0:07 Die Elenden sollen essen (Chor) 4:16 Was hilft des Purpus Majestät (Rezitativ) 5:17 Mein Jesus soll mein Alles sein! (Arie) 9:58 Gott stürzet und erhöhet (Rezitativ) 10:36 Ich nehme mein Leiden (Arie) 15:32 Indes schenkt Gott (Rezitativ) 16:13 Was Gott tut, das is wohlgetan (Choral) 17:46 Sinfonia 20:12 Nur eines kränkt (Rezitativ) 20:58 Jesus macht mich geistlich reich (Arie) 23:11 Wer nur in Jesu bleibt (Rezitativ) 23:41 Mein Herze glaubt und liebt (Arie) 27:26 O Armut, der kein Reichtum (Rezitativ) 28:03 Was Gott tut, das ist wohlgetan (Choral)
In addition to the musicians, I'd like to compliment the camera crew and direction. Their innovative work on these cantatas add greatly to my enjoyment of the music.
Individually, each member of the choir is a master. As a team, they are an unequalled force clothed in softest velvet.
5 лет назад+12
De très haut niveau ! Belle présence dansante et mélodieuse des bassonistes une tromba de tirarsi bien placée par JS Bach et bien jouée violone au lieu de violoncelle l'aria de la soprano et de l'alto sont spécialement mélodieuses et bien chantées Un Christian Immler convainquant Bref : rien que du bonheur ! Merci !
人の声が 最も美しい楽器であることは疑いない。 There is no doubt that the human voice is the most beautiful instrument. De menselijke stem is zonder twijfel het mooiste instrument.
As always, a HUGE compliment to the filmer! Incredible quality of takes, being at the right place at all times, catching the expressions, your videos are, just as your concerts, second to none!
@@kikivolauvent1 Yes, there are 2 oboes but there are also 2 bassoonists next to each other who are fun to watch because they keep bopping along to the beat.
A wonderful piece of classical music played by excellent musicians! The surrounding church setting beautifully captured the music. Thank you for uploading! I enjoy listening to this piece repeatedly! My favorite segment is the "Ich nehme mein Leiden" because of the way the oboe d'amour blends beautifully with the basso continuo (organ). Amazing job by all the instrumentalists, soloists (choir), and the filming crew!
@@tobiasstudtheol dat mag u zeker: hij stelt zich veeleer bescheiden op, achteraan tussen andere violisten, maar leidt dit ensemble naar ongekende hoogtes! bovendien worden de vier solisten prachtig in beeld gebracht, niet in het minst tijdens het openingskoor waar bas, tenor, alt en sopraan mooi na elkaar inzetten, bravo!
It's *one* of the best, certainly. Also try "O ewiges Feuer", BWV 31: ruclips.net/video/-QA-Tc8Vw80/видео.html. Also try the Netherlands Bach Society's Young Bach Fellows doing "Was Gott tut, das ist wohlgetan", BWV 99: ruclips.net/video/keOIgHhw-dk/видео.html
It’s not just the music that is so special about these opportunities, but the beauty of the places where they take place. All of them are new to me and gratefully received. Bless you.
Klare und wunderschöne Aufführung dieser perfekt komponierten Kantate mit herrlichen Stimmen aller genialen Solisten und gut vereinigten Stimmen des ausgezeichneten Chors sowie perfekt entsprechenden Tönen aller historischen Instrumente. Die Virtuosität aller Solospieler ist wahrlich bewundernswert. Der unvergleichliche Spieler/Dirigent leitet das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Einfach wunderbar!
I just cannot comprehend the generative genius & contrapuntal complexity of the Sinfonia! Five-note melodic lines repeat a step up in ascending direction, only to compete with each other, cooperate during the chorale theme, and come rambling back more exuberant than ever. Like Mozart's fourth mvt of the Jupiter, or Wagner's Overture to Die Meistersinger, I think this is the apex of Bach's skill in flawless, pulsing polyphony.
Back when this was dedicated to the liturgy it was sung and accompanied from the back choir loft. Thoughtfully built churches even had risers so the musicians could be well placed. All (musicians, congregation, presider) faced the high altar. Now we get to watch and hear.
