It’s so crazy how all of us have seen the video of the calculator and are now here to see it transcribed. The internet is such a strange and lovely place
@@linkshadow2 it was too great of a video to pass up the opportunity to put it into sheet music! i really wanted to learn what chords were in the song, and wanted to share it with others :)
@@drumming_cat i thought of naming them that way but i like naming the chords in root position because it feels easier to build them up that way. but i also think if you think of it in terms of the chords functional purpose then yeah saying Abmaj7/C definitely makes more sense!
I just transcribed this yesterday, and made a cover of it in JummBus (online music maker). I wrote a bunch of rhythms differently but it’s so free form that that’s to be expected. This piece is insanely good for something the author just (apparently) randomly threw together, I’m obsessed with it. That move to Dm7 is so cool, huh?
@@terdragontra8900 oh nice! can you link ur transcription? im interested in what things we may have done differently. the dm7 is awesome! im also really fond of the Bm7b6
@@terdragontra8900 got it ty! i noticed the chord in the 8th bar of my transcription (on beat 3) we transcribed differently. you put a B natural and i put a B flat... upon listening back it was definitely a B natural so you got me there haha
Hey, nice work. I wanted to point out the second chord in bar 8 (0:22), which you labeled Bb9/D. This was my favorite chord from the progression, it actually has an A♮ and B♮ in the middle of the chord, rather than the A♭, B♭, and C which you wrote. Also, instead of just relying on your ear for this transcription, you could actually look at the numbers written in the original video. The numbers seem to correspond to the chromatic scale, with 0 being the A♭ below middle C
@@6musicIAN6 oh, i didnt actually realize there were numbers there that makes me feel a bit silly! also someone else i believe pointed out that i messed up that chord. idk how i missed the B natural because listening back to the original its really obvious!!!
Oblique motion, one tone stays constant while the other voice (or voices in this case) moves up or down. It's also called a pedal tone sometimes if it holds out over several chords.
Just a minor correction on conventional chord syntax: when a chord has a 7th, further extensions are referred to as 9, 11 and 13 rather than 2, 4 and 6. So Bm7b6 would be Bm7b13, and Eb7add4 would be Eb7add11, for example. Great job otherwise!
i just estimated them. id listen along to the original video and i could hear it slightly speed up/slow down so i adjusted accordingly. they arent really too precise or anything!
@@lordkoopus Well since desmos plays sounds based on functions or number arrays I'd think that classical sheet music cannot exactly match them. If you're interested maybe search online about tunings with equal temperament and others.
@ interesting! i just wanted to notate it standardly so anyone wanting to play the chords could easily understand! but i understand its not totally accurate
It’s so crazy how all of us have seen the video of the calculator and are now here to see it transcribed. The internet is such a strange and lovely place
@@linkshadow2 it was too great of a video to pass up the opportunity to put it into sheet music! i really wanted to learn what chords were in the song, and wanted to share it with others :)
that D♭maj9 into the Cm♭6 is magic
i love that one. i also really like the Cmb6 to Bm7b6!
@@lordkoopus I thought I heard a Bb in the Cm♭6 in the original, but that's okay
no it doesnt
i'd call that Cm♭6 actually just an A♭maj7/C (because it's like going from the IV chord to the I chord in A♭ major) also the Bm7♭6 I'd call a Gmaj7/B
@@drumming_cat i thought of naming them that way but i like naming the chords in root position because it feels easier to build them up that way. but i also think if you think of it in terms of the chords functional purpose then yeah saying Abmaj7/C definitely makes more sense!
Now we get an actual church organ to play it
This sounds like a graphing calculator
I've in the past joked "chorale sheet music when". Thank you.
0:24
Summoning Salt presents
I love at 0:18 the Ab to DbM9
I just transcribed this yesterday, and made a cover of it in JummBus (online music maker). I wrote a bunch of rhythms differently but it’s so free form that that’s to be expected. This piece is insanely good for something the author just (apparently) randomly threw together, I’m obsessed with it. That move to Dm7 is so cool, huh?
