Walter Murch gave a two day master class in my university about 15 years ago, to say the least, he is an eminence, everyone in the room knew who he was and he gave away all his knowledge and told exactly how he did what he did, with extreme detail, from where he put the mics in a space to how he edited everything. Very few professionals give away knowledge like he does, his name deserves to be mentioned along with the Spielbergs, Scorseses and Fellinis
Well, it will be a great tragic when a teacher doesn't want to share all his knowledge, especially when he's scared the students will be greater than himself. Example: in ancient martial art a teacher teaches 58 lesson to his pupil(s) while keeping 1 in secret, fearing the pupil(s) might rise up against him (thus in there teacher is r egarded as honorouable master whom shall obey). The problem is, when the master die the student then teaches 57 lessons of martial art, and then his pupil teaches 56 then 55 and so on until the bla bla bla yada yadath generation can only teach one thing.
On the other hand, a philosophical master teaches to his student. The student becomes great that he even said to his teacher "I love you O teacher. But I love more than the truth". The teacher is Socrates and the pupil is Aristoteles (that's why most literature of philosophical teaching based on him, though Socrates and Plato still in regard). Samething happen later, when a renaissance painter asked his 2 students helping him finishing his painting. 1 of the students is Leonardo. After he saw the finishing painting, he was surprised at how good is his students painting that he even said, "I could no longer paint." for how majestic his pupils painting more than him (though he then keep painting lol). So the moral is, it's ok to find someone that is even greater than you. After all, a great teacher is not envy or afraid to see his pupils are greater than him. Instead, he rejoices or even celebrates it. Only a teacher that is so selfless like this could even be called "greater teacher". Such a "great teacher" is hard to find that they are so precious like a diamond that people keep praising for its treasurey beauty.
I love that, almost as a meta narrative, most Nerdwriter videos employ the methods he speaks about in the videos themselves, making the rewatch infinitely rewarding. Exceptional work.
The technique is often used together with kicks and snares in music production where you blend digital and real sounds to create a vivid alternative. Cool stuff.
You left out a very big thing that Walter would do to mess with the accoustics when worldizing when you need a bigger echo than the place you have. You record the clean version at half tape speed. Then, when you rerecord it in the echo room, you play it back at normal speed. This will have the sounds from the clean play at double speed. The worldize recorder records that at double tape speed. The result is that you now cancelled out the sped up chipmunk version of the clean source, but you've doubled the delay for all the echoes. By doing this, Walter could do the rerecording in a large room and get the accoustics of a space twice as big. You can do it more extreme by using third or fourth speed for the source and compensating at rerecord with the appropriate speedup to get even bigger echoes. You get increasingly lower fidelity source on tape but you probably have a full speed separate source to use in the final mix anyway for that. You can do it in digital as well. But I'd recommend doubling the sample rate at both playback and rerecording to make sure you get enough detail out of the room. Walter was really an out of the box thinker. :D
You pushed me to make video essays on paintings and, even though this video is on a widely different subject, it's still extremely inspiring and amazing! Good job and thank you!
Another benefit: having the prerecorded sound gives the actors something to bounce off of. Having music playing and then dancing to the music in real time is way more natural than dancing to silence
I would looove a video about your process of learning, finding new information, delving deeper into things that you already know about, where you get your news, etc. You have a huge breadth of interests, and I can't understand how you keep up with them all
I watched Fleabag and I think there is a refreshing feeling to it in the playfullness in which the scriptwriter lets the characters and theme take on it's own path. A very organic approach that needs great skills to be achieved...skills that deserve further analises in order to be able to grasp them and never lose them in time.
@@plica06 Do it for the brand, man! I think it's totally ok to just make good things and not focus on 'brand' or audience. It was quality content that captured the Nerdwriter audience. Let the brand be the work. Most of the meta work of brand is a misallocation of talent, especially for a channel run by a single individual.
@@jaystink I agree, I've seen some of the so called clone channels, like nerdstalgic that has a similarity not only in name, but narrative pace and visual edits. But the OG Nerdwriter is on a league of his own, it's classy af.
@@yurifan2537 What bothers me is that Nerdstalgic seems like he's literally stealing the way Nerdwriter speaks... Someone could normally get away with that, but considering he analyzes film just like Nerdwriter does and he named himself after "Nerdstalgic" just like "Nerdwriter," it's kind of obvious.