Bach had to know that his listeners would watch with enthusiasm as each “separate” voice (and melody line) would enter the “mass” of sound, and even try to predict the key the entry would take. And that we would also relish how he worked the multi-voice Fugue to end in a major triad. We have become enthusiastic and enthralled participants in his technology of composition. He also varied his rhythm choices, with moments of silence. We would then wonder what key would erupt after the moment of silence. Bach was a master of obligato and had his own decoration of his musical room, with window dressing always interesting, without being overbearing. Sanjosemike
5 лет назад+1
Banish the romantic notion that the church musicians performed on a stage in front of the congregation as if they were giving a concert before an audience. In the Thomaskirche of Bach's day, the musicians performed in a gallery that was both above and behind the congregation. The congregation would have seen nothing of the performance.
@ Didn't know that. But Bach's audience understood German (of course) and were much more knowledgeable of the Protestant Bible than modern people are. They "knew" the liturgy of the day. Modern audiences have no idea what Bach was having his soloists singing about. Sanjosemike (no longer in CA)
Weer een prachtige weergave zowel in audio als visueel. Met de onvolprezen Sigiswald Kuijken. Prachtig klinkende blazers. Allen spelen ook bijzonder ontspannen vind ik. Heerlijk om te luisteren.
I believe that Herr Bach hacked the Angels musical institution and decoded their formulas to what we hear nowadays in Bach's music 😎😍😍😍😍😍 Thumbs up if you agree 👍👍👍👍
En la Sinfonía, la melodía conductora para viento (Presente en otros momentos corales de la Cantata, por cierto) no es original de Bach, sino que la compuso años antes Saverius Gastorius para un himno escrito por Rodigast, pero la reelaboración de Bach fue tan impresionante y aportó tantos elementos nuevos que le dio al himno una dimensión absolutamente nueva. Si se escucha la pieza original de Gastorius y se la confronta con la reelaboración de Bach, hay que maravillarse con qué genio el Maestro sabía reelaborar piezas ajenas hasta el punto de reconvertirlas en algo totalmente nuevo y hasta sobrepasando todos los límites de la inspiración musical y de la perfección técnica!!! Increíble. 😥😥😍😍💓💓❤❤
A fantastic performance all around, as always. While all the performers were fantastic, I specifically love the tenor's performance - Mr. Lattke gives a fantastic performance
La presencia de Dios en Bach es incuestionable...no se puede entender una música de este nivel si no tiene una inspiración e influencias directamente Divinas.
@@alpinoalpini3849 Innecesaria es la soberbia, la avaricia, la lujuria, la ira, la gula, la envidia y la pereza. Por otra parte "FE" significa "CREER SIN VER". Usted reconoce que Bach era un hombre de "fuerte fe lutera", es decir, fe en Dios, que no necesita "demostración" porque por eso es "cuestión de fe". Total si sequitur. Para Bach si era necesario Dios, y sin que ningún mortal científico le demostrara su existencia. En Bach, "su fuerte fe luterana", por consiguiente, su creencia en Dios, SÍ nos dice MUCHÍIIISIMO sobre el origen de su genio.
Bach a composé la cantate pour le premier dimanche après la Trinité et l'a dirigée pour la première fois lors du service de la Nikolaikirche, le 30 mai 1723, lors de sa prise de fonction au poste de Kantor. Pour cette destination liturgique, deux autres cantates ont franchi le seuil de la postérité : les BWV 20 et 39.
Estou muito contente por conhecer esse canal que me ajuda a explorar e amar a música clássica... se houvesse legendas disponíveis para português rsrsrs não é uma reclamação, apenas gostaria de acompanhar a letra enquanto ouço essa belíssima música ❤
La cantate est composée pour quatre solistes, soprano, alto, ténor et basse, un chœur à quatre voix, une trompette, deux hautbois, un hautbois d'amour, deux violons, un alto et basse continue avec basson.
Eh doveva presentarsi a quelli di Lipsia ed allora ha pensato di fare le cose per bene Coro iniziale pure con una fuga, una aria per ogni voce solista, una sinfonia , il suo bel corale a meta' cantata ed ovviamente quello finale E' piacevole, non eccezionale, per quanto la aria del basso meriti elogi specie per la tromba Complessivamente una cantata da ricordare per essere la prima ufficiale nel ruolo di Cantor Bravo JS sei piaciuto alla prima!
0:07 Die Elenden sollen essen (Chor)
4:16 Was hilft des Purpus Majestät (Rezitativ)
5:17 Mein Jesus soll mein Alles sein! (Arie)
9:58 Gott stürzet und erhöhet (Rezitativ)
10:36 Ich nehme mein Leiden (Arie)
15:32 Indes schenkt Gott (Rezitativ)
16:13 Was Gott tut, das is wohlgetan (Choral)
17:46 Sinfonia
20:12 Nur eines kränkt (Rezitativ)
20:58 Jesus macht mich geistlich reich (Arie)
23:11 Wer nur in Jesu bleibt (Rezitativ)
23:41 Mein Herze glaubt und liebt (Arie)
27:26 O Armut, der kein Reichtum (Rezitativ)
28:03 Was Gott tut, das ist wohlgetan (Choral)
Thanks for this!
