Classical Male Voices
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- Опубликовано: 30 сен 2024
- Operatic voices - Voices with proper classical technique and skills which can be heard without amplification throughout the opera house, over the orchestra and choir.
Male voice types:
The male classical singing voice can be broadly classified by their tessitura (comfortable range) as follows:
1) Tenor : Male voice with the highest tessitura. Range: A3 to C5(or higher)
2) Baritone : Middle-range voice type for men and is the most common male voice. Range: G2 to A4
3) Bass : The lowest voice type, with the lowest tessitura. Range: C2(or lower) to F4
The above 3 voice types can be further divided on the basis of their vocal weight and quality as:
a) Lyric : A warm voice with a bright, smooth and full timbre and can be heard over a big orchestra.
b) Dramatic : A powerful, rich, emotive voice that can sing over a full orchestra with ease. Usually has a lower tessitura than the Lyric voice.
c) Buffo : A voice with good acting ability, and the ability to create distinct voices for his characters. This voice specializes in smaller comic roles.
Other voices include:
- CounterTenor : A type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice. True countertenors are extremely rare and the part is usually sung by baritones using falsetto.
- Leggero Tenor : This voice is light, agile, and capable of executing difficult passages of fioritura.
- Spinto Tenor : This voice has the brightness and height of a lyric tenor, but with a heavier vocal weight and can be "pushed" to dramatic climaxes without strain
- Helden Tenor : A rich, dark, powerful and dramatic voice with a more baritonal quality.
- Mozart Tenor : A tenor voice with characterised by flawless and slender emission of sound as that of an instrument.
- Baryton-Martin : A Baritone with a lighter, almost tenor-like quality.
- KavalierBariton : A metallic voice, that can sing both lyric and dramatic phrases, a manly noble baritonal color.
- Verdi Baritone : A type of dramatic baritone who is capable of singing consistently and with ease in the highest part of the baritone range.
- Bass-baritone : A voice in the lower range for a baritone and the higher range for a bass. Sub-classified into lyric and dramatic bass-baritones.
- Basso Profundo : A very deep bass voice. The voice with the lowest tessitura. Sub-classified into lyric and dramatic Basso Profundos.
Shtokolov was a very very great Bass when the USSR had many great Basses. I actually heard him in Moscow and it was one of the great pleasures of my 104 years, Melchior was irreplaceable !
Incredible I wish you the best sir.
*After hearing the last voice* And who says a Bass can't sound beautiful?
Dramapony One truth is that basses are very limited because the only notes they do perfectly are low notes and they struggle with higher notes. I don't care though because being bass must be freaking awesome to hit those really low notes :D
Numnum I can relate to it :D I'm not a bass, I'm a dramatic baritone but singing above D4 is so painful for me xD
I know right...Have a listen to Paul Robeson :-)
Nekros97 That doesn't have to mean anything. I can comfortably sing as a lyrical basso profundo and as a baritone, but i can also go up into tenor ranges if needed, although I probably wouldn't try to sing an entire role or song in it.
I can fit the last voice and nothing else xD the guy before dropped a hair too low for me and everyone else was like WAY TOO HIGH
I'm a dramatic baritone. At first I didn't like that my voice is dark and I sound like a 40yr old man but I realised it has many pros. Dramatic voices are fuller and richer than lyric ones.
Phillip Jaroussky - Counter Tenor.
Juan Diego Florez - Leggero Tenor
Luciano Pavarotti - Lyric Tenor
Franco Corelli - Spinto Tenor
Mario Del Monaco - Dramatic Tenor
Lauritz Melchior - Helden Tenor
Jacques Jansen - Baryton - Martin
Dietrich Fizcher - Dieskau - Lyric Baritone
Leo Nucci - Kavalier Bariton
Ettore Bastianini - Dramatic Baritone / Verdi Baritone
Bryn Terfel - Lyric Bass-Baritone
Hans Hotter - Dramatic Bass-Baritone
Samuel Ramey - Lyric Bass / Basso Cantabile
Cesare Siepi - Dramatic Bass / Verdi Bass
Giorgio Tadeo - Lyric Basso Profundo
Boris Shtokolov - Dramatic Basso Profundo
dal vivo :
Samuel Ramey - basso cantante ?!...
ahahahahahahahahahahahahah !
Giorgio Tadeo - basso profondo ?!...
ahahahahahahahahahahahahah !
