In my word ladders I’ve stopped using the ‘stuff in the room’ (gets old after one or two goes), and instead I grab a book, turn to a random page, and then write down the first 10 nouns I read
so that would make it a novel line : ) clever i would think from my page or reading of your comment note. a C sharp of course and a big thanks for your word perspective. i was taught to grab words out of the air, probably why you've never heard my sky songs. But to compliment a singer-songwriter of yesterday, "I've looked at Clouds from both sides now" Wishing you & all who read this, the best in their song writing endeavor(s).
As an ever learning human being (artist), I wanted to share some gratitude and say Thank You for making this video. It's reminded me, again, that creating is about having fun. That's priceless, and to hold firmly at the front of my mind. Keep It Simple, Awesome stuff, have a great day!
Amazing song writers speak in the same way they write almost like they’ve completely changed the way their brain thinks about language. He’s not a singer, but Eminem for example, when he speaks in interviews I swear he speaks in poems
I'm the complete opposite. I naturally write obscure and unusual lyrics but struggle to give my songs a more focused and clear narrative. I always keep in some of the best weird lines though, when they fit. But I always avoid cliches, and never ever use the word "baby".
@@NewFalconerRecords Why not? Constraining yourself is useless when you want to be creative. I know that sometimes people think that certain words are cliché and therefor tabu, but mostly this is due to a lack of imagination. There is ALWAYS a way to use EVERY word in a more interesting way.
@@mr.k905 I totally agree with you. Cliches are fun to mess with. Often if you just substitute one word for another you can make something fresh. That's the thing. Using words in an interesting way, as you said. But don't just put in a "baby" because it fills two syllables. Come up with another word, or use it ironically. I think we more in agreement than you thihk.
My current favourite is another Tweedy-inspired technique. I take a title, put it in a box in the middle of the page, and then free-associate from the words in the title. Great technique, takes you some weird places. Word ladders also work brilliantly with adjectives and nouns from subjects completely unrelated. Yesterday, my list was winter adjectives and dance nouns…arctic ballet…hmmm…right…there’s a title for the first technique!
Watching this channel is helpful because I'm a natural songwriter who has always written spontaneously and autobiographically, and combined with my love for darker music, I have a history of writing my best songs when things suck. As a result I am basically scared of being happy or calm because "there will be nothing to write about". Aside from the fact that it's a stupid thought (but it's obsessive and I can't get over it), it feels nice to remember that not everything has to be about my immediate experience and you can just immerse yourself in words and let the subconscious do its own thing. So even though I don't have an issue with writing songs as such, it would be nice to experiment with different ways of doing it to relieve my anxiety lol
Another great trick for getting "out of the box" with your writing, related to the "Cut Up" method, is (surprise, surprise) Magnetic Poetry sets. Magnetic Poetry is a company that started producing refrigerator magnet sets about 30 years ago, of words that you could rearrange into poems.
The second segment reminded me of one of my personal proudest slang rhymes, which was concrete and heartbeat. One of my favorite weird methods that I use is to sing your existing lyrics in a different or less-enunciated voice, and use the power of mishearing words to come up with more interesting lyrics. There are so many times where I’ve misheard lyrics that were either more interesting or more emotional than the actual words, so using that has been helpful in my own work from time to time.
In order to write a great song one must first tell a great story. And then search out how to tell that story with words that rhyme and are meaningful to the story.
I have been writing word lists as a way of generating potential poems and songs for about 20 years. I recently dug out my first hand-made (yes I often make my own) notebook and recognized lyrics that I have already used for songs and realized that it still contains ideas for future songs. However, I just write/wrote words randomly as they occurred in my head like a kind of word association with myself. Each word appearing in my head without any criteria whatsover and adding it to the list regardless of how leftfield it is. One important thing to consider is that sometimes I used words from the list and sometimes the list just begins to turn into short phrases and kick starts the writing process without using anything on the list. Sometimes I circle words randomly and try to connect them.
Tweedy's book is the most practical and helpful book I've read on songwriting. I enjoy doing that exercise and it's given me some really great word combinations. I will often change the verb list to adjectives or other nouns and I don't always try to write from the entire list, just the combinations that strike me as unique and useful. I will sometimes just pull up a list of interesting adjectives or verbs and nouns and list them out in a spreadsheet, mix up the order of one list and paste it next to the other to see what comes up.
