Fantastic playing and in this video recording there is a real sense of occasion. Marvelous overall sound , a very tight performance. They make a difficult and intricate piece look so easy.
Great performance. Bravo 👏, I think the name of conductor and the guitar’s Luthier should be mentioned. They really are part of the Show. Surely the soloist is the main interpreter. But it woud be delicate and of Great kindness to say these two names. Does anybody know their names( the conductor and the Gutar’s Luthier? Does anybody can help us here? Tks A Great Interpretation and a wonderful performance of all of them! Congratulations Mr. Dylla. You made my day . Bravo 👏 👏👏👏
Es una excelente interpretación, muy personal. Si suena algo raro, debe ser porque los micrófonos no fueron bien instalados. Este es un problema técnico del sonido. La orquesta y el solista están muy bien. Felicitaciones.
Can any1 help me here, When the movement ends, it seems like he tightens the 6th string and i've seen a lot of people do that between movements/pieces. Any idea why?
+alone66666 The 6th string is tuned to D for the 1st movement, and it has to be tuned back up to E for the 2nd and 3rd movements. Either that, he was just checking his tuning :)
+Kevin Loh Thanks, I thought there was a more sophisticated reason, i'm kinda disappointed now haha. U're also quite good btw, love your piazzolla pieces = )
if you look at the head movement you will see that the video is cut badly so it looks like its playback but it is just bad synchronization between audio and video :)
Very good version...second only to Paco de Lucia so far, and I have heard a couple of dozens players including john williams and pepe romero. Some of these greats were so choppy...too choopy, and too slow...I cannot bear to hear them play this. Marcin makes it sound natural and lively with good pace, which is the test of this very great and extremely difficult masterpiece. He had a little of the classical tone changes here and there, but did not over do them...and not at the expense of slowing down. He kept the pace because he can technically and played a nice smooth melodic rendition...only second to Paco in speed, technique, and lively feel to the song. Awesome!!!
@@dylanharnettmarshall9700 I wish I can find the source where Rodrigo himself said that Paco's interpretation was how he had hope that his masterpiece would be played. Do more research and don''t' buy into the selling points of the classical world trying to discredit Paco and every time they lack the skill it is the same old excuse...oh...we played it slow to be expressive. It will take 10 life times to develop the technical ability of Paco...and yes...I can only listen to a few dozens of his best melodic recordings...but, he was the best guitar player and he played this concierto the best all around. It is just that up to that point...no one...no one in the flamenco nor classical world had the ability to play it like Paco did. That was his first and only performance of the piece...one take and he only learned it in a few months. Rodrigo was there when Paco played...how many classical player had the honor of his presence when they performed this piece. Paco had the approval of the composer himself. Paco might not be like Vicente Amigo, who is my favorite because of his sweeter tone and melodies. But, even Vicente cannot perform the concierto de aranjuez at the pace of Paco...and Paco was not just all about speed like a robot...he kept rhythm, he honored it, at very high speed which is much much more difficult than you can imagine...and no one else can do it. Speed...like quantity...has a quality of its own. Anyhow, Rodrigo said he had hope that the piece can be played in the flamenco style since it is based on the national musical forms of Spain...which is flamenco. The classical world owned the performance of the piece because way back then most flamenco players could not learn this song because they did not read music. Even if they did...I don't know they would have the skills to do it...old style flamenco was pretty boring and simplistic. They could not even keep compass when playing semi difficult passages. I will try to find the source where Rodrigo said that Paco played it like how it should be played and how it should have been played all this time. Haha...but even Rodrigo could not have imagined that anyone can do what Paco did for his masterpiece;-).
