@Nebbiolo Italiaans wijnhuis Baarn no. they are jealous. art tatum is jealous. hiromi and emmet raised human limits again, but of course, without these big ones from the past, they wouldnt do, what they do. i mean, emmet and kyle are like ... its just magic. they are completely syncronized in a way ... damn.
I think this pianist is as good as anyone around he can swing he can be lyrical inventive and most of all he plays with joy that infects his fellow musicians and the audience
I remember when Bill told Marian McPartland (on her 'Piano Jazz' radio show ) how he wrote this when he got out of the army). He played it with restraint (I thought) but so lyrically and beautifully. Then I heard him play it Sweden during the 60s with Monica Zetterlund, again quite subdued. Courtesy of You Tube! THIS version is unrestrained and beautiful, too. I hear All the joy and melancholy Bill created in your version and your talent is plain to see. A Bill Evans comes along once in a lifetime so thank you for this very different and captivating homage.
Thank you for playing Bill Evans’ Waltz for Debby 🥹. This song is precious to me for sentimental reasons. I was living abroad in Japan and I had just met my future wife precisely when I bought Cannonball Adderley’s record “Know What I Mean?” in a Japanese record shop. Despite being from Long Island, New York, I ironically discovered that NYC-recorded album in Tokyo, and thus both Cannonball and Bill are inextricably linked to my “other home” in my mind. That album came to define and represent one of the most magical periods of my life. Oh, the incredible power of association. Thank you Emmett, Russell and Kyle for a brilliant, sparkling, vibrant rendition ❤️❤️❤️
This is pure genius, and is one of my absolutely favorite versions of Bill Evan's tune Waltz For Debby! Emmet Cohen begins with a graceful implied 3/4, (swinging into 4/4 like the composer often did), making this tune "sound easy". But Waltz For Debby I find a real challenge to improvise melodically without sounding "too cyclical" - as the form has a few twists, and the chords change quality often, with reharmonized bass lines that vary each section. The modulation EC3 does from original key of F adds such a refreshing color! Emmet sounds like he is doing a triple ending, then plays an Ab pedal point in the low register as a seamless transition note - a cue bassist Russell Hall picks up on, and off they go to the warm & rich key of Db!
Bill Evans is my favorite jazz pianist. This tune competes with Misty as my most loved pieces. Beautifully interpreted by this young and very talented artist. This is melodic jazz at it best. Bravo, Emmet!
Needless to say, this is a classic, played by Evans and many other players! I felt spring for the first time when I heard your performance. The intro is like an unsteady early spring, then it turns into a steady, warm and happy warm spring. This wonderful performance is for my dear B💗
Emmet, you do lyrical jazz piano very well… very, very well! Bill Evans is smiling down from heaven
@Nebbiolo Italiaans wijnhuis Baarn no. they are jealous. art tatum is jealous.
hiromi and emmet raised human limits again, but of course, without these big ones from the past, they wouldnt do, what they do.
i mean, emmet and kyle are like ...
its just magic. they are completely syncronized in a way ... damn.
Agreed, also love how he can move in and out of that feeling so fluently. From a spred voicing sound to something closer and do that seamlessly.
you mean hell
I think this pianist is as good as anyone around he can swing he can be lyrical inventive and most of all he plays with joy that infects his fellow musicians and the audience
I remember when Bill told Marian McPartland (on her 'Piano Jazz' radio show ) how he wrote this when he got out of the army). He played it with restraint (I thought) but so lyrically and beautifully. Then I heard him play it Sweden during the 60s with Monica Zetterlund, again quite subdued. Courtesy of You Tube! THIS version is unrestrained and beautiful, too. I hear All the joy and melancholy Bill created in your version and your talent is plain to see. A Bill Evans comes along once in a lifetime so thank you for this very different and captivating homage.
Wow. Emmet you never cease to amaze me man, what an intro!
I love when Emmet plays a lick from another song and looks at the camera like "did you get it?"
Thank you for playing Bill Evans’ Waltz for Debby 🥹. This song is precious to me for sentimental reasons. I was living abroad in Japan and I had just met my future wife precisely when I bought Cannonball Adderley’s record “Know What I Mean?” in a Japanese record shop. Despite being from Long Island, New York, I ironically discovered that NYC-recorded album in Tokyo, and thus both Cannonball and Bill are inextricably linked to my “other home” in my mind. That album came to define and represent one of the most magical periods of my life. Oh, the incredible power of association. Thank you Emmett, Russell and Kyle for a brilliant, sparkling, vibrant rendition ❤️❤️❤️
Magnificent!!!!
beautiful
This is pure genius, and is one of my absolutely favorite versions of Bill Evan's tune Waltz For Debby! Emmet Cohen begins with a graceful implied 3/4, (swinging into 4/4 like the composer often did), making this tune "sound easy". But Waltz For Debby I find a real challenge to improvise melodically without sounding "too cyclical" - as the form has a few twists, and the chords change quality often, with reharmonized bass lines that vary each section. The modulation EC3 does from original key of F adds such a refreshing color! Emmet sounds like he is doing a triple ending, then plays an Ab pedal point in the low register as a seamless transition note - a cue bassist Russell Hall picks up on, and off they go to the warm & rich key of Db!
