It is the PAF Master. I did a demo on that pick up but in a differnt guitar about a year ago. I am however going to do a full new demo of the guitar soon. This will include the paf master.
@@chrisCANguitar Those are cool pickups. I've never owned one but I dig how they sound. A lot of players are now using vintage output pups through very high gain amps. It gives them more clarity. Medium to vintage output is best for prog and djenty stuff. One pickup that's made a big comeback is the Duncan Full Shred, which is one of the only Duncans I like. It's got terrific clarity with high gain, doesn't get muddy. Back in the 80s few amps had high gain. The king of gain was the Boogie. Then you had other amps hit the scene like the Soldano SLO which I tried in a boutique shop in '86. Then the VHT Pitbull not long after. I tried one too back in the day and was blown away. And of course the Bogner Ecstasy and the first Engls to hit the scene. But your average player would likely use a Marshall with a fuzz box, or maybe a Laney, or a Randall RG, etc. Now any Joe Schmo can go to their local shop and get a high gain amp for relatively little money, not to mention all the multi fx modeling systems and profilers. This is causing players to reevaluate what they thought they knew about high gain. When you use a high gain amp with a high output pickup they clash. It starts to sound like mud crashing into mud. It's not ideal. Some of the best hard rock and metal tones of the 70s and 80s were produced with high output pickups through cranked unmodded amps or lower output pups through cranked amps and maybe a good fuzzbox or mod and some good studio wizardry.
sounds great 🎸🎸👏👏👍👍
Thanks man. It’s a really well balanced voice
Got the F$G FLAG FLYING HIGH... Is that FLAG as hot as the REDVELVET???
Even hotter but not as velvety lol
What pickup's in the bridge?
It is the PAF Master. I did a demo on that pick up but in a differnt guitar about a year ago. I am however going to do a full new demo of the guitar soon. This will include the paf master.
@@chrisCANguitar Those are cool pickups. I've never owned one but I dig how they sound. A lot of players are now using vintage output pups through very high gain amps. It gives them more clarity. Medium to vintage output is best for prog and djenty stuff. One pickup that's made a big comeback is the Duncan Full Shred, which is one of the only Duncans I like. It's got terrific clarity with high gain, doesn't get muddy. Back in the 80s few amps had high gain. The king of gain was the Boogie. Then you had other amps hit the scene like the Soldano SLO which I tried in a boutique shop in '86. Then the VHT Pitbull not long after. I tried one too back in the day and was blown away. And of course the Bogner Ecstasy and the first Engls to hit the scene. But your average player would likely use a Marshall with a fuzz box, or maybe a Laney, or a Randall RG, etc. Now any Joe Schmo can go to their local shop and get a high gain amp for relatively little money, not to mention all the multi fx modeling systems and profilers. This is causing players to reevaluate what they thought they knew about high gain. When you use a high gain amp with a high output pickup they clash. It starts to sound like mud crashing into mud. It's not ideal. Some of the best hard rock and metal tones of the 70s and 80s were produced with high output pickups through cranked unmodded amps or lower output pups through cranked amps and maybe a good fuzzbox or mod and some good studio wizardry.