@@dylanharnettmarshall9700 You can google this...www.inquirer.com/philly/obituaries/20140227_Paco_de_Luca__66__guitar_great_and_flamenco_innovator.html "It has been said, and rightly so, that Paco de Lucía has never been surpassed by anyone and guitar playing today would not be understood without his revolutionary figure," Spain's arts association SGAE said in a statement. Mr. de Lucía went on to record flamenco jazz fusion with Di Meola and John McLaughlin in a series of now-legendary concerts, and also recorded with Chick Corea. He was highly acclaimed after his performance of Joaquín Rodrigo's Concierto de Aranjuez at London's Festival Hall in 1991, attended by the composer himself, and considered one of the best interpretations of the piece. Mr. de Lucía memorized the piece by ear, as he did not read music, and gave it a distinctive flamenco flavor.
ergin uzun yazmamiş olmak izlenmiyor olunduğu anlamina gelmiyor :) aksine ilk izledigim zamanlarda yorumunuz yoktu. bu gelişimde gordum. siz de yeni izlediniz herhalde :) iyi gunler
@@anekinpockpass9144 if you look at the head movement you will see that the video is cut badly so it looks like its playback but it is just bad synchronization between audio and video :)
Marcin Dylla is one of the greatest classical guitartists of our time. Superb performance! Bravo!
The best version
Absolutely
Marcin doesn't play guitar... He makes love to the guitar
oh yeah....had the same thought...hehe
La versión más maravillosa que haya escuchado.
Marcin semplicemente STUPENDO
I never really get enough out of it. I keep listening and enjoy it each time. It is a gift!
Fantastic playing and in this video recording there is a real sense of occasion. Marvelous overall sound , a very tight performance. They make a difficult and intricate piece look so easy.
Thoroughly agree!! Every orchestra member is fully committed, beautifully presented and the sound is so tight and full! Fantastic production.
Best version I have seen!!!
fenomenal, que maravillosos arreglos
Wonderful Marcin!
Great performance. Bravo 👏, I think the name of conductor and the guitar’s Luthier should be mentioned. They really are part of the Show. Surely the soloist is the main interpreter. But it woud be delicate and of Great kindness to say these two names. Does anybody know their names( the conductor and the Gutar’s Luthier? Does anybody can help us here?
Tks
A Great Interpretation and a wonderful performance of all of them! Congratulations Mr. Dylla. You made my day . Bravo 👏 👏👏👏
The orchestra is awesome! About the soloist...well, what has not been said about this great guitarist? :)
Simply amazing, indeed. =o
Great performance👌👍❤
Simplesmente magnífico! (Amazing performance)
Excenlente una pieza divina y un magnifico interprete al igual que la orquesta y su director
No tiene director XD
Great performance of this concerto!
Simply superb, great orchestra too
Lost for words. Just beautiful.
Marcin, i now have the CD/DVD too, which I guess means you finally managed to 'make a record'!;) Superb performance. Thanks for posting.
Venha caminhar nas Missões, principal experiência espanhola em território brasileiro. #caminhodasmissoes
Espectacular!!
WOW!
Great performance!
que linda version
Amazing performance. Just an observation, the volume of his microphone is pretty low, they should have fixed that before the concert recording.
Much different of any recording I have heard before...Nice...modern
Es una excelente interpretación, muy personal. Si suena algo raro, debe ser porque los micrófonos no fueron bien instalados. Este es un problema técnico del sonido. La orquesta y el solista están muy bien. Felicitaciones.
no director? or i am blind?
1st violinist is director and conducting from desk :)
Can any1 help me here, When the movement ends, it seems like he tightens the 6th string and i've seen a lot of people do that between movements/pieces. Any idea why?
+alone66666 The 6th string is tuned to D for the 1st movement, and it has to be tuned back up to E for the 2nd and 3rd movements. Either that, he was just checking his tuning :)
+Kevin Loh Thanks, I thought there was a more sophisticated reason, i'm kinda disappointed now haha. U're also quite good btw, love your piazzolla pieces = )
これ聴けって言う宿題出た人いる？
👏👏👏👏👏
Super playback min 5:41😉
Juan Martin the bassoon has that same line
if you look at the head movement you will see that the video is cut badly so it looks like its playback but it is just bad synchronization between audio and video :)
Qué espectacular orquesta..!...hay momentos en que la guitarra se refunde...ese no es el sonido de una guitarra española...
Joaquín Rodrigo - Concierto De Aranjuez, Allegro Con Spirito (Live) (High-Quality Audio)
ruclips.net/video/5uiCCe_rLfY/видео.html
processed using NPDT Process
#joaquinrodrigo
#pacodelucia
#conciertodearanjuez
#highquality
#npdtprocess
Where is the director?:((
Very good version...second only to Paco de Lucia so far, and I have heard a couple of dozens players including john williams and pepe romero. Some of these greats were so choppy...too choopy, and too slow...I cannot bear to hear them play this.
