He indeed deserves even more recognition than he has. He is such an amazing artist that plays from humility, I love this man, one of the greatest pianists of our time.
So true, esp. the humility part. For most pianists, hard to find the right balance between self-expression, and self-effacing "window washer" servant of the composer. Mr. Perahia to me seeks to overvome this by playing as a true spokesman for the musical tradition, so his playing carries the authority of his lifetime's engagement (and substantial mastery) of that tradition as a whole, which includes that tradition's philosophical underpinnings (engaged at all times by Mr. Perahia). So he's in the "romantic" tradition of deep philosphical and textual exploration, treating music as a philosophical language/medium (as opposed to a kind of modernist formalism or preoccupation with physical sound). He treats every performance as a conversation with a great teacher (that being the composer), with his job being to understand the message, humble, self-effacing, but not negating his own mind & experience as a participant in the conversation. It's always about ideas, never technicianship.
Completely agree. The guy is top class. He has immense musicality, and deep humility- one always gets the sense he serves the music and not the other way round. Deepest respect for Murray Perahia the man and musician.
00:00 - I. Allegro (Sehr Lebhaft), B-flat major 09:12 - II. Romanze (Ziemlich Langsam), g minor 11:45 - III. Scherzino, B-flat major 14:09 - IV. Intermezzo (Mit Größter Energie), e-flat minor 16:28 - V. Finale (Höchst Lebhaft), B-flat major
Murray Perahia's immense gift is that he makes almost everything sound poetical and 'inevitable'. The piece unfolds naturally and logically, so much so that the listener feels as if he could have written it. Perhaia's timing and phrasing are impeccable.
Even among concert pianists, Murray Perahia is very special. He has immense musicality, and deep humility- one always gets the sense he serves the music and not the other way round. Deepest respect for Murray Perahia the man and musician.
A wonderful performance by a great, great musician. I love the work, but as much as I love music, I have no musical ability - what a gift it is to be able to see and hear these performances on YT. Many thanks for posting this.
Played it at postgrads recital when I was young, used to hate it and didn’t enjoy it. Now much older I think this is a great set of music with a complex sense of idea and emotions. Murray Perahia performance is definitely one of the best ever.
I played the Intermezzo from this before I stopped learning. I love the whole piece, though, and this is a wonderfully muscular, energetic performance with gorgeous subtlety by way of contrast. I love it. I've been listening to it played by different pianists for a while this afternoon and most people seem to play fast and loose with the instructions from the composer to the player, especially when it comes to time. This is a real treat, however.
I also played it at my grad recital. I hear it now and it sounds absolutely fresh, sublime, magical! Incredible musicality, variety of touches. Bravo Mr. Perahia! I agree it's the best & most alive interpretation I've ever heard. ❤
He is unsurpassable in _"2.Romanze"_ ! I just love Mosche Perahia and prefer listening to this than to a more correct interpretation, *BUT* I doubt Schumann _intended_ the _Allegro_ so sensitive as if it was a Chopin nocturne.
A consummate musician and gets Schumann absolutely “right” IMHO. Interesting that he uses more pedal in the first piece than in the 1989 Aldeburgh recital
Undoubtedly a sophisticated musician. Such sincere music making. Just wonder if the 1st movement could be more unbridled. Seems to take the title quite literally. This is Schumann, after all, not a Viennese classical composer.
@@dyoneffcennedie2939 the real fire comes in the G minor section at 3:38. plus I don’t think Schumann particularly wanted to add to much, because he’s bringing you on a trip through the different scenes of the carnival in the first movement which he does extremely well.
@@dyoneffcennedie2939 you might need to check your sheet music, because I’ve preformed the first and third movement of this piece several times and he plays exactly what’s on the sheet music.
@@mase9308 no he doesn't he takes Michelangeli's idea and plays GDG' in the bass, reducing to a low G octave for the C minor harmony. It's a barely perceptible change like a lot of Michelangeli's alterations but makes a big difference to the overall sound
Finally someone who doesn't run on this piece that everyone plays too fast. Only in this way can we bring out all the sonic and rhythmic folds that this masterpiece allows. But Alicia de Larrocha plays the Intermezzo better.
