0:07 Die Elenden sollen essen (Chor) 4:16 Was hilft des Purpus Majestät (Rezitativ) 5:17 Mein Jesus soll mein Alles sein! (Arie) 9:58 Gott stürzet und erhöhet (Rezitativ) 10:36 Ich nehme mein Leiden (Arie) 15:32 Indes schenkt Gott (Rezitativ) 16:13 Was Gott tut, das is wohlgetan (Choral) 17:46 Sinfonia 20:12 Nur eines kränkt (Rezitativ) 20:58 Jesus macht mich geistlich reich (Arie) 23:11 Wer nur in Jesu bleibt (Rezitativ) 23:41 Mein Herze glaubt und liebt (Arie) 27:26 O Armut, der kein Reichtum (Rezitativ) 28:03 Was Gott tut, das ist wohlgetan (Choral)
In addition to the musicians, I'd like to compliment the camera crew and direction. Their innovative work on these cantatas add greatly to my enjoyment of the music.
Klare und wunderschöne Aufführung dieser perfekt komponierten Kantate mit herrlichen Stimmen aller genialen Solisten und gut vereinigten Stimmen des ausgezeichneten Chors sowie perfekt entsprechenden Tönen aller historischen Instrumente. Die Virtuosität aller Solospieler ist wahrlich bewundernswert. Der unvergleichliche Spieler/Dirigent leitet das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Einfach wunderbar!
As always, a HUGE compliment to the filmer! Incredible quality of takes, being at the right place at all times, catching the expressions, your videos are, just as your concerts, second to none!
@@kikivolauvent1 Yes, there are 2 oboes but there are also 2 bassoonists next to each other who are fun to watch because they keep bopping along to the beat.
@@jsbrules - I know! Isn't the filming just out of this world?!
4 года назад+10
De très haut niveau ! Belle présence dansante et mélodieuse des bassonistes une tromba de tirarsi bien placée par JS Bach et bien jouée violone au lieu de violoncelle l'aria de la soprano et de l'alto sont spécialement mélodieuses et bien chantées Un Christian Immler convainquant Bref : rien que du bonheur ! Merci !
A wonderful piece of classical music played by excellent musicians! The surrounding church setting beautifully captured the music. Thank you for uploading! I enjoy listening to this piece repeatedly! My favorite segment is the "Ich nehme mein Leiden" because of the way the oboe d'amour blends beautifully with the basso continuo (organ). Amazing job by all the instrumentalists, soloists (choir), and the filming crew!
人の声が 最も美しい楽器であることは疑いない。 There is no doubt that the human voice is the most beautiful instrument. De menselijke stem is zonder twijfel het mooiste instrument.
It’s not just the music that is so special about these opportunities, but the beauty of the places where they take place. All of them are new to me and gratefully received. Bless you.
@@tobiasstudtheol dat mag u zeker: hij stelt zich veeleer bescheiden op, achteraan tussen andere violisten, maar leidt dit ensemble naar ongekende hoogtes! bovendien worden de vier solisten prachtig in beeld gebracht, niet in het minst tijdens het openingskoor waar bas, tenor, alt en sopraan mooi na elkaar inzetten, bravo!
It's *one* of the best, certainly. Also try "O ewiges Feuer", BWV 31: ruclips.net/video/-QA-Tc8Vw80/видео.html. Also try the Netherlands Bach Society's Young Bach Fellows doing "Was Gott tut, das ist wohlgetan", BWV 99: ruclips.net/video/keOIgHhw-dk/видео.html
Bach had to know that his listeners would watch with enthusiasm as each “separate” voice (and melody line) would enter the “mass” of sound, and even try to predict the key the entry would take. And that we would also relish how he worked the multi-voice Fugue to end in a major triad. We have become enthusiastic and enthralled participants in his technology of composition. He also varied his rhythm choices, with moments of silence. We would then wonder what key would erupt after the moment of silence. Bach was a master of obligato and had his own decoration of his musical room, with window dressing always interesting, without being overbearing. Sanjosemike
@Jay Preis Didn't know that. But Bach's audience understood German (of course) and were much more knowledgeable of the Protestant Bible than modern people are. They "knew" the liturgy of the day. Modern audiences have no idea what Bach was having his soloists singing about. Sanjosemike (no longer in CA)
I just cannot comprehend the generative genius & contrapuntal complexity of the Sinfonia! Five-note melodic lines repeat a step up in ascending direction, only to compete with each other, cooperate during the chorale theme, and come rambling back more exuberant than ever. Like Mozart's fourth mvt of the Jupiter, or Wagner's Overture to Die Meistersinger, I think this is the apex of Bach's skill in flawless, pulsing polyphony.