Marcin makes it sound natural and lively with good pace, which is the test of this very great and extremely difficult masterpiece. He had a little of the classical tone changes here and there, but did not over do them...and not at the expense of slowing down. He kept the pace because he can technically and played a nice smooth melodic rendition...only second to Paco in speed, technique, and lively feel to the song. Awesome!!!
@@dylanharnettmarshall9700 I wish I can find the source where Rodrigo himself said that Paco's interpretation was how he had hope that his masterpiece would be played. Do more research and don''t' buy into the selling points of the classical world trying to discredit Paco and every time they lack the skill it is the same old excuse...oh...we played it slow to be expressive. It will take 10 life times to develop the technical ability of Paco...and yes...I can only listen to a few dozens of his best melodic recordings...but, he was the best guitar player and he played this concierto the best all around. It is just that up to that point...no one...no one in the flamenco nor classical world had the ability to play it like Paco did. That was his first and only performance of the piece...one take and he only learned it in a few months. Rodrigo was there when Paco played...how many classical player had the honor of his presence when they performed this piece. Paco had the approval of the composer himself. Paco might not be like Vicente Amigo, who is my favorite because of his sweeter tone and melodies. But, even Vicente cannot perform the concierto de aranjuez at the pace of Paco...and Paco was not just all about speed like a robot...he kept rhythm, he honored it, at very high speed which is much much more difficult than you can imagine...and no one else can do it. Speed...like quantity...has a quality of its own. Anyhow, Rodrigo said he had hope that the piece can be played in the flamenco style since it is based on the national musical forms of Spain...which is flamenco. The classical world owned the performance of the piece because way back then most flamenco players could not learn this song because they did not read music. Even if they did...I don't know they would have the skills to do it...old style flamenco was pretty boring and simplistic. They could not even keep compass when playing semi difficult passages. I will try to find the source where Rodrigo said that Paco played it like how it should be played and how it should have been played all this time. Haha...but even Rodrigo could not have imagined that anyone can do what Paco did for his masterpiece;-).
@@dylanharnettmarshall9700 You can google this...www.inquirer.com/philly/obituaries/20140227_Paco_de_Luca__66__guitar_great_and_flamenco_innovator.html
"It has been said, and rightly so, that Paco de Lucía has never been surpassed by anyone and guitar playing today would not be understood without his revolutionary figure," Spain's arts association SGAE said in a statement.
Mr. de Lucía went on to record flamenco jazz fusion with Di Meola and John McLaughlin in a series of now-legendary concerts, and also recorded with Chick Corea.
He was highly acclaimed after his performance of Joaquín Rodrigo's Concierto de Aranjuez at London's Festival Hall in 1991, attended by the composer himself, and considered one of the best interpretations of the piece. Mr. de Lucía memorized the piece by ear, as he did not read music, and gave it a distinctive flamenco flavor.
good
Wonderful playing, but the sound engineer was probably sleeping or the microphones were muted. The guitar is not loud enough. What a pity.
Eso es
şuna bak 1 tane türk yorum yazmamış izlememişlerdir kesin böyle güzel bir eseri
ergin uzun yazmamiş olmak izlenmiyor olunduğu anlamina gelmiyor :) aksine ilk izledigim zamanlarda yorumunuz yoktu. bu gelişimde gordum. siz de yeni izlediniz herhalde :) iyi gunler
güzelim fero dinlerken nerelere geldim ya, iğrenç bişi bu /s
You forget the name of the COMPOSER !!!
La mejor ejecución de todas mejor que la de williams, yepes y paco de lucía
Nacho tacos
They love those tacos
what?
I think this performance is fake 👀?
I see him strumming at 5:44 where he was clearly not too cause I hear the audio playing the bass notes for the melody .
@@anekinpockpass9144 if you look at the head movement you will see that the video is cut badly so it looks like its playback but it is just bad synchronization between audio and video :)
Suena a algo raro no se a que pero algo raro horrible..les recomiendo a Angel Romero excelente en todos los sentidos.
sin duda es un buen guitarrista romero pero en lo personal pienso que dalla es mejor te recomiendo ver mas cosas que toca
Rodrigo Kehoe dylla perdón 😂