] the way to the deep, deep bottom of hell," and yet it continues to "rattle" and "clamor", though it knows it is all for nothing. along with this, it's likely the imaginary friend feels some resentment towards the child as they grow, feeling as if they took away the sweet and innocent one that it once knew. note the line "My once beloved", keyword 'once'. these feelings of malice and pain that they took from the child's corrupted subconscious are seen ["I shall keep cursing you," as well as some that seem passive aggressive, like "Let me make my wishes, and grant yours."], but kept as internal spite, contributing to the "waltz of malice". and yet, in the end, no matter how much time passes, it's child is still it's child, and so despite any spite, and despite knowing it's efforts will be in vain, "The merry bunch goes on making dreams come true, day and night, here in this far, distant fairyland." because that is all any of them can do. "Come, let me hear the pleasant sounds you always make." it's looking for their laughter, for those innocent sounds of joy, but knowing that they're no longer there, as "Indeed, this waltz of malice is made up of your own voice, as you’re covered in wounds.". the "waltz of malice", that dark truth that it had held onto, was now coming from the child who used to laugh so sweetly. in general, the song and lyrics just sort of feel like that melancholy of knowing there is nothing you can really do, and that bittersweet feeling of letting go. i just think it's an interesting concept n i like comparing how different people interpret things, so i thought i'd share!
I'm so happy that Kikuo exists
Me too. His existence is enough to keep me alive
tbh i'm so kikuo that happy exists
Same, music is one of the reasons why i am always striving forward
@@skduxuosoakzhxydyeujaksnsb580 beesechurger
@@skduxuosoakzhxydyeujaksnsb580 LITERALLYYY
夢踊るおとぎの国で 墓場の夜が始まるわ
ラララ… 楽しい恨みのワルツ
煤にまみれた人形の目が黒く輝き宴を告げる
悲しいよ 苦しいよ
ぼくらは騒ぐ君が来るまで
遠い遠い夜の果てで 恨み続けよう愛した人よ
深い深い地獄の底へ導いてあげる
壊れた口で笑いながら
昼は明るい夢 夜は暗い願いを
どちらも楽しい
カラカラきしむ灰と煤の墓場に
今日も集まる生きた者たち
願いましょう 叶えましょう
ようこそ 聴かせて 強い祈りを
この世の最果てから 呪い続けよう愛した人よ
暗い暗い夜の底で
燃えた体と壊れた心 舞い散らせて
遠い遠いおとぎの国で 愉快な仲間が夢を叶える
昼も夜も
遠い遠い夜の果てで 恨み続けよう愛した人よ
今日も聴かせて愉快な音を
恨みのワルツは傷にまみれたあなたの声
This should have the same recognition as Aishite, Aishite, Aishite
No no no hell no. I can’t stand if this ends up in the hands of Tiktok girls doing ahegao faces
no bro i cant stand cringy people saying “omg how loyal song🤪” and being trend on tikok just no
I love the fact that there’s some people replying to this legit just saying they don’t want Kikuos music to get recognition and fame because of a tiktok thing which they could literally ignore 💀
@Eros Matthew Montallana what?
@Eros Matthew Montallana lol
なんだこの曲調、ゴシックジャズワルツ
何個混ざってんねんwすげぇ
カラオケに追加される日をいつまでも待ってます
same
遅いかもでしたが入ってました
今日歓喜に震えながら歌ってきました
I always love how many textures are used in Kikuo's music and the animaTION WOW 💗
hikaru station omgmhi I loved ur my r cover oowo wow owowowo
OMG ITS YOU I LOVE YOUR CHANNEL
Fr
Didn't expect to see you here.
verified user. give upwards thumb.