Boris Shtokolov - basso profondo ?!...
ahahahahahahahahahahahahah !
Jan diego Florez - tenore leggero ?!...
ahahahahahahahahahahahahah !
Leo Nucci - kavalier bariton ?!...
ahahahahahahahahahahahahah !
Bryn Terfel - Lyric Bass-Bariton ?!...
ahahahahahahahahahahahahah !
no comment
What would a G1 be considered as? Dramatic bass? Lyric basso profundo?
And Dmitri Hvorostovsky?
G1 is usually only used by octavists in russian liturgical music.
Nice collection , Most people confuse Leggero with tenore di grazia. Leggero is the make equal of a Coluratura. Its a style not a sound. The Rossini tenor is a leggero. Florez qualifies. . I feel like Ramey and Siepi were both Basso Cantante (cantabile), even though Siepi had the lowest notes of a profundo. I think of dramatic basses more in Wagner- THe wander, Fafner, Hundig types. Since the Verdi baritone is really an American creation, I wonder you didnt use an Americsn as the example. Tibbett, Warren, MacNiel, Milnes. Bastianini , a great singer to be sure, is not typical of the Verdi baritone.
I'm very jealous of their extraordinary vocal ability.
I don't know any of these singers or anything about opera but oh shit does Mario Del Monaco stand out to me out of all these guys. He just oozes emotion and that voice...oh my god!!!!
It’s worth noting that he’s lip syncing in that footage. He would not look that calm singing it live.
William Meinert There is a live version of his esultate of the 1959 tokyo version. Also his 1951 version is just worth hearing his voice. Thus, del monaco in his prime did look pretty calm while singing.
이준혁 I’m not saying he didn’t look secure singing live. Just that the clip here makes it look like he’s expending no effort at all.
William Meinert Yeah. That is true. Most of the time when del monaco lip syncs, he doesn't open his mouth widely unlike when he is really singing.
I adore Mario del Monaco's voice.
It does not matter what "Fach" you are.
It only matters how beautifully you sing.
You sing best when truly being yourself.
ONeirda #1 bastianini. el mejor
ONeirda You are right.
why do i always see this "inspirational" words everywhere? lol.
Your too kind. In actuality when wanting someone to understand what thier voice type is capable of it’s perfect. Once every expected technique is controlled, then one can expand their capabilities in unexpected registers/keys etc.
no..
Well I'll be fached!!
😂
Nucci is a Spinto Tenor, actually.
my jaw litteraly dropped when i heard the first one
same o.o
But why so?
Countertenors are known to sound angelic. The replacement of the Castrati.
This is *so* helpful, exactly what I was looking for! Great choices for examples too!
Also check the video "Classical female voices"
Classical Female Voices
Thank you for your hard work !
I am a Verdi Baritone classically trained in Bel Canto, but I sing musical theatre and Gospel. Over the last 23 years I have stretched my mix voice range up to an E5, my full chest voice tops out at A#4. Falsetto is up to G5 currently, and I bottom out at a D2.
De um modo geral o video é muito interessante. Mas na minha modesta opinião o Cesare Siepe é um Baixo Profundo Lirico. O Baixo Dramático seria Nicolai Ghiarov. O restante esta correto.
Кто придумал эту классификацию, не имеющую ничего общего в реальностью? Какие лирические басы, какие баритоны-Мартин? Есть лирический/драматический тенор, есть баритон, причем лирический баритон в Италии вообще не признается, есть бас-баритон, есть бас и бас профундо. Иллюстрации местами вообще очень странные…
Этот бро ещё разделил бас профундо на лирический/драматический 💀💀💀
Вообще певцы не делятся на лирических и драматических (ну кроме мб теноров), они делятся на хороших и плохих.
the dramatic basso profundo sounds scary to me.. maybe this is why the stigma of tenor=hero and bass=villian is alive.
I'm hearing in my head the scene when Siegfried kills the Dragon. Thats a scary bass role!
I'm embarrassed I've not even heard of say 98% of those tremendous singers male or female and yet their voice resonates. wow. I'm impressed by the DNA of people's gifts. I want more... See us humans aren't all bad we actually have something to offer..
@@kuwandak Of course, DNA is a factor in these wonderful voices, along with hard training.
Thank you. Took me way to long to find a simple example video of vocal ranges.
