Have 100% confidence using a master limiter | FabFilter Pro-L
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- Опубликовано: 24 авг 2024
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I'm so stoked to see tutorials from Taylor Torrence! His tutorials as of late have been extremely helpful and provide exclusive insight that I feel other production schools lack on RUclips and other social media. Cosmic Academy has truly become the "go to" authority for me accessing premium production tips. Love this very much, and I can't wait to see and hear more!!!
I haven’t even watched this yet. But this is exactly what I was looking for. Watching now
Hahaha happy this one will help!
Unbelievable tutorial! Cheers Taylor
Sweet Tutorial 👌🏽
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Solid video!
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Thank so much Taylor!! This is great!
He crushed this one...literally covers limiting top to bottom!
@@TheCosmicAcademy he really did!! Very informative!!
Best damn channel for production tips I swear
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Great Video. I understand that every track will be differrent but on average or roughly is -3.5 - 5.0 roughly in the right area of gain reduciton?
Tay tay Taylor the music nerd 🤓jk all live brotha nice job at edc 🔥🔥
hahahaha we're all nerds at heart!
Cool video, Limiting is one way, but also the use of clipping on the master is a great way to get a loud mix without destroying the master BUS. Would be good for you guys to do a vid on this, in fact maybe compare both Limiting vs clipping. Also the use of multiple Limiters will sometimes give you a better result rather then smashing -7db on the one limiter!
Thanks! And of course there are levels to this!!! Hahaha can’t cover everything in one video! Plenty more coming
Awesome stuff as always Taylor! Really gotta look into getting the L2 lol, although I also heard aom invisible limiter is amazing
both are awesome choices!!
I actually think invisible sounds better but L-2 is more visual
It is necessary to have gain reduction (-3db to -5db) or if we have a loud master and don’t have gain reduction it’s good ?
the best
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Great tutorial! I've been unsure how much gain reduction was TOO much but now I see shooting for no more than 5dB for gain reduction is ideal to prevent distortion. Again music is audible, so appears it can be more or less depending on the track. A question I have is, if we can recognize what element in the mix (ex. an overpowering transient) is causing a large gain reduction. Would it be a good technique to go back in the mix and try correcting it with maybe: saturation, compression, clipping, etc. for a stronger mix/master
NEEDED THIS!
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What's channel linking tho?
Channel linking processes the L&R channels together vs independently.
FL n not Logic? Smh Taylor 😂… but in all seriousness awesome sess
taylor has been in FL this whole time and just lied to everyone