Bro there needs to be more waltz vocaloid songs like this shit slaps
Making a playlist with this vibe lol it’s so good
ikrr
this song is so beautiful i swear im so glad i clicked it
@@novinovi-this is a year later but i am in love with flow of this song if this playlist is even existing may i have the link…. 🙏
@@gold.piratebooty I actually do! Which is odd cause I almost never do things I think about doing cause I’m lazy.
ruclips.net/p/PLcEdc84qoLXjIzeGtOhD1Hg-A6Fco4ft9&si=yS99QA58XcKVeU2c
How are the visuals even made Jesus Christ it's insane
The magic or Japan, or at least SasitamA
+Just 彬 A LOT of time effort and distortion effects.
drunkslaver "a lot" is two words
xX UnidentifiableDefiance Xx You sound like my English teacher stop
ssome moments are r/ihadastroke
It starts out like you're a princess dancing ballet- in a sea of slumber and woe while the musicians/choir lets out the most terrifying symphony to pair it with.
Just imagine if this was actually in a ballet recital.
As the lights begin to shine, this song begins to roar in all its sorrow. The crowd is beholden to the music, and they are enraptured. The recitals that led up to this point were magnificent to the very end, and this is no different. In fact... even those performing can see their progress from their start. The music is as graceful as its performers, though the emotions put in make it even greater. In the end, a round of applause from the entire audience can be heard, as the performers drown in their glory.
@@lesliemorganking3283 wait that could possibly work
初めて聴いたとき、メロディーと歌詞が愛しすぎて一目惚れしました。
kikuo様の曲はどれも好きですが、この曲は特に美しいと思いました…
美しく、残酷で、たまに愛狂うところがいいですね。
美しい旋律でワルツを奏でる人々がいまだに見られてうれしい！
綺麗。こんな絵描けたらいいなw
1:49 ここの伴奏「愛して愛して愛して」っぽい
音楽のセンスが芸術的
Miku and Hanatan's vocals sounds very different in this song and I'm impressed :)
yea personally i think hanatans sounds way more emotional
hanatans/Yurica's vocals sound more insane and desperate or mostly an happy evil emotion, Miku's here sound more calm but still evil sounding i absolutely love the difference
暗い気分の時にこの曲聴くと逆にテンション上がるんだよな😵💫
なんでこんなインドネシア語の字幕かっこいいん??????
このコメ見てインドネシア語にしました
なんでインドネシア語の字幕つけとんねんwwwwwwwwwwww
Do u even understand indonesian?
字幕こんなことできんの！？！？！？びっっっっっくりした
マジでかっこよかった
This has a totally different feeling from the version with Hanatan's vocals
Love both versions
i agree. hanatans sounds more sad to me.
I personal feel like the vocals using Miku sound more gloomy and sad, while hanatan’s sound more emotional and distraught even
なんかめっちゃお洒落で鬱な感じが素敵…！
きくおｻﾝの痛みの表現感が独特で素敵なのは、ボカロだから生かされるんだと思います！
So here are the romaji lyrics:
Yume odoru otogi no kuni de
Hakaba no yoru ga hajimaru wa
Lalalalala lalalalala
Tanoshii urami no warutsu
Susu ni mamireta
Ningyō no me ga
Kuroku kagayaki
Utage o tsugeru
Kanashii yo kurushii yo
Bokura wa sawagu
KImi ga kuru made
Tōi tōi
Yoru no hate de
Urami tsuzukeyō
Aishita hito yo
Fukai fukai
Jigoku no soko e
Michibiite ageru
Kowareta kuchi de warainagara
Hiru wa akarui yume
Yoru wa kurai negai o
Dochira mo tanoshii
Karakara kishimu
Hai to susu no hakaba ni
Kyō mo atsumaru
Ikita monotachi
Negaimashō kanaemashō
Yōkoso kikasete
Tsuyoi inori o
Kono yo no
Saihate kara
Noroi tsuzukeyō
Aishita hito yo
Kurai kurai
Yoru no soko de
Moeta karada to
Kowareta kokoro maichirasete
Tōi tōi
Otogi no kuni de
Yukai na nakama ga
Yume o kanaeru
Hiru mo yoru mo
ā
Tōi tōi
Yoru no hate de
Urami tsuzukeyō
Aishita hito yo
Kyō mo kikasete
Yukai na oto o
Urami no warutsu wa
Kizu ni mamireta
Anata no koe
Lalalalala lalalalala
I love your existence kikuo
今更ハマっちゃったんだけどどうすればいいの
初めまして……………！！！
(･∀･)人(･∀･)ﾅｶｰﾏ
おお、同士よ。
そのままハマれば良い
ハマるのに時期なんて関係ないのですよ
@@大黒子接着なんか可愛い笑
( ´꒳`*)人(*´꒳` )ﾅｶｰﾏ
I love kikuo because only kikuo's music can describe each feeling and each tought
ワルツっぽい感じ好き
this song has been my favorite for years and never gets old. I want to marry this song oml its so good
you have made a beautiful choice in favorite songs
きくおさん、人間飛び越えて宇宙まるごとに優しいから好き。
毎度きくおさんの曲は音圧が凄すぎる
it's feels surreal to see ENGLISH comments from freaking 6 years ago in this
球体関節大好き！！💕
もしかして、物をパラパラ壊すの男の子が壊した人形の歌？
愛して愛して愛してと、物をパラパラ壊すとこの曲なにか繋がってるような…
ベストソング
I LOVE THIS SONG
Kikuo: writes a waltz
Also Kikuo: this will be in 4/4.