Btw, if the index was in the video description, it would have been included in the search index of RUclips!
Muchas gracias, amigos
Absolute bliss.
Kunst der Fuge
In addition to the musicians, I'd like to compliment the camera crew and direction. Their innovative work on these cantatas add greatly to my enjoyment of the music.
This group is second to none. So effortless and superior its like Bach himself is directing. He'd be proud I think, and amazed.
And grateful, I'd guess.
Individually, each member of the choir is a master. As a team, they are an unequalled force clothed in softest velvet.
De très haut niveau !
Belle présence dansante et mélodieuse des bassonistes
une tromba de tirarsi bien placée par JS Bach et bien jouée
violone au lieu de violoncelle
l'aria de la soprano et de l'alto sont spécialement mélodieuses et bien chantées
Un Christian Immler convainquant
Bref : rien que du bonheur ! Merci !
I was bursting to say something about this performance but it proved too good for words.
人の声が 最も美しい楽器であることは疑いない。
There is no doubt that the human voice is the most beautiful instrument.
De menselijke stem is zonder twijfel het mooiste instrument.
As always, a HUGE compliment to the filmer! Incredible quality of takes, being at the right place at all times, catching the expressions, your videos are, just as your concerts, second to none!
I enjoyed watching the oboists playing together in this, another fine production.
sorry.... bassoonists
@@rono3223
Ron, I think you speak about the OBOES, they are baroque oboes... :)
@@kikivolauvent1 Yes, there are 2 oboes but there are also 2 bassoonists next to each other who are fun to watch because they keep bopping along to the beat.
@@jsbrules - I know! Isn't the filming just out of this world?!
תודה מעומק הלב לאגודת באך מהולנד !!!!!!@@@@
The fugue in the first chor is a masterpiece.
The whole cantata is an underrated masterpiece.
I agree, it sounds just so elegant and fluent.
That needs to be revived - the Grand Chorale-Fuge!
I just love the super high quality of performance and the real contact we get to the performances in this format..... Bravo ! :>
i totally agree with you
In addition to the performances being excellent, the camera work and direction shows great sensitivity to the emotional points of the music.
A wonderful piece of classical music played by excellent musicians! The surrounding church setting beautifully captured the music. Thank you for uploading! I enjoy listening to this piece repeatedly! My favorite segment is the "Ich nehme mein Leiden" because of the way the oboe d'amour blends beautifully with the basso continuo (organ). Amazing job by all the instrumentalists, soloists (choir), and the filming crew!
In my opinion, this is the Best performance of a Bach' cantata from "All of Bach" Proyect at all.
Sigiswald Kuijken if I may add this. He is still one of the best conductors we have.
@@tobiasstudtheol dat mag u zeker: hij stelt zich veeleer bescheiden op, achteraan tussen andere violisten, maar leidt dit ensemble naar ongekende hoogtes! bovendien worden de vier solisten prachtig in beeld gebracht, niet in het minst tijdens het openingskoor waar bas, tenor, alt en sopraan mooi na elkaar inzetten, bravo!
It's *one* of the best, certainly. Also try "O ewiges Feuer", BWV 31: ruclips.net/video/-QA-Tc8Vw80/видео.html.
Also try the Netherlands Bach Society's Young Bach Fellows doing "Was Gott tut, das ist wohlgetan", BWV 99: ruclips.net/video/keOIgHhw-dk/видео.html
Beautiful Aria at 10:36... i simply was smiling at, waiting for soprano to sing, flute takes you around the melody with mastery
I think that's an oboe not a flute.
It’s not just the music that is so special about these opportunities, but the beauty of the places where they take place. All of them are new to me and gratefully received. Bless you.
Ich liebe Bach.
¡Bellísima! ¡Qué grupo orquestal, qué voces prodigiosas! ¡Y el milagro del conrtatenor Damien Guillon, entre los mejores del mundo!
Delightful cantata, perfect for the first Sunday after Trinity.
Nice music, nice performance, beautiful people - who ask for anything more.
12:03 The musician smiling is really epic
In general, with the arrival of Sato (and here Kuijken) "spielfreude" has increased considerably...