Weer een prachtige weergave zowel in audio als visueel. Met de onvolprezen Sigiswald Kuijken. Prachtig klinkende blazers. Allen spelen ook bijzonder ontspannen vind ik. Heerlijk om te luisteren.
I believe that Herr Bach hacked the Angels musical institution and decoded their formulas to what we hear nowadays in Bach's music 😎😍😍😍😍😍 Thumbs up if you agree 👍👍👍👍
Back when this was dedicated to the liturgy it was sung and accompanied from the back choir loft. Thoughtfully built churches even had risers so the musicians could be well placed. All (musicians, congregation, presider) faced the high altar. Now we get to watch and hear.
En la Sinfonía, la melodía conductora para viento (Presente en otros momentos corales de la Cantata, por cierto) no es original de Bach, sino que la compuso años antes Saverius Gastorius para un himno escrito por Rodigast, pero la reelaboración de Bach fue tan impresionante y aportó tantos elementos nuevos que le dio al himno una dimensión absolutamente nueva. Si se escucha la pieza original de Gastorius y se la confronta con la reelaboración de Bach, hay que maravillarse con qué genio el Maestro sabía reelaborar piezas ajenas hasta el punto de reconvertirlas en algo totalmente nuevo y hasta sobrepasando todos los límites de la inspiración musical y de la perfección técnica!!! Increíble. 😥😥😍😍💓💓❤❤
A fantastic performance all around, as always. While all the performers were fantastic, I specifically love the tenor's performance - Mr. Lattke gives a fantastic performance
Estou muito contente por conhecer esse canal que me ajuda a explorar e amar a música clássica... se houvesse legendas disponíveis para português rsrsrs não é uma reclamação, apenas gostaria de acompanhar a letra enquanto ouço essa belíssima música ❤
Eh doveva presentarsi a quelli di Lipsia ed allora ha pensato di fare le cose per bene Coro iniziale pure con una fuga, una aria per ogni voce solista, una sinfonia , il suo bel corale a meta' cantata ed ovviamente quello finale E' piacevole, non eccezionale, per quanto la aria del basso meriti elogi specie per la tromba Complessivamente una cantata da ricordare per essere la prima ufficiale nel ruolo di Cantor Bravo JS sei piaciuto alla prima!
Bach a composé la cantate pour le premier dimanche après la Trinité et l'a dirigée pour la première fois lors du service de la Nikolaikirche, le 30 mai 1723, lors de sa prise de fonction au poste de Kantor. Pour cette destination liturgique, deux autres cantates ont franchi le seuil de la postérité : les BWV 20 et 39.
La presencia de Dios en Bach es incuestionable...no se puede entender una música de este nivel si no tiene una inspiración e influencias directamente Divinas.
@@alpinoalpini3849 Innecesaria es la soberbia, la avaricia, la lujuria, la ira, la gula, la envidia y la pereza. Por otra parte "FE" significa "CREER SIN VER". Usted reconoce que Bach era un hombre de "fuerte fe lutera", es decir, fe en Dios, que no necesita "demostración" porque por eso es "cuestión de fe". Total si sequitur. Para Bach si era necesario Dios, y sin que ningún mortal científico le demostrara su existencia. En Bach, "su fuerte fe luterana", por consiguiente, su creencia en Dios, SÍ nos dice MUCHÍIIISIMO sobre el origen de su genio.
Ein großartiges Ensemble präsentiert das "Probestück" Bachs für Leipzig, wo er mit "gutem Applausu seine erste Music" aufgeführt hat (Acta Lipsium academica, Mai 1723) Wie hatte der Bürgermeister Lange von Leipzig laut Protokoll gesagt:" Wann Bach erwählet würde, so könnte man Telemann...vergessen" Ob er Recht hatte???