@@terdragontra8900 oh nice! can you link ur transcription? im interested in what things we may have done differently.
the dm7 is awesome! im also really fond of the Bm7b6
@@lordkoopus I just included a link to my cover of it, in the description of the score. youtube wont let me include the link here.
@@terdragontra8900 got it ty!
i noticed the chord in the 8th bar of my transcription (on beat 3) we transcribed differently. you put a B natural and i put a B flat... upon listening back it was definitely a B natural so you got me there haha
When the SYNTHESIS is ADDITIVE
Oh I love when people use cut time when 4/4 would work perfectly fine
@@zzehyboy753 idk i sometimes just think of things in 2 rather than 4. really doesnt have much functional difference
I’ve been wondering how the transcription looked!! The harmonies were so pretty in that, and thank you for the score vid! 🙋♀️✨
@@vyvianspipes im glad you liked the transcription :)
The Cmaj flat 6 was 🤌👌
Hey, nice work. I wanted to point out the second chord in bar 8 (0:22), which you labeled Bb9/D. This was my favorite chord from the progression, it actually has an A♮ and B♮ in the middle of the chord, rather than the A♭, B♭, and C which you wrote. Also, instead of just relying on your ear for this transcription, you could actually look at the numbers written in the original video. The numbers seem to correspond to the chromatic scale, with 0 being the A♭ below middle C
@@6musicIAN6 oh, i didnt actually realize there were numbers there that makes me feel a bit silly! also someone else i believe pointed out that i messed up that chord. idk how i missed the B natural because listening back to the original its really obvious!!!
-which means a church organ sounds like a sine wave; no defining percussion.
Reminds me of Alice Coltrane’s “Kirtan: Turiya Sings”
I smell a gizzard in her3
i don't know the term when a note is used in both chords to transition into each other, but i absolutely adore it.
i think its called a "common tone" a note common between two chords :)
aint it called suspension or something
@haiderbop a suspension is a specific kind of common tone. if the tone resolves down to like a major or minor chord then its a suspension yeah
Oblique motion, one tone stays constant while the other voice (or voices in this case) moves up or down. It's also called a pedal tone sometimes if it holds out over several chords.
@ pedal tone is usually when its a bass note i thought but maybe im wrong
Do you guys wanna see me make a DCI ballad out of this
If you don’t know what that is look it up
heck yeah brother
yeah go for it!!
Bro leaked the Faith 2 Soundtrack💀
Hmm, i would have done Cmb6 as an Abmaj7 inversion but it comes up so much that i see why you would notate it differently
I think those half note chords are actually Abmaj7b5 and Amaj9sus2
@@imallsoupedup i was having a hard time naming them.. this is a definitely better way of putting it! thank you :)
@@lordkoopus np
How does one do this? I would like to tru writing a small piece for Desmos.
If you have a pdf could you put it in the description?
Just a minor correction on conventional chord syntax: when a chord has a 7th, further extensions are referred to as 9, 11 and 13 rather than 2, 4 and 6. So Bm7b6 would be Bm7b13, and Eb7add4 would be Eb7add11, for example. Great job otherwise!
@djangoshaw9728 ah thank you. i forgot about just using the upper extention names but youre totally right. ty :)
This should not be cut time but otherwise this really good.
i always tend to feel longer notes in cut time, idk why. 4/4 would work perfectly fine here too!
What are those tempos lol
i just estimated them. id listen along to the original video and i could hear it slightly speed up/slow down so i adjusted accordingly. they arent really too precise or anything!
@@lordkoopus haha cool! Really good arrangement!
Is it really 100% accurate or should a different more pythagorean tuning be used?
@@SuperRedstoneman idk what pythagoreon tuning is
@@lordkoopus Well since desmos plays sounds based on functions or number arrays I'd think that classical sheet music cannot exactly match them. If you're interested maybe search online about tunings with equal temperament and others.
@ interesting! i just wanted to notate it standardly so anyone wanting to play the chords could easily understand! but i understand its not totally accurate
@@lordkoopus well that's impossible hehe but it doesn't really matter to be a tenth of a percent off, hope you learned something though !
Based on the original video, it appears to be done in equal temperament