Чудесное исполнение Господи, как же это прекрасно!
Klare und wunderschöne Aufführung dieser perfekt komponierten Kantate mit herrlichen Stimmen aller genialen Solisten und gut vereinigten Stimmen des ausgezeichneten Chors sowie perfekt entsprechenden Tönen aller historischen Instrumente. Die Virtuosität aller Solospieler ist wahrlich bewundernswert. Der unvergleichliche Spieler/Dirigent leitet das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Einfach wunderbar!
Truly an excellent production in every way, I especially love seeing the period instruments.
Thank you for a superlative performance, and presentation to match it.
Very excellent thank you for allowing me this wonderful honor
Fántastico. Una gran versión!!
Mr. Vanryne's slide trumpet playing is fantastic (as is the rest of the orchestra!)
I just cannot comprehend the generative genius & contrapuntal complexity of the Sinfonia! Five-note melodic lines repeat a step up in ascending direction, only to compete with each other, cooperate during the chorale theme, and come rambling back more exuberant than ever. Like Mozart's fourth mvt of the Jupiter, or Wagner's Overture to Die Meistersinger, I think this is the apex of Bach's skill in flawless, pulsing polyphony.
Back when this was dedicated to the liturgy it was sung and accompanied from the back choir loft. Thoughtfully built churches even had risers so the musicians could be well placed. All (musicians, congregation, presider) faced the high altar. Now we get to watch and hear.
Bach had to know that his listeners would watch with enthusiasm as each “separate” voice (and melody line) would enter the “mass” of sound, and even try to predict the key the entry would take.
And that we would also relish how he worked the multi-voice Fugue to end in a major triad.
We have become enthusiastic and enthralled participants in his technology of composition. He also varied his rhythm choices, with moments of silence. We would then wonder what key would erupt after the moment of silence. Bach was a master of obligato and had his own decoration of his musical room, with window dressing always interesting, without being overbearing.
Sanjosemike
Banish the romantic notion that the church musicians performed on a stage in front of the congregation as if they were giving a concert before an audience. In the Thomaskirche of Bach's day, the musicians performed in a gallery that was both above and behind the congregation. The congregation would have seen nothing of the performance.
@ Didn't know that. But Bach's audience understood German (of course) and were much more knowledgeable of the Protestant Bible than modern people are. They "knew" the liturgy of the day. Modern audiences have no idea what Bach was having his soloists singing about.
Sanjosemike (no longer in CA)
Well, they'd probably have *listened* rather than watching, as the choir loft is in the back of the church, but otherwise, yes!
ポリフォニーが美しい！
Beautiful polyphony!
Prachtige polyfonie!
Zauberhaft wunderschön! Heel erg mooi!
Que maravilla! Grandísimo Bach!
Fantásticos interpretes
Weer een prachtige weergave zowel in audio als visueel. Met de onvolprezen Sigiswald Kuijken. Prachtig klinkende blazers.
Allen spelen ook bijzonder ontspannen vind ik. Heerlijk om te luisteren.
Muy buenas voces, mi preferida siempre ha sido la de Bajo, es como si naciera de la profundidad de la tierrra.
Preciosos instrumentos. Bravo
MAGNÍFICA LA NETHERLNDS BACH SOCIETY
¡Gracias, Bach! ¡Gloria a Dios! ¡Feliz Navidad!
Exquisite. Thank you so much. I have never heard this piece performed.
Great performance. Thanks for posting.
Absolutely paramount
Bach servira la musique pour l'éternité. Amitié de France.
Bravo excellentes prises de vues et superbe interprétation ,merci
Geweldig!
Bravo so beautiful music, thank you!
Fantastic Bach's desision with tromba da tirarsi !
この純粋な至福！
This pure bliss!
Deze pure gelukzaligheid!
Magnifico !!
excellent performance !!! thank u nbc !!!!!!!!!!!
All these video are marvellous.
Beautiful!
Admirable !!
Astonishing performaance and video.Thanks to all.
Fantastiskt spel av naturtrumpetarna!🎉
I believe that Herr Bach hacked the Angels musical institution and decoded their formulas to what we hear nowadays in Bach's music 😎😍😍😍😍😍
Thumbs up if you agree 👍👍👍👍
Pure diamond!
Shocking beauty
A true masterpiece!