It's kind of funny in the way that the first two Cantatas BWV 75,and 76 that Bach selected in his first two weeks, both in two parts, much longer than the other Cantatas for the rest of his first season in Leipzig,or for the majority of his remaining Cantatas cycles in Leipzig . This is not an original idea of mine that BWV 75 and 76 was too taxing for the students who had to perform Bach Cantata weekly. So Bach had too subsequently, write shorter Cantatas to be performed, as a rule, not less of a masterpiece,of course.
Typically, two cantatas were performed: one before the sermon, one after. In the case of the longer 2-part cantatas, the first part was performed before the sermon, the second part after the sermon. The cantatas (and the sermon) were tailored to fit official Lutheran bible readings for the Sunday (or other church day). The cantatas were like a musical sermon. The number of vocal movements was the about same in each part, whether the cantata was in one part or two. Bach did not have to rely on the boys of the Thomas School to perform his cantatas; he also had help from talented university students, some of which were his private students who paid for the lessons by performing in his cantatas. Also, his Leipzig church music was typically performed one voice to a part. The singers who sang the sang the solos (they were called "concertists") also comprised the chorus where they might be doubled by another singer (called a ripienist). This division between concertists and ripienists was quite common in early 18th-century church music.
Mooi dat het tempo bij 28:03 iets langzamer is dan bij dezelfde muziek op 16:13 waar meer onstuimigheid in de uitvoering aanwezig is. Zal met de tekst te maken hebben? Dat zijn die mooie details in deze uitvoering. Prachtig gefilmd ook.
0:07 Die Elenden sollen essen (Chor)
4:16 Was hilft des Purpus Majestät (Rezitativ)
5:17 Mein Jesus soll mein Alles sein! (Arie)
9:58 Gott stürzet und erhöhet (Rezitativ)
10:36 Ich nehme mein Leiden (Arie)
15:32 Indes schenkt Gott (Rezitativ)
16:13 Was Gott tut, das is wohlgetan (Choral)
17:46 Sinfonia
20:12 Nur eines kränkt (Rezitativ)
20:58 Jesus macht mich geistlich reich (Arie)
23:11 Wer nur in Jesu bleibt (Rezitativ)
23:41 Mein Herze glaubt und liebt (Arie)
27:26 O Armut, der kein Reichtum (Rezitativ)
28:03 Was Gott tut, das ist wohlgetan (Choral)
Thanks for this!
Btw, if the index was in the video description, it would have been included in the search index of RUclips!
Muchas gracias, amigos
Absolute bliss.
Kunst der Fuge
In addition to the musicians, I'd like to compliment the camera crew and direction. Their innovative work on these cantatas add greatly to my enjoyment of the music.
This group is second to none. So effortless and superior its like Bach himself is directing. He'd be proud I think, and amazed.
Klare und wunderschöne Aufführung dieser perfekt komponierten Kantate mit herrlichen Stimmen aller genialen Solisten und gut vereinigten Stimmen des ausgezeichneten Chors sowie perfekt entsprechenden Tönen aller historischen Instrumente. Die Virtuosität aller Solospieler ist wahrlich bewundernswert. Der unvergleichliche Spieler/Dirigent leitet das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Einfach wunderbar!
Individually, each member of the choir is a master. As a team, they are an unequalled force clothed in softest velvet.
The fugue in the first chor is a masterpiece.
The whole cantata is an underrated masterpiece.
I agree, it sounds just so elegant and fluent.
That needs to be revived - the Grand Chorale-Fuge!
I was bursting to say something about this performance but it proved too good for words.
I just love the super high quality of performance and the real contact we get to the performances in this format..... Bravo ! :>
i totally agree with you
Delightful cantata, perfect for the first Sunday after Trinity.
As always, a HUGE compliment to the filmer! Incredible quality of takes, being at the right place at all times, catching the expressions, your videos are, just as your concerts, second to none!
I enjoyed watching the oboists playing together in this, another fine production.
sorry.... bassoonists
@@rono3223
Ron, I think you speak about the OBOES, they are baroque oboes... :)
@@kikivolauvent1 Yes, there are 2 oboes but there are also 2 bassoonists next to each other who are fun to watch because they keep bopping along to the beat.
