Color Grading Lessons from Classic Movies! - Daria Fissoun [ResolveCon '24 - Day 1] (HQ Upload)

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[@VSBregan]

My admiration for your professionalism, Daria!

[@bigsnap5]

As always, Daria is awesome.

[@eyobmotivo6339]

Absoulte Golden Content specially for interimidate colorist who starts to escalte their skill to Pro ..Thank you !!

[@ronaldalanis4905]

yes!

[@CineAmaniacs]

By far the best presentation dus far wow simply AWSOME I have one question as you said the low soft gives you control of the shadows and analog film is around 64- 90 on the scope scale for the highlights I notice the analog film stays around 896 do I use the high soft to keep and lock there

[@mammifero]

where i can download the "grey scale" image ?

[@selmancelik8897]

you have in your resolve effects panel under generator tab.

[@gopolarisstudio]

dude everyone is saying you can't get a tone from Color Bars (SMPTE) and I KNOW one of you did a video where you can just drag in the sound from the edit page.
What happened with this conspiracy?!? I'm looking at a very old project that I used with the tone sound from those SMPTE color bar, and it's there I'm staring at it. You can do it.

[@CaseyFaris]

That's premiere. :(

[@rolfdieterklein]

great content, but the sound is really horrible, I had to stop the video after 5 min --- it sounds like filtered because of transmission (zoom or so), next time please record on a seperate device and mix it with the video transmission. Its easy to use a seperate recorder and the send by email, I have done this with interviews several times.