Hey, look, it's Debbie! Lol
You totally summed it up Debbie... and why has this only had 9,000 views????
Well said 👍👍
And it was written for you, right Debbie? 🙃
@@acousticshadow4032 Hah! Wishful thinking, 😆For Bill Evan's niece Debby (With lyrics by Gene Lees ..."And her big purple bear..."
Just lovely, Emmet. Just noticed Kyle's brush work is wow classic
Please come to Texas emmet we love you
That is unbeatable. By far the best version of this tune ever!
Like floating on clouds of rainbows.
These guys are even set up and playing first thing in the morning!!! 😆
Guys, you made my day. Thanks a lot for your music. Greetings from Mexico City.
Bill Evans is my favorite jazz pianist. This tune competes with Misty as my most loved pieces. Beautifully interpreted by this young and very talented artist. This is melodic jazz at it best. Bravo, Emmet!
Needless to say, this is a classic, played by Evans and many other players! I felt spring for the first time when I heard your performance. The intro is like an unsteady early spring, then it turns into a steady, warm and happy warm spring. This wonderful performance is for my dear B💗
🌸Mon Amour , Hello to Spring morning, Yes Spring is the time of New good Hope …do You know😍it is also a time of LOVE.
You made my day too. Bravo from France.
What a trio.
3:28 - Emmet having too much darned fun! - a balm for the soul
Thank You, for This beautiful , délicate , lyrical Waltz, ….wonderful , magical JAZZ PIANO …
I hasn't even started, and I'm so excited to hear your take on this GORGEOUS tune 😍😍
It is so cool, hearing three guys play, seemingly, with one mind!❤️
just so beautiful, I'm sure Bill would have approved.
A very fine rendition of the Bill Evans classic
You three people give me so much enjoyment!!! Thank you! The modulation was great.
Emmet and Bill evans makes the waltz for Debbie a fascinating performance!!
Thanks both 🎹🎼
Now that is a waltz! Wonderful!!
Just beautiful playing guys. This made my day.
Very high level rendition of Waltz for Debby
I absolutely love playing this tune, wonderful synergy
Emmet Cohen - What an enormous talent!!!
Magnificent performance!!!
Excellence to the maximum…
Beautiful Jazz Piano Playing is Very Well!!! Thank you Very Much! I Love this Waltz for Debby~~~~~
Excellent!
Bravo !!!
Emmet and his trio are one of the BEST! thanks!
Perfect! Thank you Emmet!
Really wonderful take on a classic. Thanks guys!
Beautiful
Kyle Pool is soooooo goood. !!
Thanks!
Great version of one of my all-time favorite tunes. I like that you made it yours.
Wonderful!
BEAUTIFUL!! You just inspired me to keep it up with my path through jazz
Un sueño!!! Venid a Valencia!!!
beautiful
What an Eargasm
Merci mille fois pour votre merveilleuse interprétation !
Beautiful.
Called the "Waltz for Debby" and yet it only waltzes a chorus. One of the great jazz mysteries.
Lovely
Loving the "On Green Dolphin Street" reference at 4:03 ! It was inserted very appropriately and meshed well into the solo.
Wauw, I like it I miss the swedish singer a little bit
Love the arrangement beautiful
Please more beautiful lyric ballads with lush solo piano intros ❤🌠
yessss
Liked and subscribed
very nice! :) You guys are lucky, to be playing together ♪
-E
Muy bien hermano
When you need some #kettle2themetalkettlecorn kettle corn, just let me know. I just love what your giving to the world through your music.
I request you to play the waltz for debby with Patrick Bartley like Evens and Adderley.
nice
👍👍👍
could someone link that tea for two credits/outro song? I can't find it :( , thanks!
Russ' bass tone kills me - just gorgeous! I'd love to know if it's just mic'd or theres a bit of pickup in there somewhere
😍
did they go into 4 in the solo section?
yes
Observations: 1 Beautifully done 2 Is that the Mad Hatter playing bass? 3 Cleaning spray bottle on floor...interesting
What an intro..
damn, that's some tasteful brushwork on the head
Jimmy Hendrix on bass
So what can't these guys do- nothing!
get ryan devlin on the scene!
gourmet shit
담배빨면 들으니까 좋네
I can see and hear what the drummer's playin' even tho' I can-nuh hear it 🙄
👎
Beautiful.
Beautiful