This is, like,the legit description of the song •o•
It's actually in 3/4 like a normal waltz...
People, this is 6/8 mostly………
6/8 is a compound time signature which combined characteristics of both 2/4 and 3/4; it has a main strong beat and a semi-strong beat like 2/4, but under the strong beat I just talked about there are another two beats, just like 3/4 (strong-weak-weak).
In short, each bar has 2 groups of 3 beats (Strong - weak - weak - Semi strong - weak - weak). Pls don't mislead others.
@💮スロー shinrinyoku yooo ur that person who makes slowed versions of kikuo songs
im subscribed and i love your slowed versions
Title: Waltz of Malice /Urami no Waltz/ うらみのワルツ
Oh yay I'm not the only one having issues finding the instrumental. It seems its all but disappeared from the internet while so many people seem to have access to it. smh
ruclips.net/video/kt0SrGvcmqo/видео.html Here u go ((o(^∇^)o))
オシャレな感じ！
Five second into the video and I recognise the art from Aishite Aishite Aishite FUCK YES THANK YOU KIKUO
It's mostly thanks to su_ki for the amazing animation
@@ClocklessHours this isnt si_ku's art. Aishite and this song's MV was made by redegg
きくおはなで一番好きな曲です！ミクが歌うと花たんともまた違う感じがして引き込まれます
kikuoさんの中で一番好き！
愛して愛して愛してみたい！！メッチャカッコいい！！
花宮叶恋 わかります！
私もこの雰囲気すごく好きです！
Live laugh kikuo
so true bestie
starts at 0:20
my god. I absolutely adore the instrumentals.
怖いけど綺麗な曲だな…！
I'm here because of millie's fan concert and uki's cover
今ハマってます。
もっと早く聴きたかったーーー！！！！
不安になるけど安らぐ不思議な曲…
Yume odoru otogi no kuni de
Hakaba no yoru ga hajimaru wa
LaLaLaLaLa LaLaLaLaLa
Tanoshii urami no warutsu
Susu ni mamireta ningyou no me ga
Kuraku kagayaki utage wo tsugeru
Kanashii yo Kurushii yo
Bokura wa sawagu
Kimi ga kuru made
Tooi Tooi yoru no hate de
Urami tsudzukeyou
Aishita hito yo
Fukai Fukai jigoku no soko e
Michibiite ageru
Kowareta kuchi de warai nagara
Hiru wa akarui yume
Yoru wa kurai negai wo
Dochira mo tanoshii
Kara Kara kishimu
Hai to susu no hakaba ni
Kyou mo atsumaru
Ikita monotachi
Negaimashou Kanaemashou
Youkoso kikasete
Tsuyoi inori wo
Kono yo no saihate kara
Noroi tsudzukeyou
Aishita hito yo
Kurai Kurai yoru no soko de
Moeta karada to
Kowareta kokoro
Maichirasete
Tooi Tooi otogi no kuni de
Yukai na nakama ga yume wo kanaeru