Some high end studios have a rooms build with speakers and microphone to be able to replicate true to the world reverb. They had halls, shower rooms, small rooms, big rooms etc etc. I'm pretty sure you can achieve accurate result with modern software. But back in the day, if you wanted a room reverb applied to a a channel, you could play that in a room and record with microphones. High controll and you can mix and match etc.
Great breakdown! I’m an audio engineer and I used this technique in certain scenes on an indie film I did audio for a couple of years ago... in some instances it was just more “realistic” sounding than my plugins when trying to get the ADR to sound natural. One cliff note: it was my understanding that Olson Welles invented the technique(though crude by comparison) many years before Murch perfected it. I got the idea to try the technique based on an old article about O.W. Just one more way he was revolutionary in the world of film. I could of course be mistaken... Also, the concept has even bled into music; Linkin Park recorded an album where they didn’t initially have access to the main tracking room so they tracked the drums in a small room and later played the drum tracks through speakers in the larger room and mic’d the results. That was before EVERYTHING went to sampled drums. Anyway, you are seriously the best, keep it up!
There's a great doc called #MakingWaves from 2019 by USC Professor #MidgeCostin! I was fortunate enough to attend the premiere, but I recommend it to anyone looking to get a better overview of sound in cinema. Walter Murch is also featured in it.
PCM did something similar with the Dolby Atmos remix of Kind of Blue and Sketches of Spain. They aimed two speakers at the walls in the large, live room at Capitol Studios, played the new stereo mix, and recorded it with an array of microphones placed where Atmos speakers would be in a playback system.
I was just watching Leone's Once Upon a Time in the West. The way the harmonica was supposed to shift from diegetic to soundtrack was driving me crazy. It was all obviously studio recording. Just five years later the whole problem was solved beautifully.
this reminds me I need to rewatch THX 1138. I didn't get it the first time watching it, but after reading Orwell/Huxley/Bradbury/etc it made so much more sense on rewatches, and is one of my favorite films now
I was hoping through the whole video he would get to the conversation. Great video nonetheless, but no film comes close to it from a sound and visual editing standpoint in my book.
that's crazy because that what i would have done because i don't have fancy editing software/ am learning without a manual. i rather find my own way through the jungle of functions. worldizing is basically working and crafting with what you have to create your own desired sound that doesn't forget the element of the picture.
Can you do a video premised on the last point you made, and talk about the reasons cinema came to look and sound the way it does, in terms of anamorphic lenses and color? great job again btw!
The way I see it is, the films that Walter Murch has worked on as a sound editor are exceptionally memorable *for their sound* but also for myriad other reasons, simply because he worked with and for great film-makers. I loved the sound in American Graffiti, and I knew I was hearing something done differently and more successfully that I’d heard it done before (or since). In Apocalypse Now, the sound almost overpowered the image, and the image was already so intense, it was sensory overload. These are both A+ movies, due to the serendipity in their casting, production, editing and directing, and this is why we love and respect movie-making of this calibre. Murch is a genius, and deserving of recognition of a wider audience. Edit: Great (but all too short) essay, though!
YESS!! NEVER ENOUGH MURCH!! Check out his book "in the blink of an eye" where he discusses the transition from film to digital as well as 6 rules of editing- some great perspective on how we perceive information and how to facilitate that as an editor. MAHALO NUI Nerdwriter what a great start to my day editing
You are one of the rare internet celebrities who deserves everything and more based on your hard work and talent! So the country of Japan wrote you a haiku! You-are-real-ly-cool Keep-it-up-or-fan-base-dies Jo-king-we-love-you
I would love a video where you step by step analyze a short poem, from first impressions to conclusion! IB English literature paper 1 is basically made for this so that's a great resource should you do it
This video definitely benefited from the Anamorphic ratio. Fantastic video, yet again. Never knew Walter Murch went so far to emulate reality, what a genius.
I literally just watched THX 1138 on criterion channel for the first time earlier this week. What are the odds my boy Nerd Writer would make a video referencing it less than a week later?
You are truly my hero and someone I'm looking up to. I love this video. I've watched some of Murch's interviews when researching for a video about standing desks. Also, I don't think there's a better book about the art of editing than "The Blink of an Eye". If there is, I'd love to know :D
During the scene from The Godfather I thought "What am I supposed to be listening for here?" then he explained how he did it. Mind blown. It's so well done you don't even realize he's done it.