I just wrote the poem I’ve been trying to write my entire life with the first method, THANK YOU 🙏 vvv Slinking around the birdhouse, I wandered through walls of stone Sheltered from the elements, My breath, hot against the window. I would graze on flowers, Collecting vines and yarrow For every bite to sting me A juicy leaf of aloe To live in a forest of moss, Rather than a cage of words and metal Hiding while the papers burn To Forage to survive, and weave necklaces in the meadows Neath the breathing blankets of Gaea, I yearn to be Though the men would hunt me still, Leaving behind them a trail of bones But if I live, who may remain? Should I wait to hear the bellowed cries?, Or to meet their lifeless eyes? To live in a forest of moss, Rather than a cage of words and metal Hiding while the papers burn To Forage to survive, and weave necklaces in the meadows Neath the breathing blankets of Gaea, I yearn to be Even by the creaking oak, whom knows it will be soon, her time. The children lift our masks, And ignorant, steal our paintings But if it’s what will be, I will take it. If it means to leave my cage of words behind.
Thank you so much guys!You are actually my lifesaver. My friend showed me a video of yours and that's how I ended up here. I'm doing my second Bachelor's in Songwriting now here in UK. I was having(still does whenever an assignment pops up) a hard time with my assignments to write songs and the techniques and information you provide over here are so valuable. I do have certain course material resources with me but when it's all about assignments, I need a quick guidance. Please do keep uploading new content. Thanks again :)
I've been a singer since I was a child and I've been in many bands. I'm 56 now and currently in a cover band but mainly '90s alternative rock. But We start every set with a stream of consciousness jam. A different song every practice. And a different member pics what they want to start the song off with a guitar riff a baseline So happy to discover this resource to inspire my creativity and make connections that are unique yet still common associations turned on their head. I'm very excited by your instructions! Kudos from Miami Beach!
Thanks! I struggle with this. These are excellent ideas. And you’re an outstanding teacher. You explain things clearly, and you are genuinely enthusiastic and positive about songwriting. 🎖️
Brilliant video! I was surprised how well some of my unrelated couplets could fit together. Some fave stanzas from my attempts: Not blue, not green, defiant teal / here's a piece that doesn't fit the set / no net, no safety, stairs with no rail / small and crooked and bent A stove too hot / How long is this interval? / Plans we'll botch / one year has turned to several We stood, breathing in at the lookout rail / over the edge, water so clear / your eyes and the sky the same color teal / a tug inside says, "deeper, deeper"
This exercise led me to write these lyrics. Definitely outside of the box from my conventional / typical writing style. It was a very refreshing exercise that I will continue to use. Thank you! Your picture speaks to me as the stereo chatters The dog is drinking from a cup My wife is on a chair outside by the pool Mumbling about nothing that matters The voice in my head roars like a speaker And I sigh out the window like some kind of fool I need someone to talk to beside's this plant Could it be that I've lost my cool.
superfun and I actually got an almost-decent lyric to polish up out of the aabb to abab rhyme scheme. I think that these sorts of 'theatre sports for songwriters' help us trust the process, too. The other day I was with a group of women in a creative sort of networking group. We were instructed to write 1st lines of haiku with specific focus--just that line--then hide our line, and pass it to the next person to write the 2nd line, and so on. With just some simple instruction and intention we came up with several little poems we all liked.
I loved Tweedy's book. I've read many books on songwriting and composition, and I recommend that book to everyone, regardless of where they might be in their own songwriting journey. Cheers!
I need to learn more about lyrics, you are very helpful. I start off really good, then I stop for a day or so. I get back to it, it starts being more of a story. After that I feel like I have to start a whole new one. (As of right now, take a daybreak. Look back at it tomorrow.)
Great episode, Keppie 👌 Thank You for being a down-to-earth enthusiastic teacher There is joy on your face & excitement in your eyes when you present your tips & methods That plus excellent exercises 👌
I would love to get a critique of some of my lyrics. I feel like I overthink a lot when I’m writing but then I try really hard to not be a cliché and I always want to make sure that the song has context and tells some form of story otherwise it’s just words.
I'm stopping after the first method, because I feel inspired off of my lists. I'll revisit this video over the next few days for the other methods. I'm so inspired right now I couldn't even contain it. Off I go!
I think the band Incubus may use some of these techniques in their lyrics. "Sky looked like a back-lit canopy with holes punched in it" is one of the best to me.
I’m a regular watcher .. thanks for the help… still feel stuck in cliche land but I stick to the process, lately I write songs with the intent on throwing them away just to finish one without any pressure or expectation of it being heard
First time commenting here: This was super helpful, and it helps enormously to get out of that stale zone. It doesn't take long either to get a working song going. Thank you, Keppie
I just watched a video of a songwriter I know. The video and music were very interesting - the lyrics not so much. He could use this video. I’m going to re-post this and put it in my tool box. Thanks! P.S. The noun -verb exercise is part of Pat Pattison’s teaching on metaphors.