Hiru mo yoru mo
Aa
Tooi Tooi yoru no hate de
Urami tsudzukeyou
Aishita hito yo
Kyou mo kikasete yukai na oto wo
Urami no warutsu wa
Kizu ni mamireta anata no koe LaLa
Honestly miku popped this off. best version imo
yume odoru otogi no kuni de
hakaba no yoru ga hajimaru wa
rarararara rarararara
tanoshii urami no warutsu
susu ni mamireta
ningyō no me ga
kuroku kagayaki
utage o tsugeru
kanashii yo kurushii yo
bokura wa sawagu
kimi ga kuru made
tōi tōi
yoru no hate de
urami tsuzukeyō
aishita hito yo
fukai fukai
jigoku no soko e
michibiite ageru
kowareta kuchi de warainagara
hiru wa akarui yume
yoru wa kurai negai o
dochira mo tanoshii
karakara kishimu
hai to susu no hakaba ni
kyō mo atsumaru
ikita monotachi
negaimashō kanaemashō
yōkoso kikasete
tsuyoi inori o
kono yo no
saihate kara
noroi tsuzukeyō
aishita hito yo
kurai kurai
yoru no soko de
moeta karada to
kowareta kokoro maichirasete
tōi tōi
otogi no kuni de
yukai na nakama ga
yume o kanaeru
hiru mo yoru mo
ā
tōi tōi
yoru no hate de
urami tsuzukeyō
aishita hito yo
kyō mo kikasete
yukai na oto o
urami no warutsu wa
kizu ni mamireta
anata no koe
rararara
rararararara
You angel…thank you.
きくおさうんどは計り知れない。愛してます
Wow, this is amazing! Definitely gonna be one of my favourites! ♡
YO, I WAS JUST THINKING OF THIS SONG AND TRYING TO REMEMBER ITS NAME?? waaaah im so pleased!
0:20
夢踊るおとぎの国で
墓場の夜が始まるわ
ラララララ ラララララ
楽しいうらみのワルツ
0:53
煤にまみれた人形の目が
黒く輝き宴を告げる
悲しいよ苦しいよ
ぼくらは騒ぐ 君が来るまで
1:15
遠い遠い夜の果てで
恨み続けよう 愛した人よ
深い深い地獄の底へ
導いてあげる 壊れた口で笑いながら
1:54
昼は明るい夢 夜は暗い願いを
どちらも楽しい
2:13
カラカラきしむ 灰と煤の墓場に
今日も集まる 生きた者達
願いましょう 叶えましょう
ようこそ聴かせて 強い祈りを
2:36
この世の最果てから
呪い続けよう 愛した人よ
暗い暗い夜の底で
燃えた身体と壊れた心 舞い散らせて
3:16
遠い遠いおとぎの国で
ゆかいな仲間が夢を叶える 昼も夜も
3:31
嗚呼
遠い遠い夜の果てで
恨み続けよう 愛した人よ
今日も聴かせてゆかいな音を
うらみのワルツは 傷にまみれた
あなたの声 ラララ ラララララララ
Came here from Uki Violeta's cover, which just exceeded 1M as of today.
The cover reached 1M but not the actual song????
サムネが綺麗すぎる
何この素晴らしい曲
この世で1番好きな曲
この曲に出会えてよかった
literally so beautiful. why am I only finding this song now
美しすぎて声もでなかった
very underated ! this song is very good
I LOVE THIS SONGGGGG!!! THIS IS AMAZING!! IT'S WONDERFUL!!! EVERY SONG I'VE HEARD FRLM YOUR CHANNEL HAS A GOOD TUNE IT'S BEAUTIFUL!! MY FAVORITE IS AISHITE AISHITE AISHITE!!
I hope you like what Kikuo wants to say with it too...