So im a music nerd and a slight producer and id love to make a youtube Channel about that talks about all the production and engineering techniques like these
Hey man I love your videos, I think it'd be cool if you did a video on the editing of Run Lola Run, the jump cuts and overall editing work so well with the theme and pace of the movie and I'd like to hear your thoughts about it
Hey Nerdwriter, that was a great video. I was wondering what software you use to record your voice, as it is very clear and I am unsure of which software to use myself. Thanks
You pointed out that simply recording the original band in the gymnasium would cause issues with syncing, but I'm unclear on how "worldizing" it would make that issue any less pressing. Is it just the fact that the background audio is pre-recorded so it's more reliable?
One confusing thing to me is - does the technique work with single camera? Or only multi camera shoots? Because if there was only one camera, that would make editing between takes nearly impossible because you would have to cut to a line in another take that just magically happened to be at the same point in the song.. It seems logically like you'd have to choose one whole performance in order to avoid this issue
Is it weird that I just started reading his book "in the blink of an eye" a couple days ago, and then you release this video about him? The timing of this is very funny 😂😂
nicely done. sound engineers get almost no credit among people for their work, just composer of music. but sound and sounddesign is 50% of whole experience. even that this is just simple dry/wet signal innovation, yet it was groundbreaking in mainstream movies for the time.
Walter Murch gave a two day master class in my university about 15 years ago, to say the least, he is an eminence, everyone in the room knew who he was and he gave away all his knowledge and told exactly how he did what he did, with extreme detail, from where he put the mics in a space to how he edited everything. Very few professionals give away knowledge like he does, his name deserves to be mentioned along with the Spielbergs, Scorseses and Fellinis
That's an understatement. I'd put him up there with guys like Kuleshov and Eisenstein.
Well, it will be a great tragic when a teacher doesn't want to share all his knowledge, especially when he's scared the students will be greater than himself.
Example: in ancient martial art a teacher teaches 58 lesson to his pupil(s) while keeping 1 in secret, fearing the pupil(s) might rise up against him (thus in there teacher is r egarded as honorouable master whom shall obey). The problem is, when the master die the student then teaches 57 lessons of martial art, and then his pupil teaches 56 then 55 and so on until the bla bla bla yada yadath generation can only teach one thing.
On the other hand, a philosophical master teaches to his student. The student becomes great that he even said to his teacher "I love you O teacher. But I love more than the truth". The teacher is Socrates and the pupil is Aristoteles (that's why most literature of philosophical teaching based on him, though Socrates and Plato still in regard).
Samething happen later, when a renaissance painter asked his 2 students helping him finishing his painting. 1 of the students is Leonardo.
After he saw the finishing painting, he was surprised at how good is his students painting that he even said, "I could no longer paint." for how majestic his pupils painting more than him (though he then keep painting lol).
So the moral is, it's ok to find someone that is even greater than you. After all, a great teacher is not envy or afraid to see his pupils are greater than him. Instead, he rejoices or even celebrates it. Only a teacher that is so selfless like this could even be called "greater teacher". Such a "great teacher" is hard to find that they are so precious like a diamond that people keep praising for its treasurey beauty.
The Julia Child of film editing.
I love that, almost as a meta narrative, most Nerdwriter videos employ the methods he speaks about in the videos themselves, making the rewatch infinitely rewarding. Exceptional work.
"Go out and create some problems" way ahead of you sir.
I am the problem.
Naj Renchelf Your parents took the advice
Creative solutions (or cheats) to limitations & created problems. Love it! 👏
I just made a necklace out of macaroni.
(Looks at the video's release date)
Oh no...
The technique is often used together with kicks and snares in music production where you blend digital and real sounds to create a vivid alternative. Cool stuff.
every single one of this guy's videos is a damn great experience.
No one does a better job of breaking down creativity.
jettcity that’s a great way of putting it
Hi my name is tony and this is " Every frame a painting "
My brain can't handle thinking of how difficult doing sound for movies in a pre-computer age must have been.
just looooooooads of tape cutting basically
Reel-to-reel magnetic tape, razor blades, and splicing tape. I've done this.
Your videos have the most specific topics i have ever seen
You left out a very big thing that Walter would do to mess with the accoustics when worldizing when you need a bigger echo than the place you have.
You record the clean version at half tape speed. Then, when you rerecord it in the echo room, you play it back at normal speed. This will have the sounds from the clean play at double speed. The worldize recorder records that at double tape speed.
The result is that you now cancelled out the sped up chipmunk version of the clean source, but you've doubled the delay for all the echoes.
By doing this, Walter could do the rerecording in a large room and get the accoustics of a space twice as big.
