I've experienced perfect movement a few times in my life. Some examples - One was hitting a golf ball & scoring a hole in one. One was in shin shin aikido engaging one point as Tohei called it & another was with this technique - mind & body unified. Like the end of Billy Elliot when he says "he" disappears & feels like electricity
@johnnyworzel3741 the floor came our well in the video, it is an old parquet floor that was recently restored, but sadly not very well. Thank you for commenting and we are glad you found it useful.
Thank you. Your explanations are long and throughou. Each movement, although quick in execution has 100s of small movements that need to be made in quick succession to get it right. Your videos do this. I absolutely appreciate this extra help. I'm going to practice this each day until I get it. Thank you Sensei
We practice this sen-no-sen mite technique in a similar manner, using the rear hand as nagashi uke in a variety of ways like a windshield wiper in conjunction with the slightly angled penetrating movement(s) of the body and/or head. Uke's simultaneous jodan attacks can be slipped either inside or outside; chudan attacks are deflected much as you demonstrate, with the "windshield wiper" taking the form of a low impact gedan barai. Interesting to see such similarity in different styles. Human beings all have the same appendages, and lines/angles of attack and defense are likewise finite. Irimi is key here.
@@WadoRyuBenkyo Ohshima Shotokan. While my seniors employ a full range of techniques and strategies, one could say that our training focuses on irimi, mite, and oizuki, all emphasizing penetration of the opponent's mind along with elimination of all false preliminary movements. With regard to your presentation here, our "four beat drill" begins with the type of entry movement you demonstrate, followed by continuation of the initial outside pivot, and then several reversals of thrusting directions. The drill teaches the importance of not becoming stuck mentally or physically, via flowing continuous hip movements with the mind maintaining unbroken connection to the opponent and one's posture uncompromised throughout all the changes. Of course, words are not the means of technical transmittal. I will see if we have any footage available online that specifically shows this drill. In any case, footage of senior members demonstrating jiyu ippon gumite at our annual Nisei Week events can be found on YT. Application of such entry techniques against live attacks are prominent.
Hi gentlemen. I'm not quite sure I understand. Looks more or less like what I practice as "Tobikomi-Nagashi-Tsuki" (a specific Wado move other styles don't use / know) But as it's slightly different, I'm wondering whether it's something else ? 🤔
@marcfish8676 it is nagashizuki if pushing forward (okuri ashi) it becomes Tobikomi nagashi zuki (tsuki). Be interesting to hear what you are doing differently, this video was made in answer to a request of what is required for kyu grade application of Nagashi zuki. Hopefully this helps. Thanks for commenting
Well, I don't think we do Nagashi zuki. We do Tobikomi zuki / tsuki. And Tobikomi Nagashi zuki / tsuki. For the latter in kihons, start from shizentai. Move the front foot forward and slightly out of the central axis (if your front foot is the left one, move it forward and slightly to the left). No pushing with the back leg. It only follows the front leg. With a rotation of the hips (clockwise if the front leg is the left one) bring the back foot in line with the front one, toes at 90°. The front leg is bent and the back leg stretched. Your chest is leaning slightly forward in line with your back leg and half sideways. Meaning you have dodged an attack. At the same time, the front arm goes up to hit. But more an agezuki than a junzuki / oizuki. The back arm goes up against the chest as a protection. Then fold back slightly the front arm. Back leg moves slightly forward. Front leg moves slightly backwards. Both arms go down. And you are back in shizentai. Hope it makes sense !?!?😊
@marcfish8676 Hi Mark it is essentially the same so would effectively be the same name and principle, it may differ very slightly in how we execute it and I can tell you the reasons why we do it how it is done in this video and why it is unique to Wado-Ryu and where we use it most. However I am just heading out the door to meet with the rest of the club for dinner as we are all away on put Summer Course, but I'll post later.
Hi Marc I think they are the same thing, but "Nagashizuki" is shorthand for "Tobikomi Nagashizuki". The amount of okuri ashi is variable, but still part of the technique.
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Awesome video sir
@@NuclearWitch Thank you
I've experienced perfect movement a few times in my life. Some examples - One was hitting a golf ball & scoring a hole in one. One was in shin shin aikido engaging one point as Tohei called it & another was with this technique - mind & body unified. Like the end of Billy Elliot when he says "he" disappears & feels like electricity
Useful stuff, thank you for sharing. That’s a nice floor, much more interesting to look at than the one I train on :)
@johnnyworzel3741 the floor came our well in the video, it is an old parquet floor that was recently restored, but sadly not very well.