En la Sinfonía, la melodía conductora para viento (Presente en otros momentos corales de la Cantata, por cierto) no es original de Bach, sino que la compuso años antes Saverius Gastorius para un himno escrito por Rodigast, pero la reelaboración de Bach fue tan impresionante y aportó tantos elementos nuevos que le dio al himno una dimensión absolutamente nueva. Si se escucha la pieza original de Gastorius y se la confronta con la reelaboración de Bach, hay que maravillarse con qué genio el Maestro sabía reelaborar piezas ajenas hasta el punto de reconvertirlas en algo totalmente nuevo y hasta sobrepasando todos los límites de la inspiración musical y de la perfección técnica!!! Increíble. 😥😥😍😍💓💓❤❤
superbe !
Exquisita versión, también incluyo a las cámaras que han sabido captar cada momento y saber transmitir para quienes no estuvimos presentes.
10:48 - unlike the Classicals, Bach had that 'jazzy feel
Te mooi voor woorden!!!
Wunderbar
Så vackert musicerat av sopran och oboist!🎉
Perfect !
Dank je!
Superbe !!
A fantastic performance all around, as always. While all the performers were fantastic, I specifically love the tenor's performance - Mr. Lattke gives a fantastic performance
La presencia de Dios en Bach es incuestionable...no se puede entender una música de este nivel si no tiene una inspiración e influencias directamente Divinas.
@@alpinoalpini3849 Innecesaria es la soberbia, la avaricia, la lujuria, la ira, la gula, la envidia y la pereza.
Por otra parte "FE" significa "CREER SIN VER".
Usted reconoce que Bach era un hombre de "fuerte fe lutera", es decir, fe en Dios, que no necesita "demostración" porque por eso es "cuestión de fe".
Total si sequitur. Para Bach si era necesario Dios, y sin que ningún mortal científico le demostrara su existencia.
En Bach, "su fuerte fe luterana", por consiguiente, su creencia en Dios, SÍ nos dice MUCHÍIIISIMO sobre el origen de su genio.
So good!!
Beyond superb.
21:54 - motivic transformation - the chorale always comes back in new guises with Bach
I have to visit you guys are incredible
Fantastic ☄️🎶🎶🎶🎶🎶🎶💥💕
I think the secret to Bach's mastery of harmony is the Continuo line - composition is much easier with a strong Bass, and a realised line.
Thank you!
Bach a composé la cantate pour le premier dimanche après la Trinité et l'a dirigée pour la première fois lors du service de la Nikolaikirche, le 30 mai 1723, lors de sa prise de fonction au poste de Kantor. Pour cette destination liturgique, deux autres cantates ont franchi le seuil de la postérité : les BWV 20 et 39.
Lindoooo
Belíssimo!!!!!
Przepiękne wykonanie. Szczególnie tenor i sopran jak diamenty w koronie.
Miriam Feuersinger is vocally and also physically a pleasure. Chistian Immler outstanding as always.
Feuersinger is good description of her performances :)
stop simping
Estou muito contente por conhecer esse canal que me ajuda a explorar e amar a música clássica... se houvesse legendas disponíveis para português rsrsrs não é uma reclamação, apenas gostaria de acompanhar a letra enquanto ouço essa belíssima música ❤
This is the hardest part of vocal composition - getting the ritornello to square with a free emotive vocal line
Minute 4:07 is absolute perfection.
Une splendeur !
Muito bom
🎼❤️
Meravigliosa sinfonia
Exquisite.
La cantate est composée pour quatre solistes, soprano, alto, ténor et basse, un chœur à quatre voix, une trompette, deux hautbois, un hautbois d'amour, deux violons, un alto et basse continue avec basson.
Eh doveva presentarsi a quelli di Lipsia ed allora ha pensato di fare le cose per bene Coro iniziale pure con una fuga, una aria per ogni voce solista, una sinfonia , il suo bel corale a meta' cantata ed ovviamente quello finale E' piacevole, non eccezionale, per quanto la aria del basso meriti elogi specie per la tromba Complessivamente una cantata da ricordare per essere la prima ufficiale nel ruolo di Cantor Bravo JS sei piaciuto alla prima!
Wow!!
*_such a joy_* 17:47
Simply delicious
Das reine Evangelium durch Bach vertont! Gelobt sei Jesus Christus, Herrscher und Erlöser!
Perfect
troublantes émissions sonores au sommet des montagnes de la création !
17:46 PERFECTION
Sigiswald Kuijken, conductor
Miriam Feuersinger, soprano
Damien Guillon, alto
Wolfram Lattke, tenor
Christian Immler, bass
oo
Tutti sono migliori. Anche il mio preferito Damien.....😊