NOT TRUE! Arturo Benedetti Michelangeli not The greatest Best pianist Ever! ABM played The second-rated concertos like Mozart piano concerto no 15! Haydn concerto G major! Liszt piano concerto no 1! ABM never played The Best piano concertos like Mozart 24 Brahms 1-2 Chopin 1-2 Prokoviev 1-3 Rachmaninov 1-3 Saint-Saens piano concerto no 2! JS Bach Piano Concerto no 1 ( Harpsichord concerto 1052) SO THE CYBORG HUMAN MACHINE KING ROBOT PIANIST EVER ABM i am going to bash distroy Grieg concerto With brutal accent after brutal accent after brutal accent! The Best greatest pianists of All Time Are really=Artur Rubinstein ( THE GOD!) Grigory Sokolov ( THE TITAN OF THE PIANO! THE GIANT OF THE PIANO!) Emil Gilels ( THE KING!) Wilhelm Kempff ( The most beautiful piano sound Ever!) Sviatoslav Richter Mikhail Pletnev ( The most Powerful Ever!) Radu Lupu ( The most colorful piano sound Ever) Vladimir Ashkenazy ( The most colorful volcanic piano sound Ever!) Alexei Lubimov ( The Genius no 1 Mozart piano concerto no 27!) Maurizio Pollini ( The Genius no 2!) Solomon Cutner ( The Best perfect structure of music! Solomon Cutner The highest IQ points Ever) The piano Proffesor Malinin Said that Mozart playing is The most difficult! The Best greatest Mozart piano concertos players Are really=Mozart 17 Dezo Ranki Mozart 18 Vladimir Ashkenazy Mozart 19 Radu Lupu Mozart 20 Vladimir Ashkenazy Mozart 21 Radu Lupu ( The others The Good=Artur Rubinstein Murray Perahia Maurizio Pollini Vladimir Ashkenazy Stanislav Bunin) Mozart 22 Laura Mikkola Natalia Trull Jörg Demus Robert Casadesus Mozart 23 Solomon Cutner ( The others The Good=Wilhelm Kempff Grigory Sokolov Murray Perahia Maurizio Pollini Vladimir Ashkenazy Vladimir Horowitz Radu Lupu Stanislav Bunin) Mozart 24 Grigory Sokolov Maria Grinberg ( The Good=Wilhelm Kempff Mikhail Pletnev Gina Bachauer) Mozart 25 Murray Perahia Mozart 27 Alexei Lubimov ( The others The Good=Emil Gilels Vladimir Ashkenazy Murray Perahia Stanislav Bunin Natalia Trull).
@@RaineriHakkarainen what are u actually saying I’m not saying that ABM is the best pianist ever, by far, I’m saying that his interpretation of Schumann’s Carnaval De Vienne is the best for me but I’ve never said that he is the best pianist ever…
Perahia isn't really comfortable in this piece. The whole first movement is rather earthbound and rather lumpish. He simply is not in Michelangeli's league, but there again who is?
No, you are out of mind. That Mikangeli plays awfully, not only this piece, but everything else. His version of this piece is like putting a robot on the keyboard, mechanical pounding on the piano. This is, without a doubt, the best version of this piece! Well, just listen to this amazing cantabile from 4: 15-28. No one can play that way except maestro Perahia!
@@bowltube no keep the music as it is but this playing does not work for me. I cannot imagine that this is what the composer wanted and it sounds horrible. So rather fitting that you like it!
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He indeed deserves even more recognition than he has. He is such an amazing artist that plays from humility, I love this man, one of the greatest pianists of our time.
He has a lot of recognition, he is considered one of the greatest of all time.
@@michaelashkenazi9282 of course he has a lot of recognition, what I said is that he deserves even more. Cheers.
So true, esp. the humility part. For most pianists, hard to find the right balance between self-expression, and self-effacing "window washer" servant of the composer. Mr. Perahia to me seeks to overvome this by playing as a true spokesman for the musical tradition, so his playing carries the authority of his lifetime's engagement (and substantial mastery) of that tradition as a whole, which includes that tradition's philosophical underpinnings (engaged at all times by Mr. Perahia). So he's in the "romantic" tradition of deep philosphical and textual exploration, treating music as a philosophical language/medium (as opposed to a kind of modernist formalism or preoccupation with physical sound). He treats every performance as a conversation with a great teacher (that being the composer), with his job being to understand the message, humble, self-effacing, but not negating his own mind & experience as a participant in the conversation. It's always about ideas, never technicianship.
Anon Ymous beautiful, insightful comment!
Completely agree. The guy is top class. He has immense musicality, and deep humility- one always gets the sense he serves the music and not the other way round. Deepest respect for Murray Perahia the man and musician.
00:00 - I. Allegro (Sehr Lebhaft), B-flat major
09:12 - II. Romanze (Ziemlich Langsam), g minor
11:45 - III. Scherzino, B-flat major
14:09 - IV. Intermezzo (Mit Größter Energie), e-flat minor
16:28 - V. Finale (Höchst Lebhaft), B-flat major
Thanks
Thank you!
Many thanks 😊👍🏻
Thanks !!
This time stamp is very helpful😊
Thanks！
Murray Perahia's immense gift is that he makes almost everything sound poetical and 'inevitable'. The piece unfolds naturally and logically, so much so that the listener feels as if he could have written it. Perhaia's timing and phrasing are impeccable.