@@jsbrules - I know! Isn't the filming just out of this world?!
De très haut niveau !
Belle présence dansante et mélodieuse des bassonistes
une tromba de tirarsi bien placée par JS Bach et bien jouée
violone au lieu de violoncelle
l'aria de la soprano et de l'alto sont spécialement mélodieuses et bien chantées
Un Christian Immler convainquant
Bref : rien que du bonheur ! Merci !
In addition to the performances being excellent, the camera work and direction shows great sensitivity to the emotional points of the music.
A wonderful piece of classical music played by excellent musicians! The surrounding church setting beautifully captured the music. Thank you for uploading! I enjoy listening to this piece repeatedly! My favorite segment is the "Ich nehme mein Leiden" because of the way the oboe d'amour blends beautifully with the basso continuo (organ). Amazing job by all the instrumentalists, soloists (choir), and the filming crew!
Nice music, nice performance, beautiful people - who ask for anything more.
人の声が 最も美しい楽器であることは疑いない。
There is no doubt that the human voice is the most beautiful instrument.
De menselijke stem is zonder twijfel het mooiste instrument.
It’s not just the music that is so special about these opportunities, but the beauty of the places where they take place. All of them are new to me and gratefully received. Bless you.
In my opinion, this is the Best performance of a Bach' cantata from "All of Bach" Proyect at all.
Sigiswald Kuijken if I may add this. He is still one of the best conductors we have.
@@tobiasstudtheol dat mag u zeker: hij stelt zich veeleer bescheiden op, achteraan tussen andere violisten, maar leidt dit ensemble naar ongekende hoogtes! bovendien worden de vier solisten prachtig in beeld gebracht, niet in het minst tijdens het openingskoor waar bas, tenor, alt en sopraan mooi na elkaar inzetten, bravo!
It's *one* of the best, certainly. Also try "O ewiges Feuer", BWV 31: ruclips.net/video/-QA-Tc8Vw80/видео.html.
Also try the Netherlands Bach Society's Young Bach Fellows doing "Was Gott tut, das ist wohlgetan", BWV 99: ruclips.net/video/keOIgHhw-dk/видео.html
Thank you for a superlative performance, and presentation to match it.
Te mooi voor woorden!!!
Truly an excellent production in every way, I especially love seeing the period instruments.
Beautiful Aria at 10:36... i simply was smiling at, waiting for soprano to sing, flute takes you around the melody with mastery
I think that's an oboe not a flute.
תודה מעומק הלב לאגודת באך מהולנד !!!!!!@@@@
Bach had to know that his listeners would watch with enthusiasm as each “separate” voice (and melody line) would enter the “mass” of sound, and even try to predict the key the entry would take.
And that we would also relish how he worked the multi-voice Fugue to end in a major triad.
We have become enthusiastic and enthralled participants in his technology of composition. He also varied his rhythm choices, with moments of silence. We would then wonder what key would erupt after the moment of silence. Bach was a master of obligato and had his own decoration of his musical room, with window dressing always interesting, without being overbearing.
Sanjosemike
@Jay Preis Didn't know that. But Bach's audience understood German (of course) and were much more knowledgeable of the Protestant Bible than modern people are. They "knew" the liturgy of the day. Modern audiences have no idea what Bach was having his soloists singing about.
Sanjosemike (no longer in CA)
Well, they'd probably have *listened* rather than watching, as the choir loft is in the back of the church, but otherwise, yes!
12:03 The musician smiling is really epic
In general, with the arrival of Sato (and here Kuijken) "spielfreude" has increased considerably...
I just cannot comprehend the generative genius & contrapuntal complexity of the Sinfonia! Five-note melodic lines repeat a step up in ascending direction, only to compete with each other, cooperate during the chorale theme, and come rambling back more exuberant than ever. Like Mozart's fourth mvt of the Jupiter, or Wagner's Overture to Die Meistersinger, I think this is the apex of Bach's skill in flawless, pulsing polyphony.
Чудесное исполнение Господи, как же это прекрасно!
Mr. Vanryne's slide trumpet playing is fantastic (as is the rest of the orchestra!)
Weer een prachtige weergave zowel in audio als visueel. Met de onvolprezen Sigiswald Kuijken. Prachtig klinkende blazers.
