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this may be the most beautiful sound on tenor I've heard
What a concept! Absolutely inspiring!
I really like your interpretation of the ending as not ^8va. I haven't heard it done like that before
Absolutely. A case for why a performer researching the music can make a huge difference. If the composer hated the edit, that's enough for me to play it as written.
Thank you for making this music communicate your message.
Great lesson!
Thank You verry much! You give me good ideas!
Had only heard Christian Lindburgh play this before. Nice to hear a different interpretation.
absolutely stunning play. wow
Incredible!
How do you get it to ring like that
Очень важно играть нюансы написанные в тексте
Why two counterweights??
My guess would be that one counterweight tends not to make a difference. 2 might actually make a difference while holding the trombone.
@@BrianJohnstonTrombone I think you have cracked the nut.
this may be the most beautiful sound on tenor I've heard
What a concept! Absolutely inspiring!
I really like your interpretation of the ending as not ^8va. I haven't heard it done like that before
Absolutely. A case for why a performer researching the music can make a huge difference. If the composer hated the edit, that's enough for me to play it as written.
Thank you for making this music communicate your message.
Great lesson!
Thank You verry much! You give me good ideas!
Had only heard Christian Lindburgh play this before. Nice to hear a different interpretation.
absolutely stunning play. wow
Incredible!
How do you get it to ring like that
Очень важно играть нюансы написанные в тексте
Why two counterweights??
My guess would be that one counterweight tends not to make a difference. 2 might actually make a difference while holding the trombone.
@@BrianJohnstonTrombone I think you have cracked the nut.