You can do it more extreme by using third or fourth speed for the source and compensating at rerecord with the appropriate speedup to get even bigger echoes. You get increasingly lower fidelity source on tape but you probably have a full speed separate source to use in the final mix anyway for that.
You can do it in digital as well. But I'd recommend doubling the sample rate at both playback and rerecording to make sure you get enough detail out of the room.
Walter was really an out of the box thinker. :D
Or maybe he's not even on the box at all.
@@men_del12 Walter Murch: "There was a box?"
@@TheGeorgeD13 Oh lol 🤣
So, The Godfather is pretty much the Godfather of worldizing sound design
The Godfather is literally the Godfather of pretty much anything these days it seems
You pushed me to make video essays on paintings and, even though this video is on a widely different subject, it's still extremely inspiring and amazing!
Good job and thank you!
That's exactly what I was looking for - video essays on paintings! Will check some of your videos
Edit: quality content, subscribed
Just subscribed! So good
I have said it thousand times, and I'll say it again: Thank you, Nerdwriter, very cool.
Another benefit: having the prerecorded sound gives the actors something to bounce off of. Having music playing and then dancing to the music in real time is way more natural than dancing to silence
Just a heads up, your Nerdwriter Patreon link is broken.
I would looove a video about your process of learning, finding new information, delving deeper into things that you already know about, where you get your news, etc. You have a huge breadth of interests, and I can't understand how you keep up with them all
What a coincidence! I just started reading Murch's book, "In the Blink of an Eye"
Good read?
@@schippai3308 I'm only about 30-40 pages in, so far it's been an excellent read. Murch's insight into editing is amazing. Highly recommended
@@schippai3308 The best book you'll read about filmmaking imo, even if it's about editing.
@@schippai3308 It's an amazing book for anyone involved in the art/business of filmmaking. Indispensable.
Good. Read it. And then re-read it and re-read it again!
I always thought the Godfather wedding scene was so lively... now I know why!
I'd love to see a video about Syd Mead's work in designing entire cities for Blade Runner etc. one day :)
The audio at 1:13 tripped me out lol
I was checking if I had a second tab open.
I can't get enough of your videos. Thanks for everything you do.
I watched Fleabag and I think there is a refreshing feeling to it in the playfullness in which the scriptwriter lets the characters and theme take on it's own path. A very organic approach that needs great skills to be achieved...skills that deserve further analises in order to be able to grasp them and never lose them in time.
I just love every video you put into youtube! Wish there were more than one video per month.
I think the Nerdwriter needs a community update. I’m personally just wondering how you’re doing and what your thoughts are the future of the channel.
I agree. With all the Nerdwriter clones out there now I think Evan needs to re-affirm his brand by engaging a bit more with his RUclips audience.
@@plica06 Do it for the brand, man!
I think it's totally ok to just make good things and not focus on 'brand' or audience. It was quality content that captured the Nerdwriter audience.
Let the brand be the work. Most of the meta work of brand is a misallocation of talent, especially for a channel run by a single individual.
@@jaystink I agree, I've seen some of the so called clone channels, like nerdstalgic that has a similarity not only in name, but narrative pace and visual edits. But the OG Nerdwriter is on a league of his own, it's classy af.
@@yurifan2537 What bothers me is that Nerdstalgic seems like he's literally stealing the way Nerdwriter speaks... Someone could normally get away with that, but considering he analyzes film just like Nerdwriter does and he named himself after "Nerdstalgic" just like "Nerdwriter," it's kind of obvious.
@@TheArmchairHistorian Exactly, the pace and even the God damn tone gives it away. I like the channel, hope he moves on and find his own style.
Your topics for videos are brilliantly varied. You do a great job highlighting stuff I know nothing about but is greatly interesting 👍
Thank you for explaining this, this is something I’ve been trying to wrap my head around when editing 🤩
It always amazes me, how much people have figured out the details of creating art. love this channel
Some high end studios have a rooms build with speakers and microphone to be able to replicate true to the world reverb. They had halls, shower rooms, small rooms, big rooms etc etc. I'm pretty sure you can achieve accurate result with modern software. But back in the day, if you wanted a room reverb applied to a a channel, you could play that in a room and record with microphones. High controll and you can mix and match etc.
I like to believe there’s a heaven where i get to watch a new Nerdwriter video everytime I hit play. Can’t get enough.
