I remember as a kid getting the score out of the Yale library and following along with LA Callas... jaw dropping agility, lazer like precision, and a dramatic aplomb unprecedented in the annals of the recorded human voice. You don't need a score to get that !
22:09 ay madre mía¡ La Callas acabando con todo! De hecho brilló con tanta fuerza que sigue siendo el sol de la ópera! Fantástico vídeo…hecho para disfrutar de la música, de las voces , de un grandísimo compositor como Rossini, gracias por esta alegría. ❤❤❤❤
Callas é única. Agilidade, extensão, divisão perfeita, respeito ao estilo e absoluta identificação com a personagem. Callas coloca sua técnica soberba a serviço da Arte e o resultado é quase sobrenatural! Callas é Armida!!!
Si only Callas is Armida....y Norma,Sonambula,lady Macbeth,Violeta,Tosca,Elvira etc,etc,etc Nunca ninguna soprano podra igualarla y MENOS superarla!!!!!!!
Monstruosaaaaaaaaaaaaaaa!!!!!!!!!! El referente assoluto de la Opera, élla es el antes y el después le duela a quién le duela,ni Caruso tiene semejante Honor. Punto........
This is like heaven opening for one brief instance to reveal glories never imagined. Where were HMV, COLUMBIA, DECCA??? Radio Italiano, Deutsches Gramophone, the idiot Walter Legge busy recording his wife in Der Fledermaus...
You are so right! We even have no videos of her fabulous stage performances and her best roles ( Abigail, Lady Macbeth, Anna Bolena, Armida etc. had not been even recorded in studio !) Probably no proffesional from the companies you mentioned had enough intelligence to recognize we were (at the peridod of Maria´s best years) witnessing something that will never happen again!! Real idiots !!
Excuse me, but Armida was not her only Rossini opera. There are also recordings of her in Barbuere di Siviglia (with Gobbi and Alva), as well as an equally stupendous Turco in Italia (with first recording of Nicolai Gedda). Callas could sing ANYTHING!!
El fragmento del ária D'amore al dolce impero no es de esa noche, donde el final lo interpreta de forma diferente y, para mí, mejor. Corresponde a un concierto del año 54, dos años después. Y la nota final no es un Mi bemol. Es un MI 😎
![Callas brings Hades to Texas (1958 Medea) [Groundbreaking REMASTER]](http://i.ytimg.com/vi/qbF6ezrz-lw/mqdefault.jpg)
![Callas brings Hades to Texas (1958 Medea) [Groundbreaking REMASTER]](/img/tr.png)
The impossible made possible by Maria! I ve never ever listened to an Armida even close to hers! To die for!!
Maria Callas #Deusa do canto!❤❤❤❤❤❤❤❤❤
Never has there been a more compelling, more commanding, more fervent, more dramatically glorious voice.
There's a reason she was lauded as the greatest coloratura during the 1950s, it's so evident in this recording!
I remember as a kid getting the score out of the Yale library and following along with LA Callas... jaw dropping agility, lazer like precision, and a dramatic aplomb unprecedented in the annals of the recorded human voice. You don't need a score to get that !
22:09 ay madre mía¡ La Callas acabando con todo! De hecho brilló con tanta fuerza que sigue siendo el sol de la ópera! Fantástico vídeo…hecho para disfrutar de la música, de las voces , de un grandísimo compositor como Rossini, gracias por esta alegría. ❤❤❤❤
Eternamente Maria Callas...!!!
Diva Assoluta Eterna...!!!
La Unica Divina Greca...!!!
🎼🎶🎵🎶🎵🎶🎵🎶🎵🎶🎵🎶
⚘⚘⚘⚘⚘⚘⚘⚘
❤❤❤❤❤❤❤❤
👏👏👏👏👏👏👏👏
Callas, the Colbran of the 20th century.
Malibran
Callas é única. Agilidade, extensão, divisão perfeita, respeito ao estilo e absoluta identificação com a personagem. Callas coloca sua técnica soberba a serviço da Arte e o resultado é quase sobrenatural! Callas é Armida!!!
❤❤❤😊😊😊🎉🎉🎉
Its so thrilling to hear Callas singing in her correct vocal category! She just adds so much extra to these roles!
Можно сойти с ума!!! Этот шедевр на все времена !!!!! Каласс ни- кто и ни- когда не заменит . Она уникальна и неповторима!!!🎉🎉🎉🎉🎉🎉🎉❤❤❤❤
Only Callas is Armida
Sovrumana,incomparabile...voce,temperamento,tecnica di un'altro pianeta!! Dopo di Lei il diluvio❤❤❤❤
Si only Callas is Armida....y Norma,Sonambula,lady Macbeth,Violeta,Tosca,Elvira etc,etc,etc
Nunca ninguna soprano podra igualarla y MENOS superarla!!!!!!!
And Ana Bolena.
Incredible!!! Supersonic end!!! Electrifying!!!! A force of nature!! Great sound!! Thanks!!
Monstruosaaaaaaaaaaaaaaa!!!!!!!!!!
El referente assoluto de la Opera, élla es el antes y el después le duela a quién le duela,ni Caruso tiene semejante Honor.
Punto........
😟😟 SUPER HUMAN AGILITY AND COMPLETE ABANDONMENT OF SUPERNATURAL VOCAL ABILITIES FOCUSED COMPLETELY ON PURE INTERPRETATION.
she is the best of all time, period
is the Se al mio crudel...Dove son io? aria here in this video pitched up or the original key?
original key
Именно так пели во времена Россини и Беллини в итальянских театрах!
can we talk about how difficult D'amore al dolce impero aria is?
Inspired all 6 of her tenors !!!!!!!!!!!!!!!!
This is like heaven opening for one brief instance to reveal glories never imagined. Where were HMV, COLUMBIA, DECCA??? Radio Italiano, Deutsches Gramophone, the idiot Walter Legge busy recording his wife in Der Fledermaus...
You are so right! We even have no videos of her fabulous stage performances and her best roles ( Abigail, Lady Macbeth, Anna Bolena, Armida etc. had not been even recorded in studio !) Probably no proffesional from the companies you mentioned had enough intelligence to recognize we were (at the peridod of Maria´s best years) witnessing something that will never happen again!! Real idiots !!
Her only Rossini opera seria role. Imagine what she could have done with Semiramide or Ermione
Her Bel raggio lusinghier is outstanding
@electricxcircus Callas as Semiramide, Simionato or Stignani as Arsace, Mario Petri or Cesare Siepi as Assur, Giulio Neri as Oroe, perfect.
@@BaroneVitellioScarpia1 Giuseppe di Stefano as Idreno would also be a great addition.
@@operaanimelover369too high
Excuse me, but Armida was not her only Rossini opera. There are also recordings of her in Barbuere di Siviglia (with Gobbi and Alva), as well as an equally stupendous Turco in Italia (with first recording of Nicolai Gedda).
Callas could sing ANYTHING!!
El fragmento del ária D'amore al dolce impero no es de esa noche, donde el final lo interpreta de forma diferente y, para mí, mejor. Corresponde a un concierto del año 54, dos años después.
Y la nota final no es un Mi bemol. Es un MI 😎
❤❤❤❤❤❤❤❤❤
17:35. Se al mio crudel tormento.
Effectivement ce n’est pas la version de 52 mais 54. La première est nettement plus éblouissante !!!!
Yes 😎
16:04. Unitevi a gara.
3:18 4:34