You've copied the text in your description from Wikipedia..... Also the Tessituras given in the description are a little wrong.......
The 16 classical male singing voice from countertenor to drain basso profundo are :
1. Countertenor
2. Leggiero Tenor
3. Lyric Tenor
4. Spinto Tenor
5. Dramatic Tenor
6. Heldentenor
7. Baryton-Martin
8. Lyric Baritone
9. Cavalier Baritone
10. Dramatic Baritone
11. Lyric Bass-Baritone
12. Dramatic Bass-Baritone
13. Lyric Bass
14. Dramatic Bass
15. Lyric Basso Profundo
&
16. Dramatic Basso Profundo
That's all!!!!!!!!!!!!!!!!
Cavalier is not a real fach. Is just Dramatic and Lyric, and Verdi is just a sub-type of a Dramatic Baritone and more of a repertoire than a stable voice type. Every mature trained Baritone should sing Lyric and Dramatic repertoire.
There are also different types of countertenors
1-10 high voices
11-16 low voices
1. Lyric
2. Spinto
3. Dramatic
4. Baritone
5. Bass
That's all I got. Good luck actually dividing full repertoires into SIXTEEN categories.
@@voicualex87 Lyric and dramatic voices sing different repertoire for a reason. Just look at Hvorostovsky & Pavarotti singing the duet Invano Alvaro, form La Forza Del Destino. Hvorostrovsky is clearly forcing his voice too keep up with the dramatic demands. Compare that version to Ettore Bastianini & Corelli - Invano Alvaro 1958 live in Naples. Bastianini does not have to force himself or his voice to keep up with the dramatic demands. The history of opera is littered with lyrical singers damaging their voices by singing dramatic repertoire.
00:06 Countertenor
00:36 Leggero Tenor
1:02 Lyric Tenor
1:27 Spinto Tenor
1:48 Dramatic Tenor
2:14 Heldentenor
2:43 Baryton-Martin
3:01 Lyric Baritone
3:20 KavalierBariton
3:45 Dramatic Baritone / Verdi Baritone
4:15 Lyric Bass-Baritone
4:40 Dramatic Bass-Baritone
5:00 Lyric Bass / Basso Cantabile
5:30 Dramatic Bass / Verdi Bass
5:50 Lyric Basso Profundo
6:30 Dramatic Basso Profundo
For me, Leo Nucci is a Dramatic/Helden Tenor
I agree
Yes or martin
Yeah Leo Nucci is a tenor for sure
Lírico
Thank you for sharing this. My music-loving kids have been asking me questions about vocal ranges/categories, so I hit RUclips hoping to find examples of each, and this was exactly the sort of thing I was looking for.
Dramatic Tenor and Heldentenor are the same.
I thought the first one was a woman
Pavarotti is Tenor Lírico-Leggero
Question how the hell do I acquire high range I am limited to D2-C#4
Same bro!!!
With head voice. Search a professional teacher. If you can't afford one, look at youtube videos.
Bass baritone maybe
Well you're probably a bass baritone like me. I always wanted and tried to sing like a tenor. But it's not gonna work and that's ok. Your range doesn't need to be as big as fredie mercury's. I mean Sinatra and Elvis didn't have an amazing range but they still are a legend today.
Just be yourself man
lol at these made-up categories
Can I have a list of songs please....
Corelli, Bastianini, Siepi... e gli altri ...
1st voice...beautiful.
Wow... the first and last ones gave me chills
me too
3:27 me in the shower
😅 😅
We can be best singer when shower hahahaha
A lyric tenor has a bright, strong, full timbre voice and can be heard over a big orchestra. Does Bocelli have a strong, full timbre voice?
Examples of Lyric tenors are Pavarotti, DiStefano, etc
A spinto has a heavier voice than a lyric and can have a slightly lower tessitura. eg. Corelli, Domingo,etc.
Check the description below the video to read more about the voice types.
Have u ever thought about doing a part ii using different singers?
You've copied it all from Wikipedia
@@newhope5729 so what?
@@魚-c3d That means there's no depth to the knowledge.... Whatever was written there has been pasted here without taking any care about the correctness and originality
@@newhope5729 it doesn't mean he doesn't know what he is talking about. He might have gone on Wikipedia to find something to lean on when trying to make himslef clear, because maybe he was insecure about it. And what he says here is true anyway. This is how a confident and experienced person would have put it without searching on the internet, so I don't see your point.