+Levi - please tell me levi
I WILL DESTROY THAT KYUUBEY
Coffee! WTFFFFFFF
Dude calm, please
0:30 - 0:40 this part amazing
This is the only kikuohana song that I like the miku version better tbh (which is weird because im obsessed with hanatans singing) idk tho this song is just perfect with miku ig
I'm three years late but this song is great
this song is so underated oh my god
FRR ITS SO
Ikr
I never knew about this song until now and I’m upset that I didn’t find this earlier
me too
このオペラな感じ・・・良曲だね
夢踊るおとぎの国で 墓場の夜が始まるわ
ラララララ ラララララ 楽しいうらみのワルツ
煤にまみれた人形の目が 黒く輝き宴を告げる
悲しいよ苦しいよ ぼくらは騒ぐ 君が来るまで遠い遠い夜の果てで 恨み続けよう 愛した人よ
深い深い地獄の底へ 導いてあげる 壊れた口で笑いながら
昼は明るい夢 夜は暗い願いを
どちらも楽しいカラカラきしむ 灰と煤の墓場に
今日も集まる 生きた者達願いましょう 叶えましょう ようこそ聴かせて 強い祈りを この世の最果てから 呪い続けよう 愛した人よ
暗い暗い夜の底で 燃えた身体と 壊れた心 舞い散らせて
遠い遠いおとぎの国で ゆかいな仲間が夢を叶える 昼も夜も嗚呼
遠い遠い夜の果てで 恨み続けよう 愛した人よ
今日も聴かせてゆかいな音を うらみのワルツは 傷にまみれたあなたの声 ララ
thank you！ありがとうございます！
星空雪姫さんありがとうございます(*´▽`人)ｱﾘｶﾞﾄｳ♡
はぁーーーもうほんとなにこれ、好きすぎる無理
i love this song wonderful
真棒 爱 爱
bro this song needs more attention ik its already an old songg but this is an amazing song
Bro😫 KIKUO NEVER MISSES
good work, as always kikuo! *starts subbing the mv aggressively*
*_こんにちは、喜久雄、あなたのビデオは素晴らしい、偉大な仕事を維持する!_*
さっすがきくおさぁん、
またまた怖いの作りますねぇ(ゲス顔)
イラストとも綺麗👍
I imagine me in a black suit, holding onto the corpse of my dead partner, looking lovingly into their lifeless eyes and dancing a waltz. Despite being alive, i feel dead. Like a hollow body. I continue my dance in hopes of finding enlightenment that will never come. I move long, black hairs out of my face, just to realize I've been crying this whole time. I give the corpse a kiss on the head and lay them down gently, as i sit beside them, i wonder "Why do I cry if I don't feel?". I walk away from the body, into the hall where i disappear into the shadows.
Me and you both
Mizisuacore
Wonderful as always! Thank you for your music, Kikuo!
I’ve never seen this song before actually, it’s really nice
Redegg ate with this MV the style it rlly fits the song
素敵
I'm absolutely in love with the song and the art *-* I'ts just amazing, and I can understand a little bit of the Kana! ♥
This song so fantastic
どこまでも堕ちていきたい
素敵！！！
thanks so much for uploading your songs here! this is absolutely amazing, i love it. i never get enough of your amazing work!
This is jauntily and beautiful all at the same time, I was actually trying to find this song a couple weeks back but i didnt know the title but I'm soo sooo glad i found it tho
i love this style of music sm
It's starts at 0:19 .
Wonderful as always.
Thank you kikuo, i really love your style
j'aime tellement les chansons de Kikuo... toujours pwarfé... ;-;
Tellement >
Juliette LOUIS je suis totalement d’accord !
Mais tellement !
J'ai bugé quand j'ai vue du français ( enfin ) parmis de l'anglais majoritairement, du japonais et un peu d'espagnol
@@unepersonneparmis7milliard754 c'est un miracle que t'ais réussi à trouver mon commentaire tellement il est vieux haha
この曲 私大好きです
何度も何度もきいてます
私にとってはとても癒されるんです 心地よいのです 人間なんて憎いと思う人間沢山いるけど
一緒に呪ってくれてるみたいで心が落ち着くんです メロディーも素敵
一緒に恨んでくれて聞いてくれてありがとう
kikiop and pinocchio p made a new son at the same time
Also Neru.