Allen spelen ook bijzonder ontspannen vind ik. Heerlijk om te luisteren.
Que maravilla! Grandísimo Bach!
Fantásticos interpretes
Bravo excellentes prises de vues et superbe interprétation ,merci
Very excellent thank you for allowing me this wonderful honor
¡Bellísima! ¡Qué grupo orquestal, qué voces prodigiosas! ¡Y el milagro del conrtatenor Damien Guillon, entre los mejores del mundo!
Zauberhaft wunderschön! Heel erg mooi!
ポリフォニーが美しい！
Beautiful polyphony!
Prachtige polyfonie!
I believe that Herr Bach hacked the Angels musical institution and decoded their formulas to what we hear nowadays in Bach's music 😎😍😍😍😍😍
Thumbs up if you agree 👍👍👍👍
Exquisite. Thank you so much. I have never heard this piece performed.
¡Gracias, Bach! ¡Gloria a Dios! ¡Feliz Navidad!
Fántastico. Una gran versión!!
Bravo so beautiful music, thank you!
Geweldig!
Absolutely paramount
Great performance. Thanks for posting.
Back when this was dedicated to the liturgy it was sung and accompanied from the back choir loft. Thoughtfully built churches even had risers so the musicians could be well placed. All (musicians, congregation, presider) faced the high altar. Now we get to watch and hear.
Magnifico !!
Muy buenas voces, mi preferida siempre ha sido la de Bajo, es como si naciera de la profundidad de la tierrra.
Preciosos instrumentos. Bravo
Astonishing performaance and video.Thanks to all.
excellent performance !!! thank u nbc !!!!!!!!!!!
All these video are marvellous.
PERFECTION.
MAGNÍFICA LA NETHERLNDS BACH SOCIETY
En la Sinfonía, la melodía conductora para viento (Presente en otros momentos corales de la Cantata, por cierto) no es original de Bach, sino que la compuso años antes Saverius Gastorius para un himno escrito por Rodigast, pero la reelaboración de Bach fue tan impresionante y aportó tantos elementos nuevos que le dio al himno una dimensión absolutamente nueva. Si se escucha la pieza original de Gastorius y se la confronta con la reelaboración de Bach, hay que maravillarse con qué genio el Maestro sabía reelaborar piezas ajenas hasta el punto de reconvertirlas en algo totalmente nuevo y hasta sobrepasando todos los límites de la inspiración musical y de la perfección técnica!!! Increíble. 😥😥😍😍💓💓❤❤
この純粋な至福！
This pure bliss!
Deze pure gelukzaligheid!
Admirable !!
Beautiful!
Dank je!
Miriam Feuersinger is vocally and also physically a pleasure. Chistian Immler outstanding as always.
Feuersinger is good description of her performances :)
stop simping
I have to visit you guys are incredible
Fantastic Bach's desision with tromba da tirarsi !
Pure diamond!
A true masterpiece!
Bach servira la musique pour l'éternité. Amitié de France.
Perfect !
Fantastiskt spel av naturtrumpetarna!🎉
10:48 - unlike the Classicals, Bach had that 'jazzy feel
Wunderbar
Shocking beauty
A fantastic performance all around, as always. While all the performers were fantastic, I specifically love the tenor's performance - Mr. Lattke gives a fantastic performance
superbe !
Fantastic ☄️🎶🎶🎶🎶🎶🎶💥💕
So good!!
Exquisita versión, también incluyo a las cámaras que han sabido captar cada momento y saber transmitir para quienes no estuvimos presentes.
Superbe !!
Beyond superb.
Estou muito contente por conhecer esse canal que me ajuda a explorar e amar a música clássica... se houvesse legendas disponíveis para português rsrsrs não é uma reclamação, apenas gostaria de acompanhar a letra enquanto ouço essa belíssima música ❤
Thank you!
Eh doveva presentarsi a quelli di Lipsia ed allora ha pensato di fare le cose per bene Coro iniziale pure con una fuga, una aria per ogni voce solista, una sinfonia , il suo bel corale a meta' cantata ed ovviamente quello finale E' piacevole, non eccezionale, per quanto la aria del basso meriti elogi specie per la tromba Complessivamente una cantata da ricordare per essere la prima ufficiale nel ruolo di Cantor Bravo JS sei piaciuto alla prima!