Even among concert pianists, Murray Perahia is very special. He has immense musicality, and deep humility- one always gets the sense he serves the music and not the other way round. Deepest respect for Murray Perahia the man and musician.
Exactly. Some younger performers can learn from him. :-)
The way that Perahia shapes this cycle feels so right. This is a wonderful live performance of a a very special work by an exceptional artist. Bravo!
들은음원중에최고네요...완전좋아요
A wonderful performance by a great, great musician. I love the work, but as much as I love music, I have no musical ability - what a gift it is to be able to see and hear these performances on YT. Many thanks for posting this.
Played it at postgrads recital when I was young, used to hate it and didn’t enjoy it. Now much older I think this is a great set of music with a complex sense of idea and emotions.
Murray Perahia performance is definitely one of the best ever.
His sound is always so beautiful!!
Absolutely - like Horowitz, he is incapable of making a hard or ugly sound on the piano
Yeah!
@@stefanufer608 Agree with that.
Bravissimo Maestro Perahia, uno dei miei favoriti!
What I love with you actually makes it sound like it's difficult. There is a certain amount of tension that is appealing
un artista per cui serbo il massimo rispetto e che avrebbe meritato di essere maggiormente riconosciuto specialmente qui in Italia... ❤️
Marvelous, timeless music and absolutely splendid performance.
Grande pianista. Um dos maiores de todos.
I played the Intermezzo from this before I stopped learning. I love the whole piece, though, and this is a wonderfully muscular, energetic performance with gorgeous subtlety by way of contrast. I love it. I've been listening to it played by different pianists for a while this afternoon and most people seem to play fast and loose with the instructions from the composer to the player, especially when it comes to time. This is a real treat, however.
Pure mastery! Thanks a lot!
I exploded in my pants when he hit those awesome finale chords. I think performers should do a FFFFFFortisimo on them bad boyz.
intermezzo
this is a song without the human voice. the piano expands the possibilities.
I also played it at my grad recital. I hear it now and it sounds absolutely fresh, sublime, magical! Incredible musicality, variety of touches.
Bravo Mr. Perahia! I agree it's the best & most alive interpretation I've ever heard. ❤
Great performation maestro!
Such a great artist, a great musician, not "just" pianist.
Danke, Maestro Perahia!
Bravo! So much feeling to me , love Perahia’s musical sense
This man has an exquisite touch.
4:15 is such a great moment
I wish I'd seen this 30 years ago when I was working on this piece.
Likewise, I worked on that 25 years ago and didn’t really get it musically 😂
What mastery! What technique!
Splendid interpretation! Deep and evocative!
Bravo
Fantastic!
本当に素敵です！！
Super! I love your music.
Voilà quelqu'un qui sait faire parler le piano de Schumann... 👍
Schumann is the greatest romantic poet of the piano. And Perahia is the greatest living interpreter of Schumann. That simple
00:01
09:12
11:45
14:09
16:28
Schumann describes different situations in life musically. amazing.
What about those octaves in the Finale? Beautiful !
太好了弹的 很感动
8つのノヴウィレッテと始まり方が似てるような
Does he have a problem with his left ring finger ?
0:43
1:40
2:45
4:13
5:23
6:35
7:31
이성령 most useful comment! Thank you!
He is unsurpassable in _"2.Romanze"_ ! I just love Mosche Perahia and prefer listening to this than to a more correct interpretation, *BUT* I doubt Schumann _intended_ the _Allegro_ so sensitive as if it was a Chopin nocturne.
Unglaublich musikalische
A consummate musician and gets Schumann absolutely “right” IMHO. Interesting that he uses more pedal in the first piece than in the 1989 Aldeburgh recital
Undoubtedly a sophisticated musician. Such sincere music making. Just wonder if the 1st movement could be more unbridled. Seems to take the title quite literally. This is Schumann, after all, not a Viennese classical composer.
I would definitely like a bit more fire in the 1st movement especially it's very beautiful but very boring
@@dyoneffcennedie2939 the real fire comes in the G minor section at 3:38. plus I don’t think Schumann particularly wanted to add to much, because he’s bringing you on a trip through the different scenes of the carnival in the first movement which he does extremely well.
@@mase9308 and here he's not even playing what Schumann wrote haha. Not that I have an issue with that in the slightest but still worth noting
@@dyoneffcennedie2939 you might need to check your sheet music, because I’ve preformed the first and third movement of this piece several times and he plays exactly what’s on the sheet music.
@@mase9308 no he doesn't he takes Michelangeli's idea and plays GDG' in the bass, reducing to a low G octave for the C minor harmony. It's a barely perceptible change like a lot of Michelangeli's alterations but makes a big difference to the overall sound
빈 사육제 영상 중에 이 영상이 가장 내 취향이다
Finally someone who doesn't run on this piece that everyone plays too fast. Only in this way can we bring out all the sonic and rhythmic folds that this masterpiece allows. But Alicia de Larrocha plays the Intermezzo better.