+Yonzo Rikuo life is okay
one kikuo and pinocchio a day keep the noose away
+Yonzo Rikuo wait they posted it at the same time or worked on it together?
That's sad... like life
hauntingly beautiful
lololol I thought my earphones weren’t working.
same
same
好き！
IT'S BEAUTIFUL. .___.
Is anybody going to talk about the meaning of the song?
This one is pretty simple. REVENGE!
@@Geminilion100 Revenge? That's it?
@@lemondrop8203 Seems to be. If I were to hazard a guess as to what it pertains to, I would say the singer is a deceased child (of coarse) and feels real angry about dying. Given the context of the dolls waiting alone, I would say the recipient of the song is a parent who neglected the singer, causing their death, and the singer wants nothing more than to make this parent suffer and die.
If I were to further guess, I want to say that this is a sequel song to Aishite, given that the rhythm and some of the melodic signatures are similar to that song, and the subject matter regards a child being starved for attention, this song is about that child being resentful postmortem
so, this might be a bit farfetched or weird, but i also have a different theory about this song!
tw // discussion of trauma [fictional], discussion of death [fictional], brief mention of abuse and bullying, and other general dark topics you'd expect from this kind of song
it could be from the perspective of a child's toy or imaginary friend, and how it tried to shelter it's child from pain and continue to hold onto the innocence they once had.
the line "I shall keep holding on to this malice for you," refers to the idea of it sort of taking the child's dark thoughts, pain, and fears, and "holding onto" them in order to protect them from the dark world that it resides in. also, the fact that the "fairyland" or "land of dreams" [which likely refers to the child's imagination] is described as dark, twisted, hellish, etc could imply things about the child's situation or state of mind, leading me to believe that they may not fully understand what their situation actually is [it could be a lot of things really, abuse, divorce, bullying, poverty, just generally something negative and traumatic] and therefore the way it's shown in their mind is fantastical, and so their imaginary friend is almost seeing the tragedy through the eyes of a child.
the fairyland is often described as a graveyard as well ["The night at the graveyard is about to start..." "Here at this graveyard filled with ash and soot-those who once lived."] generally speaking, this refers to the child's innocence, dreams, and younger self being "dead", but could also possibly imply someone they knew may have passed away, and so that sort of image and environment of graveyards and funerals is how they picture it.
the imaginary friend is aware that it is running a fool's errand, it knows that in the end all it can do is "show you [them] the way to the deep, deep bottom of hell," and yet it continues to "rattle" and "clamor", though it knows it is all for nothing.
along with this, it's likely the imaginary friend feels some resentment towards the child as they grow, feeling as if they took away the sweet and innocent one that it once knew. note the line "My once beloved", keyword 'once'. these feelings of malice and pain that they took from the child's corrupted subconscious are seen ["I shall keep cursing you," as well as some that seem passive aggressive, like "Let me make my wishes, and grant yours."], but kept as internal spite, contributing to the "waltz of malice".
and yet, in the end, no matter how much time passes, it's child is still it's child, and so despite any spite, and despite knowing it's efforts will be in vain, "The merry bunch goes on making dreams come true, day and night, here in this far, distant fairyland." because that is all any of them can do. "Come, let me hear the pleasant sounds you always make." it's looking for their laughter, for those innocent sounds of joy, but knowing that they're no longer there, as "Indeed, this waltz of malice is made up of your own voice, as you’re covered in wounds.". the "waltz of malice", that dark truth that it had held onto, was now coming from the child who used to laugh so sweetly.
in general, the song and lyrics just sort of feel like that melancholy of knowing there is nothing you can really do, and that bittersweet feeling of letting go. i just think it's an interesting concept n i like comparing how different people interpret things, so i thought i'd share!
Une chanson de Pinocchio-P hier, une chanson de Kikuo aujourd'hui... Bordel, cette semaine va être la meilleure semaine de ma vie.
Kuromoko quelle chance ! XD
Still an all time favorite ❤❤❤❤