Danke für dieses Posting! Ich habe lange darauf gewartet, es hier auf RUclips zu finden. Diese wunderschöne Aufnahme der herrlichen , quasi kammermusikalischen Kantate Telemanns war vor Jahren meine erste Berührung mit dem Werk dieses Komponisten. Wirklich kein schlechter Anfang.
An emotional and really sad masterpiece with a mysterious aura! This is simply gorgeous, Telemann and the Baroque at their zenith! Listening to the last choral makes me shiver!
TheGloryofMusic Yes. They were a miraculous trio,Telemann, Bach and Handel. They are 3 different geniuses with 3 very different audiences to please, yet they composed at the same time, knew of each other's music, and it's interesting to hear sometimes how they followed fashions of their day and influenced each other.
The opening chorus shares the same melody with BWV 85 (bass aria) and Telemann's soprano aria you mentioned sounds very similar to BWV 63 duett and other numbers...
Short of that, this could be one rare example of Bach being directly inspired by the work of one of his contemporaries. The last movement of Du Aber Daniel starts with the words "Schlaft wohl, ihr seligen Gebeine" (sleep well, you blessed remains), while the penultimate movement of Bach's Saint John Passion starts with "Ruht wohl, ihr heiligen Gebeine" (Rest well, you holy remains). The feel of the two pieces is quite similar, and there are three bars in the Bach that are exactly identical to those in the Telemann. Coincidence? Maybe.
Creation is a "collective" process in which numerous artisans participate, they all create - a "wave of genius" - and we later forget all those "others" and attribute everything to only "one" man. JS Bach was not produced by God's talent, it was produced by the work and expertise of similar composers: J. Pahelbel, J. Kuhnau, J. Walther, J. Pisendel, S. L. Weiss, J. Fasch , J. Reincken, D. Buktehude, N. Bruhns, G. Bohm, N. Strungk, J. Froberger, J. von Kerl, J. Fischer, J. Fuchs, A. Corelli, G. Le Grenzi, G. Bassani, G. Torelli, A. Marcello, A. Albinoni, Vivaldi, B. Marcello, N. Porpora, P. Locatelli, F. Durante, G. Ristori, G. Pergolesi, A. Caldara , A. Raison, F. Dieupart, F. Couperin, L. Marchand, N. de Grigni, Persl, J. D. Zelenka, J. Matheson, Telemann, Kaiser,..., Handl.
Excellently written and excellently performed (!)
Danke für dieses Posting! Ich habe lange darauf gewartet, es hier auf RUclips zu finden.
Diese wunderschöne Aufnahme der herrlichen , quasi kammermusikalischen Kantate Telemanns war vor Jahren meine erste Berührung mit dem Werk dieses Komponisten.
Wirklich kein schlechter Anfang.
Telemann's Cantata leads me into the sorrowful , solemn ,majestic and emotional world
An emotional and really sad masterpiece with a mysterious aura! This is simply gorgeous, Telemann and the Baroque at their zenith! Listening to the last choral makes me shiver!
Wir waren Teilnehmerinnen das in august 2017 utrechter baroque-festival. Wir haben viele trios und kantaten von Teleman gehoert. Sehr sehr schoen.
Endnu en dejlig kantate af Teleman. Især" Brecht" er en yndig melodi. Blidt og smukt. Birgitte.
Prachtig!
Heel mooi!
The soprano aria could have been written by Bach!
TheGloryofMusic Yes. They were a miraculous trio,Telemann, Bach and Handel. They are 3 different geniuses with 3 very different audiences to please, yet they composed at the same time, knew of each other's music, and it's interesting to hear sometimes how they followed fashions of their day and influenced each other.
@@theon9575 Do you know if Handel knew of Bach's music?
The opening chorus shares the same melody with BWV 85 (bass aria) and Telemann's soprano aria you mentioned sounds very similar to BWV 63 duett and other numbers...
Short of that, this could be one rare example of Bach being directly inspired by the work of one of his contemporaries. The last movement of Du Aber Daniel starts with the words "Schlaft wohl, ihr seligen Gebeine" (sleep well, you blessed remains), while the penultimate movement of Bach's Saint John Passion starts with "Ruht wohl, ihr heiligen Gebeine" (Rest well, you holy remains). The feel of the two pieces is quite similar, and there are three bars in the Bach that are exactly identical to those in the Telemann. Coincidence? Maybe.
Creation is a "collective" process in which numerous artisans participate, they all create - a "wave of genius" - and we later forget all those "others" and attribute everything to only "one" man. JS Bach was not produced by God's talent, it was produced by the work and expertise of similar composers: J. Pahelbel, J. Kuhnau, J. Walther, J. Pisendel, S. L. Weiss, J. Fasch , J. Reincken, D. Buktehude, N. Bruhns, G. Bohm, N. Strungk, J. Froberger, J. von Kerl, J. Fischer, J. Fuchs, A. Corelli, G. Le Grenzi, G. Bassani, G. Torelli, A. Marcello, A. Albinoni, Vivaldi, B. Marcello, N. Porpora, P. Locatelli, F. Durante, G. Ristori, G. Pergolesi, A. Caldara , A. Raison, F. Dieupart, F. Couperin, L. Marchand, N. de Grigni, Persl, J. D. Zelenka, J. Matheson, Telemann, Kaiser,..., Handl.