Jaroussky is really a baritone.
Countertenors use falsetto so real chest range classification doesn't apply
Nah, a tenor.
@@MultiKamil97 "He has said that his natural singing voice is in the baritone range." I just googled it.
@@gerardsatamian But his timbre is more tenor-ish. He has a very soft, bright speaking voice.
Jaroussky is really falsettisti.!!!
.
I’m a little conflicted between Luciano Pavarotti or Jerry Hadley being a lyric tenor. Hadley’s voice is fuller than Pavarotti’s, similar to Corelli’s but too light to be a Spinto Tenor. I don’t know, just my opinion though.
Nucci is a tenor
I'm probably a Baryton-martin XD
I'm verdi bass or lyric basso profundo I guess
There is a difference between. dramatic baritone and verdi baritone
Pavaroti no era in tenor lirico era lirico ligero
leggero is a florid style, like a Rossini tenor. Many confude it with tenore d grazia. Id say Pavarotti developed into a lyrico spinto, as evident in the Andrea Chenier and Pagliacci telecasts toward the end of his opera career
But the role is for lyric tenor
@@jefolson6989 He may have sung Andrea Chenier and Pagliacci but he was no Spinto tenor, at best he developed into a Full Lyric tenor. He did not perform these heavy roles regularly, he did it only a few times, likely because he was paid a lot to perform these roles. I am glad he did not really sing these roles regularly, because he would have destroyed his beautiful voice like Di Stefano did. Listen to Franco Corelli and Mario Del Monaco singing "Un di all'azzurro spazio" (From Chenier) and listen to "No! Pagliaccio non son!" (From Paggliaci), with Franco Corelli and Mario Del Monaco. You will hear the difference between a real Dramatic voice and a Lyric voice like Pavarotti had, or listen to Franco Corelli singing Che Gelida Manina, listen to how big his voices sounds when he sings a normal aria meant for lyric tenor.
@@ZENOBlAmusic the term "dramatic tenor" amuses me since there are no roles written for them ( except maybe Otello) . What's called dramatic are really spintos of varying weights. Some are lighter, some heavier. It's a musical style rather than a voice classification. So dramatic must be also. But the best we can say is a dramatic voice singing a spinto role. Bjoerling was a lyric , and a rather small voiced one, but sang shinto roles with great success. Rhadames, Manrico, etc. But he never pushed for a heavier sound.
Leggero refers to a style, not a voice type. It's characterized by agility. The tenor coluratura, Rossini tenor. Pavarotti could sing that music but he really wasn't the type. Lyric to lyrco spinto near the end. Gigli did many of the same roles. It's a fuzzy area. I say if you can sing it well, it makes no difference. I've heard Chenier sung by Pav, Bergonzi, Giacomini, and Jon Vickers and several others. Very different voice, same spinto role. Variety is what opera is all about. Rules are meant to be broken
Hay un error jarousky no es contratenor, es sopranista. Que cante repertorio de contratenor no lo hace contratenor. Por el contrario David Daniels es fiel contratenor.
Hearing all these voices, I am NOT sure which category I fit in as a singer. Well, I guess that I'm NOTHING considering I sing non-classical/operatic material. In classical, you are called by the voice type (Countertenor, Tenor, Baritone and/or Bass) and in non-classical, you are called by the style (Pop, R&B, Rock, Country, Jazz, Blues etc...) To make it fair, I sing on a hybrid between Tenor and Countertenor. I sing classically in Countertenor and non-classically in high Tenor. I am NOT sure what I actually am but definitely NOT Bass or Baritone!!!!!!!
What's up with the exclamation marks? Lmao
This is a little silly. There is a well defined male operatic fach that is not even mentioned - Basso Buffo. The video maker has included a category Heldentenor which is essentially a dramatic tenor just singing in German. Leo Nucci made his career singing Verdi baritone parts but here is called a Clavier Baritone. Usually that term is reserved for parts like the Count in Le Nozze which stop at around F Sharp. Verdi baritones sing a little higher.
