Vilayat Khan & Bismillah Khan break into song: Nand + मोहे पनघट पे नन्दलाल छेड़ गयो रे
HTML-код
- Опубликовано: 11 янв 2025
- 00:58 Nand / Anandi ajahuuN naa aaye
17:02 Thumri / Daadraa मोहे पनघट पे नन्दलाल छेड़ गयो रे
मोहे पनघट पे नन्दलाल छेड़ गयो रे
मोरी नाजुक कलाईयाँ मरोड़ गयो रे
This is one of those unexpected benedictions. It was meant to be a Jugalbandi between Sitar and Shehnai, just as two of India's most celebrated maestro instrumentalists had been performing and recording for decades. But they instead ended up breaking into song, while shooting for Doordarshan Bharati's Jugalbandi series, back in the early 2000s at the Taj, Varanasi.
Doordarshan has repackaged parts of this performance at various times - there is one more which has a Kajri and Hori. • Vilayat Khan | Bismill... Anything with the two of these virtuosos would be for the ages, but there is something extra celebratory and joyous about Mohe Panghat Pe Nandlal ChheR Gayo Re. It resurfaced and did the rounds on social media circuit during the lockdown. It could not have been better timed. I wish Gyan Seth, who conceived, produced and directed the series, or someone else who witnessed the performance first-hand, was around to tell us about the experience behind the scenes.
Not that anyone following Vilayat Khan's live shows would be unfamiliar with his love for singing - he would often say that he wanted to become a vocalist in childhood. But the magic here is in the dynamic between the duo. Whoever says music is meant to only be an aural experience should see this and experience for themselves what a visual feast it can be. The beatific smiles on their faces as they clearly enjoy and delight in each other's skills and artistry add to the sheer joyous and music they create - that one of them is in his mid-80s and the other in mid-70s can hardly be guessed from the energy they exude.
I had been saving this, along with their other recordings for around Holi this year, but got distracted by other things. It was Vilayat Hussain Khan singing ajahuuN naa aaye in Gaud Sarang that, funnily enough, reminded me of this performance. The Master Mukund 78 RPM was the clincher.
• Vilayat Khan
• Singing Instrumentalis...
• Panghat
मोहे पनघट पे नन्दलाल छेड़ गयो रे, मोरी नाजुक कलइया मरोड़ गयो रे!---मोहे पनघट पे नन्दलाल छेड़ गयो रे की शहनाई धुन द्वारा उस्ताद विस्मिल्लाह खां अति उत्कृष्ट शहनाई वादन
Laajawaab bajaayey dono Ustaadonein❤Shukriya Doordarshan iss peshkash ko❤
Music is sublime, beyond any
caste, creed, region n language barriers. It straightway reaches to the hearts of the listners. ❤
Thanks for doordarshan and you tube for preserving and presenting two legendary personality super duper performance
So beautiful music, I keep repeating over and over again.❤❤❤❤
Amazing performance of twin maestros.
Thanks a lot for sharing this precious item from your treasure. ❤❤
Jai ho.
Wah...lovely..really lovely presentation
mesmerizing ...sublime 💌💌💌
Heavenly ❤❤❤
Marvellous
Please share more. ❤❤
❤❤❤
अदभुत
I thankfule to you tube for this alltime and forever two legends of lndian cllasical music maestro playing song
Thank you for uploading ❤🙏
🙏🏾
Mesmerizing ❤❤❤❤
Kono stuti basi noy
🎉❤❤
Prithibite swarga neme asechhe
🙏🙏🙏
Some times youtub do brilliant work
Which raag it is? I’ll be obligated to know.
The first one is Nand/Anandi.
"mohe panghat pe" is best described as Gara predominantly.
@@SundeepDougal thanks brother!
Second one isn’t raag pilu?
See these different versions:
ruclips.net/p/PLMYQ2DE1_LdaTm0_vPqwfHYl6r2S8b5ek
The one by Indubala is closer to Pilu. This one is more Gara as is the Azmat Hussain Khan version.
First raag is not gurjari. Todi?
No.
Marvellous