Thank you for commenting and we are glad you found it useful.
Thank you. Your explanations are long and throughou. Each movement, although quick in execution has 100s of small movements that need to be made in quick succession to get it right. Your videos do this. I absolutely appreciate this extra help. I'm going to practice this each day until I get it.
Thank you Sensei
@ryansweeney5711 Glad it is useful, feel free to send us more suggestions :)
@@WadoRyuBenkyo Will do!
Bravo!
@@cambiailmondo6334 thank you
We practice this sen-no-sen mite technique in a similar manner, using the rear hand as nagashi uke in a variety of ways like a windshield wiper in conjunction with the slightly angled penetrating movement(s) of the body and/or head. Uke's simultaneous jodan attacks can be slipped either inside or outside; chudan attacks are deflected much as you demonstrate, with the "windshield wiper" taking the form of a low impact gedan barai. Interesting to see such similarity in different styles. Human beings all have the same appendages, and lines/angles of attack and defense are likewise finite. Irimi is key here.
What style do you practice? Be very interesting to compare the techniques side by side.
@@WadoRyuBenkyo Ohshima Shotokan. While my seniors employ a full range of techniques and strategies, one could say that our training focuses on irimi, mite, and oizuki, all emphasizing penetration of the opponent's mind along with elimination of all false preliminary movements.
With regard to your presentation here, our "four beat drill" begins with the type of entry movement you demonstrate, followed by continuation of the initial outside pivot, and then several reversals of thrusting directions. The drill teaches the importance of not becoming stuck mentally or physically, via flowing continuous hip movements with the mind maintaining unbroken connection to the opponent and one's posture uncompromised throughout all the changes.
Of course, words are not the means of technical transmittal. I will see if we have any footage available online that specifically shows this drill. In any case, footage of senior members demonstrating jiyu ippon gumite at our annual Nisei Week events can be found on YT. Application of such entry techniques against live attacks are prominent.
Hi gentlemen.
I'm not quite sure I understand. Looks more or less like what I practice as "Tobikomi-Nagashi-Tsuki" (a specific Wado move other styles don't use / know)
But as it's slightly different, I'm wondering whether it's something else ? 🤔
@marcfish8676 it is nagashizuki if pushing forward (okuri ashi) it becomes Tobikomi nagashi zuki (tsuki).
Be interesting to hear what you are doing differently, this video was made in answer to a request of what is required for kyu grade application of Nagashi zuki.
Hopefully this helps. Thanks for commenting
Well, I don't think we do Nagashi zuki.
We do Tobikomi zuki / tsuki. And Tobikomi Nagashi zuki / tsuki.
For the latter in kihons, start from shizentai. Move the front foot forward and slightly out of the central axis (if your front foot is the left one, move it forward and slightly to the left).
No pushing with the back leg. It only follows the front leg.
With a rotation of the hips (clockwise if the front leg is the left one) bring the back foot in line with the front one, toes at 90°.
The front leg is bent and the back leg stretched. Your chest is leaning slightly forward in line with your back leg and half sideways.
Meaning you have dodged an attack.
At the same time, the front arm goes up to hit. But more an agezuki than a junzuki / oizuki.
The back arm goes up against the chest as a protection.
Then fold back slightly the front arm. Back leg moves slightly forward. Front leg moves slightly backwards. Both arms go down. And you are back in shizentai.
Hope it makes sense !?!?😊
@marcfish8676 Hi Mark it is essentially the same so would effectively be the same name and principle, it may differ very slightly in how we execute it and I can tell you the reasons why we do it how it is done in this video and why it is unique to Wado-Ryu and where we use it most. However I am just heading out the door to meet with the rest of the club for dinner as we are all away on put Summer Course, but I'll post later.
Hi Marc
I think they are the same thing, but "Nagashizuki" is shorthand for "Tobikomi Nagashizuki". The amount of okuri ashi is variable, but still part of the technique.
Rear shoulder
Yes it pulls back but the picture is taken during the move, in the video you will see it is pulled fully back. Thanks for commenting.