The fundamental frequency of human voices is a function of the length of the vocal cords and these vary continuously. They do not come in discrete fixed ranges. I'm a bass but I can manage some baritone parts (damn few) and have performed some. Many natural baritones can sing tenor (e.g. Domingo, Bergonzi, Ordonez) Most guys like to move up if they can because the high parts pay better.
buffo tenor too
@@adamirfan6986
Right. The most famous buffo tenor part isn't in opera but operetta - Eisenstein in Fledermaus. Sometimes it's done by operatic baritones and other times by tenors. It has a lot of acting requirements so the casting is only determined by vocal range. There is another real tenor part (Alfred) in Fledermaus so I think baritones are usually preferred to keep balance. Of course there is also a conventional baritone part too. Could be wrong about that.
Absolutely right. I love your comments in opera videos haha
You often have good insights but Domingo and Bergonzi are in no way baritones. It is amusing how people never think that Corelli is baritone and he also started as a baritone.
0:35 undeveloped sopranist. No masculine voice
That's the whole point. The whole point of countertenor roles is to sound feminine. The countertenor is used more for comedic roles than the type of roles you'd take seriously.
List went off track when hans hotter was called a dramatic bass-baritone and siepi a dramatic bass
Eu estou na conta da minha irmã. Eu queria tanto ser um Tenor Spinto
Pavarotti no era lírico, ni Corelli spinto; el primero era lírico - ligero y el segundo era dramático
I hummed some tenor examples and I feel like my voice would sing more on the dramatic/heldentenor tessitura with a range from B2 - B4 that in the future I may have a dramatic tenor and heldentenor singing career but it's too hard to tell.
@@魚-c3d True but the Heldentenor also would have the power to sing Wagnerian roles including Siegfried and Tristan.
Dramatic voices are not a vocal range. Dramatic voices are not singers with lower voices. They are vocal sizes, these are much bigger voices, with much more power.
What is the name of that aria that Mario del Monaco sang?
Esultate! from Verdi's Otello.
When someone classifies male voices at least should state how he does that.
+Luis Montecinos - Please check the description
Guess I am a Dramatic Baritone
You started out with 2 mosquito voices ….
I know the young man who is special. ... He have lyric basso profondo voice strings made. Only a few people...
...have voice strings as big as he have. He try his ability and possibility in Parish Choir in my lokal Parish in my town.
Somehow I think countertenor should be classified.
+relike868p Third first guy in this vid was a countertenor
Oh yes... I actually meant sub-classified... I think there could be facher like lyric countertenor or baritonal countenor...
And so that teachers train them according to the subtimbres
I think I cross between a lyric bass baritone and a dramatic basso profundo.
Samuel Ramey is more dramatic bass-baritone than anything.
4:54
Nabucco: Act 1, Fli Arredi Festival… Sperate O Figli
(by Verdi)
I did study
i love spinto tenor voice
I'm a Bass (C2-G4), I don't know whether if I'm a lyric, dramatic or a profundo? What is the difference between the three of their timbres?
Shottoru Is it still possible to tell you? Hah.
Yup , dramatic bass profundo
Very Interesting video. Are you a singer or do study classical singing? :)
It's fascinating to me how basses seem to have the slowest vibratos.
Especially on the lower range.
Sound is a wave, so it makes sense.
@@williammountfield8508 Your explanation doesn't explain anything
@@AT-zr9tv frequency times wavelength is a constant, higher notes have a higher frequency therefore low notes have a longer wavelength, which makes a slower vibrato easier on the voice.
@@williammountfield8508 I still don't understand your explanation.
Vibrato is independent of pitch. Its frequency is between 5Hz and 7Hz. Vibrato occurs when air pressure above and below the vocal folds balance out. But again, it's independent of pitch.
I’m pretty sure I’m a Baryton-Martin
Me too
Baryton-Martin is an untrained tenor
But there are soprano, mezzosoprano and alto Countertenors! Plus they can also be lyric, dramatic or Heroic ones! Jaroussky is one of the highest!
>>>>MALE
Dr.Rhy†hm you misapprehend her, I’m afraid
Dr.Rhy†hm what he’s trying to say is that there subcategories for Countertenors!!!
Siepi is Basso profondo
Sounds like a Verdi bass to me. He may be a dramatic high bass, but he's still amazing. He did go down to the profondo range occasionally I think, but spent more time in the range of a standard, regular bass.
There are no dramatic/lyric basses. Only good and the bad ones.
I really don't like the baryton-Martín voice!
why?
It's not the voice type the issue, it's the singer lol
Thank you for the very imformative video.
Is there a full length version of the Melchior video.
Much appreciated.