Så vackert musicerat av sopran och oboist!🎉
Lindoooo
Bach a composé la cantate pour le premier dimanche après la Trinité et l'a dirigée pour la première fois lors du service de la Nikolaikirche, le 30 mai 1723, lors de sa prise de fonction au poste de Kantor. Pour cette destination liturgique, deux autres cantates ont franchi le seuil de la postérité : les BWV 20 et 39.
I think the secret to Bach's mastery of harmony is the Continuo line - composition is much easier with a strong Bass, and a realised line.
Belíssimo!!!!!
La presencia de Dios en Bach es incuestionable...no se puede entender una música de este nivel si no tiene una inspiración e influencias directamente Divinas.
@@alpinoalpini3849 Innecesaria es la soberbia, la avaricia, la lujuria, la ira, la gula, la envidia y la pereza.
Por otra parte "FE" significa "CREER SIN VER".
Usted reconoce que Bach era un hombre de "fuerte fe lutera", es decir, fe en Dios, que no necesita "demostración" porque por eso es "cuestión de fe".
Total si sequitur. Para Bach si era necesario Dios, y sin que ningún mortal científico le demostrara su existencia.
En Bach, "su fuerte fe luterana", por consiguiente, su creencia en Dios, SÍ nos dice MUCHÍIIISIMO sobre el origen de su genio.
This is the hardest part of vocal composition - getting the ritornello to square with a free emotive vocal line
Przepiękne wykonanie. Szczególnie tenor i sopran jak diamenty w koronie.
Muito bom
21:54 - motivic transformation - the chorale always comes back in new guises with Bach
Wow!!
🎼❤️
Ein großartiges Ensemble präsentiert das "Probestück" Bachs für Leipzig, wo er mit "gutem Applausu seine erste Music" aufgeführt hat (Acta Lipsium academica, Mai 1723) Wie hatte der Bürgermeister Lange von Leipzig laut Protokoll gesagt:" Wann Bach erwählet würde, so könnte man Telemann...vergessen" Ob er Recht hatte???
Exquisite.
Perfect
Das reine Evangelium durch Bach vertont! Gelobt sei Jesus Christus, Herrscher und Erlöser!
Une splendeur !
Une splendeur !
Meravigliosa sinfonia
troublantes émissions sonores au sommet des montagnes de la création !
Sigiswald Kuijken, conductor
Miriam Feuersinger, soprano
Damien Guillon, alto
Wolfram Lattke, tenor
Christian Immler, bass
oo
It's kind of funny in the way that the first two Cantatas BWV 75,and 76 that Bach selected in his first two weeks, both in two parts, much longer than the other Cantatas for the rest of his first season in Leipzig,or for the majority of his remaining Cantatas cycles in Leipzig . This is not an original idea of mine that BWV 75 and 76 was too taxing for the students who had to perform Bach Cantata weekly. So Bach had too subsequently, write shorter Cantatas to be performed, as a rule, not less of a masterpiece,of course.
Typically, two cantatas were performed: one before the sermon, one after. In the case of the longer 2-part cantatas, the first part was performed before the sermon, the second part after the sermon. The cantatas (and the sermon) were tailored to fit official Lutheran bible readings for the Sunday (or other church day). The cantatas were like a musical sermon. The number of vocal movements was the about same in each part, whether the cantata was in one part or two. Bach did not have to rely on the boys of the Thomas School to perform his cantatas; he also had help from talented university students, some of which were his private students who paid for the lessons by performing in his cantatas. Also, his Leipzig church music was typically performed one voice to a part. The singers who sang the sang the solos (they were called "concertists") also comprised the chorus where they might be doubled by another singer (called a ripienist). This division between concertists and ripienists was quite common in early 18th-century church music.
Mooi dat het tempo bij 28:03 iets langzamer is dan bij dezelfde muziek op 16:13 waar meer onstuimigheid in de uitvoering aanwezig is. Zal met de tekst te maken hebben? Dat zijn die mooie details in deze uitvoering.
Prachtig gefilmd ook.
There's just a slight discord to one voice, other than that I think the work can be perfect. The female voice is astounding.