My system. Write a narrative story first person. 1. POV, Setting, Experience of journey or action told directly like a kid telling you what happened and where. 2. Line by line provide commentary with descriptive words of phase 1. 3. Sub out cohesive narrative with descriptive language and follow line by line. Swap out sections from 1 with 2 and 3. A cohesive narrative, poem or story at is maintained while colorful story telling is added maintaining clarity. Edit: Never actually did this but I’m sure it would work 😂
Fascinating video...Thank you! One interesting thing that happened when, in the first section, you put together your little word poem that made no sense I immediately was reminded of the Beatles "Lucy in the Sky With Diamonds" and "I Am The Walrus". Both have so many word play lines that make no sense per se but paint a wonderful picture. John Lennon was obviously a master at that style and I've often wondered how he could come up with such magical imagery. I think you just gave me a bit of an insight on how to approach it!
Actually I think it's just the notion that verbs can fit a theme, which should be obvious but I'm always thinking about object imagery and not so much actions
I have tons of musical pieces written that need lyrics. I guess i do things backwards but im more of a guitar player than a songwriter, no doubt. I like chord progressions and letting music take me for a ride. How do you get lyrics to fit into musical ideas that are already established ? Ive binged about 30 videos here and that must not be the way to do things, lol. Cool Channel, very talented.
OK, so I've been subscribed for a while but this is the first video that really hit me. Turned me from someone who, yeah, would like to write songs, to someone who now believes I can. Brilliant presentation and yes I had heard the Bowie, cut up method years ago. I even used to know a horse race betting junkie who used the same method to pick his horses. 'The Bewley Brothers' is probably my all time favourite Bowie song and has been since 'Hunky Dory' first came out, over 50 years ago now. I started reading books a lot a few years ago, having heard it was a good source of inspiration for lyrics, but this takes the cake. I read more when on my annual grey nomad expeditions to fish tropical beaches during the winter and this year I will have something concrete to work on while waiting for a bite. Thank you. I'll probably check out your courses once I hit the road again. Autocorrect can also be a great source of whacky ideas.
These were great! I liked the result of the 1st one especially. Rising tides beneath feet that warm mine Her ears flutter as I near Her shirt drives over mine Instruments waking in such Movement as our lips touch The flood comes from us Another dessert I fear I'm going to try keeping a common theme across multiple practice attempts to see if I can do a whole song.
"Severed Goddess Hand" by Curt Kirkwood of the Meat Puppets: Curt used the cut-up method sometimes, not sure if he did it here but possibly. There's not a lot of rhyme, just the last two lines of each verse, and the chorus The horizon breaks to pieces And the mainline is the twilight And the giant net has a perfect window Passage through has the ticket screaming I want a mind I'll tell you what I find In the silence of the neurons Where the pathway has been printed There's a gleaming hope for an understanding Timing's gone and there's been no planning Two heads, one dream Two-thirds a crowd it seems I'm a picture of a goddess Of a planet in the window Through a tiny hole in the giant curtain I have watched while it stood undressing I want more eyes I wanna see more lies Chorus: (goes between each verse and becomes an outro.) No severed goddess hand No plaster in my eye No picture of a lamb No goddess hand have I It's hard to know if any of it means anything, but it could. It's known that many songs from the same album had much to do with Curt's struggles with the record industry, combined with the stress over the bands sudden rise to fame (compliments of MTV "Nirvana Unplugged") after more than a decade of obscurity. Kirkwood is one of my favorite songwriters for sure. He's a master of psychedelic lyrics.
Thank you so much for the content you post (and the pdf's you provide!) I've been following your channel for a while now as I've been getting more and more into songwriting and it's been an amazing source for guidance, practice and learning. Keep up the fantastic work!! ❤
My problem is that I form a 'theme' quite quickly when doing these exercises. Consequently, even when I change rhyming schemes, it does not result in much of a surprising change to what I am seeing.. I have to force myself to write lines about a different topic and then come back later ..
Step 2 of the vocabulary ladder... when matching words from verb to noun list. Is it okay if more than one word gets the same match and what happens if one or so many words get left out?
This was an excellent video! Really enjoyed! It's given me inspiration to go back to my many incomplete melodies/chord progressions & try a make something of them!!
Mixing together random sentences or words you find in comments under videos is fun also. I like to find different videos on a certain subject like love and go through the comments to get ideas, lines, words, and stories 😁
Great exercises! …But in the end I think, lyrics are better when they express something specific nevertheless. Those are the ones that the listener can identify with. In contrast, with those yellow, giddy exacerbations of a carpet on someone's space trampoline, he hardly has a chance to do so ; ) Although it might be interesting and unconventional, most people will just mentally scroll over something like this. I believe that it can only become truly great art if it is able to combine the absurd with the meaningful and touching.