Mr Perahia's and therefore, Schumann's, artistry continue to enthrall.
いいですね～！
O melhor do mundo!
right tempo
17:07
18:06
18:45
20:01
Wow±peerless!! He is a wonder. :-)
최고다..
求中文歌名
維也納狂歡節
14:09
Бездоганно!🙏🙏🙏
5:25
Bravooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo......................................
11:47 Ladies and gentlemen, please stand for the national anthem of China...huh?
2:45
1:40
3:14
SIEMA cin cing ciong
For me,the first movement is one of the best interpretation I've but the rest, Romance, I don't like, I prefer Michlangeli and richter interpretion...
NOT TRUE! Arturo Benedetti Michelangeli not The greatest Best pianist Ever! ABM played The second-rated concertos like Mozart piano concerto no 15! Haydn concerto G major! Liszt piano concerto no 1! ABM never played The Best piano concertos like Mozart 24 Brahms 1-2 Chopin 1-2 Prokoviev 1-3 Rachmaninov 1-3 Saint-Saens piano concerto no 2! JS Bach Piano Concerto no 1 ( Harpsichord concerto 1052) SO THE CYBORG HUMAN MACHINE KING ROBOT PIANIST EVER ABM i am going to bash distroy Grieg concerto With brutal accent after brutal accent after brutal accent! The Best greatest pianists of All Time Are really=Artur Rubinstein ( THE GOD!) Grigory Sokolov ( THE TITAN OF THE PIANO! THE GIANT OF THE PIANO!) Emil Gilels ( THE KING!) Wilhelm Kempff ( The most beautiful piano sound Ever!) Sviatoslav Richter Mikhail Pletnev ( The most Powerful Ever!) Radu Lupu ( The most colorful piano sound Ever) Vladimir Ashkenazy ( The most colorful volcanic piano sound Ever!) Alexei Lubimov ( The Genius no 1 Mozart piano concerto no 27!) Maurizio Pollini ( The Genius no 2!) Solomon Cutner ( The Best perfect structure of music! Solomon Cutner The highest IQ points Ever) The piano Proffesor Malinin Said that Mozart playing is The most difficult! The Best greatest Mozart piano concertos players Are really=Mozart 17 Dezo Ranki Mozart 18 Vladimir Ashkenazy Mozart 19 Radu Lupu Mozart 20 Vladimir Ashkenazy Mozart 21 Radu Lupu ( The others The Good=Artur Rubinstein Murray Perahia Maurizio Pollini Vladimir Ashkenazy Stanislav Bunin) Mozart 22 Laura Mikkola Natalia Trull Jörg Demus Robert Casadesus Mozart 23 Solomon Cutner ( The others The Good=Wilhelm Kempff Grigory Sokolov Murray Perahia Maurizio Pollini Vladimir Ashkenazy Vladimir Horowitz Radu Lupu Stanislav Bunin) Mozart 24 Grigory Sokolov Maria Grinberg ( The Good=Wilhelm Kempff Mikhail Pletnev Gina Bachauer) Mozart 25 Murray Perahia Mozart 27 Alexei Lubimov ( The others The Good=Emil Gilels Vladimir Ashkenazy Murray Perahia Stanislav Bunin Natalia Trull).
@@RaineriHakkarainen what are u actually saying I’m not saying that ABM is the best pianist ever, by far, I’m saying that his interpretation of Schumann’s Carnaval De Vienne is the best for me but I’ve never said that he is the best pianist ever…
Eusebius is like a morbid gloomy child
...says someone who has never suffered from severe clinical depression
Perahia isn't really comfortable in this piece. The whole first movement is rather earthbound and rather lumpish. He simply is not in Michelangeli's league, but there again who is?
Andrew Matthews .. right sir.. Michelangeli unsurpassed
@@angelavimercati21 and in Carnaval too but not the 1975 EMI recording.
Mich. in London is simply the greatest performance of this piece ever recorded... and probably ever will be.
I personally prefer Perahia. Michelangeli doesn't have enough passion for this piece. His playing leaves me completely indifferent
No, you are out of mind. That Mikangeli plays awfully, not only this piece, but everything else. His version of this piece is like putting a robot on the keyboard, mechanical pounding on the piano. This is, without a doubt, the best version of this piece! Well, just listen to this amazing cantabile from 4: 15-28. No one can play that way except maestro Perahia!
the intermezzo is awful, why is he bringing-out this awful plodding bass-line
@@bowltube no keep the music as it is but this playing does not work for me. I cannot imagine that this is what the composer wanted and it sounds horrible. So rather fitting that you like it!
14:28
14:32