No matter who the pianists were, all performances are absolutely splendid. It's maybe because Chopin's late works are highly complex and elaborative, i.e., they have very high quality of artistic factors.
Man, this is music. From the soul. Moiseivitch speaks from his soul. So much so that I may not even hear music, but simply a soul speaking directly to another. This is the true goal of a musician: that his music be so heard, felt, understood, that it ceases to be music.
These kinds of compilations are a great way to connect to pieces in a meaningful way. It's not the everyday earworm, so once you diverge expectations so that it's as original as the imagination goes, everything is an entire whole, an expansive hillside that moves towards a new ravine at every turn. The talking was a little weird in Pabst's recording but it was funny and the sweeping scale of his playing definitely made up for it.
My favorite nocturne of them all. The outer passages are sweet and delicate, while the middle episode is tempestuous and rambling, but fades into bliss.
No matter who the pianists were, all performances are absolutely splendid. It's maybe because Chopin's late works are highly complex and elaborative, i.e., they have very high quality of artistic factors.
Man, this is music. From the soul. Moiseivitch speaks from his soul. So much so that I may not even hear music, but simply a soul speaking directly to another. This is the true goal of a musician: that his music be so heard, felt, understood, that it ceases to be music.
These kinds of compilations are a great way to connect to pieces in a meaningful way. It's not the everyday earworm, so once you diverge expectations so that it's as original as the imagination goes, everything is an entire whole, an expansive hillside that moves towards a new ravine at every turn. The talking was a little weird in Pabst's recording but it was funny and the sweeping scale of his playing definitely made up for it.
This is my favourite nocturne ever with op 62 no 1. This compliation is very enormous. Paderewski and moiseiwitsch so goooood!
My favorite nocturne of them all. The outer passages are sweet and delicate, while the middle episode is tempestuous and rambling, but fades into bliss.
Based Eric, I love Moiseiwitsch so much
Also vro there are older Chopin recordings than the Pabst they're just lost I think
Based moll. I love you so much
Old school forever
Neuhaus and Richter are the best......the great russian piano school
You saved the very best (Arrau) for last, although Igor Pogorelich should be inlcuded. Only he and Arrau grasp the near-death quality of this piece.
personally i dont like van cliburn as much as i do the other pianists here, but other than that i think these are good picks
斷交
moravec? (his recording tops)
not even close
你們不要再來找