There's no way am an alto. I am so tenor. Lol!
An alto is a classsication of a female voice while tenor for male. A female may have a range pf a tenor but she’ll be classicafied as an alto.
Which opera bastianini sang in this video?
Il Trovatore
4:15 Amadeus :)
Del monaco the best,but lot of greats missing......gigli,bjoerling,gedda,kraus,bergonzi,merill,battistini,granforte,herlea,tagliabue,gobbi,de luca,chaliapin to name a handful
Different sources distinguish different classifications. If voice strong enough it is not complete lyric tenor. Lyric voice is mild mellow smooth. If voice has a height and enough strong and brightness it's a spinto tenor. There is two tipes of spinto: Lyric spinto (lower weight, less strength and brightness) and Dramatic spinto (higher weight like a lyric, but more power and brightness) I convinced that there is no vivid bound between. Some voices can be defined as both.
Franco Corelli fits in second example( spinto dramático)
forgot the male soprano but overall great video!
Florez.
@@vitormrmr that isnt a male soprano but ok
What do you guys think of the baryton-martin voice type? It's my fach and it's not used in today's opera much.
What’s Bastianini singing? I’d like to hear the original recording.
EDIT: Finally found it.
ruclips.net/video/p2Vo50JZep8/видео.html
Ramey is indeed a bass-baritone. When compared to Cesare Siepie, Jerome Hines (or hell even bass-baritones like George London and Hans Hotter) his voice is much lighter but still carries weight on the bottom utmost parts of the voice (G2, F2, E2)
deadwalke - good that you took this point. The classification of tenor/baritone/bass has more to do with the range than the weight/lightness of the voice. Lyric/Dramatic determines if it's a light or darker/heavier voice. As you had mentioned Ramey has a light voice and siepi/hotter has a heavier voice and so one is a "lyric" and the other is a dramatic. Meanwhile you've also noticed that Ramey has stronger lower notes showing his range which classifies him as a bass whereas hotter is a bass-baritone with a comparatively upper range. Hope this clarifies it.
Technically, a dramatic tenor/baritone/bass sings with a low positioned larynx while a lyric has mid-high larynx position.
A bass-baritone is a term that includes both high basses and lower baritones. You can be a true bass and a bass-baritone at the same time, though bass-baritone usually means a baritone with bass-like properties.
According to my tessitura and my passagios I am a Light Lyric Bass-Baritone. The thing is my tone is very light, which means people tend to think i sing/speak high, when i can easily project an F2 without a mic
yea if you can project a f2 without a mic fairly easy then you probably a bass-baritone of some sort my lowest not i can project without a mic is c#3 but i can sometimes get a b2 for my voicetype im not sure alot people sayimg im a lyrics baritone why a few think im a light lyric tenor which still suprise me
I'm not a male. However, according to my range/tessitura, I am a contralto. I can hit lower notes naturally.
Only Tenors and Sopranos are divided into Light Lyric and Full Lyric.
Mimi Brit Adele yeah now I know that :) (the original comment was posted 6 months ago)
But it does show the limits of the Fach system, which is favorable for tenors and sopranos
@@waynegray7923 if you have issues on thoise notes then you are probably indeed a light lyric tenor. A baritone can project in the 2nd octave with ease. I am a tenor (don't know what type, sometimes i sound like a leggero and sometimes like a spinto, idk why ...) and i struggle on notes belloe f3 and i can only project with ease and consistenly down to d3, bellow that i can project but have issues even with support at times, my voice sounds, shaky, cracky and throathy most of the time, i even full on crack or start to sing in fry bellow b2.
Samuel Ramey cuando le daba volumen a sus agudos le salía espantoso. El era ligero.
Cool....All the male ranges.
Jessica Prasetyo I was looking for a bass-baritone example coz I am a bass-baritone also. They found great examples, I agree.
I'm lucky. I have dramatic bariotne voice strings made and... ...I can training sing to good sing. And can play piano and cello.
Diffrets people have diffrents talents. Little % of people really haven't talent to sing and music, but they are ONLY few.
They have other talents.
I have a c3 to g4 range and my lows sound fake and weak, but my highs are way too thin, can somebody help me? I'm 21 btw.
I can sing Christina Aguilera songs faulty easily and some Maroon 5 songs. What vocal type would I be considered in?
as a counter tenor, it would be better to insert Alfred Deller
What is the name of the song that Hans Hotter is singing?
whats the music called in 1:49
odi yusdianto hermawan Otello "Esultate".
