Yeah considering the wah pedal was a fairly new effect at the time Clapton just nailed it in White Room. It sounds good in Tales Of Brave Ulysses as well but not quite as interesting as how he uses it on White Room.
@@MichaelBanfieldGuitar Nice one. Interesting subject matter on this one. I used to own a wah but sold it as I wasn't confident how to use it *properly* or that I had the coordination to operate something with my foot. (If I did i'd be a drummer not a guitarist.) If this video had been around then, then I might have kept the wah pedal.
Thanks for the video Michael. I've never really bonded with a wah. Probably because I've never spent enough time to figure out all the possibilities shown in this video. You've given me a few more ideas to work with next time I decide to give it another go. Cheers.
Glad to help. I don't claim to be a master of the wah pedal but looking into those Clapton tunes and how he used it really helped me anyway. Thanks for commenting!
Jimmy Page during "'No Quarter" at MSG '73 was very useful with the Wah as a rhythm to his guitar, emphasizing what he was playing. During the solo and even the main sections.
Hi, now I'm understand how to use the wah but i want to know how do you setting your guitar and amp for the manual modulation on sustained chords part ? this tone is amazing Sounds just like the recording
Good question. I wonder if it had anything to do with him moving over to strats rather than Gibson style guitars, maybe he felt the crybaby worked better with strats...who knows
MICHAEL BANFIELD, i always thought clapton turned down the volume pedal to 7 using the bridge pickup with the wah pedal, I'm not sure if he used the SG guitar, Firebird or 335 for whiteroom because the LIVE royal albert hall he is using the firebird bridge pickup with the wah which is a single coil pickup
I was trying many wahs. An Ibanez WH-10, the classic Dunlop Cry Baby and Vox V847. I like the Ibanez Wah for the aggressive Wah tone, the dunlop was too bassy for my ears. The Vox V847 was a good wah for being in the middle of a dunlop and the Ibanez Wah. But I put mostly an treble booster to get the kinda Ibanez Wah Sound :)
Oh man, that wah sound, that song, just amazing
Yeah considering the wah pedal was a fairly new effect at the time Clapton just nailed it in White Room. It sounds good in Tales Of Brave Ulysses as well but not quite as interesting as how he uses it on White Room.
It's cool that Eric influenced Jimi to get a wah-wah.
He also influenced Rock Against Racism....Never understood how he's so admired when his best hit was a cover....He's a DH.
@@sonicmistressWhite Room, Sunshine of your love, old love, Layla, tears in heaven, so many originals
@@sonicmistress wut's your point?
Only yesterday I was thinking that we're due another video from you
Yep I'm trying to get back on it, just recorded another short one today. Thanks for checking in!
@@MichaelBanfieldGuitar Nice one. Interesting subject matter on this one. I used to own a wah but sold it as I wasn't confident how to use it *properly* or that I had the coordination to operate something with my foot. (If I did i'd be a drummer not a guitarist.) If this video had been around then, then I might have kept the wah pedal.
Thanks for the video Michael. I've never really bonded with a wah. Probably because I've never spent enough time to figure out all the possibilities shown in this video. You've given me a few more ideas to work with next time I decide to give it another go. Cheers.
Glad to help. I don't claim to be a master of the wah pedal but looking into those Clapton tunes and how he used it really helped me anyway. Thanks for commenting!
Another fantastic revue matey.
Thank you!
really enjoyable. some nice tips, thanks Michael.
Thanks. Glad you enjoyed it!
Jimmy Page during "'No Quarter" at MSG '73 was very useful with the Wah as a rhythm to his guitar, emphasizing what he was playing. During the solo and even the main sections.
I love your vids, Michael. Keep up the good work
Hi, now I'm understand how to use the wah but i want to know how do you setting your
guitar and amp for the manual modulation on sustained chords part ?
this tone is amazing
Sounds just like the recording
Hendrix used it too, as did Jeff Beck in the beginning. I have an old '60's model that sounds great!
Amazing. And I just purchased a hand wired VOX!
Great video.
Thank you!
Nice video :) I wonder why Eric switched from VOX to Cry Baby
For me, Thin Lizzy’s Brian Robertson was an absolute wah-master
Good question. I wonder if it had anything to do with him moving over to strats rather than Gibson style guitars, maybe he felt the crybaby worked better with strats...who knows
100% agree, Brian Robertson is a phenomenal guitarist, and uses wah so effectively. Such great melodies as well.
Is that a vintage unit or a reissue?
It's the reissue, would love to try an original but they're pretty pricey...
Don’t forget to swing the rhythm of your wah, ie coming slightly before or after the beat.
MICHAEL BANFIELD, i always thought clapton turned down the volume pedal to 7 using the bridge pickup with the wah pedal, I'm not sure if he used the SG guitar, Firebird or 335 for whiteroom because the LIVE royal albert hall he is using the firebird bridge pickup with the wah which is a single coil pickup
Are you using a Princeton reverb amp?
His foot gets tired on the second bridge
I was trying many wahs. An Ibanez WH-10, the classic Dunlop Cry Baby and Vox V847. I like the Ibanez Wah for the aggressive Wah tone, the dunlop was too bassy for my ears. The Vox V847 was a good wah for being in the middle of a dunlop and the Ibanez Wah. But I put mostly an treble booster to get the kinda Ibanez Wah Sound :)
Oh man, I love my 846hw, but I do some mods, like add dc input and add a new inductor and a switch to select witch one I prefer
Do Hendrix next! Sounds great
Like yoour vids, very usefull foor understanding and getting a practical hook into tone control. Made me undig my Cry Baby. Now up for Maggot Brain!
👍
I'm scared to get a wah cause I wouldn't be able to stop using it
Far out