Great video and insights. One question tho: are these exercises meant to be applied when you already have an idea in mind but you don’t know how to develop your lyrics? Or could these methods be applied when you have no idea beforehand? Or a combination of both perhaps? These tools are really great to develop your own unique style but it could be quite challenging when you don’t know what to write about…
This was really a great lesson! I've got a question that kept popping up in my brain, though... as a writer of country songs, which are generally gritty story songs and very grounded in reality, does anyone have suggestions for applying these exercises? And would you, Keppie, consider doing a how-to video on writing exciting, yet "reality-based" song lyrics that avoid cliches, etc., like you talk about here? Thanks a million!
Ditto! I gravitate toward ballads like Big Iron or Boy Named Sue Then I stumbled on Townes Van Zandt’s ‘Pancho & Lefty’ 😳 Lines like; “Now you wear your skin like iron & your breath’s as hard as kerosene” & “His horse was fast as polished steel” I marvel at those lyrics and want to write like that-if only once in awhile!
Pick a setting Pick one or a few characters Write a summary about the story you want to tell Make an outline And use some of the methods she taught Also, come up with a few details that are specific He slams the door shut After shouting something that'll cut For the next few weeks He'll be the only thing I'll seek If only I could snap my eyes shut Snap my fingers twice And make everything nice again If only I could clap my hands once Love without a price And make everything nice again But he still throws the keys on the hardwood floor Claims he won't ever come back through that door And I know someday that'll be a reality But I pray, and I pray that day hasn't yet come for me Not today, oh Lord, please Obviously this is just something I came up with on the spot, but as you can see, it has some story elements. It's still poetryish but has a story you can follow. I know my story is a little cliché, but the technique for any story song can be relatively the same.
I like word ladders, found rhyming pairs a bit tougher, the rhyming scheme is a bit luck of the draw and I want to try the cut method with some of my own ramblings which I can’t get going. Cheers.
In my word ladders I’ve stopped using the ‘stuff in the room’ (gets old after one or two goes), and instead I grab a book, turn to a random page, and then write down the first 10 nouns I read
That's a really good idea
You can also do "Things in a grocery store," or "at a park" or whatever. Because you're right, my room doesn't change enough to keep it interesting.
this is good
so that would make it a novel line : ) clever i would think from my page or reading of your comment note. a C sharp of course and a big thanks for your word perspective. i was taught to grab words out of the air, probably why you've never heard my sky songs.
But to compliment a singer-songwriter of yesterday, "I've looked at Clouds from both sides now" Wishing you & all who read this, the best in their song writing endeavor(s).
I hadn't thought of that! I'd been doing the word ladder exercise and I'd been struggling to find new nouns.
you dont know how many lives you impact with your teaching,
my name is Phumlani from South Africa, thank you
Much appreciated!
Fr. Im from Brasil and im shocked with this ideias
Yes, absolutely!😊
Salve @@PedroLopes-kd3ef
As an ever learning human being (artist), I wanted to share some gratitude and say Thank You for making this video. It's reminded me, again, that creating is about having fun. That's priceless, and to hold firmly at the front of my mind. Keep It Simple, Awesome stuff, have a great day!
Amazing song writers speak in the same way they write almost like they’ve completely changed the way their brain thinks about language. He’s not a singer, but Eminem for example, when he speaks in interviews I swear he speaks in poems
Aurora and Yaelokre are that way too!!!! I’ve always admired it but I’ve never been able to explain it before!,
I'm the complete opposite. I naturally write obscure and unusual lyrics but struggle to give my songs a more focused and clear narrative. I always keep in some of the best weird lines though, when they fit. But I always avoid cliches, and never ever use the word "baby".
Cmon now baby
Never say never, baby!
@@mr.k905 Actually you're right. If I had to refer to an actual infant then I may need to use that term one day. I just never use it as a filler word.
@@NewFalconerRecords Why not? Constraining yourself is useless when you want to be creative.
I know that sometimes people think that certain words are cliché and therefor tabu, but mostly this is due to a lack of imagination. There is ALWAYS a way to use EVERY word in a more interesting way.
@@mr.k905 I totally agree with you. Cliches are fun to mess with. Often if you just substitute one word for another you can make something fresh. That's the thing. Using words in an interesting way, as you said. But don't just put in a "baby" because it fills two syllables. Come up with another word, or use it ironically. I think we more in agreement than you thihk.