Jarousky has sooo many holes in his voice.
Idk why but I really like kavalierbariton style
Bellissima carrellata di voci maschili: apprezzo molto l'inclusione del basso Giorgio Tadeo
Baryton-Martin, Lyric baryton, Kavalier baryton, Bass-baryton, Lyric bass = fake voice types
Counter tenor too. This is leggiero tenor Who sing almost in headvoice
Lyric Baritone fake voice type??
@@voicualex87 Absolutely.
Lyric bass = Basso Cantante
Me clasificaria como Bajo Profundo Lírico. I think i'm a Lyric Basso Profundo
I'm slightly higher than dramatic tenor.
what is the range of a verdi baritone?
According to the most sorces: G2-G4. Very strict opera requires from dramatic/verdi baritone F2, G#4 or both.
Sorry it was a mistake i have now real sources and french books who gave the real range, the pieces of score (extract from operas) and more (story of the opera : the begin to today (all operas) and the big singers really known for their work i got real books for the train and the best version to sing. I can determinate the difference between the same vocal range with a good way to sing with power and dont try hard with our voice to appears more bass tessiture and the opposant. I know this video is to remake because she's wrong because of the bad singers who make the way to the mistake of the video and i have all books to prouve that.
Where is Kraus? tenor lirico legero
I learn to sing opera i am a bass (D2-E4) but its very hard for me to sing highest notes. Everything under C4 sounds good but if i go upper....
This makes me curious about a few Finnish opera singers. Martti Talvela was an operatic bass with a very powerful voice, though I'm not sure which subtype he fell under. A lyric or dramatic basso profundo, maybe? Then there's bass-baritone Hannu Forsberg and tenor Tom Nyman whose subtypes I'm not sure of.
In case anyone wants to take a crack at figuring them out, here's Talvela: ruclips.net/video/lM531FqMvqE/видео.html; Forsberg: ruclips.net/video/7My2UNiZBwU/видео.html; and Nyman: ruclips.net/video/YdMeEhnA-8Y/видео.html
Why do the basses and baritones sound almost the same to me? On the other hand, the difference between the sound of a tenor and the sound of a baritone is obvious.
+Ihdc1 I think they sound the same to a lot of people, because both voice types have a very similar dark/mature tonal quality to them. Tenors, at least from what I've heard, generally have at least some light youthfulness to their voices to make them sound brighter. But I think it's easy to tell the difference between baritone and bass from the video; notice how the basses have virtually no lightness or upper extension, while the baritones at least have a middle ground of low and high.
I think I'm a lyric bass-baritone. It be cool if someone could confirm that for me 👀
can someone help me find out whats my voicetype is i was told i was a baritone( lyric baritone ) and was also told i might be a tenor a low one my range is usually (f2)a#2 to g#4 (d5) i can go up to a f5 at fully max headvoice/falsetto and my low notes in the morning at times dont know if is fry or not can go low as d2 i believe but thats before i warm up after that i usally go low as f2 in fry and my lowest note if i was going to sing on stage is believe b flat2 or a2 i have a video on my wall o f anyone would like to check it out thanks in advance
+wayne Gray With some of your audio-clips backing me up on it, I'd say you could possibly very much fall under the "Lyric Baritone-Baryton Martin" sub-category (Baryton Martin is a Lyric Baritone with a more tenor-ish voice)...
yea i was told that by some vocal teacher i was hoping to be a dramatic tenor bit they said my timbre is that of a lyric baritone
oh sorry didnt see your whole comment you say im more baritone marton is that why my passaggio is at c4 and f4 if not mistaken
+Francesco paterni i for got to ask in non classical term a baryton martin would be call a baritenor ?
wayne Gray Yes...Although the term baritenor itself is too much used...It seems like a lazy method to say "This guy has a confusing voice,just call him a baritenor and be done with it".......I know plenty of guys in rock music who were called baritenors or even baritone while they were tenors (Jack Black,Roger Daltrey,Graham Bonnet....).....
You anyway have not that sort of "deepening effect" that many tenors have...Your higher second octave-lower third octave are too much good to be considered tenor,yet not too much good to be considered nothing lower than Lyric Baritone or Baryton Martin...
Buenas tardes.