Great breakdown! I’m an audio engineer and I used this technique in certain scenes on an indie film I did audio for a couple of years ago... in some instances it was just more “realistic” sounding than my plugins when trying to get the ADR to sound natural. One cliff note: it was my understanding that Olson Welles invented the technique(though crude by comparison) many years before Murch perfected it. I got the idea to try the technique based on an old article about O.W. Just one more way he was revolutionary in the world of film. I could of course be mistaken... Also, the concept has even bled into music; Linkin Park recorded an album where they didn’t initially have access to the main tracking room so they tracked the drums in a small room and later played the drum tracks through speakers in the larger room and mic’d the results. That was before EVERYTHING went to sampled drums. Anyway, you are seriously the best, keep it up!
There's a great doc called #MakingWaves from 2019 by USC Professor #MidgeCostin! I was fortunate enough to attend the premiere, but I recommend it to anyone looking to get a better overview of sound in cinema. Walter Murch is also featured in it.
Dude I freaking love all your videos especially the painting ones. U are amazing and should upload much more
PCM did something similar with the Dolby Atmos remix of Kind of Blue and Sketches of Spain. They aimed two speakers at the walls in the large, live room at Capitol Studios, played the new stereo mix, and recorded it with an array of microphones placed where Atmos speakers would be in a playback system.
There are very few pages in RUclips you can like the video even before start playing it. And Nerdwriter1 is one of those✌
I was just watching Leone's Once Upon a Time in the West. The way the harmonica was supposed to shift from diegetic to soundtrack was driving me crazy. It was all obviously studio recording. Just five years later the whole problem was solved beautifully.
Love how you choose your topics.. another interesting and well made video!
this reminds me I need to rewatch THX 1138. I didn't get it the first time watching it, but after reading Orwell/Huxley/Bradbury/etc it made so much more sense on rewatches, and is one of my favorite films now
in the same way reading 2001 made the movie make so much more sense, and Do Androids Dream Of Electric Sheep to Blade Runner
a very informative video, I had the pleasure of meeting Walter at London Film Festival last year.
I think I've seen "The Conversation" with Murch's editing about 10 times and will watch another 10 times.
I was hoping through the whole video he would get to the conversation. Great video nonetheless, but no film comes close to it from a sound and visual editing standpoint in my book.
Walter Murch was interviewed on the BBC podcast The Film Programme this fall about his work on Apocalypse Now. Fascinating stories!
i appreciate your channel so much and it truly inspired me to start my film studies, thank you.
At 4:46 it almost started off as a hip-hop song lmao
hey everbody,
welcome to 2020
i got squarespace here,
making a lot of money
Was that sound effect a sample of the helicopters in Apocalypse Now?
Truly fascinating, thank you for this channel. For that alone I'm glad RUclips exists.
Love Murch. His book In the Blink of an Eye changed the way I think about film editing.
I’m weirdly proud that I knew you had applied reverb to the audio instead of actually being in a stairwell at the beginning there LOL
Would be awesome to have a "How Hartmut Esslinger designs an object" clip :)
that's crazy because that what i would have done because i don't have fancy editing software/ am learning without a manual. i rather find my own way through the jungle of functions. worldizing is basically working and crafting with what you have to create your own desired sound that doesn't forget the element of the picture.
Can you do a video premised on the last point you made, and talk about the reasons cinema came to look and sound the way it does, in terms of anamorphic lenses and color? great job again btw!
Had the pleasure of meeting Walter Murch last summer - living legend and one hell of an inspiration!
Great video, such a inspiring work you're doing! Thank you!
The way I see it is, the films that Walter Murch has worked on as a sound editor are exceptionally memorable *for their sound* but also for myriad other reasons, simply because he worked with and for great film-makers. I loved the sound in American Graffiti, and I knew I was hearing something done differently and more successfully that I’d heard it done before (or since). In Apocalypse Now, the sound almost overpowered the image, and the image was already so intense, it was sensory overload. These are both A+ movies, due to the serendipity in their casting, production, editing and directing, and this is why we love and respect movie-making of this calibre. Murch is a genius, and deserving of recognition of a wider audience. Edit: Great (but all too short) essay, though!
Part of modern digital reverbs also are simulating worldizing by playing constant sound in venues to record its reverb properties.
YESS!! NEVER ENOUGH MURCH!! Check out his book "in the blink of an eye" where he discusses the transition from film to digital as well as 6 rules of editing- some great perspective on how we perceive information and how to facilitate that as an editor. MAHALO NUI Nerdwriter what a great start to my day editing
Exceptional Video production as always!
Lol you didn't fool me with the "I'm in the stairwell" thing
You are one of the rare internet celebrities who deserves everything and more based on your hard work and talent! So the country of Japan wrote you a haiku!
