Masterclass 4 - Conductors' Academy 2023/24

The fourth Conductors' Academy under the musical direction of Paavo Järvi takes place from 03 to 05 June 2024. The four course blocks and the closing concert will be livestreamed here. At the end, the audience will have the opportunity to vote for the winner.
www.tonhalle-orchester.ch/en/...
___
Candidates of the Conductors' Academy 2023/24:
Jiaying Ding, China, 1994
Rosina Flueckiger, Switzerland, 1995
Xiaobo Hu, China, 1990
Julia Kurzydlak, Poland, 2001
Ian Niederhoffer, USA, 1996
Richard Octaviano Kogima, Brazil, 1990
www.tonhalle-orchester.ch/en/...
___
Masterclass 4:
Johannes Brahms Serenade Nr. 1 D-Dur op. 11
Johann Strauss (Sohn) «Frühlingsstimmen», Walzer op. 410
___
Supported by the Freundeskreis Tonhalle-Orchester Zürich - exclusive project partner
Board and lodging for the academy members supported by Ruth Burkhalter
___
▪️ Webseite→ tonhalle-orchester.ch​​​
▪️ Facebook→ / tonhalleorchester​​​
▪️ Instagram→ / tonhalleorchest...​
▪️ Twitter→ / tonhalle​​

[@PenelopeChin]

It is nice to watch Maestro Järvi teach, it is one of the very few places in which I can watch education being done properly, like a mentor sincerely teaching. These days, the recordings of these masterclasses are one of the few places I would go to brainwash/purify myself after coming across a questionable performances on Medici TV or elsewhere. I glad Maestro Järvi exists for the coming generation, thank you for being here... ❤

[@vuemusicale]

I was lucky to be this day in the public. It was beautiful, fascinating. What a wonderful day it was👍🏼🤩
Sincere congratulations to all these young candidates. Congratulations also to the orchestra for all this professional patience, including the virtuosity of hornist Ivo Glass.
And what a magnificent maestro Paavlo Järvi!
Among all the exciting things heard of him, this caught my attention after the 30th minute:
«All has to be organic. You have to feel it. You feeled, but you are to respectful of the score. Never loose respect but don’t leave it through your live».
The reason I allow myself to mention it is because in Paris in 1973, during a Bach cantata lesson, I heard NADIA BOULANGER explain also something like this: «In music, technique is important, but the emotion felt must absolutely be expressed».

[@barbaraltwegg7]

Let her SING TOO🎉!!! B.Altwegg