My current favourite is another Tweedy-inspired technique. I take a title, put it in a box in the middle of the page, and then free-associate from the words in the title. Great technique, takes you some weird places. Word ladders also work brilliantly with adjectives and nouns from subjects completely unrelated. Yesterday, my list was winter adjectives and dance nouns…arctic ballet…hmmm…right…there’s a title for the first technique!
IMO Probably the best YT channel for songwriting. Thanks Keppie!
Watching this channel is helpful because I'm a natural songwriter who has always written spontaneously and autobiographically, and combined with my love for darker music, I have a history of writing my best songs when things suck. As a result I am basically scared of being happy or calm because "there will be nothing to write about". Aside from the fact that it's a stupid thought (but it's obsessive and I can't get over it), it feels nice to remember that not everything has to be about my immediate experience and you can just immerse yourself in words and let the subconscious do its own thing. So even though I don't have an issue with writing songs as such, it would be nice to experiment with different ways of doing it to relieve my anxiety lol
Another great trick for getting "out of the box" with your writing, related to the "Cut Up" method, is (surprise, surprise) Magnetic Poetry sets. Magnetic Poetry is a company that started producing refrigerator magnet sets about 30 years ago, of words that you could rearrange into poems.
The second segment reminded me of one of my personal proudest slang rhymes, which was concrete and heartbeat.
One of my favorite weird methods that I use is to sing your existing lyrics in a different or less-enunciated voice, and use the power of mishearing words to come up with more interesting lyrics. There are so many times where I’ve misheard lyrics that were either more interesting or more emotional than the actual words, so using that has been helpful in my own work from time to time.
In order to write a great song one must first tell a great story. And then search out how to tell that story with words that rhyme and are meaningful to the story.
I have been writing word lists as a way of generating potential poems and songs for about 20 years. I recently dug out my first hand-made (yes I often make my own) notebook and recognized lyrics that I have already used for songs and realized that it still contains ideas for future songs. However, I just write/wrote words randomly as they occurred in my head like a kind of word association with myself. Each word appearing in my head without any criteria whatsover and adding it to the list regardless of how leftfield it is.
One important thing to consider is that sometimes I used words from the list and sometimes the list just begins to turn into short phrases and kick starts the writing process without using anything on the list. Sometimes I circle words randomly and try to connect them.
Tweedy's book is the most practical and helpful book I've read on songwriting. I enjoy doing that exercise and it's given me some really great word combinations. I will often change the verb list to adjectives or other nouns and I don't always try to write from the entire list, just the combinations that strike me as unique and useful. I will sometimes just pull up a list of interesting adjectives or verbs and nouns and list them out in a spreadsheet, mix up the order of one list and paste it next to the other to see what comes up.
Thanks for the tips ❤
I just wrote the poem I’ve been trying to write my entire life with the first method, THANK YOU 🙏 vvv
Slinking around the birdhouse,
I wandered through walls of stone
Sheltered from the elements,
My breath, hot against the window.
I would graze on flowers,
Collecting vines and yarrow
For every bite to sting me
A juicy leaf of aloe
To live in a forest of moss,
Rather than a cage of words and metal
Hiding while the papers burn
To Forage to survive, and weave necklaces in the meadows
Neath the breathing blankets of Gaea, I yearn to be
Though the men would hunt me still,
Leaving behind them a trail of bones
But if I live, who may remain?
Should I wait to hear the bellowed cries?,
Or to meet their lifeless eyes?
To live in a forest of moss,
Rather than a cage of words and metal
Hiding while the papers burn
To Forage to survive, and weave necklaces in the meadows
Neath the breathing blankets of Gaea, I yearn to be
Even by the creaking oak, whom knows it will be soon, her time.
The children lift our masks,
And ignorant, steal our paintings
But if it’s what will be, I will take it.
If it means to leave my cage of words behind.
Thank you so much guys!You are actually my lifesaver. My friend showed me a video of yours and that's how I ended up here. I'm doing my second Bachelor's in Songwriting now here in UK. I was having(still does whenever an assignment pops up) a hard time with my assignments to write songs and the techniques and information you provide over here are so valuable. I do have certain course material resources with me but when it's all about assignments, I need a quick guidance. Please do keep uploading new content. Thanks again :)
I've been a singer since I was a child and I've been in many bands. I'm 56 now and currently in a cover band but mainly '90s alternative rock. But We start every set with a stream of consciousness jam. A different song every practice. And a different member pics what they want to start the song off with a guitar riff a baseline So happy to discover this resource to inspire my creativity and make connections that are unique yet still common associations turned on their head. I'm very excited by your instructions! Kudos from Miami Beach!