You-are-real-ly-cool
Keep-it-up-or-fan-base-dies
Jo-king-we-love-you
Wow! It's great seeing The Godfather and Apocalypse Now getting praised. Always thought those movies had great sound design. Especially for its time.
this video popped up on my youtube account homepage, I was so excited!
best way to start the day. or year, or even just this weekend :D
Nerdwriter1 uploading on my birthday is the best bday present ever :)
Happy birthday
Happy birthday 🎈
Keep blessing us your insight bro 🙌🏾
I would love a video where you step by step analyze a short poem, from first impressions to conclusion! IB English literature paper 1 is basically made for this so that's a great resource should you do it
eskil forsberg check his video on Emily Dickinson.
This video definitely benefited from the Anamorphic ratio. Fantastic video, yet again. Never knew Walter Murch went so far to emulate reality, what a genius.
Did he just changed the output aspect ratio of his videos to match RUclips's theater mode? I love you goddamn
This is what a perfect video essay looks and sounds like.
I literally just watched THX 1138 on criterion channel for the first time earlier this week. What are the odds my boy Nerd Writer would make a video referencing it less than a week later?
Funfact: That's called Baader-Meinhof phenonemon and happens to me all the time.
You are truly my hero and someone I'm looking up to. I love this video. I've watched some of Murch's interviews when researching for a video about standing desks. Also, I don't think there's a better book about the art of editing than "The Blink of an Eye". If there is, I'd love to know :D
That's so cool! I never noticed that effect.
During the scene from The Godfather I thought "What am I supposed to be listening for here?" then he explained how he did it. Mind blown. It's so well done you don't even realize he's done it.
So im a music nerd and a slight producer and id love to make a youtube Channel about that talks about all the production and engineering techniques like these
I thought RUclips's algorithm knew me, until i saw that your video wasn't even in my subscriptions
You should do a video on Michael Haneke and Ethical Spectatorship! Please!
Top notch as always
I CRAVE FOR MORE
Would love to see more videos about audio!
Pls do the Vita and Virginia, in so hooked to that movie.
Hey man I love your videos, I think it'd be cool if you did a video on the editing of Run Lola Run, the jump cuts and overall editing work so well with the theme and pace of the movie and I'd like to hear your thoughts about it
Walter Murch is a legend! In the Blink of an Eye is one of my favorite books I've ever read.
Sound is a huge influence on people's attention.
Hey Nerdwriter, that was a great video. I was wondering what software you use to record your voice, as it is very clear and I am unsure of which software to use myself. Thanks
I want to thank you for using a 2:1 aspect ratio
Your content is EXQUISITE! THANK YOU.
Thanks, Evan! 🔊
This is awesome. Thanks!
Please do one on radio plays!
Can you make a video on "Peaky Blinders"
One of the best shows
This guy could be a professor at USC School of Cinematic Arts.
Soooo the dry/wet knob on any reverb plug-in, basically
You pointed out that simply recording the original band in the gymnasium would cause issues with syncing, but I'm unclear on how "worldizing" it would make that issue any less pressing. Is it just the fact that the background audio is pre-recorded so it's more reliable?
One confusing thing to me is - does the technique work with single camera? Or only multi camera shoots? Because if there was only one camera, that would make editing between takes nearly impossible because you would have to cut to a line in another take that just magically happened to be at the same point in the song.. It seems logically like you'd have to choose one whole performance in order to avoid this issue
This channel's content are sooo good.
Is it weird that I just started reading his book "in the blink of an eye" a couple days ago, and then you release this video about him? The timing of this is very funny 😂😂
I mean, it's not *that* weird. Certainly not double 'crying with laughter emoji' weird.
@@alexelkins1428 Idk man, just the weirdest coincidence for me... and the crying emojis are cause I'm dying inside 😂😂
nicely done. sound engineers get almost no credit among people for their work, just composer of music. but sound and sounddesign is 50% of whole experience.
even that this is just simple dry/wet signal innovation, yet it was groundbreaking in mainstream movies for the time.
More of this content! Thanks
Very interesting. Thanks, fellow nerd.
"In the Blink of an Eye" by Walter Murch. Read it!
"create your own problems"
Apple :
This man spitting
What song is the outro song? I know the artist is Andrew Appliepie but I can't find which song of his it is :/
Worldizing's so clever, I love it
Slick outro
I missed your videos bruv :'D great video BTW
What! No mention of The Conversation.
Can u please talk about himizu (2011) .