This 13:48 is just GENIUS
Thanks! I struggle with this. These are excellent ideas. And you’re an outstanding teacher. You explain things clearly, and you are genuinely enthusiastic and positive about songwriting. 🎖️
Damn…this all works!! Thank you, I love it and it’s also fun👍
Brilliant video! I was surprised how well some of my unrelated couplets could fit together. Some fave stanzas from my attempts:
Not blue, not green, defiant teal / here's a piece that doesn't fit the set / no net, no safety, stairs with no rail / small and crooked and bent
A stove too hot / How long is this interval? / Plans we'll botch / one year has turned to several
We stood, breathing in at the lookout rail / over the edge, water so clear / your eyes and the sky the same color teal / a tug inside says, "deeper, deeper"
Gosh! So lovely!
So far the first method is a real boon for a novice, thank you, and it's a great resource for me.
This exercise led me to write these lyrics. Definitely outside of the box from my conventional / typical writing style. It was a very refreshing exercise that I will continue to use. Thank you!
Your picture speaks to me as the stereo chatters
The dog is drinking from a cup
My wife is on a chair outside by the pool
Mumbling about nothing that matters
The voice in my head roars like a speaker
And I sigh out the window like some kind of fool
I need someone to talk to beside's this plant
Could it be that I've lost my cool.
Sounds cool!
“I need someone to talk to besides this plant” 😂 Love it 👍
Very cool!
I’ve been using the cut up method since the 1980s. Nice episode.
I use Roget's Thesaurus. This book holds trillions of possible song lyrics. It is my go-to book for inspiration.
superfun and I actually got an almost-decent lyric to polish up out of the aabb to abab rhyme scheme. I think that these sorts of 'theatre sports for songwriters' help us trust the process, too. The other day I was with a group of women in a creative sort of networking group. We were instructed to write 1st lines of haiku with specific focus--just that line--then hide our line, and pass it to the next person to write the 2nd line, and so on. With just some simple instruction and intention we came up with several little poems we all liked.
13:48 sounds like a line from The Next Day album 💿
Don't know what can do without you from Africa ❤
I love love love your videos. Everytime I sit and watch them, I instantly start wanting to write things 😍
Right, lets open my google sheets 🤣
Very cool!!! "As birds outside go supernova."
I loved Tweedy's book. I've read many books on songwriting and composition, and I recommend that book to everyone, regardless of where they might be in their own songwriting journey. Cheers!
I need to learn more about lyrics, you are very helpful. I start off really good, then I stop for a day or so. I get back to it, it starts being more of a story. After that I feel like I have to start a whole new one. (As of right now, take a daybreak. Look back at it tomorrow.)
Great episode, Keppie 👌
Thank You for being a down-to-earth enthusiastic teacher
There is joy on your face & excitement in your eyes when you present your tips & methods
That plus excellent exercises 👌
As always an awesome and practical video and so nice to hear an Aussie voice 😊
Thank you for taking the time to make these videos.
Have to say I thoroughly enjoyed this video.
Thanks!
Thanks for the support, much appreciated!
I would love to get a critique of some of my lyrics. I feel like I overthink a lot when I’m writing but then I try really hard to not be a cliché and I always want to make sure that the song has context and tells some form of story otherwise it’s just words.
I'm stopping after the first method, because I feel inspired off of my lists. I'll revisit this video over the next few days for the other methods. I'm so inspired right now I couldn't even contain it. Off I go!
That's amazing! Go go go!
Jeff Tweedy does a similar technique to exercise 4 where he highlights lines in books that he likes. Thanks so much for the video. It was excellent!!!
I think the band Incubus may use some of these techniques in their lyrics. "Sky looked like a back-lit canopy with holes punched in it" is one of the best to me.
Thank you! You helped me write my first song!
Wonderful!
I love the idea of a verb database!
I love this!!!! Feels more me!!!
I’m a regular watcher .. thanks for the help… still feel stuck in cliche land but I stick to the process, lately I write songs with the intent on throwing them away just to finish one without any pressure or expectation of it being heard
Thank you for this meaningful and superb content.⭐️⭐️
First time commenting here: This was super helpful, and it helps enormously to get out of that stale zone. It doesn't take long either to get a working song going. Thank you, Keppie
You're welcome :)
Thank you so much for free pdf ! Love your content, thanks for all the tips !
thank you for these--all of these will help my own songwriting teaching!
I just watched a video of a songwriter I know. The video and music were very interesting - the lyrics not so much. He could use this video. I’m going to re-post this and put it in my tool box. Thanks! P.S. The noun -verb exercise is part of Pat Pattison’s teaching on metaphors.
This so so fun. I’m gonna get addicted to this.
Wow! This is a treasure trove of amazing techniques. Thank you so much!
My system.
Write a narrative story first person.
1. POV, Setting, Experience of journey or action told directly like a kid telling you what happened and where.
2. Line by line provide commentary with descriptive words of phase 1.
3. Sub out cohesive narrative with descriptive language and follow line by line.
Swap out sections from 1 with 2 and 3.
A cohesive narrative, poem or story at is maintained while colorful story telling is added maintaining clarity.
Edit: Never actually did this but I’m sure it would work 😂
Thank you !!
It's a greate value 😊😊
Fascinating video...Thank you! One interesting thing that happened when, in the first section, you put together your little word poem that made no sense I immediately was reminded of the Beatles "Lucy in the Sky With Diamonds" and "I Am The Walrus". Both have so many word play lines that make no sense per se but paint a wonderful picture. John Lennon was obviously a master at that style and I've often wondered how he could come up with such magical imagery. I think you just gave me a bit of an insight on how to approach it!
Thank you for this video! Very usefull!
This is great.I have always used a rhyming dictionary as well😎
Just the part in the first 2 minutes about having verbs but relating to the nouns made something click for a song I've been stuck on for YEARS
Actually I think it's just the notion that verbs can fit a theme, which should be obvious but I'm always thinking about object imagery and not so much actions
Thank you for this gift to help with the current road block that is now in front of me. You are a gem!
I have tons of musical pieces written that need lyrics. I guess i do things backwards but im more of a guitar player than a songwriter, no doubt. I like chord progressions and letting music take me for a ride. How do you get lyrics to fit into musical ideas that are already established ? Ive binged about 30 videos here and that must not be the way to do things, lol. Cool Channel, very talented.
I love this video. The thing that ALWAYS troubles me is that I constantly write/play the same things over and over.
OK, so I've been subscribed for a while but this is the first video that really hit me. Turned me from someone who, yeah, would like to write songs, to someone who now believes I can. Brilliant presentation and yes I had heard the Bowie, cut up method years ago. I even used to know a horse race betting junkie who used the same method to pick his horses. 'The Bewley Brothers' is probably my all time favourite Bowie song and has been since 'Hunky Dory' first came out, over 50 years ago now. I started reading books a lot a few years ago, having heard it was a good source of inspiration for lyrics, but this takes the cake. I read more when on my annual grey nomad expeditions to fish tropical beaches during the winter and this year I will have something concrete to work on while waiting for a bite. Thank you. I'll probably check out your courses once I hit the road again.
Autocorrect can also be a great source of whacky ideas.
You absolutely can write songs :) And you can make solid progress in 5-10 chunks of time (when you know what to do with them!).
I use the cut up method with a set of magnetic poetry, it's less scissor intensive.
These were great! I liked the result of the 1st one especially.
Rising tides beneath feet that warm mine
Her ears flutter as I near
Her shirt drives over mine
Instruments waking in such
Movement as our lips touch
The flood comes from us
Another dessert I fear
I'm going to try keeping a common theme across multiple practice attempts to see if I can do a whole song.
Very cool!
"the flood comes from us" gave me chills
I can't wait to try this!!
These exercises have been so much fun to do! Thank you so much for all your great content on songwriting. I higly appreciate it💛
"Severed Goddess Hand" by Curt Kirkwood of the Meat Puppets: Curt used the cut-up method sometimes, not sure if he did it here but possibly. There's not a lot of rhyme, just the last two lines of each verse, and the chorus
The horizon breaks to pieces
And the mainline is the twilight
And the giant net has a perfect window
Passage through has the ticket screaming
I want a mind
I'll tell you what I find
In the silence of the neurons
Where the pathway has been printed
There's a gleaming hope for an understanding
Timing's gone and there's been no planning
Two heads, one dream
Two-thirds a crowd it seems
I'm a picture of a goddess
Of a planet in the window
Through a tiny hole in the giant curtain
I have watched while it stood undressing
I want more eyes
I wanna see more lies
Chorus: (goes between each verse and becomes an outro.)
No severed goddess hand
No plaster in my eye
No picture of a lamb
No goddess hand have I
It's hard to know if any of it means anything, but it could. It's known that many songs from the same album had much to do with Curt's struggles with the record industry, combined with the stress over the bands sudden rise to fame (compliments of MTV "Nirvana Unplugged") after more than a decade of obscurity. Kirkwood is one of my favorite songwriters for sure. He's a master of psychedelic lyrics.
Brilliant video!
I'm not able to find the link to the SENSE WRITING video. Does anyone have it? THanks.
Thank you
That is some great information..Thank you for sharing it!
You're the best. You help lot. Bravo!
Thank you so much for the content you post (and the pdf's you provide!)
I've been following your channel for a while now as I've been getting more and more into songwriting and it's been an amazing source for guidance, practice and learning. Keep up the fantastic work!! ❤
Cheers!
My problem is that I form a 'theme' quite quickly when doing these exercises. Consequently, even when I change rhyming schemes, it does not result in much of a surprising change to what I am seeing.. I have to force myself to write lines about a different topic and then come back later ..
Step 2 of the vocabulary ladder... when matching words from verb to noun list. Is it okay if more than one word gets the same match and what happens if one or so many words get left out?
😂 the exercise is actually funny too. Sounds fun and exciting. I'm going to try tonight.
This was an excellent video! Really enjoyed! It's given me inspiration to go back to my many incomplete melodies/chord progressions & try a make something of them!!
Thanks! This was enlightening!
Religion and precision are used in the song “Don’t preach to me” by the skallwags!
This is exactly what i needed... I'll also have to check out JT's book :-)
Mixing together random sentences or words you find in comments under videos is fun also. I like to find different videos on a certain subject like love and go through the comments to get ideas, lines, words, and stories 😁
This is a fabulous lesson. I love words! Thank you!
Great Video! Thanks!
Great exercises! …But in the end I think, lyrics are better when they express something specific nevertheless. Those are the ones that the listener can identify with.
In contrast, with those yellow, giddy exacerbations of a carpet on someone's space trampoline, he hardly has a chance to do so ; ) Although it might be interesting and unconventional, most people will just mentally scroll over something like this. I believe that it can only become truly great art if it is able to combine the absurd with the meaningful and touching.
Great video and insights. One question tho: are these exercises meant to be applied when you already have an idea in mind but you don’t know how to develop your lyrics? Or could these methods be applied when you have no idea beforehand? Or a combination of both perhaps? These tools are really great to develop your own unique style but it could be quite challenging when you don’t know what to write about…
Definitely a combo of both!
Setting up a timer is a must
btw 2100th like
This is very helpful thank you! I’ll have to look out for that book
Fantastic lesson. Thankyou.
Brilliant, thank you so much!😊
“As birds outside go supernova”….Beautiful!
This was really a great lesson! I've got a question that kept popping up in my brain, though... as a writer of country songs, which are generally gritty story songs and very grounded in reality, does anyone have suggestions for applying these exercises? And would you, Keppie, consider doing a how-to video on writing exciting, yet "reality-based" song lyrics that avoid cliches, etc., like you talk about here? Thanks a million!
Ditto! I gravitate toward ballads like Big Iron or Boy Named Sue
Then I stumbled on Townes Van Zandt’s ‘Pancho & Lefty’ 😳
Lines like;
“Now you wear your skin like iron & your breath’s as hard as kerosene” &
“His horse was fast as polished steel”
I marvel at those lyrics and want to write like that-if only once in awhile!
@@wwjjss33 I hear ya, but still would love some help on writing stuff more grounded in reality w/o sounding trite or cliche
Pick a setting
Pick one or a few characters
Write a summary about the story you want to tell
Make an outline
And use some of the methods she taught
Also, come up with a few details that are specific
He slams the door shut
After shouting something that'll cut
For the next few weeks
He'll be the only thing I'll seek
If only I could snap my eyes shut
Snap my fingers twice
And make everything nice again
If only I could clap my hands once
Love without a price
And make everything nice again
But he still throws the keys on the hardwood floor
Claims he won't ever come back through that door
And I know someday that'll be a reality
But I pray, and I pray that day hasn't yet come for me
Not today, oh Lord, please
Obviously this is just something I came up with on the spot, but as you can see, it has some story elements. It's still poetryish but has a story you can follow. I know my story is a little cliché, but the technique for any story song can be relatively the same.
First recommendation to any writer is read read read. Then write write write. Then drink drink drink. Rinse and repeat, not necessarily in that order.
0:02 you really made me laugh 😅 Thank you for that. Some jokes won't hurt along the way. Song writing supposed to be fun.😂 Thank you.
I like word ladders, found rhyming pairs a bit tougher, the rhyming scheme is a bit luck of the draw and I want to try the cut method with some of my own ramblings which I can’t get going. Cheers.
i find it interesting how you pronounce a hard R when saying "outer space" :)
I tried the word ladder exercise and came up with an interesting bit of a nonsense word: a breathing jar.
I’m glad I found this channel 🩵
Thanks for these.
Thanks!
Thank you!
Watching this not because I wanted to write songs. I just want to improve my poetry writing